Film
Title |
Critics |
Readers |
We |
LAT |
Ebert |
Roeper |
The Gist |
A Year Without Love |
|
|
|
yes |
|
|
|
After Innocence |
|
|
|
yes |
|
|
|
Cowboy del Amor |
|
|
|
yes |
|
|
|
CSA: Confederate States Of America |
|
|
|
yes |
|
|
|
Darwins Nightmare |
|
|
|
yes |
|
|
|
Erosion |
|
|
|
yes |
|
|
|
Fateless |
|
|
|
yes |
|
|
|
Gille's Wife |
|
|
|
yes |
|
|
|
Go For Zucker |
|
|
|
yes |
|
|
|
Iron Island |
|
|
|
yes |
|
|
|
L'Enfant |
|
|
|
yes |
up |
down |
|
Music From The Inside Out |
|
|
|
yes |
|
|
|
Our Brand Is Crisis |
|
|
|
yes |
|
|
|
Street Fight |
|
|
|
yes |
|
|
|
The Boys of Baraka |
|
|
|
yes |
|
|
|
The Promise |
|
|
|
yes |
|
|
|
The Syrian Bride |
|
|
|
yes |
|
|
|
Unkown White Male |
|
|
|
yes |
up |
up |
|
William Eggleston in the Real World |
|
|
|
yes |
|
|
|
Abominable |
|
|
|
no |
|
|
|
Art School Confidential |
|
|
|
no |
up |
up |
|
Blackmail Boy |
|
|
|
no |
|
|
|
FAQs |
|
|
|
no |
|
|
|
Iowa |
|
|
|
no |
|
|
|
Mrs. Palfrey at the Claremont |
|
|
|
no |
|
|
|
Revolution |
|
|
|
no |
|
|
|
Surge Of Power |
|
|
|
no |
|
|
|
The Almost Guys |
|
|
|
no |
|
|
|
The Drawstring Restraint |
|
|
|
no |
|
|
|
The Zodiac |
|
|
|
no |
|
|
|
When a Stranger Calls |
|
|
|
no |
|
|
|
The Memory Of A Killer |
|
|
|
|
up |
|
|
The Intruder |
A |
D+ |
A |
yes |
|
|
baffling
and beautiful |
Down to the Bone |
A |
C+ |
A- |
|
|
|
quietly
devastating |
Slither |
A |
B- |
B+ |
yes |
down |
down |
gleefully
nasty |
Mountain Patrol: Kekexili |
A |
B+ |
N/A |
so-so |
|
|
stimulating |
King Kong |
A |
B- |
A- |
yes |
up |
up |
What
a movie! |
Dave Chappelle's Block Party |
A |
B+ |
A |
yes |
up |
up |
richly
amusing and highly contagious. |
The Devil's Miner |
A |
D |
A |
yes |
|
|
a
sobering day trip |
United 93 |
A |
B+ |
A- |
so-so |
up |
up |
stunning |
Be Here to Love Me: A Film About Townes Van Zandt |
A |
C+ |
A |
|
|
|
A
heartfelt and impressionistic portrait |
The Lady in Question Is Charles Busch |
A |
F |
N/A |
|
|
|
affectionate,
energetic |
Metal: A Headbanger's Journey |
A |
B- |
B+ |
yes |
|
|
Superbly
crafted |
Brick |
A |
B+ |
A |
yes |
|
|
endlessly
clever |
On the Outs |
A |
C+ |
B+ |
yes |
|
|
a
gritty, well-acted, documentary-style drama |
Lady Vengeance |
A |
A- |
N/A |
|
|
|
intense
emotional wallop. |
Caché |
A |
B- |
A |
yes |
|
|
penetrating
and absorbing |
Friends With Money |
A |
C+ |
A- |
|
|
|
funny,
angry, lyrical |
Awesome: I F**kin' Shot That |
A |
C |
B+ |
yes |
|
|
hypnotic |
Good Night, and Good Luck |
A |
B |
N/A |
|
up |
up |
elegant
and stirring |
Kiss Kiss, Bang Bang |
A |
B+ |
A- |
|
|
|
deliriously
enjoyable |
Little Fish |
A |
C+ |
N/A |
|
|
|
supple,
accomplished, and utterly absorbing |
Paradise Now |
A |
B+ |
A |
|
|
|
puts
a human face on the headlines. |
Inside Man |
A |
B+ |
A |
yes |
down |
up |
