Film
Title |
Critics |
Readers |
We |
LAT |
Ebert |
Roeper |
The Gist |
Walk
Hard: The Dewey Cox Story |
|
|
|
yes |
|
up |
. |
Romance
& Cigarettes |
|
|
|
yes |
|
|
. |
A Walk
to Beautiful |
|
|
|
yes |
|
|
. |
All in
This Tea |
|
|
|
yes |
|
|
. |
Badland |
|
|
|
yes |
|
|
. |
Beaufort |
|
|
|
yes |
|
|
. |
Everything's
Cool |
|
|
|
yes |
|
|
. |
Forever |
|
|
|
yes |
|
|
. |
Holly |
|
|
|
yes |
|
|
. |
How to
Cook Your Life |
|
|
|
yes |
|
|
. |
Iska's
Journey |
|
|
|
yes |
|
|
. |
Just
Sex and Nothing Else |
|
|
|
yes |
|
|
. |
Lagerfeld
Confidential |
|
|
|
yes |
|
|
. |
Men in
the Nude |
|
|
|
yes |
|
|
. |
Military
Intelligence and You! |
|
|
|
yes |
|
|
. |
Protagonist |
|
|
|
yes |
|
|
. |
Roman
Polanski: Wanted and Desired |
|
|
|
yes |
|
|
. |
Smiley
Face |
|
|
|
yes |
|
|
. |
The
Band's Visit |
|
|
|
yes |
|
|
. |
The
Diving Bell and the Butterfly |
|
|
|
yes |
|
|
. |
The
Lost |
|
|
|
yes |
|
|
. |
The
Pirates Who Don't Do Anything: A VeggieTales Movie |
|
|
|
yes |
|
|
. |
The
Take |
|
|
|
yes |
|
|
. |
Ugly Me |
|
|
|
yes |
|
|
. |
Yiddish
Theater: A Love Story |
|
|
|
yes |
|
|
. |
Young
and Restless in China |
|
|
|
yes |
|
|
. |
Man in
the Chair |
|
|
|
so-so |
|
|
. |
Oswald's
Ghost |
|
|
|
so-so |
|
|
. |
Running
with Arnold |
|
|
|
so-so |
|
|
. |
The
Year My Parents Went on Vacation |
|
|
|
so-so |
|
|
. |
A Four
Letter Word |
|
|
|
no |
|
|
. |
Body |
|
|
|
no |
|
|
. |
Grizzly
Park |
|
|
|
no |
|
|
. |
Liberty
Kid |
|
|
|
no |
|
|
. |
Noah's
Ark |
|
|
|
no |
|
|
. |
Orthodox
Stance |
|
|
|
no |
|
|
. |
Remember
the Daze |
|
|
|
no |
|
|
. |
Strange
Wilderness |
|
|
|
no |
|
|
. |
Summer
Love |
|
|
|
no |
|
|
. |
Sunflower |
|
|
|
no |
|
|
. |
Tre, |
|
|
|
no |
|
|
. |
Young
Yakuza |
|
|
|
no |
|
|
. |
Forgetting
Sarah Marshall |
|
|
|
|
|
up |
. |
Le
Scaphandre et le papillon |
|
|
|
|
|
up |
. |
Half
Moon |
A |
B- |
A |
yes |
|
|
touching and wise |
The
Orphanage |
A |
B+ |
B- |
yes |
|
|
a fastidiously grim ghost story |
Billy
the Kid |
A |
C+ |
N/A |
yes |
|
|
leaves almost every other
documentary on the block behind. |
Into
the Wild |
A |
B+ |
B |
|
|
|
magnificent precision and
imaginative grace |
There
Will Be Blood |
A |
B |
A |
yes |
|
|
a bold and sprawling epic |
Flight
of the Red Balloon |
A |
D+ |
A |
|
|
|
eloquent study of loneliness |
Deep
Water |
A |
C+ |
A |
|
|
|
a whirlpool of gripping
adventure, overblown ambitions and sheer human folly |
Charlie
Wilson's War |
A |
B- |
C |
no |
|
up |
dark and funny and mean and sexy |
Paranoid
Park |
A |
B+ |
A |
yes |
|
down |
a haunting tone poem laced with
violent death. |
Persepolis |
A |
B+ |
A |
yes |
|
|
one of the most unique, and
moving, animated films ever made. |
Sweeney
Todd |
A |
A- |
A |
yes |
|
up |
Depp is a Sweeney Todd for the
ages. |
Eleven
Men Out |
A |
C |
D |
|
|
|
has thoughtful and funny
characters |
Juno |
A |
B+ |
A- |
yes |
|
up |
an ultra-smart-mouthed comedy |
Eastern
Promises |
A |
B+ |
A |
|
|
|
A rhapsodic movie directed with
considerable formal intelligence and brooding power |
No
Country for Old Men |
