LAT	RTMC	RTC	The Gist
documentary
Marwencol	yes	100	100	*d:isn't standard man-triumphing-over-adversity-fare
The Two Escobars	yes	91	100	*d:dynamically chronicles their meshed fates.
Boxing Gym.	yes	91	80	*d:Frederick Wiseman's quietly provocative documentary
Bhutto	yes	91	80	d:thorough and involving
Disco and Atomic War	yes	90		d:although like the Cold War itself, the film does drag on at times, "Disco" really is a delight
Client 9: The Rise and Fall of Eliot Spitzer	yes	89	88	d:a taut and compelling investigation
William S. Burroughs: A Man Within	yes	83		d:less as clear-eyed investigation than [an] intimate and moving portrait
Strange Powers: Stephin Merritt and the Magnetic Fields	yes	71	78	*Never heard of the singer-songwriter? After seeing this engaging documentary, you'll likely become a huge fan of his exceptional music.
Jews and Baseball: An American Love Story	yes	67	67	d:major focus on Hank Greenberg and Sandy Koufax.
Cool It	yes	46	46	doesn't find Gore's truth inconvenient so much as distorted
Wasteland	yes			*d:a vast landfill north of Rio de Janeiro
Winston Churchill: Walking With Destiny	yes			d:a wholly upbeat portrait of a popular, undaunted leader.
Lemmy	so-so	89		d:the filmmakers leave something wanting
Troubadours	so-so	80		d:plays like linked mini-biographies
The Kids Grow Up	so-so	60	67	d:what might have been insufferable navel-gazing attains poignancy.
animated
Tangled	yes	87	92	*proves a pleasure after a shaky start.
The Illusionist	yes	86	82	*Sylvain Chomet [delivers] all sorts of visual and storytelling magic, as he did in 'The Triplets of Belleville
Summer Wars	yes	77	80	*a sophisticated yet poignant family entertainment
Megamind	so-so	67	69	clever, amusing
Evangelion 2.0: You Can (Not) Advance	so-so			doesn't suffer wandering attention spans.
Yogi Bear	no	13	19	no pic-a-nic.
The Dreams of Jinsha	no			a painstakingly if awkwardly assembled hand-drawn entry from Chinese animators.
regular movies
Vision: From the Life of Hildegard von Bingen	yes	100	100	*follows the exploits of the 12th century Benedictine nun, a feminist centuries ahead of her time.
True Grit	yes	95	95	*a film whose aim is always true
Nora's Will	yes	94	88	*a man who fights a stubborn rear-guard action against his dead ex-wife's final wishes
127 Hours	yes	93	100	*one man's incredible, unforgettable journey
Rare Exports: A Christmas Tale	yes	92	100	*likely to become a winter favorite for those allergic to holiday treacle.
The King's Speech	yes	91	100	*the future king of England and his speech therapist
Another Year	yes	91	86	*the everyday becomes extraordinary.
White Material	yes	90	100	*a woman confronting armed chaos in Africa
Blue Valentine	yes	90	82	an intensely intimate rendering of love
Guy and Madeline on a Park Bench	yes	86	100	a musical romance told in jazz and shot in black and white
The Fighter	yes	86	76	rousing
Undertow	yes	86		A man must come to terms with his sexuality and his dead lover
Unstoppable	yes	85	90	A runaway train drama that never slows down
The Magician	yes	83		a hit man improbably allows himself to be filmed in action
Amer	yes	83		*a bravura exploration of fear and desire
Made in Dagenham	yes	81	63	adaptation of the 1968 seamstress strike in England
Four Lions	yes	81	58	*a comedic look at terrorists
Me Too	yes	80		a coming-of-age story with a difference: Its hero has Down syndrome
Night Catches Us	yes	77	75	manages to be both pertinent and dramatically persuasive
Heartless	yes	76	100	*compelling psychological horror-thriller
Somewhere	yes	76	70	more successful in creating ambience and visual imagery than it is in telling its story
Today's Special	yes	75	56	*Imaginative, warm and witty
Mumbai Diaries	yes	74	88	a shimmering, loving homage
Kaboom	yes	71	75	takes the time-honored gambit of gradually revealing that nothing is as it seems
Biutiful	yes	65	70	an ethereal yet visceral meditation on living and dying.
Zenith	yes	63	67	evokes a bleak view of the human condition and a sense that pervasive paranoia might well be justified
Shake Hands with the Devil	yes	63		Canadian Lt. Gen. Roméo Dallarme's peacekeeping mission to Rwanda
Change of Plans	yes	53	57	a tasty French romantic comedy diversion with just a touch of seriousness thrown into the mix.
The Girl Who Kicked the Hornet's Nest	yes	49	56	an extremely satisfying ending to the story of Lisbeth Salander
Love & Other Drugs	yes	42	31	[a] love story that gets it right.
Twelve Thirty	yes	25	40	*gradually draws the viewer into its thrall and builds to an unpredictable but effective climax.
Burning Palms	yes	17		*fragility and desperation that lurk beneath the surface of the lives of some anonymous L.A. residents
Aftershock	yes			involving, well-acted saga
Essential Killing	yes			a grueling, offbeat tale of human survival
Ip Man 2: Legend of the Grandmaster	so-so	95	100	conflicting impulses between drizzly emotional moments and slap-happy frenzy.
