| Average Score | Review Count | |||||
| Film Title | Critics | Readers | Positive | Negative | Mixed | The Gist |
| The Best of Youth | 5 | 3.79 | 12 | 0 | 0 | leaves you drained, moved, and overwhelmed. |
| End of the Century: The Story of the Ramones | 5 | 3.86 | 9 | 0 | 0 | delves deeply into the band's internal strife. |
| Good Night, and Good Luck | 5 | 2.96 | 5 | 0 | 0 | elegant and stirring … |
| My Summer of Love | 5 | 3.37 | 5 | 0 | 0 | immensely satisfying … |
| Duma | 5 | 4.19 | 5 | 0 | 0 | an astonishing film … |
| Going Upriver: The Long War of John Kerry | 5 | 2.76 | 12 | 0 | 0 | vivid, impressive, scrupulously researched |
| The Land of the Dead | 5 | 3.91 | 10 | 0 | 0 | Romero's masterpiece. |
| Grizzly Man | 5 | 3.71 | 5 | 0 | 0 | one of the best nature films ever made … |
| Wallace & Gromit: Curse of the Were-Rabbit | 5 | 4.38 | 10 | 0 | 0 | a whimsical success of a very high order … |
| Capote | 5 | 4.02 | 8 | 0 | 0 | Viciously good. |
| Collateral | 4.83 | 4.45 | 14 | 0 | 1 | taut, terrific, realistic |
| A League of Ordinary Gentlemen | 4.79 | 2.47 | 11 | 0 | 1 | captivating … |
| House of Flying Daggers | 4.79 | 4.37 | 11 | 0 | 1 | an astonishing work of cinematic beauty |
| Enron: The Smartest Guys in the Room | 4.79 | 3.5 | 11 | 0 | 1 | deeply straightforward yet beautifully crafted … |
| Dig! | 4.75 | 2.94 | 9 | 0 | 1 | terrific |
| The Constant Gardener | 4.75 | 3.84 | 9 | 0 | 1 | This is one of the year's best films. |
| Shaun of the Dead | 4.67 | 4.32 | 13 | 0 | 2 | a gleefully gory, pitch-perfect parody |
| Million Dollar Baby | 4.67 | 4.28 | 14 | 1 | 0 | may be the best American film of 2004. |
| The Incredibles | 4.67 | 4.58 | 13 | 0 | 2 | dazzlingly beautiful, funny, and meaningful |
| Ong-Bak: The Thai Warrior | 4.58 | 4.61 | 10 | 0 | 2 | possibly the best martial arts movie ever. |
| Born Into Brothels | 4.58 | 3.56 | 10 | 0 | 2 | an inspirational work that still keeps its head on its shoulders. |
| Look at Me | 4.58 | 2.86 | 10 | 0 | 2 | consistently amusing if featherweight |
| Garden State | 4.58 | 4.66 | 10 | 0 | 2 | small, smart, off-kilter comedy |
| Infernal Affairs | 4.58 | 4.7 | 11 | 1 | 0 | A high-concept, riveting police drama |
| Mean Creek | 4.58 | 4.1 | 10 | 0 | 2 | as involving as it is disturbing. |
| Mysterious Skin | 4.58 | 3.59 | 10 | 0 | 2 | its eroticism has a surprisingly bracing effect. |
| Deep Blue | 4.5 | 2.71 | 4 | 0 | 1 | breathtaking … |
| Separate Lies | 4.5 | 3.28 | 4 | 0 | 1 | As the couple in distress, Wilkinson and Watson are pitch perfect. |
| 2046 | 4.5 | 3.65 | 4 | 0 | 1 | a sweaty, teeming, hot-to-the-touch life-swarm of a movie. |
| The Edukators | 4.5 | 3.57 | 4 | 0 | 1 | boasts intelligent wit … |
| Howl's Moving Castle | 4.5 | 4.6 | 4 | 0 | 1 | joyful, serene … |
| Hero | 4.5 | 4.03 | 13 | 1 | 1 | dazzling and spiritually profound. |
| Murderball | 4.5 | 4 | 4 | 0 | 1 | the filmmaking is as strong as the subject matter … |
| Friday Night Lights | 4.5 | 4.22 | 12 | 0 | 3 | beautifully executed |
| The Memory of a Killer | 4.5 | 4.28 | 4 | 0 | 1 | gripping, stylishly lensed thriller … |
| The Aristocrats | 4.5 | 3.57 | 4 | 0 | 1 | vulgar and vile … might be the funniest movie you'll ever see. |
| Everything Is Illuminated | 4.5 | 4.17 | 4 | 0 | 1 | Schreiber's heartfelt project earns points for disciplined ambition. |
| Saraband | 4.5 | 2.76 | 4 | 0 | 1 | unbendingly severe. |
| Me and You and Everyone We Know | 4.5 | 3.27 | 4 | 0 | 1 | hilarious and heartfelt … |
| A History of Violence | 4.5 | 3.42 | 4 | 0 | 1 | Tense and atmospheric … |
| Junebug | 4.5 | 3.85 | 4 | 0 | 1 | beautifully acted comedy … |
| Millions | 4.38 | 3.79 | 9 | 0 | 3 | an honest tearjerker. |