brilliant |
Neil Young: Heart of Gold |
A |
B |
A |
yes |
|
|
superbly
crafted |
The Passenger |
A |
B- |
N/A |
|
|
|
looks
better now than it did then, in part because it's so clearly dated. |
Wallace & Gromit: Curse of the Were-Rabbit |
A |
B+ |
N/A |
|
up |
down |
a
whimsical success of a very high order |
Sir! No Sir! |
A |
C- |
A |
|
|
|
an
exultant, even elated tone. |
The Constant Gardener |
A |
B |
N/A |
|
up |
up |
This
is one of the year's best films. |
Water |
A |
B- |
N/A |
yes |
up |
up |
deeply
satisfying |
I Am a Sex Addict |
A |
C |
D |
no |
|
|
one-of-a-kind |
Capote |
A |
C |
N/A |
|
|
|
Viciously
good. |
New York Doll |
A |
B+ |
B |
|
|
|
a
tender take on life after stardom. |
Akeelah and the Bee |
A |
B+ |
B+ |
so-so |
up |
up |
Splendiferous. |
Joyeux Noël |
A |
B |
B+ |
yes |
up |
up |
proudly
old-fashioned |
Brokeback Mountain |
A |
C- |
A |
yes |
up |
up |
a
landmark film and a triumph |
Thank You for Smoking |
A- |
B+ |
B- |
yes |
up |
up |
sleek,
clever and cocky |
Pride and Prejudice |
A- |
A- |
A |
yes |
|
|
A
movie for the age, and a keeper for the ages |
Sophie Scholl: The Last Days |
A- |
B+ |
A |
yes |
|
|
gripping,
moving |
Separate Lies |
A- |
C+ |
N/A |
|
|
|
As
the couple in distress, Wilkinson and Watson are pitch perfect. |
Evil |
A- |
B |
C+ |
no |
|
|
not
a conventional [horror film]. |
Ballets Russes |
A- |
C+ |
A |
yes |
|
|
enormously
absorbing |
Walk the Line |
A- |
B |
B+ |
yes |
|
|
a
strongly acted, musically vibrant, conventionally satisfying biopic |
Somersault |
A- |
C |
B+ |
yes |
|
|
dreamy,
sexy, rather chilly |
Syriana |
A- |
B- |
C+ |
yes |
up |
up |
this
fighting-mad film isn't just hot, it's incendiary. |
The Three Burials of Melquiades Estrada |
A- |
B |
B |
yes |
up |
up |
blistering
modern Western from first-time director Tommy Lee Jones. |
Clean |
A- |
B- |
B+ |
|
|
|
scrupulous
straight-forwardness |
Through the Fire |
A- |
B |
C |
|
|
|
Call
it the anti-Hoop Dreams. |
The Ice Harvest |
A- |
C+ |
B+ |
|
|
|
Funny,
tense, and exceedingly well made |
Nine Lives |
A- |
C+ |
N/A |
|
up |
up |
A
beautifully realized experimentation |
Eight Below |
A- |
B+ |
B |
no |
up |
down |
clean,
classical, hooray-for-the-pooches |
Harry Potter and the Goblet of Fire |
A- |
A- |
A- |
yes |
|
|
The
best one yet. |
Munich |
A- |
C |
B- |
so-so |
up |
up |
spectacularly
gripping and unsettling |
Find Me Guilty |
A- |
B |
B |
yes |
up |
up |
[Diesel's]
insouciance charms |
Everything Is Illuminated |
A- |
B+ |
N/A |
|
|
|
Schreiber's
heartfelt project earns points for disciplined ambition. |
Deep Sea 3D |
A- |
B- |
N/A |
yes |
|
|
a
great companion piece to Finding Nemo |
Pulse |
A- |
B |
B- |
|
|
|
Pulse
sometimes plods. |
Tristram Shandy: A Cock and Bull Story |
A- |
D+ |
A |
yes |
up |
up |
the
