LAT	RTMC	RTC
documentary
Project Nim	yes	97	100	*d:unsettling
Queen of the Sun: What Are the Bees Telling Us?	yes	97	93	*d:Taggart Siegel's vital documentary explains how colony collapse disorder could have critical effects on humans.
One Lucky Elephant	yes	96	100	*d:A crusty circus owner struggles to find a home for an African elephant
Cave of Forgotten Dreams	yes	95	100	*d:stepping inside the Chauvet cave
Cameraman: The Life & Work of Jack Cardiff	yes	95	100	d:filled with gloriously vivid HD clips
Beats, Rhymes & Life: The Travels of A Tribe Called Quest	yes	95	100	*d:an absorbing exploration of the history of the long-running hip-hop collective
Making the Boys	yes	94	100	d:paints a vivid portrait of the era
Crime After Crime	yes	93	86	d:deeply affecting account of the very real effect of political corruption
Passione	yes	88	78	d:a vibrant exploration and celebration of Neapolitan music
Buck	yes	85	79	d:the hard-knocks-but-hope-infused story of horse whisperer Buck Brannaman.
The Last Mountain	yes	83	71	d:a damning look at Big Coal
Make Believe	yes	82	86	d:lively ... though not terribly deep or revealing
Forks Over Knives	yes	80	83	d:persuasive presentation of solutions to unhealthy eating habits
Rejoice and Shout	yes	80	83	d:vibrant and comprehensive
Beautiful Darling	yes	75	86	d:The allure of fame and the cruelty of an alienated life
Farmageddon	yes	75	83	d:war on America's small farmers
Hey Boo: Harper Lee and "To Kill a Mockingbird"	yes	74	80	d:the story it tells remains completely fascinating.
Blank City	yes	74	75	d:mid-70s to mid-'80s Lower Manhattan No Wave Cinema movement
Exporting Raymond	yes	71	67	d:[a] very entertaining cultural exchange
The People vs. George Lucas	yes	69	80	d:Even his greatest detractors will still camp out for the next "Star Wars" installment.
How to Live Forever	yes	62	80	d:the perils and possibilities that come with growing old.
Jig	yes	60	36	d:superbly crafted, giving Irish step-dancing an exuberant treatment.
Page One: Inside the New York Times	no	77	69	d:A lot of what they say is intriguing, but you wish they could stick to the point.
L'Amour Fou	no	63	57	d:affectionate and frustrating
The Undefeated	no	0	0	d:Essentially a Sarah Palin infomercial masquerading as a documentary
animated
Winnie the Pooh	yes	91	97	*proves a fitting tribute to one of the last century's most enduring children's tales.
Kung Fu Panda 2	yes	80	79	*Po returns in fine, paunchy form
Cars 2	yes	34	44	genially entertaining
Mia and the Migoo	so-so	44	29	never fully pinpoints its intended audience
Hoodwinked Too! Hood vs. Evil	so-so	10	9	a storybook hurled straight at your head
regular movies
Poetry	yes	100	100	*an aging woman trying to find her voice while encountering ugly truths in her small Korean town.
Leap Year	yes	100	100	*deeply unsettling, psychologically acute
Harry Potter and the Deathly Hallows — Part 2	yes	97	100	*the last, and one of the best, in the film series
NEDS	yes	96		*a deft fusion of period detail, kitchen-sink grit and heightened cinematic reality.
City of Life and Death	yes	93	89	the rape of Nanking is powerful and not to be missed
Midnight in Paris	yes	92	96	*Woody Allen has made a wonderful new picture
Delhi Belly	yes	91	100	Bollywood pleasing escapist fare.
Submarine	yes	91	81	*smart and funny
Bridesmaids	yes	90	88	*real people in real relationships, real raunchy, real funny.
13 Assassins	yes	90	83	*a classic samurai movie, right up there among the finest in the genre
The Double Hour	yes	86	100	*A love story wrapped in a way-twisty thriller
Beginners	yes	86	88	buoyant and disarming
Terri	yes	84	86	*captivating film about conflicted high schoolers.
Viva Riva!	yes	84	67	a nastily effective, sociologically pungent gangster drama
Road to Nowhere	yes	83	86	*A shimmering neo-noir film about a femme fatale
Stake Land	yes	81	92	familiar fright tropes feel vaguely organic again
Fast Five	yes	79	81	hot jacking action
Trollhunter	yes	79	62	nicely rises above this overused conceit
The Robber	yes	79		the true exploits of one of Austria's most-wanted lawbreakers
Everything Must Go	yes	76	82	No great epiphanies, just a few days, a little perspective, nicely told.
The Tree	yes	76	75	a lyrical story of loss and longing
Earthwork	yes	75	57	a flawless gem
Just Like Us	yes	73	83	an amusing, uniquely unifying effort.
Horrible Bosses	yes	72	61	*works in spite of its cruder, scrotum-centric instincts.
!Women Art Revolution (!W.A.R.)	yes	64	75	The struggle for equality for women in the pursuit of freedom of expression
Another Earth	yes	63	69	sci-fi imaginings and quantum physics ... parallel universes
That's What I Am	yes	60	100	*captivating and nostalgic coming-of-age dramedy
The First Grader	yes	57	67	the life of Kimani Ng'ange'a Maruge
Hesher	yes	53	48	a metal-head ... disrupts a mourning family
Jumping the Broom	yes	52	56	Clashes of class within the African American community [presented] with humor, compassion and plenty of wisdom.