| Sideways | 4.38 | 3.76 | 10 | 1 | 1 | refreshing, unpretentious and genuinely affecting. |
| Kinsey | 4.33 | 3.54 | 11 | 0 | 4 | one of the year's most satisfying films |
| The Manchurian Candidate | 4.33 | 3.59 | 12 | 1 | 2 | may just be the greatest remake ever remade. |
| Ray | 4.33 | 4.55 | 11 | 0 | 4 | succeeds more often than it doesn't |
| Kung Fu Hustle | 4.33 | 4.41 | 11 | 0 | 4 | dumb fun this smart is a gift. |
| Guerrilla: The Taking of Patty Hearst | 4.29 | 2.69 | 5 | 0 | 2 | incredibly compelling, yet ethically nonchalant |
| Serenity | 4.25 | 4.66 | 7 | 0 | 3 | never takes itself too seriously. |
| Corpse Bride | 4.25 | 4.24 | 7 | 0 | 3 | The Oscar for this year's Best Animated Feature Film belongs right here … |
| Red Eye | 4.25 | 4.11 | 8 | 1 | 1 | white-knuckle fun … |
| The Aviator | 4.17 | 3.64 | 10 | 0 | 5 | enormously entertaining |
| The Bourne Supremacy | 4.17 | 4.29 | 11 | 1 | 3 | the most fun you'll have in theaters this summer. |
| Downfall | 4.17 | 4.28 | 8 | 0 | 4 | meticulous, spellbinding, provocative |
| Bad Education | 4.17 | 3.58 | 9 | 1 | 2 | may be the best film of the year. |
| The Yes Men | 4.17 | 3.16 | 6 | 0 | 3 | an uproarious and appalling piece of consciousness-raising. |
| Thumbsucker | 4.17 | 3.64 | 4 | 0 | 2 | Pucci is an actor to watch … |
| The Holy Girl | 4.17 | 2.1 | 8 | 0 | 4 | Unforgettable. |
| Crash | 4.17 | 4.4 | 10 | 0 | 5 | Alive with bracing human drama and blistering wit … |
| Sex Is Comedy | 4.17 | 2.6 | 5 | 1 | 0 | perversely enjoyable |
| The Sisterhood of the Traveling Pants | 4.17 | 4.11 | 10 | 0 | 5 | grounded (and satisfying) … |
| Oldboy | 4.17 | 4.53 | 8 | 0 | 4 | dark, twisted and intelligent |
| Schultze Gets the Blues | 4.17 | 3.05 | 8 | 0 | 4 | a movie of immense charm |
| The Bad News Bears | 4 | 3.73 | 7 | 1 | 2 | swell, fair-ball remake … |
| War of the Worlds | 4 | 3.75 | 6 | 0 | 4 | the ride is extraordinary. |
| The Spongebob Squarepants Movie | 4 | 3.91 | 9 | 0 | 6 | often clever and very funny |
| Après Vous | 4 | 2.78 | 3 | 0 | 2 | Suicidal depression has rarely looked so amusing. |
| Charlie and the Chocolate Factory | 4 | 4.04 | 6 | 0 | 4 | Entertaining and fabulously imaginative … |
| The Prize Winner of Defiance, Ohio | 4 | 3.56 | 3 | 0 | 2 | shameless Eisenhower-era corn. |
| Occupation: Dreamland | 4 | 4.09 | 3 | 0 | 2 | a sympathetic look at the average Joe doing duty in hell … |
| 5 x 2 | 4 | 2.51 | 3 | 0 | 2 | deceptively placid and subtly unpredictable … |
| Rize | 4 | 3.82 | 3 | 0 | 2 | There's no way to take your eyes off it. |
| The Beat That My Heart Skipped | 4 | 3.06 | 4 | 1 | 0 | a dizzy, gratifying experience … |
| Hellbent | 4 | 3 | 4 | 1 | 0 | this queer-slanted slasher flick is actually pretty good. |
| Hotel Rwanda | 4 | 4.54 | 10 | 1 | 4 | a film of rare courage and imperishable heart. |
| Sky Captain and the World of Tomorrow | 4 | 3.33 | 10 | 1 | 4 | As an imaginative visual experience, there's nothing like it. |
| Broken Flowers | 4 | 2.85 | 3 | 0 | 2 | Broken Flowers blossoms … |
| Finding Neverland | 4 | 4.48 | 9 | 0 | 6 | glorious entertainment. |
| The Squid and the Whale | 4 | 3.55 | 4 | 1 | 0 | Tender, cruel, and very funny … |
| Cronicas | 4 | 3.72 | 3 | 0 | 2 | starts out bracingly but gradually loses focus. |
| March of the Penguins | 4 | 3.93 | 3 | 0 | 2 | sometimes harrowing, sometimes hokey, sometimes heartwarming … |
| Dear Frankie | 3.96 | 4.45 | 7 | 0 | 5 | will break your heart many times over. |
| Mad Hot Ballroom | 3.96 | 3.88 | 7 | 0 | 5 | tenuous triumph. |
| Being Julia | 3.96 | 3.46 | 7 | 0 | 5 | tart, observant |
| Aliens of the Deep | 3.96 | 3.22 | 7 | 0 | 5 | visually enthralling |
| Inside Deep Throat | 3.96 | 2.93 | 8 | 1 | 3 | wickedly probing |
