Film
Title |
Critics |
Readers |
We |
LAT |
Ebert |
Roeper |
The Gist |
Stranger
Than Fiction |
|
|
|
yes |
|
up |
|
Sweet
Land |
|
|
|
yes |
|
up |
|
2006
Academy Award Nominated Animated Shorts |
|
|
|
yes |
|
|
|
2006
Academy Award Nominated Live-Action Shorts |
|
|
|
yes |
|
|
|
3
Needles |
|
|
|
yes |
|
|
|
Antibodies |
|
|
|
yes |
|
|
|
Boy
Culture |
|
|
|
yes |
|
|
|
Café
Setareh |
|
|
|
yes |
|
|
|
Can Mr.
Smith Get to Washington Anymore? |
|
|
|
yes |
|
|
|
Danielson:
A Family Movie |
|
|
|
yes |
|
|
|
East of
Havana |
|
|
|
yes |
|
|
|
Ever
Again |
|
|
|
yes |
|
|
|
Forgiving
Dr. Mengele |
|
|
|
yes |
|
|
|
Iraq in
Fragments |
|
|
|
yes |
|
|
|
Jonestown:
The Life and Death of Peoples Temple |
|
|
|
yes |
|
|
|
Phantom
Love |
|
|
|
yes |
|
|
|
Pusher |
|
|
|
yes |
|
|
|
Race
You to the Bottom |
|
|
|
yes |
|
|
|
Requiem |
|
|
|
yes |
|
|
|
Romántico |
|
|
|
yes |
|
|
|
Samoan
Wedding |
|
|
|
yes |
|
|
|
Stolen |
|
|
|
yes |
|
|
|
Ten
'Til Noon |
|
|
|
yes |
|
|
|
The
Cave of the Yellow Dog |
|
|
|
yes |
|
|
|
The
Great Warming |
|
|
|
yes |
|
|
|
Yacoubian
Building |
|
|
|
yes |
|
|
|
Behind
the Mask |
|
|
|
so-so |
|
|
|
Death
and Texas |
|
|
|
so-so |
|
|
|
Eklavya:
The Royal Guard |
|
|
|
so-so |
|
|
|
Hollywood |
|
|
|
so-so |
|
|
|
Memory |
|
|
|
so-so |
|
|
|
Screen
Door Jesus |
|
|
|
so-so |
|
|
|
Withdrawal
From Gaza |
|
|
|
so-so |
|
|
|
Wrestling
With Angels |
|
|
|
so-so |
|
|
|
Cautiva |
|
|
|
no |
|
|
|
Cocaine
Cowboys |
|
|
|
no |
|
|
|
Conversations
With God |
|
|
|
no |
|
|
|
Dating
Games People Play |
|
|
|
no |
|
|
|
Eating
Out 2 |
|
|
|
no |
|
|
|
G.I.
Jesus |
|
|
|
no |
|
|
|
Hannari:
Geisha Modern |
|
|
|
no |
|
|
|
Idol |
|
|
|
no |
|
|
|
Inland
Empire |
|
|
|
no |
|
|
|
Lies
& Alibis |
|
|
|
no |
|
|
|
Living
the Dream |
|
|
|
no |
|
|
|
Night
of the Living Dead 3D |
|
|
|
no |
|
|
|
Primeval |
|
|
|
no |
|
|
|
Shottas |
|
|
|
no |
|
|
|
Snow
Blind |
|
|
|
no |
|
|
|
The Boy
Who Cried Bitch: The Adolescent Years' Take 2 |
|
|
|
no |
|
|
. |
The
Empire in Africa |
|
|
|
no |
|
|
|
The
Tiger and the Snow |
|
|
|
no |
|
|
|
What
Love Is |
|
|
|
no |
|
|
|
Flags
of our Fathers |
|
|
|
|
|
up |
|
Jesus
Camp |
|
|
|
|
|
up |
|
Unknown |
|
|
|
|
|
up |
|
Tideland |
|
|
|
|
|
no |
|
Running
With Scissors |
|
|
|
|
|
down |
|
The
Texas Chainsaw Massacre: The Beginning |
|
|
|
|
|
down |
|
An
Unreasonable Man |
A |
C |
N/A |
yes |
|
|
Ralph Nader emerges as a
dedicated, controversial and flawed figure |
Journey
From the Fall |
A |
B+ |
N/A |
yes |
|
|
Beautifully made and sincere to
a fault |
Avenue
Montaigne |
A |
B |
B+ |
yes |
|
|
soothing and thoroughly
enjoyable. |
The
Lookout |
A |
A |
N/A |
yes |
|
up |
a haunting and hypnotic film
that transcends pulp by creating characters that get under your skin. |
Zodiac |
A |
A- |
A |
so-so |
|
|
vastly intricate and dazzling |
The
Abandoned |
A |
B |
N/A |
|
|
|
more than just your standard
