| Film Title | Critics | Readers | We | LAT | Ebert | Roeper | The Gist |
| Stranger Than Fiction | yes | up | |||||
| Sweet Land | yes | up | |||||
| 2006 Academy Award Nominated Animated Shorts | yes | ||||||
| 2006 Academy Award Nominated Live-Action Shorts | yes | ||||||
| 3 Needles | yes | ||||||
| Antibodies | yes | ||||||
| Boy Culture | yes | ||||||
| Café Setareh | yes | ||||||
| Can Mr. Smith Get to Washington Anymore? | yes | ||||||
| Danielson: A Family Movie | yes | ||||||
| East of Havana | yes | ||||||
| Ever Again | yes | ||||||
| Forgiving Dr. Mengele | yes | ||||||
| Iraq in Fragments | yes | ||||||
| Jonestown: The Life and Death of Peoples Temple | yes | ||||||
| Phantom Love | yes | ||||||
| Pusher | yes | ||||||
| Race You to the Bottom | yes | ||||||
| Requiem | yes | ||||||
| Romántico | yes | ||||||
| Samoan Wedding | yes | ||||||
| Stolen | yes | ||||||
| Ten 'Til Noon | yes | ||||||
| The Cave of the Yellow Dog | yes | ||||||
| The Great Warming | yes | ||||||
| Yacoubian Building | yes | ||||||
| Behind the Mask | so-so | ||||||
| Death and Texas | so-so | ||||||
| Eklavya: The Royal Guard | so-so | ||||||
| Hollywood | so-so | ||||||
| Memory | so-so | ||||||
| Screen Door Jesus | so-so | ||||||
| Withdrawal From Gaza | so-so | ||||||
| Wrestling With Angels | so-so | ||||||
| Cautiva | no | ||||||
| Cocaine Cowboys | no | ||||||
| Conversations With God | no | ||||||
| Dating Games People Play | no | ||||||
| Eating Out 2 | no | ||||||
| G.I. Jesus | no | ||||||
| Hannari: Geisha Modern | no | ||||||
| Idol | no | ||||||
| Inland Empire | no | ||||||
| Lies & Alibis | no | ||||||
| Living the Dream | no | ||||||
| Night of the Living Dead 3D | no | ||||||
| Primeval | no | ||||||
| Shottas | no | ||||||
| Snow Blind | no | ||||||
| The Boy Who Cried Bitch: The Adolescent Years' Take 2 | no | . | |||||
| The Empire in Africa | no | ||||||
| The Tiger and the Snow | no | ||||||
| What Love Is | no | ||||||
| Flags of our Fathers | up | ||||||
| Jesus Camp | up | ||||||
| Unknown | up | ||||||
| Tideland | no | ||||||
| Running With Scissors | down | ||||||
| The Texas Chainsaw Massacre: The Beginning | down | ||||||
| An Unreasonable Man | A | C | N/A | yes | Ralph Nader emerges as a dedicated, controversial and flawed figure | ||
| Journey From the Fall | A | B+ | N/A | yes | Beautifully made and sincere to a fault | ||
| Avenue Montaigne | A | B | B+ | yes | soothing and thoroughly enjoyable. | ||
| The Lookout | A | A | N/A | yes | up | a haunting and hypnotic film that transcends pulp by creating characters that get under your skin. | |
| Zodiac | A | A- | A | so-so | vastly intricate and dazzling | ||
| The Abandoned | A | B | N/A | more than just your standard ghost story | |||
| Off the Black | A | B- | B- | yes | Anchored by a terrific performance from Nick Nolte | ||
| Pan's Labyrinth | A | A- | A | yes | up | richly imagined and exquisitely violent | |
| Children of Men | A | B+ | B | yes | up | ||
| Ghost Rider | A | B+ | N/A | so-so | A faithful adaptation of a comic. | ||
| Sacco and Vanzetti | A | N/A | A- | yes | packed with information. | ||
| Offside | A | B | A | yes | wonderfully funny, outspoken shaggy-dog story | ||
| The Namesake | A | B+ | A- | yes | a generational family saga everyone can relate to | ||
| Air Guitar Nation | A | B | B | yes | often hilarious documentary | ||
| Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan | A | A- | A | yes | up | appalling, tasteless, grotesque, politically incorrect | |