| 3-Iron | 3.96 | 3.24 | 8 | 1 | 3 | Directed in an unexaggerated but precise way |
| Lightning in a Bottle | 3.89 | 2.73 | 5 | 0 | 4 | wobbles and weaves as often as it soars. |
| A Very Long Engagement | 3.85 | 4.02 | 8 | 1 | 4 | magnificently crafted |
| Closer | 3.85 | 3.28 | 8 | 1 | 4 | finds Nichols returning to his roots without having lost his sardonic edge. |
| Coach Carter | 3.83 | 4.44 | 9 | 1 | 5 | When Carter works, it's because of Jackson. |
| Mondovino | 3.75 | 2.34 | 6 | 1 | 3 | eloquent and profound |
| Gunner Palace | 3.75 | 3.99 | 8 | 2 | 2 | fascinating, if not entirely satisfying |
| Layer Cake | 3.75 | 3.89 | 7 | 1 | 4 | it's like a Guy Ritchie movie with a brain. |
| In Her Shoes | 3.75 | 3.8 | 5 | 0 | 5 | while it's well-acted on most counts, it's also as plodding as it is obvious. |
| Heights | 3.75 | 3.46 | 2 | 0 | 2 | marbled with wit and heartache. |
| Vera Drake | 3.75 | 3.38 | 9 | 3 | 0 | Leigh's best work in a decade. |
| The 40-Year-Old Virgin | 3.75 | 4.24 | 5 | 0 | 5 | unconscionably funny sex farce … |
| Sky High | 3.75 | 3.89 | 6 | 1 | 3 | Smartly written and sprightly played … |
| Sueño | 3.75 | 3.84 | 1 | 0 | 1 | the production numbers fall completely flat … |
| The Motorcycle Diaries | 3.75 | 4.46 | 8 | 1 | 5 | subtle, funny and touching. |
| Pooh's Heffalump Movie | 3.67 | 3.13 | 8 | 1 | 6 | harmless |
| Team America: World Police | 3.67 | 4.28 | 8 | 1 | 6 | ingeniously designed and executed |
| Robots | 3.67 | 3.77 | 8 | 1 | 6 | zippy, enjoyable … |
| Silver City | 3.54 | 3.29 | 8 | 3 | 1 | impeccably crafted and beautifully acted |
| Bright Young Things | 3.54 | 2.06 | 7 | 2 | 3 | breezy and likable enough |
| Ladies in Lavender | 3.54 | 3.67 | 6 | 1 | 5 | To find this many exemplary elements in one movie in 2005 is a miracle. |
| Saving Face | 3.54 | 3.83 | 7 | 2 | 3 | relentlessly low-key … |
| Off the Map | 3.54 | 3.45 | 6 | 1 | 5 | slight, precious, but often lovely movie |
| The Sea Inside | 3.54 | 4.34 | 8 | 3 | 1 | absorbing and almost unbearably poignant |
| Kontroll | 3.54 | 4.14 | 6 | 1 | 5 | stylish, wry, vaguely Kafkaesque |
| 9 Songs | 3.5 | 3.09 | 2 | 0 | 3 | Barely a movie … |
| MirrorMask | 3.5 | 3.96 | 3 | 1 | 1 | endlessly inventive with creativity to burn. |
| The Perfect Crime | 3.5 | 3.13 | 2 | 0 | 3 | ludicrously self-referential … |
| Bush's Brain | 3.5 | 2.1 | 6 | 2 | 2 | should truly frighten partisans on both sides of the aisle. |
| Hustle & Flow | 3.5 | 3.92 | 6 | 2 | 2 | explosive entertainment. |
| Ocean's 12 | 3.5 | 3.36 | 9 | 3 | 3 | often seems like a big, swinging party with a can't-miss guest list. |
| The Upside of Anger | 3.5 | 3.49 | 8 | 2 | 5 | a fiercely funny human comedy with jokes that sting and leave marks. |
| Mr. and Mrs. Smith | 3.5 | 4.05 | 4 | 0 | 6 | plays like an old-fashioned romantic comedy … |
| Oliver Twist | 3.5 | 3.28 | 4 | 0 | 6 | Accomplished if lacking in urgency … |
| Batman Begins | 3.5 | 4.63 | 5 | 1 | 4 | It's the best of the Batman series since director Tim Burton moved on … |
| Last Days | 3.5 | 3.76 | 3 | 1 | 1 | deliberately listless and meandering … |
| In Good Company | 3.5 | 3.93 | 8 | 2 | 5 | more sweet than savage |
| Cinderella Man | 3.46 | 4.36 | 6 | 1 | 6 | tremendously well made in a predictable, Ron Howard kind of way. |
| A Dirty Shame | 3.46 | 3.2 | 8 | 3 | 2 | absolutely filthy and totally hysterical |
| Reconstruction | 3.33 | 3.2 | 3 | 0 | 6 | doesn't evoke much emotion beyond cool ennui. |
| The Machinist | 3.33 | 4.03 | 7 | 3 | 2 | so brave and visually impressive, it should demand an audience. |
| Steamboy | 3.33 | 3.3 | 4 | 0 | 8 | rings slightly hollow at the core, thanks to the bizarre plot |