ghost story |
Off the
Black |
A |
B- |
B- |
yes |
|
|
Anchored by a terrific
performance from Nick Nolte |
Pan's
Labyrinth |
A |
A- |
A |
yes |
|
up |
richly imagined and exquisitely
violent |
Children
of Men |
A |
B+ |
B |
yes |
|
up |
|
Ghost
Rider |
A |
B+ |
N/A |
so-so |
|
|
A faithful adaptation of a
comic. |
Sacco
and Vanzetti |
A |
N/A |
A- |
yes |
|
|
packed with information. |
Offside |
A |
B |
A |
yes |
|
|
wonderfully funny, outspoken
shaggy-dog story |
The
Namesake |
A |
B+ |
A- |
yes |
|
|
a generational family saga
everyone can relate to |
Air
Guitar Nation |
A |
B |
B |
yes |
|
|
often hilarious documentary |
Borat:
Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan |
A |
A- |
A |
yes |
|
up |
appalling, tasteless, grotesque,
politically incorrect |
Days of
Glory |
A |
B |
B |
yes |
|
|
strong visuals and even stronger
emotions |
Casino
Royale |
A |
A- |
A- |
yes |
|
up |
the hippest, highest-octane Bond
film |
The Host |
A |
B+ |
A |
yes |
|
|
wildly entertaining saga should
become the hip, thinking-person's monster movie of choice. |
The
Aura |
A |
B- |
N/A |
yes |
|
|
engrossing |
The
Queen |
A |
B |
A |
|
|
|
Dryly funny and unexpectedly
poignant |
After
the Wedding |
A |
A |
B |
yes |
|
|
manages to be both emotional and
engaging. |
Our
Daily Bread |
A |
B |
A |
yes |
|
|
beautifully shot and elegantly
edited |
The
Last King of Scotland |
A |
B+ |
B+ |
|
|
up |
intense, sometimes hallucinatory |
Fast
Track |
A |
C+ |
N/A |
|
|
|
off-the-wall, go-for-broke
zaniness |
Starter
For 10 |
A |
C- |
N/A |
no |
|
|
garnishes fairly standard
college-set plot with wit, warmth and unexpected turns. |
Umrao
Jaan |
A |
C+ |
N/A |
|
|
|
lengthy but satisfying |
Into
Great Silence |
A |
A |
A |
|
|
|
startlingly beautiful |
Verdict
on Auschwitz: The Frankfurt Auschwitz Trial 1963-1965 |
A |
B |
A |
yes |
|
|
rivetingly essential documentary |
Letters
From Iwo Jima |
A |
B+ |
A |
yes |
|
up |
quality from first frame to last |
Happy
Feet |
A |
B+ |
B |
yes |
|
up |
a wonderful jokiness |
Flushed
Away |
A |
B+ |
B+ |
yes |
|
down |
full of bone-dry wit |
Volver |
A |
A |
A |
yes |
|
up |
Cruz has never looked lovelier
or acted better |
The
Astronaut Farmer |
A- |
B- |
B- |
yes |
|
up |
works precisely because it's
bereft of modern cinema's cynicism |
The
Prisoner Or: How I Planned to Kill Tony Blair |
A- |
C |
N/A |
so-so |
|
|
Imagine a Franz Kafka story with
illustrations by Frank Miller |
Bamako |
A- |
B- |
N/A |
|
|
|
A strong candidate for African
film of the year |
Breach |
A- |
A |
B |
yes |
|
up |
spy movies are suddenly getting
better and better. |
Little
Children |
A- |
B |
C |
|
|
|
unsettling and effective |
The
Secret Life of Words |
A- |
C |
B |
yes |
|
|
a compellingly claustrophobic |
Déjà Vu |
A- |
B+ |
B- |
so-so |
|
down |
taut, tasty |
Apocalypto |
A- |
B+ |
A |
so-so |
|
up |
a first-rate epic |
For
Your Consideration |
A- |
B+ |