first great, mind-tickling treat of the new movie year. |
The Child |
A- |
C+ |
A |
|
|
|
demands
patience. |
Ushpizin |
A- |
B |
C- |
|
|
|
pic's
genial warmth never feels overtly preachy |
16 Blocks |
A- |
B |
C+ |
yes |
up |
down |
promising
but wasted |
Transamerica |
A- |
B- |
B |
so-so |
|
|
Impressively
realized on all levels |
Three of Hearts |
A- |
C- |
C |
|
|
|
above-average
for fly-on-the-wall documentary. |
The Chronicles of Narnia: The Lion, the Witch and the Wardrobe |
A- |
B |
B |
yes |
up |
up |
Lavish
and detailed |
A History of Violence |
A- |
C+ |
N/A |
yes |
up |
up |
Tense
and atmospheric |
Corpse Bride |
A- |
B+ |
N/A |
|
|
|
The
Oscar for this year's Best Animated Feature Film belongs right here |
The Devil and Daniel Johnston |
A- |
C+ |
A |
no |
up |
up |
candid,
clear-eyed |
Adam & Steve |
A- |
C |
B+ |
so-so |
|
|
well-timed
slapstick |
The Matador |
B+ |
B- |
C+ |
|
up |
up |
[Brosnan's]
meatiest role ever |
On a Clear Day |
B+ |
B- |
C- |
|
|
|
intelligently
sentimental |
Look Both Ways |
B+ |
B- |
N/A |
yes |
|
|
imaginative,
humorous and truthful |
Hard Candy |
B+ |
B- |
D |
no |
up |
up |
a
superficial wallow |
Serenity |
B+ |
A- |
N/A |
|
|
|
never
takes itself too seriously. |
Sarah Silverman: Jesus Is Magic |
B+ |
D |
A |
yes |
|
|
Sarah
Silverman is the most outrageously funny woman alive. |
The Beauty Academy of Kabul |
B+ |
C |
B+ |
yes |
|
|
feminist
optimism |
The Notorious Bettie Page |
B+ |
B- |
A- |
no |
up |
up |
frisky
and fascinating |
Ice Age: The Meltdown |
B+ |
B+ |
C- |
|
|
|
perky |
Herbie Hancock: Possibilities |
B+ |
C+ |
N/A |
no |
|
|
buoyant
and fluid. |
ATL |
B+ |
B+ |
B- |
|
up |
down |
lively |
Duck Season |
B+ |
C+ |
A |
yes |
up |
up |
tender
and droll |
Why We Fight |
B+ |
B- |
B- |
yes |
|
|
passionate
and sobering documentary |
Unknown White Male |
B+ |
C+ |
B+ |
|
|
|
In
theory, [it] ought to be a fascinating movie. |
The Squid and the Whale |
B+ |
D+ |
N/A |
|
up |
up |
Tender,
cruel, and very funny |
Red Eye |
B+ |
B |
N/A |
|
|
|
white-knuckle
fun |
Game 6 |
B |
B |
N/A |
no |
up |
up |
dense
and mundane. |
The New World |
B |
B- |
A- |
yes |
|
|
evocative
yet slow-moving |
In Her Shoes |
B |
B |
N/A |
|
|
|
while
it's well-acted on most counts, it's also as plodding as it is obvious. |
Winter Passing |
B |
B |
C |
no |
up |
up |
so
grindingly predictable |
Hostel |
B |
B- |
B+ |
no |
|
|
both
cathartic and unnerving |
The White Countess |
B |
C+ |
B+ |
so-so |
|
|
a
typically classy period piece |
Match Point |
B |
C- |
B |
so-so |
up |
up |
Well-observed
and superbly cast |
Charlie and the Chocolate Factory |
B |
B |
N/A |
|
|
|
Entertaining
and fabulously imaginative |
Christmas in the Clouds |
B |
B |
N/A |
|
|
|
warm
and fuzzy exercise in escapism |
Trudell |
B |
C |
B- |
no |
|
|
More