A |
B |
A |
|
|
|
a viciously effective exercise
in suspense |
Jellyfish |
A |
C- |
B+ |
|
|
|
a dreamy, arty, alluringly
cockeyed tale |
The
Duchess of Langeais |
A |
B- |
A |
yes |
|
|
a masterful, multilayered,
sometimes enigmatic work of dark irony |
Sputnik
Mania |
A |
C |
N/A |
|
|
|
important slice of you-are-there
documaking. |
Blame
It on Fidel |
A |
C+ |
B+ |
|
|
|
thoroughly delightful |
The
Witnesses |
A |
B |
B+ |
so-so |
|
|
A fast-moving, engrossing
multiple-character drama |
Taxi to
the Dark Side |
A |
N/A |
N/A |
yes |
|
up |
will earn a lasting place in
social and cinematic history |
U2 3D |
A |
B+ |
N/A |
so-so |
|
up |
even better than the real thing. |
4
Months, 3 Weeks and 2 Days |
A |
B- |
A |
yes |
|
|
Pitch perfect and brilliantly
acted |
Tyler
Perry's Meet the Browns |
A |
B |
B |
so-so |
|
|
cheerfully dim-witted |
Looking
for Cheyenne |
A |
F |
N/A |
yes |
|
|
An utterly refreshing look at
work, love and politics |
Shelter |
A |
B- |
B- |
|
|
|
a pleasant romantic drama |
My Name
Is Albert Ayler |
A |
B- |
A |
|
|
|
a short but dense portrait |
Margot
at the Wedding |
A- |
B- |
B+ |
yes |
|
|
Nicole Kidman is so unlikable as
to be spectacular. |
My
Brother Is an Only Child |
A- |
C |
B+ |
yes |
|
|
offers a warm humor |
Heartbeat
Detector |
A- |
C- |
N/A |
|
|
|
rewardingly chilly |
The
Water Horse: Legend of the Deep |
A- |
B |
B+ |
yes |
|
|
Nifty special effects |
Enchanted |
A- |
B+ |
B+ |
yes |
|
|
more than lives up to its title. |
Praying
With Lior |
A- |
C- |
N/A |
|
|
|
a hardcore tearjerker. |
Planet
B-Boy |
A- |
B- |
C+ |
|
|
|
Often exhilarating |
Definitely,
Maybe |
A- |
B+ |
C- |
no |
|
up |
a surprisingly rewarding
romantic comedy. |
Atonement |
A- |
A |
B |
yes |
|
up |
sweeps you up on waves of humor,
heartbreak and ravishing romance. |
I'm Not
There |
A- |
B |
A |
so-so |
|
up |
a curiosity that could delight
or turn off loyal Dylan fans |
The
Violin |
A- |
A |
A |
yes |
|
|
a solemn, suspenseful, extremely
well-shot political drama. |
How She
Move |
A- |
C+ |
B |
|
|
|
moody, intelligent take on
conventional material. |
The
Visitor |
A- |
C |
D+ |
yes |
|
up |
could be this year's humanistic
indie hit. |
Starting
Out in the Evening |
A- |
B- |
N/A |
yes |
|
up |
compelling story, great acting,
intelligent writing and sensitive direction. |
Shine a
Light |
A- |
B+ |
C+ |
yes |
|
up |
an invigorating musical trip
down memory lane |
Priceless |
A- |
C- |
N/A |
yes |
|
|
an enjoyable riff on genuine
romance |
Caramel |
A- |
C+ |
N/A |
yes |
|
|
The set-up is hardly new |
The
Unforeseen |
A- |
C+ |
A |
yes |
|
|
a political film of sorts with
no overt politics |
Alexandra |
A- |
B- |
A |
yes |
|
|
presents war for what it is |
The
Great Debaters |
B+ |
A- |
B |
yes |
|
up |
Good story, well told. |
What
Would Jesus Buy? |
B+ |
C+ |
N/A |
yes |
|
|
slick, well-paced, and
tremendously entertaining. |
The
Counterfeiters |
B+ |
B+ |
B+ |
|
|
|
plays like a sepia-toned realist
drama |
Water
Lilies |
B+ |
F |
N/A |
|
|
|
nails the aching doubts and