D |
so-so |
|
|
face-hurting funny |
Notes
on a Scandal |
A- |
B |
A- |
so-so |
|
up |
'Fatal Attraction' for the
art-house crowd |
The
Page Turner |
A- |
C+ |
B+ |
yes |
|
|
a tight little emotional
thriller |
Dreamgirls |
A- |
B |
A- |
yes |
|
up |
knockout movie version of the |
Venus |
A- |
C+ |
B+ |
yes |
|
up |
Genuinely funny, randy and
moving |
The
Lives of Others |
A- |
B+ |
B- |
yes |
|
up |
grips like a boa constrictor. |
The
Holiday |
B+ |
B |
C- |
so-so |
|
down |
A romantic comedy with real
sense of how romance feels |
Freedom
Writers |
B+ |
B+ |
B+ |
so-so |
|
|
a superb piece of mainstream
entertainment |
Shooter |
B+ |
A- |
B+ |
yes |
|
|
makes the grade as hard-ass
action escapism. |
Shut Up
and Sing |
B+ |
C+ |
A |
|
|
up |
More ballsy than profound |
Babel |
B+ |
B |
B- |
yes |
|
up |
Tense, relentless |
The
Painted Veil |
B+ |
B |
B+ |
so-so |
|
up |
a period piece propelled by
emotions accessible to a modern audience. |
Fast
Food Nation |
B+ |
B- |
C+ |
yes |
|
down |
a tasty ground-up heaping of
outrage and irony |
The
Piano Tuner of Earthquakes |
B+ |
C+ |
A- |
yes |
|
|
visually exquisite, rigorously
intellectual |
F*ck |
B+ |
C+ |
C+ |
yes |
|
|
Profound and joyously silly |
Blades
of Glory |
B+ |
A- |
B+ |
so-so |
|
up |
it's full of laughs both subtle
and ridiculous. |
Reign
Over Me |
B+ |
A- |
B+ |
so-so |
|
|
It's better than you'd expect
but not as good as you'd like it to be. |
The Wind
That Shakes the Barley |
B+ |
A- |
A |
yes |
|
up |
possesses the soul of an
anti-war movie and the style of a thriller |
God Grew
Tired of Us |
B+ |
B- |
B+ |
yes |
|
|
a borderline lazy but
nonetheless compelling documentary |
Come
Early Morning |
B+ |
B |
N/A |
|
|
up |
not half bad. |
Catch a
Fire |
B+ |
B |
B |
yes |
|
up |
downright old-fashioned |
Harsh
Times |
B |
D+ |
C- |
|
|
|
almost a good, salty urban
thriller. |
Beyond
the Gates |
B |
B- |
B+ |
|
|
|
respectable and well-intentioned |
The
Dead Girl |
B |
B- |
C+ |
so-so |
|
up |
delivers considerable emotional
impact. |
Music
and Lyrics |
B |
B |
C- |
|
|
up |
an agreeably loopy romantic
comedy that bounces along effortlessly |
Opal
Dream |
B |
C |
N/A |
yes |
|
|
cutesy |
Bridge
to Terabithia |
B |
A |
A |
yes |
|
up |
an unpretentious and touching
tale of preteen companionship and loss. |
The
Bridge |
B |
C+ |
N/A |
yes |
|
|
ghoulish |
Tenacious
D in: The Pick of Destiny |
B |
B |
B |
so-so |
|
down |
big on spirit |
First
Snow |
B |
B- |
C- |
|
|
|
a first-rate psychological
thriller. |
Climates |
B |
C- |
N/A |
|
|
|
Immaculately shot and composed |
The
Good Shepherd |
B |
B- |
C- |
yes |
|
up |
slow, sincere and fitfully
bamboozling |
Alone
With Her |
B |
B- |
N/A |
yes |
|
down |
as interesting to think about as
to actually watch. |
The
History Boys |
B |
B+ |
B+ |
yes |
|
down |
ferociously engaging |
Wild
Tigers I Have Known |
B |
D |
N/A |
no |
|
|
stylish flourishes hold things