hagiography than history |
Something New |
B |
C |
B+ |
so-so |
up |
|
the
rare movie that delivers on its title's promise. |
Mrs. Henderson Presents |
B |
B- |
B- |
yes |
up |
down |
A
thoroughly entertaining crowd-pleaser. |
Protocols of Zion |
B |
C+ |
B+ |
|
|
|
Disturbing
and surprisingly funny |
The Hills Have Eyes |
B |
B |
B- |
|
down |
down |
particularly
gory |
The World's Fastest Indian |
B |
B+ |
B |
|
|
|
a
pleasingly whimsical and slyly mischievous road movie |
Curious George |
B |
B |
B |
yes |
up |
|
an
endearing little trifle |
Tsotsi |
B |
B+ |
B |
yes |
up |
up |
has
vital, urban energy |
Bubble |
B |
C |
B- |
so-so |
up |
up |
interesting,
almost in spite of itself. |
Guys and Balls |
B |
D+ |
D |
yes |
|
|
crowd-pleasing |
The Big Question |
B |
D |
N/A |
|
|
|
surprisingly
witty |
Shopgirl |
B |
B- |
D+ |
|
up |
up |
all
too wistfully satisfied with not giving enough. |
The Prize Winner of Defiance, Ohio |
B |
B- |
N/A |
|
|
|
shameless
Eisenhower-era corn. |
The Weather Man |
B |
B- |
C+ |
|
|
|
overbearingly
glum |
Roving Mars |
B |
B- |
N/A |
|
|
|
scarcely
affecting |
Don't Trip … He Ain't Through With Me Yet! |
B |
B+ |
N/A |
|
|
|
a
revival meeting |
March of the Penguins |
B |
B |
N/A |
|
|
|
sometimes
harrowing, sometimes hokey, sometimes heartwarming |
Glory Road |
B |
B- |
B+ |
yes |
up |
up |
inspirational
and thrilling. |
Aquamarine |
B |
B |
B |
no |
down |
down |
floppy
production |
North Country |
B- |
B- |
C- |
|
up |
|
respectable
though predictable |
Jarhead |
B- |
B |
B- |
|
up |
up |
tough
yet tentative |
The Shaggy Dog |
B- |
B- |
C- |
no |
down |
down |
Do
not underestimate |
Don't Tell |
B- |
B- |
N/A |
yes |
|
|
Dr.
Phil-inspired |
MirrorMask |
B- |
B |
N/A |
|
|
|
endlessly
inventive with creativity to burn. |
Take the Lead |
B- |
B+ |
B+ |
|
|
|
doesn't
suck. |
La Mujer de Mi Hermano |
B- |
B+ |
C |
yes |
|
|
Soapy
melodrama |
Lucky Number Slevin |
B- |
B+ |
C- |
|
|
|
convoluted |
The Pink Panther |
B- |
B |
C- |
yes |
|
|
a
passable slapstick comedy |
Nanny McPhee |
B- |
B- |
A- |
yes |
|
|
charming
and painless. |
Looking for Comedy in the Muslim World |
B- |
C- |
D |
so-so |
|
|
The
laughs are decidedly hit-and-miss. |
Where the Truth Lies |
B- |
C |
B- |
|
|
|
terrific
and gorgeous looking mystery movie. |
Ellie Parker |
B- |
C+ |
C- |
|
up |
up |
scattershot
Hollywood spoof |
Free Zone |
B- |
B- |
N/A |
|
|
|
thrives
on its performances |
Kinky Boots |
B- |
C+ |
D |
yes |
up |
down |
sluggishly
paced |
The Work and the Glory: American Zion |
B- |
B |
N/A |
|
|
|
To
call this drama heavy-handed would be stating the obvious. |
Lonesome Jim |
B- |
C |
B |
|
up |
up |
a
toast-dry farce |
Battle in Heaven |
B- |
D |
B |
yes |
|
|
a
disappointing turn-off. |
The Dying Gaul |
B- |
C |
B+ |
|
|
|
Fascinating
though flawed |