| Dorian Blues | 3.33 | 3.27 | 2 | 0 | 4 | sharp performances and writing lend it a fresh appeal … |
| The Hitchhiker's Guide to the Galaxy | 3.33 | 3.43 | 6 | 1 | 8 | 'Definitive,' this isn't. But it will do in a pinch. |
| Fever Pitch | 3.33 | 3.88 | 7 | 2 | 6 | sweet, ingratiating |
| Secuestro Express | 3.33 | 4.57 | 1 | 0 | 2 | strangely exploitative … |
| Ghost in the Shell 2: Innocence | 3.33 | 4.17 | 7 | 3 | 2 | this is the best anime I've ever seen. |
| The Interpreter | 3.33 | 3.58 | 8 | 3 | 4 | slick, well-acted, and smarter than it has to be. |
| The Greatest Game Ever Played | 3.25 | 4.2 | 4 | 1 | 5 | mostly sits there limply … |
| Proof | 3.25 | 3.77 | 3 | 0 | 7 | elegant, intelligent drama … |
| The Transporter 2 | 3.25 | 4.08 | 6 | 3 | 1 | ridiculously entertaining … |
| The Wedding Crashers | 3.25 | 4.46 | 3 | 0 | 7 | Amiable and hollow … |
| Lord of War | 3.25 | 4.01 | 4 | 1 | 5 | Cage is brilliant. |
| Kingdom of Heaven | 3.17 | 3.89 | 5 | 1 | 9 | Genuinely spectacular and historically quite respectable … |
| Unleashed | 3.17 | 4.34 | 6 | 2 | 7 | irresistible pulp fantasy |
| Star Wars: Episode III — Revenge of the Sith | 3.17 | 4.49 | 8 | 4 | 3 | for every scene that doesn't deliver the goods, there's another that hums with surprising intensity … |
| Bride & Prejudice | 3.13 | 3.61 | 6 | 3 | 3 | lightweight but utterly beguiling |
| Undertow | 3.13 | 3.41 | 6 | 3 | 3 | at times almost thrilling. |
| Stage Beauty | 3.04 | 2.87 | 6 | 3 | 5 | certainly isn't bad. |
| Saw | 3 | 4.03 | 6 | 3 | 6 | Saw makes you squirm a few times, but too often it makes you giggle. |
| High Tension | 3 | 3.2 | 2 | 1 | 2 | an awfully familiar-looking slaughter … |
| One Bright Shining Moment: The Forgotten Summer of George McGovern | 3 | 1.93 | 2 | 1 | 2 | instructive but aggressively biased … |
| Pure | 3 | 2.54 | 1 | 0 | 4 | failed expressions of lower-class bedlam. |
| The Baxter | 3 | 3.22 | 2 | 1 | 2 | strained romantic comedy … |
| Sin City | 3 | 4.29 | 8 | 5 | 2 | It's gory stuff, but it's also a visually arresting blitzkrieg |
| Lords of Dogtown | 3 | 3.89 | 3 | 1 | 6 | surprisingly gritty … |
| The Devil's Rejects | 3 | 3.7 | 2 | 0 | 8 | competent if unoriginal … |
| The Brothers Grimm | 3 | 3.22 | 4 | 2 | 4 | If you're a Gilliam junkie, as I am, you go with it … |
| Brothers | 3 | 3.46 | 4 | 2 | 4 | wonderfully acted but predictably plotted … |
| Beauty Shop | 3 | 3.57 | 6 | 3 | 6 | plays like a pilot for a TV sitcom. |
| Roll Bounce | 3 | 3.82 | 4 | 2 | 4 | buoyant without being brainless … |
| Primer | 2.95 | 3.45 | 5 | 3 | 3 | alluringly knotty |
| Dust to Glory | 2.92 | 4.18 | 3 | 1 | 8 | an amazing ride |
| Winter Solstice | 2.92 | 2.6 | 6 | 4 | 2 | so reserved that it quickly devolves into an affectedly distraught pose. |
| Napoleon Dynamite | 2.92 | 4.43 | 6 | 4 | 2 | a one-note exercise in laughing |
| The Merchant of Venice | 2.92 | 3.63 | 4 | 2 | 6 | harder work than it should be |
| Fighting Tommy Riley | 2.86 | 2.86 | 3 | 2 | 2 | wrings the most out of its odd-couple leads |
| The Life Aquatic With Steve Zissou | 2.83 | 3.51 | 6 | 4 | 5 | a potentially great little cult picture |
| Because of Winn-Dixie | 2.83 | 3.4 | 5 | 3 | 7 | Generally pleasing |
| Assault on Precinct 13 | 2.83 | 4 | 7 | 5 | 3 | watchable if scarcely effective |
| Cellular | 2.83 | 3.76 | 7 | 5 | 3 | schlocky but well-organized and mostly very entertaining. |
| Hitch | 2.83 | 4.2 | 4 | 2 | 9 | generates enough goodwill and energy to keep much of the audience in its corner. |
| I Heart Huckabees | 2.83 | 3.27 | 6 | 4 | 5 | As disappointments go, 'Huckabees' is at least a thinking person's disappointment |
| Just Like Heaven | 2.75 | 4.13 | 3 | 2 | 5 | more mushy than madcap … |