Dogtooth	so-so	92	91	part enigma, part allegory and even part sci-fi in its creation of a completely alternate reality
Applause	so-so	85	83	leaves you wanting more
The Way Back	so-so	81		in its best moments is ... as big as life itself.
Fair Game	so-so	79	72	seems to be doing everything right but still doesn't manage to leave you with a completely satisfied feeling.
Harry Potter and the Deathly Hallows: Part 1	so-so	78	72	isn't for the uninitiated.
I Love You Phillip Morris	so-so	77	73	one mixed bag of a movie
Barney's Version	so-so	74	75	flawed but exhilarating
Red Hill	so-so	74	57	hybrid western/slasher [with] a commendably entertaining calling-card oomph.
Die Fremde	so-so	73	80	worthy if uneven study of the tragedy of honor crimes.
The Housemaid	so-so	71	63	sleek, erotic and suspenseful, at least for the first hour
The Company Men	so-so	70	78	great cast at the service of a so-so movie.
Outside the Law	so-so	64	40	its the heart of the brothers that sometimes confounds the director
Eichmann	so-so	60		richly detailed and timelessly important — but also ponderous
Jolene	so-so	59	57	a watchable excursion into human frailty and foibles
Morning Glory	so-so	54	43	Rachel McAdams gives the kind of performance we go to the movies for
Welcome to the Rileys	so-so	54	42	flawed yet promising film
The Chronicles of Narnia: The Voyage of the Dawn Treader	so-so	50	48	wonderful moments and delightful characters, but overall falters.
Every Day	so-so	47	50	intriguing, yet woefully uneven
For Colored Girls	so-so	33	31	Its poetry is hot and searing
The Dilemma	so-so	25	31	the actor's good-time character grows up.
The Rite	so-so	17	23	What did you expect? Spinning heads? Pea soup?
Country Strong	so-so	17	17	down-home comfort
Skyline	so-so	10	0	space aliens drop in on Los Angeles, luring the city's residents
A Marine Story	so-so			drive[s] home its underlying message about the injustice of "don't ask, don't tell"
Violet Tendencies	so-so			enjoyable if uneven sex comedy
Meskada	so-so			never quite builds a solid momentum or finds a true sense of purpose
If You Are the One 2	so-so			a mildly charming dose of romantic gloss
Black Swan	no	86	85	an overheated slog
Rabbit Hole	no	84	81	an air of genteel familiarity stifles
Inspector Bellamy	no	81	83	a sadly bland footnote to an illustrious and influential career
A Somewhat Gentle Man	no	75	57	promises a more complex and full-blooded portrait than the film is able to deliver.
Monsters	no	62	56	blunted by a weak plot, forgettable dialogue and sloppy politics
No Strings Attached	no	52	53	bits sound like they were cribbed from bathroom stall scribes
Tron: Legacy	no	49	31	there's not nearly enough new life.
The Mechanic	no	48	31	[A] cheap, cruddy remake of the 1972 Charles Bronson vehicle
The Warrior's Way	no	46	40	a tiresome lab experiment in computer-generated tropes and green-screen oppressiveness.
The Next Three Days	no	45	37	Run, Russell, run! Save yourself.
Faster	no	43	27	violent but bland
The Green Hornet	no	43	22	a boring bromedy that features mumblecore heroics instead of the real thing.
Due Date	no	39	45	John Hughes did it better
The Other Woman	no	38	15	mostly flat and plodding
Burlesque	no	33	27	Big Musical Numbers by the score rather than a film
Queen of the Lot	no	33	20	has become even sloppier regarding basics like photography, editing and sound recording
All Good Things	no	31	44	too fact heavy
Sanctum	no	30	32	the gee-whiz factor is overwhelmed by the oh-jeez writing
From Prada to Nada	no	27	17	more in common with a slapped-together TV movie
Repo Chick	no	22	0	feels slapdash, ill-formed and out-of-touch.
Gulliver's Travels	no	21	19	falls between complete disaster and loads of fun
Wild Target	no	21	18	seems destined to spin dangerously out of control.
The Tourist	no	21	7	international intrigue and mistaken identity aren't enough to overcome the lackluster chemistry.
The Taqwacores	no	11		a thin veneer of tiresome obnoxiousness
Saw 3D	no	10	15	has so little creativity, its goriness provokes laughter or sleep.
Little Fockers	no	10	4	just isn't funny
Alien Girl	no	10	0	a grim, artless Russian-made gangster picture
The Roommate	no	8	0	a waste all around of young, attractive actresses
Waiting for Forever	no	7	0	an insipid contemporary fairy tale
Hemingway's Garden of Eden	no	5	0	thoroughly distracted by elephant hunting
Season of the Witch	no	4	0	an oddly lifeless tale set during the Crusades.
The Nutcracker in 3D	no	0	0	Your Thanksgiving turkey has arrived on schedule
Walkaway	no			suffers from a marked lack of energy
Break Ke Baad	no			Indian romcom: engaging performances. Too bad the script doesn't live up to them.
The Assistants	no			This movie about wanting to make a movie doesn't make for much of a movie.
Dead Awake	no			poorly structured and even more poorly shot
Violent Blue	no			[a] drearily indulgent slog
Ong Bak 3: The Final Battle	no			Gone is the scrappy, brutal wit of the original
What Women Want	no			this Chinese-language carbon copy doesn't find a distinctive voice.