The 40-Year-Old Virgin |
B- |
B+ |
N/A |
|
|
|
unconscionably
funny sex farce |
Three … Extremes |
B- |
B |
A |
|
|
|
too
stylized and preassembled to be truly unnerving |
Stick It |
B- |
B+ |
B |
no |
down |
down |
fake |
The Wedding Crashers |
B- |
B+ |
N/A |
|
|
|
Amiable
and hollow |
Summer Storm |
B- |
C+ |
C- |
yes |
|
|
grows
exasperating |
Dreamer |
B- |
B+ |
A- |
|
|
|
Modestly
engaging but mostly unexceptional |
Sky High |
B- |
B |
N/A |
|
|
|
Smartly
written and sprightly played |
Don't Come Knocking |
B- |
B |
D+ |
no |
down |
up |
a
problematic picture |
Prime |
B- |
B- |
B |
|
up |
up |
just
more conventional schmaltz |
Oliver Twist |
B- |
C+ |
N/A |
|
|
|
Accomplished
if lacking in urgency |
Casanova |
B- |
B- |
C |
yes |
down |
up |
a
stylish and sexy comedy for grownups. |
Lord of War |
B- |
B |
N/A |
|
|
|
Cage
is brilliant. |
Breakfast on Pluto |
B- |
C+ |
A- |
no |
up |
down |
lyrical
but shallow |
The Producers |
B- |
B |
D+ |
no |
|
|
undeniably
stagy, even clunky |
Memoirs of a Geisha |
C+ |
C |
C+ |
no |
down |
up |
It's
not a great movie but it's
spectacular. |
The Greatest Game Ever Played |
C+ |
B+ |
N/A |
|
up |
down |
mostly
sits there limply |
Last Holiday |
C+ |
B |
B- |
yes |
up |
up |
a
breezy escapist romp |
The Ringer |
C+ |
B |
F |
yes |
|
|
close
to being a promotional film for the Special Olympics |
Hoodwinked |
C+ |
B- |
D |
yes |
|
|
fast-paced,
fitfully clever |
The Libertine |
C+ |
B- |
C- |
no |
|
|
ending
up tiresome |
Just Like Heaven |
C+ |
B+ |
N/A |
|
up |
up |
more
mushy than madcap |
Proof |
C+ |
B- |
N/A |
|
up |
up |
elegant,
intelligent drama |
The Transporter 2 |
C+ |
B |
N/A |
|
|
|
ridiculously
entertaining |
Failure to Launch |
C+ |
B- |
D+ |
no |
down |
down |
fails |
The Sentinel |
C+ |
B |
C- |
yes |
up |
up |
very
humdrum |
The Sisters |
C |
B- |
C- |
no |
down |
up |
overcooked |
Madea's Family Reunion |
C |
A- |
C- |
|
|
|
confused
storytelling |
Moonlight |
C |
D |
B- |
|
|
|
creepily
compelling |
Dirty |
C |
B- |
C- |
no |
up |
down |
Collins
is capable of better (see Capote). |
The Lost City |
C |
B+ |
C+ |
no |
up |
up |
Compelling
in fits and starts |
Rent |
C |
B+ |
C- |
no |
|
up |
not
an update so much as a throwback. |
A Good Woman |
C |
C |
C |
no |
|
|
Pleasant
and undemanding |
Preaching to the Choir |
C |
C+ |
N/A |
|
|
|
awkward |
Killer Diller |
C |
B |
N/A |
|
|
|
lively |
She's the Man |
C |
B+ |
D+ |
yes |
up |
down |
spunky
if often erratic |
One Bright Shining Moment: The Forgotten Summer of George
McGovern |
C |
D+ |
C+ |
|
|
|
instructive
but aggressively biased |
Marebito |
C |
C+ |
N/A |
|
|
|
a
misfired doodle |
Dear Wendy |
C |
B- |
N/A |
|
|
|
well
made but unlikable and dramatically absurd |
Just Friends |
C |
B |
C |
no |
down |
down |
Just
lousy. |