together in the absence of strong plotting. |
Backstage |
B |
C |
B+ |
|
|
|
Often played at full tilt |
The Last
Mimzy |
B |
B |
B |
no |
|
|
a pleasantly dorky adaptation of
Lewis Padgett's 1943 sci-fi story |
The
Italian |
B |
B- |
N/A |
yes |
|
|
a picture half sweet, half
bitter. |
Rocky
Balboa |
B |
A- |
D |
no |
|
up |
surprisingly satisfying |
Close
to Home |
B |
N/A |
B |
|
|
|
mixes humor, tragedy, tenderness
and political acumen into a well-observed coming-of-age format |
Color
Me Kubrick |
B |
C |
B |
so-so |
|
|
a sly, enormously entertaining
romp |
The
Nativity Story |
B |
B+ |
C- |
no |
|
up |
conventional and unspontaneous |
Amazing
Grace |
B |
A- |
C+ |
yes |
|
|
Morally irreproachable and flat
as a pancake |
Puccini
for Beginners |
B |
C |
D+ |
yes |
|
|
never really soars but has
enough breezy humor |
Who the
$#%& Is Jackson Pollock? |
B |
D+ |
N/A |
|
|
|
marginally interesting |
Screamers |
B |
B |
B- |
so-so |
|
|
as shattering as it is powerful. |
The
Good German |
B- |
C+ |
C+ |
no |
|
|
well executed. |
Grbavica:
The Land of My Dreams |
B- |
N/A |
B+ |
yes |
|
|
delicately intertwines the
overwhelming hurt of the past with the quotidian details of her characters'
lives. |
A Good
Year |
B- |
C+ |
D+ |
no |
|
|
downright clumsy. |
Charlotte's
Web |
B- |
B |
A |
no |
|
up |
does not screw up one of the
seminal works of American children's literature. |
Seraphim
Falls |
B- |
A- |
N/A |
so-so |
|
up |
has decent pep in its step |
Dead
Silence |
B- |
B+ |
B |
no |
|
|
a good old-fashioned ghost
story. |
Pride |
B- |
B |
C- |
no |
|
|
doesn't have much surprise, but
it's a formula picture of genuine feeling |
The
Pursuit of Happyness |
B- |
A- |
C+ |
so-so |
|
up |
shrewdly |
Bobby |
B- |
B- |
D |
no |
|
up |
emotional pornography |
The
Fountain |
B- |
B- |
A |
no |
|
down |
hippy trippy |
Fur: An
Imaginary Portrait of Diane Arbus |
B- |
C |
B- |
so-so |
|
|
defiantly outre |
Nomad
(The Warrior) |
B- |
C+ |
N/A |
|
|
|
somewhat generic in flavor |
The
Architect |
B- |
C+ |
N/A |
no |
|
|
dramatically dull |
Fired! |
B- |
B- |
N/A |
|
|
|
Modestly amusing in fits and
starts |
Tears of
the Black Tiger |
B- |
A |
B+ |
yes |
|
|
a jaw-dropper: a
delirium-inducing crash course in international trash. |
Glastonbury |
B- |
B+ |
C |
yes |
|
|
sloppy almost to the point of
self-parody |
Alpha
Dog |
B- |
B- |
C + |
no |
|
up |
standard-issue tabloid fare
pimped out as a serious true-crime saga. |
Meet
the Robinsons |
B- |
A- |
A |
so-so |
|
up |
a frenetic, sometimes
too-dizzying experience |
Blood
Diamond |
B- |
B+ |
C+ |
so-so |
|
up |
as liberal hand-wringing goes,
it's a winner. |
Maxed
Out: Hard Times, Easy Credit and the Era of Predatory Lenders |
B- |
C |
A- |
yes |
|
|
Intelligent, informative and
unusually entertaining |
Smokin'
Aces |
C+ |
B+ |
B- |
no |
|
|
a cheerfully disposable gangland
freak-show thrill |
Black
Snake Moan |
C+ |