| Days of Glory | A | B | B | yes | strong visuals and even stronger emotions | ||
| Casino Royale | A | A- | A- | yes | up | the hippest, highest-octane Bond film | |
| The Host | A | B+ | A | yes | wildly entertaining saga should become the hip, thinking-person's monster movie of choice. | ||
| The Aura | A | B- | N/A | yes | engrossing | ||
| The Queen | A | B | A | Dryly funny and unexpectedly poignant | |||
| After the Wedding | A | A | B | yes | manages to be both emotional and engaging. | ||
| Our Daily Bread | A | B | A | yes | beautifully shot and elegantly edited | ||
| The Last King of Scotland | A | B+ | B+ | up | intense, sometimes hallucinatory | ||
| Fast Track | A | C+ | N/A | off-the-wall, go-for-broke zaniness | |||
| Starter For 10 | A | C- | N/A | no | garnishes fairly standard college-set plot with wit, warmth and unexpected turns. | ||
| Umrao Jaan | A | C+ | N/A | lengthy but satisfying | |||
| Into Great Silence | A | A | A | startlingly beautiful | |||
| Verdict on Auschwitz: The Frankfurt Auschwitz Trial 1963-1965 | A | B | A | yes | rivetingly essential documentary | ||
| Letters From Iwo Jima | A | B+ | A | yes | up | quality from first frame to last | |
| Happy Feet | A | B+ | B | yes | up | a wonderful jokiness | |
| Flushed Away | A | B+ | B+ | yes | down | full of bone-dry wit | |
| Volver | A | A | A | yes | up | Cruz has never looked lovelier or acted better | |
| The Astronaut Farmer | A- | B- | B- | yes | up | works precisely because it's bereft of modern cinema's cynicism | |
| The Prisoner Or: How I Planned to Kill Tony Blair | A- | C | N/A | so-so | Imagine a Franz Kafka story with illustrations by Frank Miller | ||
| Bamako | A- | B- | N/A | A strong candidate for African film of the year | |||
| Breach | A- | A | B | yes | up | spy movies are suddenly getting better and better. | |
| Little Children | A- | B | C | unsettling and effective | |||
| The Secret Life of Words | A- | C | B | yes | a compellingly claustrophobic | ||
| Déjà Vu | A- | B+ | B- | so-so | down | taut, tasty | |
| Apocalypto | A- | B+ | A | so-so | up | a first-rate epic | |
| For Your Consideration | A- | B+ | D | so-so | face-hurting funny | ||
| Notes on a Scandal | A- | B | A- | so-so | up | 'Fatal Attraction' for the art-house crowd | |
| The Page Turner | A- | C+ | B+ | yes | a tight little emotional thriller | ||
| Dreamgirls | A- | B | A- | yes | up | knockout movie version of the | |
| Venus | A- | C+ | B+ | yes | up | Genuinely funny, randy and moving | |
| The Lives of Others | A- | B+ | B- | yes | up | grips like a boa constrictor. | |
| The Holiday | B+ | B | C- | so-so | down | A romantic comedy with real sense of how romance feels | |
| Freedom Writers | B+ | B+ | B+ | so-so | a superb piece of mainstream entertainment | ||
| Shooter | B+ | A- | B+ | yes | makes the grade as hard-ass action escapism. | ||
| Shut Up and Sing | B+ | C+ | A | up | More ballsy than profound | ||
| Babel | B+ | B | B- | yes | up | Tense, relentless | |
| The Painted Veil | B+ | B | B+ | so-so | up | a period piece propelled by emotions accessible to a modern audience. | |
| Fast Food Nation | B+ | B- | C+ | yes | down | a tasty ground-up heaping of outrage and irony | |
| The Piano Tuner of Earthquakes | B+ | C+ | A- | yes | visually exquisite, rigorously intellectual | ||
| F*ck | B+ | C+ | C+ | yes | Profound and joyously silly | ||
| Blades of Glory | B+ | A- | B+ | so-so | up | it's full of laughs both subtle and ridiculous. | |