The Second Chance |
C |
A- |
N/A |
no |
|
|
Startlingly
direct if unavoidably preachy |
Phat Girlz |
C |
B- |
D |
|
|
|
has
moments of charm |
Sorry, Haters |
C |
D |
N/A |
|
|
|
sorry
indeed. |
When Do We Eat? |
C |
B- |
B+ |
no |
down |
down |
more
well-intentioned than funny |
Ask the Dust |
C |
B- |
C- |
so-so |
up |
up |
It's
lifeless kitsch. |
Freedomland |
C |
C |
D |
no |
down |
up |
disjointed
and ultimately unsatisfying |
American Gun |
C |
C- |
D |
no |
up |
up |
Skittishly
paced |
Flightplan |
C |
B- |
N/A |
|
|
|
See
Jodie worry! See Jodie run! |
American Dreamz |
C |
C+ |
C- |
yes |
up |
down |
disappointingly
soft |
The Tenants |
C |
C+ |
N/A |
|
|
|
bleakly
funny |
Saw II |
C |
B+ |
C- |
|
|
|
lags
behind in Saw's novelty |
Illusion |
C |
B- |
N/A |
|
|
|
wins
points for originality. |
Scary Movie 4 |
C |
B |
C- |
|
|
|
hit-or-miss |
Tristan & Isolde |
C |
B+ |
D |
|
up |
down |
gloomy,
awkwardly clipped drama |
Roll Bounce |
C |
B |
N/A |
|
|
|
buoyant
without being brainless |
Rumor Has It … |
C- |
C+ |
F |
no |
up |
|
a
bland romance spiced with too little comedy. |
Madagascar |
C- |
B- |
N/A |
|
|
|
Great
visuals, lousy plot. |
Marilyn Hotchkiss' Ballroom Dancing and Charm School |
C- |
C- |
D- |
|
down |
down |
a
disaster. |
RV |
C- |
B |
B- |
no |
down |
down |
laughless
gags |
First Descent |
C- |
B+ |
B+ |
|
|
|
It's
dull enough to make a Mormon fidget |
Firewall |
C- |
B- |
D |
no |
up |
down |
flabby
and familiar. |
Wolf Creek |
C- |
C |
C+ |
no |
|
|
There's
no substitute for bad taste. |
Stoned |
C- |
C- |
N/A |
no |
|
|
dead
on arrival. |
Elizabethtown |
C- |
C+ |
C- |
|
up |
up |
a
sprawling mess |
Get Rich or Die Tryin' |
C- |
B- |
C- |
|
up |
up |
ambitious,
accomplished, but often frustrating |
G |
C- |
B- |
N/A |
|
|
|
sleek
if dramatically flimsy |
Underworld: Evolution |
C- |
C+ |
D |
yes |
|
|
silly
but undeniably entertaining |
I Love Your Work |
C- |
B- |
C- |
|
|
|
wallow
in Hollywood hipster self-absorption. |
What the Bleep!? — Down the Rabbit Hole |
C- |
C+ |
N/A |
|
|
|
won't
make you feel stupid. |
Domino |
C- |
C+ |
C- |
|
|
|
fatally
hip and lethally numb. |
Fun With Dick and Jane |
C- |
B |
D |
no |
down |
down |
a
flaccid, humorless update |
Four Brothers |
C- |
B+ |
N/A |
|
|
|
It's
a head-on collision. |
Night Watch |
C- |
B+ |
B- |
yes |
down |
down |
top-flight
and effectively gruesome |
Standing Still |
C- |
B |
N/A |
no |
down |
up |
shallow |
The Wild |
C- |
C+ |
D |
|
up |
down |
been-there-seen-that. |
Imagine Me & You |
C- |
B |
C |
|
|
|
blithely
synthetic |
Running Scared |
C- |
B+ |
D |
no |
up |
down |
giddily
awful, awfully giddy action noir |
Chicken Little |
C- |
D+ |
C |
|
|
|
a
clunky, arbitrarily plotted, over-caffeinated spritz |
The Gospel |
C- |
B |
N/A |
|
|
|
banal,
artless, cliché-ridden fiction |