B |
B+ |
no |
|
up |
humorous and raunchy as a good
blues refrain |
300 |
C+ |
A- |
B+ |
so-so |
|
|
dazzles as spectacle, but as
history it's dodgy. |
We Are
Marshall |
C+ |
A- |
B |
so-so |
|
up |
based on a true story that's far
more powerful and compelling than the film itself. |
Stomp
the Yard |
C |
B+ |
C- |
so-so |
|
|
too busy entertaining to worry
about being original. |
Perfume:
The Story of a Murderer |
C |
B |
C- |
no |
|
down |
loads of visual panache but only
intermittent magic |
Unaccompanied
Minors |
C |
B |
B- |
|
|
down |
a hyper sugar rush of a
Yuletide-themed frolic |
Breaking
and Entering |
C |
B |
C+ |
|
|
up |
often rewarding though
occasionally pretentious |
Miss
Potter |
C |
C+ |
C+ |
no |
|
up |
a missed opportunity! |
Candy |
C |
C+ |
N/A |
so-so |
|
up |
wildly romanticized |
Death
of a President |
C |
C- |
C+ |
so-so |
|
down |
unconvincing |
The
Situation |
C |
C |
C |
no |
|
up |
not easy to watch, and at times
even harder to follow |
Valley
of the Wolves: Iraq |
C |
C- |
N/A |
|
|
|
mildly enjoyable |
Funny
Money |
C |
N/A |
N/A |
so-so |
|
|
Gerald Ford dies and Chevy
Chase's career comes back to life. Coincidence? |
Reno
911!: Miami |
C |
B+ |
B- |
no |
|
|
Tons of funny, raunchy gags make
this transition from small to big screen worthwhile |
In the
Pit |
C |
B- |
A |
|
|
|
latest in an extraordinary wave
of Mexican nonfiction cinema. |
Snoop
Dogg's Hood of Horror |
C |
C |
N/A |
|
|
|
gleefully disgusting. |
Saw III |
C |
B+ |
B |
no |
|
|
even more extravagant and gory |
Constellation |
C |
C |
N/A |
no |
|
|
Old concept is mildly updated |
Daddy's
Little Girls |
C |
A- |
B- |
no |
|
|
Even at its most preposterous,
it has the power to make an audience cheer. |
My
Brother |
C- |
B+ |
N/A |
no |
|
|
torpid, independently made urban
melodrama |
Curse
of the Golden Flower |
C- |
B+ |
B+ |
yes |
|
up |
makes little sense in narrative
terms |
Two
Weeks |
C- |
C |
N/A |
no |
|
|
an uneasy dramedy |
I Think
I Love My Wife |
C- |
B |
B |
no |
|
|
the results fall short of the
grown-up comedy about seven-year itches it could've been |
Turistas |
C- |
B- |
C- |
no |
|
down |
awful, offal-ridden |
Catch
and Release |
C- |
B- |
D- |
so-so |
|
up |
a romance that wants to respect
the mess of love and loss but winds up smoothing all its rough edges |
Flannel
Pajamas |
C- |
D+ |
D |
no |
|
|
a nonstop talkfest |
Copying
Beethoven |
C- |
B- |
N/A |
|
|
|
hooey |
Night
at the Museum |
C- |
B+ |
C- |
no |
|
down |
at least it entertains |
The
Ultimate Gift |
C- |
A- |
C- |
yes |
|
|
be prepared to be hit over the
head by the message |
The Hawk
Is Dying |
C- |
N/A |
N/A |
|
|
|
the film is not only hard to
understand, it isn't much fun trying to figure it out. |
The
Last Sin Eater |
D+ |
C+ |
N/A |
|
|
|
flat and lifeless |
The
Santa Clause 3: The Escape Clause |
D+ |
C+ |
B- |
|
|
|
as appetizing as yellow snow. |
Code
Name: The Cleaner |