offhanded cruelty of 15- and 16-year-old girls. |
City of
Men |
B+ |
B+ |
C+ |
so-so |
|
|
as heavy with message as any
Hollywood delinquent drama of the late '50s. |
Summer
Palace |
B+ |
C- |
A |
yes |
|
|
an intimate epic |
Snow
Angels |
B+ |
B |
C+ |
so-so |
|
up |
Emotionally harrowing and gentle
by turns |
Nanking |
B+ |
B- |
N/A |
|
|
|
honors the highest calling of
documentary filmmaking. |
The
Bank Job |
B+ |
B+ |
B+ |
yes |
|
up |
full of surprises |
Diary of
the Dead |
B+ |
B |
B |
no |
|
down |
an ingenious, energetic, angry
and extremely plugged-in piece |
Honeydripper |
B+ |
B- |
C+ |
yes |
|
|
benign and cheerful tall tale |
Wetlands
Preserved: The Story of an Activist Rock Club |
B+ |
D- |
N/A |
|
|
|
an appropriately mellow
chronicle |
This
Christmas |
B+ |
B+ |
B- |
|
|
up |
a holiday staple to be watched
time and again. |
Cloverfield |
B+ |
B- |
A |
so-so |
|
up |
stylistically clever little gem
of an entertainment |
Shotgun
Stories |
B+ |
B |
N/A |
|
|
|
a precisely modulated yet
cumulatively forceful story |
Rambo |
B |
A- |
D |
|
|
|
This isn't one of those happy
war films where they just shoot people. |
Body of
War |
B |
C- |
N/A |
|
|
|
pointedly critical commentary |
The
Spiderwick Chronicles |
B |
B |
B |
so-so |
|
down |
An enjoyable adventure fantasy |
Smart
People |
B |
B |
C+ |
yes |
|
up |
competent but just mildly
diverting |
The
Savages |
B |
A |
B+ |
yes |
|
down |
has enough empathy and wit to
realize that even the sad parts are, somehow, funny. |
CJ7 |
B |
B+ |
B |
no |
|
|
a hyperactive, wishful-thinking
special effects fantasy |
Be Kind
Rewind |
B |
B+ |
B |
|
|
up |
an exuberant, fanciful fable |
Love
Songs |
B |
C+ |
N/A |
yes |
|
|
leaves you with a funny taste in
your mouth. |
Spiral |
B |
C- |
N/A |
so-so |
|
|
works up an unsettling mood |
Still
Life |
B |
N/A |
N/A |
|
|
|
has almost zero plot but molto
mood. |
Beowulf |
B |
B |
A- |
no |
|
|
a vibrant, nerve-tingling piece
of pop culture |
Chicago
10 |
B |
C+ |
B+ |
yes |
|
|
The authentic newsreels and
brightly hued animation are a schizoid mix. |
Redacted |
B |
D- |
B |
no |
|
down |
Powerful, polarizing, and
disturbing |
I Am
Legend |
B |
A- |
B+ |
so-so |
|
up |
Remarkably eerie |
The
Killing of John Lennon |
B |
C |
C+ |
no |
|
|
a harrowing, impressionistic,
widescreen tour-de-force |
Nim's
Island |
B |
B+ |
B |
so-so |
|
up |
sloppy storytelling plagues the
entire picture |
The
Kite Runner |
B |
B+ |
C+ |
no |
|
up |
poignant, intimate epic |
Miss
Pettigrew Lives for a Day |
B |
B |
B- |
yes |
|
up |
a pert little period costume
drama |
Tuya's
Marriage |
B |
F |
N/A |
|
|
|
lacking in dramatic heft |
Stop-Loss |
B |
B- |
B+ |
yes |
|
up |
a wildly uneven drama, by turns
sincere and synthetic |
Vince
Vaughn's Wild West Comedy Show |
B |
D+ |
C+ |
yes |
|
up |
overlong, intermittently funny |
Married
Life |
B |
C+ |
B- |
no |
|
up |
Slow, deliberate |
The
Amateurs |
B |
C |
N/A |
no |
|
down |
does more than strain credulity,
it administers multiple fractures. |
The
Grand |
B |
B+ |
C- |
|
|
down |
it's funny sometimes very funny. |
Dr.