39 Pounds of Love |
C- |
D |
C- |
|
|
|
the
feature feels padded even at 70 minutes. |
The Family Stone |
C- |
B- |
D |
yes |
|
|
These
people are awful, and it's hard not to want bad things to happen to them. |
Two for the Money |
D+ |
C+ |
N/A |
|
|
|
turns
from ludicrous to incoherent |
Derailed |
D+ |
B- |
D |
|
|
|
a
junky thriller |
Manderlay |
D+ |
C |
C+ |
no |
|
|
disappointing |
Cheaper by the Dozen 2 |
D+ |
B |
D |
|
|
|
Formulaic
and forced |
Date Movie |
D+ |
C+ |
F |
no |
|
|
a
lame pastiche of Hollywood romances. |
Basic Instinct 2 |
D+ |
C- |
D |
no |
down |
down |
deliciously
awful |
Doogal |
D+ |
C- |
C- |
|
|
|
slapdash
dialogue and smug vocal talent |
The Legend of Zorro |
D+ |
B |
C- |
|
|
|
considerably
less charming than its predecessor |
Silent Hill |
D |
B |
C |
no |
|
|
does
not disappoint. |
Tamara |
D |
C+ |
N/A |
|
|
|
a
familiar B-grade mix of excessive gore and insufficient imaginativeness. |
Big Momma's House 2 |
D |
B- |
D |
no |
|
|
unnecessary
but genial |
In Her Line of Fire |
D |
D+ |
N/A |
|
|
|
passable
action trash |
End of the Spear |
D |
B+ |
C- |
no |
|
|
dogmatically
histrionic tribute to missionary work |
Stay Alive |
D |
B- |
D+ |
|
|
|
so
idiotically directed |
Grandma's Boy |
D |
B |
B |
no |
|
|
The
acting is more wooden than Pinocchio's Christmas pageant |
BloodRayne |
D |
C- |
F |
no |
|
|
Half
woman, half vampire, total baloney |
Larry the Cable Guy: Health Inspector |
D |
B- |
B |
|
|
|
on
a level for six-year-olds |
The Exorcism of Emily Rose |
D |
B- |
N/A |
|
|
|
a
retread of a retread |
Final Destination 3 |
D |
B+ |
B+ |
no |
|
|
a
desultorily plotted affair |
Bee Season |
D |
C |
B+ |
|
|
|
the
film is ice cold |
Kids in America |
D- |
C+ |
C+ |
|
|
|
a
trite teen comedy burdened with lofty aspirations |
Doom |
D- |
B- |
B- |
|
down |
down |
a
formulaic shoot'em-up |
Duane Hopwood |
D- |
C |
N/A |
|
|
|
the
definition of bland. |
In the Mix |
D- |
C |
D- |
|
|
|
A
badly stuffed turkey. |
Annapolis |
D- |
B- |
D |
no |
down |
down |
conspicuously
myopic and reactionary |
Yours, Mine and Ours |
D- |
B- |
C+ |
no |
|
|
a
blandly wishy-washy proposition. |
The Benchwarmers |
D- |
B+ |
D |
|
|
|
cinema's
new Terrible Three |
April's Shower |
D- |
D+ |
D+ |
no |
|
|
arch
and undernourished comedy |
Ultraviolet |
D- |
C+ |
B- |
|
|
|
soulless
sentimentality |
Neal 'n' Nikki |
F |
C |
N/A |
|
|
|
dialogue
and plotting are weak |
Into the Blue |
F |
C+ |
N/A |
|
|
|
A
dive into the most unconvincing of melodrama. |
The Fog |
F |
C- |
D- |
|
|
|
a
countdown to boredom. |
An Unfinished Life |
F |
B- |
N/A |
|
up |
up |
never
realizes its dramatic potential |
Waiting |
F |
B+ |
N/A |
|
down |
down |
practically
screams rental. |
The Cave |
F |
C |
N/A |
|
|
|
solid
if unspectacular |
|
|
|
|
|
|
|
|