| Four Brothers | 2.75 | 4.31 | 4 | 3 | 3 | It's a head-on collision. |
| Dark Water | 2.75 | 2.71 | 3 | 2 | 5 | shudder-by-numbers … |
| The Man Who Copied | 2.75 | 3.12 | 1 | 0 | 9 | an unassuming love comedy with plot problems. |
| The Skeleton Key | 2.75 | 3.6 | 2 | 1 | 7 | half-way watchable. |
| P.S. | 2.71 | 3.11 | 5 | 4 | 3 | pleasant enough |
| Swimming Upstream | 2.71 | 3.45 | 3 | 2 | 7 | the lack of a satisfactory third act diminishes overall result. |
| Melinda and Melinda | 2.71 | 3.08 | 3 | 2 | 7 | deliberately uneven |
| Enduring Love | 2.69 | 2.43 | 5 | 4 | 4 | trite and messy. |
| " I, Robot" | 2.67 | 4.19 | 6 | 5 | 4 | one of the smarter dumb movies I've seen in a while. |
| The Jacket | 2.5 | 3.77 | 5 | 5 | 5 | can't generate much suspense |
| Dominion: Prequel to The Exorcist | 2.5 | 2.65 | 2 | 2 | 3 | hardly a diabolical failure, if not quite a heavenly masterpiece. |
| The Polar Express | 2.5 | 3.69 | 6 | 6 | 3 | reduces a child's fantasy trip to the North Pole to a roller coaster ride |
| Imaginary Heroes | 2.5 | 3.07 | 2 | 2 | 8 | in the end, the pieces don't all fit together as they should. |
| Fade to Black | 2.5 | 3.29 | 2 | 2 | 6 | scenes feel forced and ultimately fail to reveal the man behind the music. |
| The Assassination of Richard Nixon | 2.5 | 3.2 | 1 | 1 | 10 | ends up trapping Penn rather than liberating him |
| Mr. 3000 | 2.5 | 3.21 | 5 | 5 | 5 | mild and forgettable |
| Madagascar | 2.5 | 3.56 | 4 | 4 | 7 | Great visuals, lousy plot. |
| Dear Wendy | 2.5 | 3.5 | 1 | 1 | 3 | well made but unlikable and dramatically absurd … |
| The War Within | 2.5 | 3.42 | 0 | 0 | 4 | quickly runs out of story … |
| Three Dancing Slaves | 2.5 | 1.41 | 0 | 0 | 5 | Unfocused and vaguely arty … |
| Rock School | 2.5 | 2.56 | 2 | 2 | 2 | spiky and irreverent |
| Spanglish | 2.5 | 1.45 | 7 | 7 | 1 | feels several drafts away from a lucid piece of storytelling. |
| Happy Endings | 2.5 | 2.79 | 2 | 2 | 1 | woefully familiar … |
| Ladder 49 | 2.5 | 4.21 | 5 | 5 | 5 | old-fashioned, by-the-numbers |
| Bomb the System | 2.5 | 2.78 | 4 | 4 | 4 | richly textured |
| Little Manhattan | 2.5 | 2.69 | 2 | 2 | 1 | Preteens will be bored stupid … |
| G | 2.5 | 3.22 | 1 | 1 | 2 | sleek if dramatically flimsy … |
| Pauly Shore Is Dead | 2.5 | 3.2 | 1 | 1 | 0 | very funny, blatantly satirical and insolently honest |
| Flightplan | 2.5 | 3.6 | 1 | 1 | 8 | See Jodie worry! See Jodie run! |
| Cry Wolf | 2.5 | 3.42 | 2 | 2 | 3 | a cut above … |
| Guess Who | 2.5 | 3.64 | 4 | 4 | 7 | skittish, focus-grouped blandness |
| Herbie: Fully Loaded | 2.5 | 2.82 | 3 | 3 | 4 | low on comic gas. |
| Green Street Hooligans | 2.5 | 4.36 | 1 | 1 | 3 | well-intentioned but ultimately calamitous … |
| The Thing About My Folks | 2.5 | 3.13 | 1 | 1 | 3 | Woody Allen on a third-grade reading level. |
| The Gospel | 2.5 | 3.86 | 2 | 2 | 1 | banal, artless, cliché-ridden fiction … |
| Kicking & Screaming | 2.5 | 3.5 | 4 | 4 | 7 | entirely pleasant if somewhat recycled … |
| Birth | 2.34 | 2.46 | 4 | 5 | 7 | succeeds more as a source of visual and aural enthrallment than as supernatural narrative |
| Constantine | 2.33 | 4.07 | 4 | 5 | 6 | This is not a timid film, yet it's not an entirely successful one, either. |
| Lemony Snicket's A Series of Unfortunate Events | 2.33 | 3.81 | 4 | 5 | 6 | devolves into a repetitive comedy that squanders a hugely talented cast. |
| A Love Song for Bobby Long | 2.29 | 3.18 | 3 | 4 | 5 | handsome but underpowered |
| Death of a Dynasty | 2.29 | 1.86 | 2 | 3 | 7 | less interesting as a film than as a winking gloss on hip-hop |
| The Chorus | 2.29 | 4.02 | 3 | 4 | 5 | invasively mawkish |
