| Film Title | Critics | Readers | We | LAT | Ebert | Roeper | The Gist |
| The Departed | N/A | A- | A | yes | up | astonishing | |
| The Queen | N/A | A- | A | yes | up | Dryly funny and unexpectedly poignant | |
| Little Children | N/A | B- | C | yes | unsettling and effective | ||
| 49 Up | N/A | C | N/A | yes | immensely satisfying | ||
| 12 and Holding | yes | up | down | ||||
| The Puffy Chair | yes | up | up | ||||
| 4 | yes | ||||||
| 13 Tzameti | yes | ||||||
| 51 Birch Street | yes | ||||||
| Boynton Beach Club | yes | ||||||
| Boys Briefs 4 | yes | ||||||
| Buzz | yes | ||||||
| Changing Times | yes | ||||||
| Crossing the Bridge: The Sound of Istanbul | yes | ||||||
| Fanaa | yes | ||||||
| Favela Rising | yes | ||||||
| Giuliani Time | yes | ||||||
| Hard Scrambled | yes | ||||||
| Hurricane on the Bayou | yes | ||||||
| I Trust You to Kill Me | yes | ||||||
| Iraq for Sale | yes | ||||||
| La Moustache | yes | ||||||
| Le Petit Lieutenant | yes | ||||||
| Mardi Gras: Made in China | yes | ||||||
| My Country, My Country | yes | ||||||
| Neo Ned | yes | ||||||
| Queens | yes | ||||||
| Red Doors | yes | ||||||
| Shakespeare Behind Bars | yes | ||||||
| The Bridesmaid | yes | ||||||
| The Fall Of Fujimori | yes | ||||||
| The Motel | yes | ||||||
| The Slanted Screen | yes | ||||||
| The War Tapes | yes | ||||||
| Three Times | yes | ||||||
| Zen Noir | yes | ||||||
| Azumi | so-so | ||||||
| Darshan, the Embrace | so-so | ||||||
| Nearing Grace | so-so | ||||||
| Nightmare Man | so-so | ||||||
| Once in a Lifetime: The Extraordinary Story of the New York Cosmos | so-so | ||||||
| The Conrad Boys | so-so | ||||||
| Two Drifters | so-so | ||||||
| Employee of the Month | N/A | B- | D+ | no | slightly smarter than might be expected | ||
| Another Gay Movie | no | ||||||
| Autumn | no | ||||||
| Border War | no | ||||||
| Cease Fire | no | ||||||
| Coastlines | no | ||||||
| Dead Man's Shoes | no | ||||||
| El Cortez | no | ||||||
| Infamous | no | ||||||
| Issues | no | ||||||
| Lemming | no | ||||||
| Lunacy | no | ||||||
| My Grandmother's House | no | ||||||
| Poster Boy | no | ||||||
| Quality of Life | no | ||||||
| Roving Mars | no | ||||||
| Shock to the System | no | ||||||
| Tales of the Rat Fink | no | ||||||
| The Dogwalker | no | ||||||
| The L.A. Riot Spectacular | no | ||||||
| Yang Ban Xi - The Eight Model Works | no | ||||||
| The Texas Chainsaw Massacre: The Beginning | N/A | B+ | N/A | down | rank and depressing. | ||
| Saving Shiloh | up | down | |||||
| Flags Of Our Fathers | up | ||||||
| Keeping Mum | up | ||||||
| Looking For Kitty | up | ||||||
| Clerks II | A | A- | A | down | up | an agreeable mischievous romp | |
| Who Killed the Electric Car? | A | B | A- | unapologetic | |||
| A Scanner Darkly | A | B- | B | yes | up | up | deeply intriguing |
| Old Joy | A | B- | A | yes | shimmering, quiet treasure of a film | ||
| World Trade Center | A | B+ | B | no | personal and mournful | ||
| Wordplay | A | A | A- | yes | up | up | a delightful diversion. |
| Been Rich All My Life | A | C | A- | Demonstrating spunk and independence | |||
| The Heart of the Game | A | B | B+ | yes | up | up | a satisfying emotional rush. |
| Invincible | A | B+ | B+ | up | unexpectedly poetic | ||
| The Descent | A | B+ | A- | The chills and spills keep comin' | |||
| Brothers of the Head | A | C | N/A | yes | bizarre, edgy and haunting | ||
| Sir! No Sir! | A | C- | A | yes | an exultant, even elated tone. | ||
| Half Nelson | A | B | B | yes | terrifically compelling | ||
| Flags of Our Fathers | A | B | B- | yes | up | astonishing | |
| Jackass: Number Two | A | A- | A | no | tastelessly innovative | ||
| District B13 | A | B+ | N/A | no | a tasty morsel of cinematic junk food | ||