Mr. Popper's Penguins	yes	46	45	far better for its penguins than its Popper
Skateland	yes	44	43	a particularly affecting, well-observed portrait of young people coming of age
The High Cost of Living	yes	44		heart-wrenching, beautifully articulated
Monte Carlo	yes	39	38	simple, sweet fun abroad.
Spork	yes			skewering schoolyard ignorance and cruelty to amusing, gratifying effect.
Dissolution	yes			A man who killed longs for redemption
35 & Ticking	yes			A capable cast and a good script makes going through a pre-midlife crisis enjoyable.
Love Exposure	so-so	92		a one-of-a-kind experience
The Trip	so-so	91	93	half fun, half irritation
Tree of Life	so-so	87	91	demands to be admired but cannot be easily embraced.
Thor	so-so	78	65	a mishmash with designs on being more interesting than it manages to be.
Captain America: The First Avenger	so-so	73	76	There is, in fact, a pro forma nature to this entire project
Friends With Benefits	so-so	70	67	even with all their huffing and puffing, [it] is never quite as satisfying as it should be.
True Legend	so-so	68	75	dazzling fight sequences above any sort of cogent storytelling.
Sarah's Key	so-so	66	53	goes back and forth between moments of strength and those that fall flat
A Little Help	so-so	54	73	By turns well observed and overstated
Prom	so-so	40	33	squeaky-clean to the point of mild-to-moderate aggravation, but it's not pushy.
Transformers: Dark of the Moon	so-so	36	27	at least a better Bay has delivered a leaner, meaner, cleaner 3-D rage against the machines.
Pirates of the Caribbean: On Stranger Tides	so-so	34	32	the latest edition of Disney's waterlogged franchise
Green Lantern	so-so	26	17	works in fits and starts as its disparate parts go in and out of effectiveness
Double Dhamaal	so-so	20		silly Bollywood sequel about four goofy and unemployed men
Fading of the Cries	so-so	0		there is something oddly comforting in the wide-eyed innocence and misguided commitment
The Chameleon	so-so			Though the complexities remain underdeveloped, you won't be bored.
Singham	so-so			a finish that is predictable and flawed by its vigilante-style tactics
X-Men: First Class	no	87	71	Multiple plots, overreaching effects and ancillary characters
A Better Life	no	83	80	overly earnest and filled with stereotypes and cliches.
Super 8	no	82	84	"Super 8's" elements do not jell into a satisfying whole.
The Beaver	no	65	67	a torrential downpour of pain
Vincent Wants to Sea	no	58		somewhere between a terrible affliction and a terribly funny affectation
Angel of Evil	no	48		a restless and hollow rundown of '70s criminal Renato Vallanzasca
Bad Teacher	no	46	28	There are too many F's and incompletes to give this Cameron Diaz comedy an A.
Empire of Silver	no	45	67	makes for unwieldy melodrama
Last Night	no	44	50	a drama so pointed it feels more like a thesis than a story.
Ironclad	no	43	17	a muscular if cheesy tale of resistance heroism
The Perfect Host	no	38	50	a short-film concept stretched way too thin.
Larry Crowne	no	36	22	acceptable around the edges but hollow and shockingly unconvincing at its core
The Hangover Part II	no	35	22	seems more interested in box-office loot than laughs
Sympathy for Delicious	no	32	33	grows increasingly tattered and flimsy
The Ward	no	31	23	bland shock therapy
The Best and the Brightest'	no	29	0	flies off its comic rails after an engaging start
The Art of Getting By	no	19	20	Hollywood teen rebellion takes a mopey, irritating turn
Priest	no	19	9	a hodgepodge of a horror movie.
Something Borrowed	no	17	3	comes out barely lukewarm
Beginning of the Great Revival	no	17		a bloated, boring enactment of the founding of the Chinese Communist Party.
Zookeeper	no	14	16	gets old quickly
There Be Dragons	no	13	14	an extremely clumsy contrivance
The Ledge	no	12	0	suffers from a seriously flawed script.
Dylan Dog: Dead of Night	no	8	0	vampires, werewolves, zombies, detective noir and spoofy comedy
The Big Bang	no	8	0	Self-conscious genre moves are probably inevitable in a film billed as "neo-noir."
Passion Play	no	5	13	leaden noir fantasy
A Love Affair of Sorts	no	0	0	epic navel-gazing and interminably low-stakes visual artistry.
An Invisible Sign	no	0	0	earnest but fatally uneven
The Abduction of Zack Butterfield	no	0	0	mash faux social commentary into the clumpy mix
A Beautiful Life	no			schmaltzy
A Proper Violence	no			its debits far outweigh its potential merits.
Bloodworth	no			misfired hillbilly gothic
Brother's Justice	no			patchy mockumentary
Rift	no			convoluted horror-thriller
The Bleeding House	no			close-knit characters talk in awkwardly roundabout ways
The Putt Putt Syndrome	no			comes off, at best, as a wan sex farce
Strangers Online	no			schadenfreude-inspired, cheaply made (and even more cheaply thought out) video dreck.
Good Day for It	no			Not agile enough to make the idea of a contemporary small-town western really work