| Reign Over Me | B+ | A- | B+ | so-so | It's better than you'd expect but not as good as you'd like it to be. | ||
| The Wind That Shakes the Barley | B+ | A- | A | yes | up | possesses the soul of an anti-war movie and the style of a thriller | |
| God Grew Tired of Us | B+ | B- | B+ | yes | a borderline lazy but nonetheless compelling documentary | ||
| Come Early Morning | B+ | B | N/A | up | not half bad. | ||
| Catch a Fire | B+ | B | B | yes | up | downright old-fashioned | |
| Harsh Times | B | D+ | C- | almost a good, salty urban thriller. | |||
| Beyond the Gates | B | B- | B+ | respectable and well-intentioned | |||
| The Dead Girl | B | B- | C+ | so-so | up | delivers considerable emotional impact. | |
| Music and Lyrics | B | B | C- | up | an agreeably loopy romantic comedy that bounces along effortlessly | ||
| Opal Dream | B | C | N/A | yes | cutesy | ||
| Bridge to Terabithia | B | A | A | yes | up | an unpretentious and touching tale of preteen companionship and loss. | |
| The Bridge | B | C+ | N/A | yes | ghoulish | ||
| Tenacious D in: The Pick of Destiny | B | B | B | so-so | down | big on spirit | |
| First Snow | B | B- | C- | a first-rate psychological thriller. | |||
| Climates | B | C- | N/A | Immaculately shot and composed | |||
| The Good Shepherd | B | B- | C- | yes | up | slow, sincere and fitfully bamboozling | |
| Alone With Her | B | B- | N/A | yes | down | as interesting to think about as to actually watch. | |
| The History Boys | B | B+ | B+ | yes | down | ferociously engaging | |
| Wild Tigers I Have Known | B | D | N/A | no | stylish flourishes hold things together in the absence of strong plotting. | ||
| Backstage | B | C | B+ | Often played at full tilt | |||
| The Last Mimzy | B | B | B | no | a pleasantly dorky adaptation of Lewis Padgett's 1943 sci-fi story | ||
| The Italian | B | B- | N/A | yes | a picture half sweet, half bitter. | ||
| Rocky Balboa | B | A- | D | no | up | surprisingly satisfying | |
| Close to Home | B | N/A | B | mixes humor, tragedy, tenderness and political acumen into a well-observed coming-of-age format | |||
| Color Me Kubrick | B | C | B | so-so | a sly, enormously entertaining romp | ||
| The Nativity Story | B | B+ | C- | no | up | conventional and unspontaneous | |
| Amazing Grace | B | A- | C+ | yes | Morally irreproachable and flat as a pancake | ||
| Puccini for Beginners | B | C | D+ | yes | never really soars but has enough breezy humor | ||
| Who the $#%& Is Jackson Pollock? | B | D+ | N/A | marginally interesting | |||
| Screamers | B | B | B- | so-so | as shattering as it is powerful. | ||
| The Good German | B- | C+ | C+ | no | well executed. | ||
| Grbavica: The Land of My Dreams | B- | N/A | B+ | yes | delicately intertwines the overwhelming hurt of the past with the quotidian details of her characters' lives. | ||
| A Good Year | B- | C+ | D+ | no | downright clumsy. | ||
| Charlotte's Web | B- | B | A | no | up | does not screw up one of the seminal works of American children's literature. | |
| Seraphim Falls | B- | A- | N/A | so-so | up | has decent pep in its step | |
| Dead Silence | B- | B+ | B | no | a good old-fashioned ghost story. | ||
| Pride | B- | B | C- | no | doesn't have much surprise, but it's a formula picture of genuine feeling | ||
| The Pursuit of Happyness | B- | A- | C+ | so-so | up | shrewdly | |
| Bobby | B- | B- | D | no | up | emotional pornography | |