| Jiminy Glick in Lalawood | 2.29 | 2.11 | 3 | 4 | 5 | swift, cheerfully shallow showbiz spoof |
| Woman Thou Art Loosed | 2.29 | 4.18 | 4 | 5 | 3 | really just a poorly dramatized infomercial. |
| De-Lovely | 2.29 | 3.35 | 4 | 5 | 3 | ambitious, erratic |
| Two for the Money | 2.25 | 3.4 | 1 | 2 | 7 | turns from ludicrous to incoherent … |
| I Am David | 2.25 | 3.36 | 2 | 3 | 5 | Short, simple and inoffensive |
| Wimbledon | 2.17 | 3.32 | 4 | 6 | 5 | never rises above its by-the-numbers plot to generate emotional heat. |
| Shall We Dance? | 2.17 | 3.62 | 5 | 7 | 3 | a dishearteningly sullen, lead-footed misstep. |
| Ice Princess | 2.17 | 3.5 | 4 | 6 | 5 | seems to stretch believability a tad too far. |
| Racing Stripes | 2.17 | 3.04 | 1 | 3 | 11 | endearing but predictable |
| Dot the I | 2.14 | 3.38 | 2 | 3 | 2 | ultimately the viewer is not left with the necessary pathos. |
| Rory O'Shea Was Here | 2.08 | 3.04 | 2 | 4 | 6 | a harmless little charmer with a uniformly fine cast, played by the numbers for full tear-jerking effect. |
| Pretty Persuasion | 2.08 | 3.31 | 2 | 3 | 1 | this charred-black comedy is not even funny. |
| Appleseed | 2.08 | 3.64 | 1 | 3 | 8 | the film's snazzy new automated animation style falls short |
| Man of the House | 2.05 | 3.68 | 3 | 5 | 3 | [Jones is] still entertaining enough to float the rest of the movie. |
| Seed of Chucky | 2.05 | 3.23 | 3 | 5 | 3 | there's no story, really. |
| Sahara | 2 | 3.53 | 2 | 5 | 8 | perfectly distracting, ultimately unsatisfying … |
| Alfie | 2 | 2.84 | 4 | 7 | 4 | Alas, this is a remake without a reason. |
| The Chumscrubber | 2 | 3.31 | 1 | 2 | 2 | insufferable, self-conscious cult movie … |
| A Lot Like Love | 2 | 3.44 | 2 | 5 | 8 | Directed without personality |
| The Adventures of Shark Boy and Lava Girl in 3-D | 2 | 2.5 | 2 | 4 | 4 | clunky, lifeless snoozer … |
| The Longest Yard | 2 | 4.24 | 3 | 6 | 6 | generally pleasing … |
| The Exorcism of Emily Rose | 2 | 3.6 | 1 | 3 | 6 | a retread of a retread … |
| Margaret Cho: Assassin | 2 | 1.72 | 1 | 2 | 2 | painfully bereft of wit or cogent insight. |
| Hostage | 2 | 4.08 | 5 | 8 | 2 | a flawed-but-enjoyable ride |
| Asylum | 2 | 2.67 | 1 | 2 | 2 | most shocking for its relentless enervation. |
| Palindromes | 1.88 | 2.26 | 3 | 6 | 3 | makes one feel soul-sick and dead inside. |
| Three Days of Rain | 1.88 | 3 | 1 | 2 | 1 | badly acted, atrociously written histrionic misery … |
| D.E.B.S. | 1.88 | 2.5 | 3 | 6 | 3 | A rote, poorly executed spoof with a terrific, funny premise |
| The Last Shot | 1.88 | 3 | 3 | 6 | 3 | More clever in concept than execution |
| Undead | 1.88 | 2.16 | 1 | 2 | 1 | It's about as much fun as watching blood dry. |
| What the Bleep Do We Know? | 1.88 | 3.57 | 2 | 4 | 2 | Part perky educational film, part goofy New Age recruitment effort |
| The Forgotten | 1.83 | 3.32 | 3 | 7 | 5 | it works, for a while. |
| xXx: State of the Union | 1.83 | 2.56 | 3 | 7 | 5 | may break all recent records for rampaging cliches and utter nonsense. |
| The Ring Two | 1.83 | 3.32 | 1 | 5 | 9 | half-intriguing, half-tedious |
| Wicker Park | 1.79 | 3.72 | 3 | 7 | 4 | isn't entirely unwatchable |
| Must Love Dogs | 1.75 | 3.02 | 2 | 5 | 3 | thoroughly conventional romantic comedy … |
| The Island | 1.75 | 3.85 | 1 | 4 | 5 | begins with a whimper … [ends] with a dumb bang. |
| Stealth | 1.75 | 2.87 | 2 | 5 | 3 | forgettable but fun … |
| Riding the Bullet | 1.67 | 3.22 | 1 | 3 | 2 | the ending … lands with an overly elegiac thud. |
| Phantom of the Opera | 1.67 | 4.43 | 3 | 8 | 4 | soulless, ostentatious, and irritating. |
| The Amityville Horror | 1.67 | 4 | 3 | 8 | 4 | lashings of style but no sense of real horror |
| Eros | 1.67 | 2.47 | 1 | 5 | 6 | offers mostly wan eroticism. |