| American Hardcore | A | B | N/A | exuberantly irritable | |||
| Monster House | A | B- | B | yes | up | up | supremely slick |
| Talladega Nights: The Ballad of Ricky Bobby | A | C+ | A | so-so | fills you with giddy pleasure | ||
| The Death of Mr. Lazarescu | A | C+ | A | yes | unexpectedly mesmerizing | ||
| A Prairie Home Companion | A | B | B+ | no | up | down | Rib-ticklingly funny |
| Cars | A | B | B- | yes | up | up | Periodic bursts of cleverness |
| This Film Is Not Yet Rated | A | C | A | so-so | up | cunningly outraged | |
| Mutual Appreciation | A | B+ | N/A | yes | appealingly quirky | ||
| Lassie | A | C+ | A | up | heartwarming and moving | ||
| The Last King of Scotland | A | A | B+ | up | intense, sometimes hallucinatory | ||
| Lady Vengeance | A | B+ | B+ | intense emotional wallop. | |||
| Mission: Impossible III | A | B+ | C+ | yes | down | up | plenty of action and intrigue. |
| Sketches of Frank Gehry | A | C | N/A | no | up | up | Lucid and engaging |
| Little Miss Sunshine | A | B | A | yes | A brainy blend of farce and heart | ||
| Deliver Us From Evil | A | B | A | brilliant and psychologically transfixing | |||
| Miami Vice | A- | D+ | B+ | no | so cool that it's almost too cool. | ||
| Snakes on a Plane | A- | B+ | A | no | down | cheesy, campy B-movie fun | |
| Driving Lessons | A- | B- | C- | conservative yet titillatingly 'eccentric' | |||
| Down in the Valley | A- | B- | C+ | often breathtaking. | |||
| Only Human | A- | B- | N/A | yes | intermittently hilarious | ||
| X-Men: The Last Stand | A- | B- | B- | yes | up | up | adrenaline-fueled fun. |
| Gabrielle | A- | C | N/A | yes | perfectly realized | ||
| The Ground Truth | A- | B | A | yes | realistic, heartbreaking | ||
| I Like Killing Flies | A- | D | N/A | endearingly cockeyed | |||
| The Illusionist | A- | B | B+ | no | Impeccably crafted | ||
| The House of Sand | A- | C+ | A | yes | admirably pretentious | ||
| Superman Returns | A- | B | A- | no | down | up | gorgeously crafted |
| Sherrybaby | A- | B- | C+ | no | emotionally arresting | ||
| The Road to Guantanamo | A- | B- | N/A | so-so | up | up | unconventional and mostly effective |
| Clean | A- | B- | B+ | yes | up | up | scrupulous straight-forwardness |
| The Proposition | A- | A- | N/A | up | up | robust | |
| Quinceañera | A- | B- | B- | yes | charming and unpretentious. | ||
| The Science of Sleep | A- | A | N/A | yes | whimsical, irrepressibly creative | ||
| Shortbus | A- | C+ | B | no | up | sexually daring, dramatically timid | |
| The Prestige | A- | B+ | B | yes | up | aggressively devious | |
| Hollywoodland | A- | B | B | no | up | Glamorously adult | |
| Jonestown: The Life and Death of Peoples Temple | A- | B- | A- | yes | disturbing and provocative | ||
| Jesus Camp | A- | C | A- | up | a piercing portrait of innocence perverted | ||
| Leonard Cohen: I'm Your Man | A- | C | N/A | essential | |||
| Marie Antoinette | B+ | C+ | A | yes | down | yummy-looking, artfully personal | |
| An Inconvenient Truth | B+ | C | B- | yes | up | up | An excellent educational tool |
| Ant Bully | B+ | B | C- | nifty | |||
| Man Push Cart | B+ | C | B+ | yes | a didactic sentimental side | ||
| A Guide to Recognizing Your Saints | B+ | A- | B+ | down | a damn interesting piece. | ||
| Riding Alone for Thousands of Miles | B+ | A- | B- | so-so | intimate yet emotionally vast | ||
| Conversations With Other Women | B+ | C | C- | yes | witty and bleak | ||
| Over the Hedge | B+ | B+ | B- | no | up | up | charmer |
| How to Eat Fried Worms | B+ | C+ | A- | up | cheerfully crude | ||
| Look Both Ways | B+ | B- | N/A | yes | up | up | imaginative, humorous and truthful |
| Paper Dolls | B+ | B- | N/A | yes | a surprise | ||