| The Fountain | B- | B- | A | no | down | hippy trippy | |
| Fur: An Imaginary Portrait of Diane Arbus | B- | C | B- | so-so | defiantly outre | ||
| Nomad (The Warrior) | B- | C+ | N/A | somewhat generic in flavor | |||
| The Architect | B- | C+ | N/A | no | dramatically dull | ||
| Fired! | B- | B- | N/A | Modestly amusing in fits and starts | |||
| Tears of the Black Tiger | B- | A | B+ | yes | a jaw-dropper: a delirium-inducing crash course in international trash. | ||
| Glastonbury | B- | B+ | C | yes | sloppy almost to the point of self-parody | ||
| Alpha Dog | B- | B- | C + | no | up | standard-issue tabloid fare pimped out as a serious true-crime saga. | |
| Meet the Robinsons | B- | A- | A | so-so | up | a frenetic, sometimes too-dizzying experience | |
| Blood Diamond | B- | B+ | C+ | so-so | up | as liberal hand-wringing goes, it's a winner. | |
| Maxed Out: Hard Times, Easy Credit and the Era of Predatory Lenders | B- | C | A- | yes | Intelligent, informative and unusually entertaining | ||
| Smokin' Aces | C+ | B+ | B- | no | a cheerfully disposable gangland freak-show thrill | ||
| Black Snake Moan | C+ | B | B+ | no | up | humorous and raunchy as a good blues refrain | |
| 300 | C+ | A- | B+ | so-so | dazzles as spectacle, but as history it's dodgy. | ||
| We Are Marshall | C+ | A- | B | so-so | up | based on a true story that's far more powerful and compelling than the film itself. | |
| Stomp the Yard | C | B+ | C- | so-so | too busy entertaining to worry about being original. | ||
| Perfume: The Story of a Murderer | C | B | C- | no | down | loads of visual panache but only intermittent magic | |
| Unaccompanied Minors | C | B | B- | down | a hyper sugar rush of a Yuletide-themed frolic | ||
| Breaking and Entering | C | B | C+ | up | often rewarding though occasionally pretentious | ||
| Miss Potter | C | C+ | C+ | no | up | a missed opportunity! | |
| Candy | C | C+ | N/A | so-so | up | wildly romanticized | |
| Death of a President | C | C- | C+ | so-so | down | unconvincing | |
| The Situation | C | C | C | no | up | not easy to watch, and at times even harder to follow | |
| Valley of the Wolves: Iraq | C | C- | N/A | mildly enjoyable | |||
| Funny Money | C | N/A | N/A | so-so | Gerald Ford dies and Chevy Chase's career comes back to life. Coincidence? | ||
| Reno 911!: Miami | C | B+ | B- | no | Tons of funny, raunchy gags make this transition from small to big screen worthwhile | ||
| In the Pit | C | B- | A | latest in an extraordinary wave of Mexican nonfiction cinema. | |||
| Snoop Dogg's Hood of Horror | C | C | N/A | gleefully disgusting. | |||
| Saw III | C | B+ | B | no | even more extravagant and gory | ||
| Constellation | C | C | N/A | no | Old concept is mildly updated | ||
| Daddy's Little Girls | C | A- | B- | no | Even at its most preposterous, it has the power to make an audience cheer. | ||
| My Brother | C- | B+ | N/A | no | torpid, independently made urban melodrama | ||
| Curse of the Golden Flower | C- | B+ | B+ | yes | up | makes little sense in narrative terms | |
| Two Weeks | C- | C | N/A | no | an uneasy dramedy | ||
| I Think I Love My Wife | C- | B | B | no | the results fall short of the grown-up comedy about seven-year itches it could've been | ||
| Turistas | C- | B- | C- | no | down | awful, offal-ridden | |
| Catch and Release | C- | B- | D- | so-so | up | a romance that wants to respect the mess of love and loss but winds up smoothing all its rough edges | |
| Flannel Pajamas | C- | D+ | D | no | a nonstop talkfest | ||