| Shark Tale | 1.67 | 3.41 | 3 | 8 | 4 | Dreary, damp and derivative |
| Meet the Fockers | 1.67 | 3.86 | 2 | 7 | 6 | More of the same jokes, and little else. |
| Madison | 1.67 | 3.75 | 1 | 5 | 6 | [a] bland paste of mushy, unchallenging piousness |
| Be Cool | 1.61 | 3.33 | 2 | 7 | 5 | tepid entertainment |
| Callas Forever | 1.56 | 1.78 | 1 | 4 | 3 | cliché-ridden |
| Going Shopping | 1.5 | 3 | 1 | 3 | 1 | noxious … |
| National Treasure | 1.5 | 3.81 | 2 | 8 | 5 | pauses between plodding setpieces to admire the courage and ingenuity of the founding fathers |
| The Honeymooners | 1.5 | 2.05 | 1 | 5 | 4 | about as funny as a bus accident. |
| Valiant | 1.5 | 3.03 | 1 | 5 | 4 | cheap but occasionally charming … |
| House of Wax | 1.5 | 3.18 | 0 | 6 | 9 | gruesome and grisly, but not particularly creepy or frightening. |
| Fantastic Four | 1.5 | 3.34 | 0 | 4 | 6 | clumsy, cheesy, chintzy … |
| Alexander | 1.5 | 2.34 | 2 | 8 | 5 | a festival of risible wiggery. |
| The Man | 1.5 | 2.93 | 1 | 5 | 4 | deeply, depressingly average … |
| Blade: Trinity | 1.5 | 3.88 | 2 | 8 | 5 | although the saying goes 'third time's a charm,' that's not the case here. |
| Eternal | 1.5 | 2.45 | 0 | 2 | 3 | neither scary nor particularly sexy … |
| Saint Ralph | 1.5 | 3.55 | 0 | 2 | 3 | desperately sentimental … |
| November | 1.5 | 2.8 | 0 | 2 | 3 | the film is b.s.-ing you all along. |
| My Date With Drew | 1.5 | 2.29 | 0 | 2 | 3 | stupefyingly tedious and annoying … |
| Around the Bend | 1.46 | 2.72 | 2 | 7 | 3 | like emotional leftovers. |
| When Will I Be Loved | 1.46 | 3 | 1 | 6 | 5 | An out-of-touch, misogynist mess of a movie |
| House of D | 1.46 | 1.38 | 1 | 6 | 5 | a calculated crowd-pleaser |
| The Princess Diaries 2: Royal Engagement | 1.43 | 3.75 | 3 | 9 | 2 | this royal engagement is a sham. |
| Eulogy | 1.36 | 3.11 | 2 | 7 | 2 | The old coot who dies at the start of Eulogy gets off easy. |
| Fat Albert | 1.36 | 2.92 | 3 | 8 | 0 | Hey, hey, hey? No, no, no. |
| Monster-in-Law | 1.33 | 3.24 | 2 | 9 | 4 | tripe on a plate. |
| Thunderbirds | 1.33 | 1.73 | 1 | 8 | 6 | a misfire |
| State Property 2 | 1.25 | 3.3 | 1 | 7 | 4 | shapeless waste of celluloid |
| The Game of Their Lives | 1.25 | 3.88 | 1 | 7 | 4 | reverent |
| Rebound | 1.25 | 2.57 | 0 | 5 | 5 | Rebound isn't funny. |
| Resident Evil: Apocalypse | 1.25 | 4.21 | 0 | 6 | 6 | Calamitously uninspired and borderline incoherent |
| Venom | 1.25 | 2.84 | 1 | 6 | 3 | slash-by-numbers teens-in-peril flick. |
| The Cave | 1.25 | 2.78 | 2 | 7 | 1 | solid if unspectacular … |
| Miss Congeniality 2: Armed and Fabulous | 1.17 | 2.93 | 0 | 8 | 7 | one hideous excuse for a motion picture |
| The Flight of the Phoenix | 1.17 | 3.14 | 2 | 10 | 3 | a motorless, rudderless wreck that is top-heavy with cliches. |
| White Noise | 1.17 | 3.06 | 1 | 9 | 5 | fails miserably to frighten, enlighten, or entertain. |
| After the Sunset | 1.17 | 3.23 | 0 | 8 | 7 | instantly forgettable |
| The Village | 1.17 | 3.22 | 1 | 9 | 5 | disappoints. |
| In My Country | 1.04 | 2.74 | 1 | 8 | 3 | unquestionably sincere but dramatically stillborn |
| Boogeyman | 1.04 | 3.28 | 1 | 8 | 3 | perfunctory and often muddled |
| Hide and Seek | 1 | 3.39 | 1 | 10 | 4 | clumsy, illogical, and reprehensible |
| Anacondas: The Hunt for the Blood Orchid | 1 | 3.09 | 0 | 9 | 6 | all tease and no payoff |
| Mindhunters | 1 | 3.24 | 0 | 9 | 6 | B-movie swagger in all its unsubtle glory. |
| An Unfinished Life | 1 | 3.62 | 0 | 3 | 2 | never realizes its dramatic potential … |
| Bewitched | 1 | 2.61 | 0 | 6 | 4 | there's no screen magic being made here. |
| Alien vs. Predator | 1 | 3.69 | 2 | 11 | 2 | a reductive spook show |