| Lower City (Cidade Baixa) | B+ | B- | N/A | so-so | a thing of beauty | ||
| The U.S. vs. John Lennon | B+ | B- | A | yes | Lennon's tunes are used pointedly | ||
| Nacho Libre | B+ | B | B+ | yes | down | down | some sure-fire ridiculousness. |
| Heading South | B+ | C- | B+ | pleasurably unsettling | |||
| Sleeping Dogs Lie | B+ | C+ | N/A | no | surprisingly sweet, hilarious, and warm. | ||
| Confetti | B+ | C | C- | yes | emotionally believable | ||
| Crank | B | B+ | B+ | no | Edgy and outrageous | ||
| Al Franken: God Spoke | B | C- | N/A | yes | A lot of preaching to the converted | ||
| Twelve and Holding | B | C | C- | more obsessive than artistically daring. | |||
| The King | B | C | N/A | no | up | up | beautifully produced |
| Edmond | B | C | N/A | for hard-core David Mamet fans only. | |||
| The Lake House | B | B | C- | no | up | up | a wanly romantic Hallmark postcard |
| Strangers With Candy | B | C | C | no | up | up | sorta thrillingly raunchy |
| Flicka | B | B | B+ | up | quaint | ||
| The Promise | B | B- | D+ | defies both gravity and logic. | |||
| The Devil Wears Prada | B | B | B- | yes | down | up | sitcomy but tolerably entertaining |
| The OH in Ohio | B | C | C- | no | a silly, amusing trifle. | ||
| Goal!: The Dream Begins | B | B+ | C- | yes | up | down | every sports cliché |
| The Last Kiss | B | B | C | no | People will identify with [the characters] | ||
| Factotum | B | A | C+ | yes | down | acidly funny | |
| Jet Li's Fearless | B | A- | C | manages to pack a satisfying emotional punch | |||
| Princesas | B | C+ | N/A | so-so | down | warmhearted, sharp-eyed | |
| The Night Listener | B | C | C+ | tediously solemn | |||
| Keeping Up With the Steins | B | C+ | D+ | up | up | initially sharp | |
| Wah-Wah | B | C | B+ | yes | up | down | laughably bitter tone. |
| Rolling Family | B | C- | N/A | an extremely leisurely pace | |||
| Pirates of the Caribbean: Dead Man's Chest | B | B | A- | so-so | does more than improve | ||
| Russian Dolls | B | B- | N/A | yes | entertaining | ||
| Renaissance | B | C | N/A | so-so | all style, no soul. | ||
| Art School Confidential | B | B | B- | yes | up | up | feels insubstantial |
| Step Up | B | B+ | D | clunky but moderately charming | |||
| V for Vendetta | B | B+ | B | not good. | |||
| Idlewild | B | B | C+ | no | down | madly soulful and enjoyable | |
| Feast | B- | B- | N/A | forgettable fun for the undiscriminating. | |||
| Accepted | B- | B+ | B | no | winning dumbness | ||
| Shadowboxer | B- | C- | D | a howler of a slab of pulp fiction | |||
| Take the Lead | B- | B | B+ | doesn't suck. | |||
| The Da Vinci Code | B- | B- | C- | yes | up | up | borders on tedium. |
| Running With Scissors | B- | C | C | no | down | is like running with a spatula | |
| My Super Ex-Girlfriend | B- | B | B | consistently funny | |||
| The Guardian | B- | B+ | B- | so-so | down | crashes on wave upon wave of clichés. | |
| You, Me and Dupree | B- | B- | C- | no | a conventional easy-laugh premise | ||
| Beerfest | B- | B+ | B | no | down | cheeky irreverence | |
| Aurora Borealis | B- | B | B- | so-so | Joshua Jackson can actually act | ||
| Flyboys | B- | B+ | C- | unashamedly old-fashioned | |||
| The Groomsmen | B- | C+ | C | Fatally conventional | |||
| Open Season | B- | B+ | B- | yes | down | paint-by-numbers filmmaking | |
| Zerophilia | B- | C+ | C- | campy | |||
| The Omen | C+ | C- | C- | no | up | up | fascinating |
| Poseidon | C+ | B | C+ | no | down | down | It may be cheese |
| The Fast and the Furious 3: Tokyo Drift | C+ | B | B | exhilarating | |||
| Idiocracy | C | B+ | N/A | yes | a satire for its time. | ||
| The Protector | C | A- | A | bone-crunching power | |||
| Looking for Kitty | C | C- | C- | says howdy, rewards little | |||