D+ |
B- |
C |
so-so |
|
|
lame and inane. |
The
Hills Have Eyes 2 |
D+ |
B- |
D |
|
|
|
overly used stereotypes, bad
military lingo, and an unrealistically attractive cast. |
Deck
the Halls |
D+ |
B- |
C |
yes |
|
down |
nothing short of tragic |
TMNT |
D+ |
B+ |
B- |
no |
|
|
missing the goofy excitement of
the old 'TMNT.' |
Premonition |
D |
B |
B |
no |
|
down |
effective until a downright
maudlin close |
Norbit |
D |
B |
D |
no |
|
down |
an astonishingly crass and
vulgar film |
Romeo
& Juliet: Sealed With a Kiss |
D |
D |
F |
no |
|
|
one odd concoction |
Happily
N'Ever After |
D |
B- |
D- |
no |
|
|
as dull as it is ill-natured |
Live
Free or Die |
D |
B+ |
N/A |
|
|
|
opens and closes zippily, but in
between frequently stalls out |
The
Hitcher |
D |
B |
B |
no |
|
|
retread of a 1986 terror trip |
Gray
Matters |
D |
B |
N/A |
no |
|
|
there's a forced quality to the
proceedings that makes the comic premise seem more artificial than it needs
to be. |
The
Number 23 |
D |
B |
D |
no |
|
up |
grips hold of one stupid idea
and runs so far with it |
The
Flying Scotsman |
D |
B- |
N/A |
yes |
|
|
a sincere but shallow drama |
Eragon |
D |
B- |
C |
no |
|
|
dull retelling of 'Star Wars.' |
Wild
Hogs |
D |
B |
F |
no |
|
|
Uninspired script and broad
slapstick yuks |
Arthur
and the Invisibles |
D |
C+ |
D+ |
no |
|
down |
a fair-to-middling children's
film |
Home of
the Brave |
D |
B- |
D |
no |
|
up |
the significant subject matter
cries out for a defter directorial touch |
Full of
It |
D |
C- |
N/A |
no |
|
|
doesn't offer anything new, and
the moral is obvious to anyone past drinking age. |
Hannibal
Rising |
D |
B |
D |
|
|
down |
an uninspired and altogether
unnecessary biography of a madman. |
Black
Christmas |
D- |
B- |
C- |
no |
|
|
a streak of black comedy and
more than a few grisly death scenes |
10
Items or Less |
F |
C- |
C |
so-so |
|
up |
ponderously self-serving |
Blood
and Chocolate |
F |
B- |
N/A |
no |
|
|
It never frightens. |
Broken
Sky |
F |
D+ |
D |
yes |
|
|
audacious erotic minimalism. |
Van
Wilder: The Rise of Taj |
F |
B- |
F |
no |
|
|
charmless and uninspired |
The
Messengers |
F |
B |
N/A |
no |
|
|
another exercise in overly used
Hollywood ghost effects. |
Because
I Said So |
F |
B- |
C |
no |
|
down |
slapdash, charmless |
Black
Gold |
F |
C |
B |
yes |
|
|
handsome and astute |
Tortilla
Heaven |
F |
C |
N/A |
no |
|
|
clumsy family comedy. |
Epic
Movie |
F |
B- |
N/A |
no |
|
|
The parodies may be bite-size
but they bear no teeth marks. |
Factory
Girl |
F |
C+ |
D |
no |
|
up |
moribund |
Caffeine |
F |
D+ |
N/A |
no |
|
|
serves up a menu's worth of
forced and trite situations. |
Absolute
Wilson |
F |
D+ |
A |
yes |
|
|
an astonishing portrait of an
artist at the height of his creativity. |
The
Return |
F |
C+ |
N/A |
no |
|
|
with zero scares |
Let's
Go to Prison |
F |
B- |
C- |
no |
|
|
a decidedly dim-bulb farce |
|
|
|
|
|
|
|
|