| The Pacifier | 1 | 3.61 | 1 | 10 | 4 | offers little more than unleavened stupidity in the place of the family-friendly action and comedy |
| Deuce Bigalow: European Gigolo | 1 | 2.89 | 0 | 6 | 4 | sloppier than the sloppiest of seconds … |
| The Dukes of Hazzard | 1 | 2.84 | 1 | 7 | 2 | Loud, silly but kind of lame-brained fun … |
| Little Black Book | 1 | 2.69 | 3 | 12 | 0 | unconvincing, remarkably unpleasant |
| Harry and Max | 0.94 | 2.01 | 0 | 5 | 3 | the emotional lives of the leads are as vacuous as a Joey Fatone B side. |
| First Daughter | 0.83 | 3.39 | 2 | 12 | 1 | stuporously predictable |
| Raise Your Voice | 0.83 | 2.96 | 0 | 10 | 5 | too synthetic to even be called cheese. |
| Cursed | 0.83 | 2.81 | 0 | 10 | 5 | I can't believe that Wes Craven actually directed this film |
| The Bridge of San Luis Rey | 0.83 | 1.54 | 0 | 2 | 1 | stultifyingly torturous |
| Head in the Clouds | 0.83 | 3.42 | 0 | 8 | 4 | winds up an unconvincing melodrama. |
| Noel | 0.83 | 2.47 | 1 | 9 | 2 | achingly maudlin |
| Into the Blue | 0.75 | 3.17 | 0 | 7 | 3 | A dive into the most unconvincing of melodrama. |
| Supercross | 0.75 | 2.2 | 0 | 7 | 3 | a feeble-minded, misogynistic waste of popcorn. |
| The Great Raid | 0.75 | 3.98 | 1 | 8 | 1 | will bore all but the most nobly patriotic … |
| Waiting | 0.75 | 4.03 | 1 | 8 | 1 | practically screams rental. |
| Undiscovered | 0.75 | 1.49 | 0 | 7 | 3 | unplugged, unremorseful and unfathomably bad … |
| Therese: The Story of Saint Therese of Lisieux | 0.71 | 3.49 | 0 | 5 | 2 | Skip the movie |
| Surviving Christmas | 0.67 | 2.12 | 1 | 12 | 2 | There are no survivors here. |
| Diary of a Mad Black Woman | 0.67 | 4.22 | 0 | 11 | 4 | it just isn't funny. |
| Elektra | 0.67 | 2.76 | 0 | 11 | 4 | Comic book franchise or Victoria's Secret commercial? |
| Are We There Yet? | 0.67 | 3.32 | 0 | 11 | 4 | all too effectively conveys the claustrophobic horror of being shackled in a small space with two whiny, hateful children. |
| Christmas With the Kranks | 0.67 | 2.75 | 0 | 11 | 4 | soon congeals into little more than a fatty, gelatinous mess. |
| Without a Paddle | 0.67 | 3.95 | 1 | 12 | 2 | play[s] like something even John Hughes would have left in the drawer. |
| It's All About Love | 0.63 | 2.35 | 0 | 9 | 3 | a colossal folly |
| Paparazzi | 0.5 | 3.21 | 1 | 9 | 0 | every bit as brainless as its previews would indicate. |
| Taxi | 0.5 | 2.75 | 0 | 12 | 3 | Oh, this is a bad movie. |
| The Perfect Man | 0.5 | 2.54 | 0 | 8 | 2 | … even the Duff-devoted may start rolling their eyes. |
| Underclassman | 0.5 | 1.96 | 0 | 8 | 2 | breathtakingly bad. |
| Daltry Calhoun | 0.5 | 3.24 | 0 | 4 | 1 | aimless and disjointed … |
| Merci Docteur Rey | 0.42 | 2 | 0 | 5 | 1 | ghastly |
| The Wedding Date | 0.33 | 3.1 | 0 | 13 | 2 | listless, unsatisfying |
| A Sound of Thunder | 0.25 | 1.8 | 0 | 9 | 1 | a clunky and cheesy disaster … |
| Exorcist: The Beginning | 0.21 | 2.98 | 0 | 11 | 1 | barely coherent |
| Superbabies: Baby Geniuses 2 | 0.18 | 1.28 | 0 | 13 | 1 | spectacularly awful |
| Hair Show | 0 | 2.84 | 0 | 5 | 0 | Can movies have bad hair days? Indeed they can |
| Into the Fire | 0 | 1.52 | 0 | 5 | 0 | rank and offensive … |
| Alone in the Dark | 0 | 1.49 | 0 | 15 | 0 | [director] Boll remains mainstream cinema's most awesomely incompetent living filmmaker. |
| Dirty Love | 0 | 1.93 | 0 | 5 | 0 | Attention, Razzie voters. |
| Son of the Mask | 0 | 1.04 | 0 | 15 | 0 | horrifically unfunny |
| The Dust Factory | 0 | 2.48 | 0 | 2 | 0 | A tedious, precious fantasy. |
| King's Ransom | 0 | 2.12 | 0 | 7 | 0 | crass, trashy and none-too-funny |
| Darkness | 0 | 2.12 | 0 | 2 | 0 | a series of powerful sequences which fail to cohere. |