| The Mostly Unfabulous Social Life of Ethan Green | C | C+ | B | so-so | It's a dud. | ||
| Garfield: A Tail of Two Kitties | C | C | D+ | up | down | The voices are uncommonly well-cast | |
| The Great New Wonderful | C | A | N/A | does elicit squirms and titters | |||
| Killer Diller | C | B | N/A | up | up | lively | |
| Everyone's Hero | C | B- | D | down | there's no sense of magic | ||
| Mouth to Mouth | C | C- | N/A | no | occasionally vivid, ultimately unsatisfactory | ||
| An American Haunting | C | C+ | D | no | no | tame, lame serving of PG-13 shocks. | |
| The Wicker Man | C | C- | D- | no | a lousy thriller but a damn good accidental comedy. | ||
| Scoop | C | A | B- | no | so flat, dull, and off form | ||
| Trust the Man | C | B | D+ | no | blithely self-involved | ||
| Jimmy and Judy | C | C | N/A | shocking but believable | |||
| The Break-Up | C | B- | B- | no | down | up | almost relentlessly unpleasant |
| Typhoon | C | C | D- | yes | nothing too striking | ||
| Wassup Rockers | C | B | A- | no | up | down | appealingly nutzoid |
| School for Scoundrels | C | B+ | B- | so-so | up | lazy | |
| Crazy Like a Fox | C | C+ | N/A | slapstick to save-the-farm melodrama | |||
| John Tucker Must Die | C | B | D+ | Oh, the hilarity. | |||
| Waist Deep | C | B- | B | packs considerable energy | |||
| Say Uncle | C | D | D+ | yes | down | down | self-righteous, thoroughly unsavory |
| Peaceful Warrior | C | B- | D | no | down | down | half-baked |
| Tideland | C- | C | N/A | no | dour, absurdist, gruesomely awful | ||
| One Last Thing | C- | B- | N/A | no | refreshingly low-key | ||
| Man of the Year | C- | B- | F | thinly amusing | |||
| Alex Rider: Operation Stormbreaker | C- | A- | C- | no | without a smidgeon of originality | ||
| Hoot | C- | B- | B- | down | down | dawdling pace | |
| The Black Dahlia | C- | C+ | C+ | no | down | a good movie plagued with problems | |
| Lady in the Water | C- | B- | C | no | ponderous, self-indulgent bedtime tale. | ||
| Loverboy | C- | C | N/A | yes | down | down | plays more like an offbeat Lifetime made-for. |
| The Wild | C- | C | D | been-there-seen-that. | |||
| Mini's First Time | C- | C+ | N/A | no | all the makings of a camp jailbait classic. | ||
| One Night With The King | C- | A- | N/A | no | surprisingly satisfying | ||
| Artie Lange's Beer League | C- | A- | N/A | up | little more than a series of expletives | ||
| Barnyard: The Original Party Animals | C- | B | C- | no | hideous | ||
| Click | C- | A- | D | down | down | most disturbing, weirdly confessional | |
| America: Freedom to Fascism | D+ | B- | N/A | a flailing Libertarian fever dream | |||
| The Marine | D+ | B | D | Tongues are planted firmly in cheek | |||
| 10th & Wolf | D+ | B | N/A | turgid, ketchup-spattered dud. | |||
| Broken Bridges | D+ | B+ | N/A | poorly dialogued, feel-good | |||
| Pulse | D+ | C+ | C- | has potential to entertain. | |||
| Gridiron Gang | D+ | B+ | C- | no | down | another overdose of inspiration | |
| All the King's Men | D+ | B- | N/A | yes | Overstuffed and fatally miscast | ||
| The Quiet | D+ | B- | N/A | no | down | A Lifetime movie on crack | |
| Haven | D | B- | D- | yes | down | lackluster and muddled | |
| Just My Luck | D | C+ | D- | no | down | down | lame slice of slapstick |
| The Grudge 2 | D | C- | D- | no | unforgivably boring | ||
| Crossover | D | B- | D- | down | dry urban melodrama | ||
| See No Evil | D- | B | C- | no | generic and predictable | ||
| Little Man | F | C | N/A | no | takes dumb comedy to new heights | ||
| Material Girls | F | C | D | Overacting | |||
| Zoom | F | C+ | D | lacks the satirical edge | |||
| The Covenant | F | B | D | no | bloodless, creepless, and depthless. |