Seuss' Horton Hears a Who! |
B |
B+ |
B- |
so-so |
|
up |
true to the Seuss vision |
Teeth |
B- |
C |
N/A |
yes |
|
|
bites off more than it can chew. |
Grace
Is Gone |
B- |
A |
D+ |
yes |
|
up |
No politics, no pleading. No
artifice. |
Towards
Darkness |
B- |
B+ |
N/A |
|
|
|
may be too clever for its own
good. |
Leatherheads |
B- |
B |
C+ |
yes |
|
up |
one playful, self-deprecating
wink too many |
In
Bruges |
B- |
B |
A- |
yes |
|
up |
an audacious combination of Old
World grace and modern ultraviolence. |
The
Dhamma Brothers |
B- |
N/A |
B- |
|
|
|
flabby, rambling narrative
structure |
Untraceable |
B- |
B- |
F |
|
|
|
sufficiently compelling. |
Girls
Rock! |
B- |
C- |
B+ |
so-so |
|
|
this dreary doc does little more
than underline the talking points. |
Young @
Heart |
B- |
A |
A |
yes |
|
up |
irresistibly joyous |
Superhero
Movie |
B- |
D- |
D+ |
no |
|
up |
|
The
Golden Compass |
B- |
B- |
A |
yes |
|
up |
Big, noisy, and fantastic yet
curiously sodden |
Mad
Money |
B- |
A |
F |
no |
|
up |
breezy and zippy and girl-power
peppy |
Cassandra's
Dream |
B- |
N/A |
D+ |
|
|
up |
sends out more mixed signals
than an inebriated telegraphist. |
Alice's
House |
B- |
C+ |
B |
yes |
|
|
utterly average foreign
art-house film |
Step Up
2 the Streets |
B- |
A- |
B+ |
|
|
down |
foot-stomping fun. |
The
Signal |
B- |
B- |
B+ |
|
|
|
has the crazy all right, bless
its cold and sick little heart. |
Charlie
Bartlett |
B- |
B |
B- |
|
|
down |
sweetly subversive |
Vivere |
B- |
C- |
N/A |
no |
|
|
piles heavy emotional baggage on
a slender story frame. |
Bra
Boys |
B- |
B |
N/A |
yes |
|
|
strangely compelling |
The
Hammer |
B- |
B |
C+ |
|
|
up |
inordinately likable and
consistently funny |
Bella |
B- |
A- |
N/A |
|
|
|
So slight that a gentle breeze
might tip it over |
Dark
Matter |
B- |
D |
D+ |
no |
|
|
there's not a single credible
performance here |
The
Other Boleyn Girl |
B- |
B |
C+ |
no |
|
|
a classy romantic cocktail |
Semi-Pro |
B- |
B |
D |
no |
|
|
comedy comfort food |
Look |
C+ |
C+ |
N/A |
no |
|
|
blends sharp satire with
Orwellian chills to intriguing effect. |
The Mist |
C+ |
B |
A |
|
|
up |
nifty, unusually spry, and
almost shockingly pessimistic |
Street
Kings |
C+ |
B+ |
C+ |
|
|
down |
covers familiar territory |
Over Her
Dead Body |
C+ |
B |
C |
|
|
|
a romantic comedy dangerously
low on carbonation. |
10,000
BC |
C+ |
B- |
D |
yes |
|
down |
lovely-to-look-at but ultimately
forgettable |
Welcome
Home Roscoe Jenkins |
C+ |
B+ |
C- |
no |
|
down |
overlong but exuberantly
performed |
Never
Back Down |
C+ |
B+ |
C |
|
|
up |
edited for maximum whaaaammmmm!