| Copying Beethoven | C- | B- | N/A | hooey | |||
| Night at the Museum | C- | B+ | C- | no | down | at least it entertains | |
| The Ultimate Gift | C- | A- | C- | yes | be prepared to be hit over the head by the message | ||
| The Hawk Is Dying | C- | N/A | N/A | the film is not only hard to understand, it isn't much fun trying to figure it out. | |||
| The Last Sin Eater | D+ | C+ | N/A | flat and lifeless | |||
| The Santa Clause 3: The Escape Clause | D+ | C+ | B- | as appetizing as yellow snow. | |||
| Code Name: The Cleaner | D+ | B- | C | so-so | lame and inane. | ||
| The Hills Have Eyes 2 | D+ | B- | D | overly used stereotypes, bad military lingo, and an unrealistically attractive cast. | |||
| Deck the Halls | D+ | B- | C | yes | down | nothing short of tragic | |
| TMNT | D+ | B+ | B- | no | missing the goofy excitement of the old 'TMNT.' | ||
| Premonition | D | B | B | no | down | effective until a downright maudlin close | |
| Norbit | D | B | D | no | down | an astonishingly crass and vulgar film | |
| Romeo & Juliet: Sealed With a Kiss | D | D | F | no | one odd concoction | ||
| Happily N'Ever After | D | B- | D- | no | as dull as it is ill-natured | ||
| Live Free or Die | D | B+ | N/A | opens and closes zippily, but in between frequently stalls out | |||
| The Hitcher | D | B | B | no | retread of a 1986 terror trip | ||
| Gray Matters | D | B | N/A | no | there's a forced quality to the proceedings that makes the comic premise seem more artificial than it needs to be. | ||
| The Number 23 | D | B | D | no | up | grips hold of one stupid idea and runs so far with it | |
| The Flying Scotsman | D | B- | N/A | yes | a sincere but shallow drama | ||
| Eragon | D | B- | C | no | dull retelling of 'Star Wars.' | ||
| Wild Hogs | D | B | F | no | Uninspired script and broad slapstick yuks | ||
| Arthur and the Invisibles | D | C+ | D+ | no | down | a fair-to-middling children's film | |
| Home of the Brave | D | B- | D | no | up | the significant subject matter cries out for a defter directorial touch | |
| Full of It | D | C- | N/A | no | doesn't offer anything new, and the moral is obvious to anyone past drinking age. | ||
| Hannibal Rising | D | B | D | down | an uninspired and altogether unnecessary biography of a madman. | ||
| Black Christmas | D- | B- | C- | no | a streak of black comedy and more than a few grisly death scenes | ||
| 10 Items or Less | F | C- | C | so-so | up | ponderously self-serving | |
| Blood and Chocolate | F | B- | N/A | no | It never frightens. | ||
| Broken Sky | F | D+ | D | yes | audacious erotic minimalism. | ||
| Van Wilder: The Rise of Taj | F | B- | F | no | charmless and uninspired | ||
| The Messengers | F | B | N/A | no | another exercise in overly used Hollywood ghost effects. | ||
| Because I Said So | F | B- | C | no | down | slapdash, charmless | |
| Black Gold | F | C | B | yes | handsome and astute | ||
| Tortilla Heaven | F | C | N/A | no | clumsy family comedy. | ||
| Epic Movie | F | B- | N/A | no | The parodies may be bite-size but they bear no teeth marks. | ||
| Factory Girl | F | C+ | D | no | up | moribund | |
| Caffeine | F | D+ | N/A | no | serves up a menu's worth of forced and trite situations. | ||
| Absolute Wilson | F | D+ | A | yes | an astonishing portrait of an artist at the height of his creativity. | ||
| The Return | F | C+ | N/A | no | with zero scares | ||
| Let's Go to Prison | F | B- | C- | no | a decidedly dim-bulb farce |