and crrrrraackkkk! |
Mr.
Magorium's Wonder Emporium |
C+ |
B- |
B+ |
no |
|
|
the whimsy feels forced. |
Alvin
and the Chipmunks |
C+ |
A- |
B- |
so-so |
|
down |
intermittently cute |
Doomsday |
C+ |
B |
A |
|
|
|
hysterically unoriginal |
Run
Fatboy Run |
C |
B |
D+ |
|
|
up |
few surprises but is
crowd-pleasing |
Chaos
Theory |
C |
C |
C |
so-so |
|
down |
a would-be satire |
Youth
Without Youth |
C |
B |
C+ |
so-so |
|
up |
full of arcane references |
P.S. I
Love You |
C |
B |
C- |
no |
|
up |
will have the sentimentally
challenged weeping |
The
Walker |
C |
A- |
C- |
no |
|
|
a serious movie and, gliding
around the center of power, a stylish one. |
Goodbye
Bafana |
C |
B- |
N/A |
|
|
|
a kindly paint-by-numbers affair |
Hannah
Montana & Miley Cyrus: Best of Both Worlds Concert |
C |
B- |
N/A |
|
|
|
engineered as part of the Miley
Cyrus mythmaking effort |
Penelope |
C |
B+ |
B- |
|
|
|
never works up much comic steam. |
Romulus,
My Father |
C |
B |
N/A |
yes |
|
|
Warmly felt but haltingly told |
Day Zero |
C |
N/A |
N/A |
|
|
|
Sabotaged by trite political
dissertation and the presumption of novelty |
Irina
Palm |
C |
C |
C |
yes |
|
|
staggeringly inane |
Southland
Tales |
C |
B |
D+ |
no |
|
|
rich, strange, and very funny |
27
Dresses |
C |
A- |
D- |
no |
|
down |
pleasantly predictable |
The
Ruins |
C |
B- |
B+ |
no |
|
|
finds a constant stream of
calamities to inflict upon the characters. |
Awake |
C |
B |
D- |
|
|
|
only slightly more effective
than E.R. |
Hats
Off |
C |
B+ |
N/A |
|
|
|
visually indifferent documentary |
21 |
C |
B+ |
C- |
so-so |
|
up |
a clever and novel card-sharp
thriller. |
Under
the Same Moon |
C |
A- |
B- |
so-so |
|
up |
The issue of illegal immigration
gets a falsely sentimental take |
Lost in
Beijing |
C |
C+ |
N/A |
no |
|
|
the plot doesn't really hold up. |
Dirty
Laundry |
C |
A |
N/A |
no |
|
|
plays like a theater piece |
Steep |
C |
B- |
C+ |
|
|
|
less a documentary than a sales
pitch |
August
Rush |
C |
A- |
C+ |
no |
|
down |
teeters perilously on the brink
of preciousness |
American
Zombie |
C |
D+ |
N/A |
|
|
|
the satire is highly uneven |
Drillbit
Taylor |
C |
B |
C- |
no |
|
down |
a relatively lame exercise that
never achieves comic traction. |
Flakes |
C |
C |
N/A |
|
|
|
wants so badly to be hip. |
Boarding
Gate |
C |
A |
B |
yes |
|
|
self-consciously hypermodern,
meta-sleazy |
My
Blueberry Nights |
C |
D+ |
D+ |
no |
|
down |
As much a trifle as its title
suggests |
Flawless |
C |
B- |
D+ |
|
|
up |
Not the freshest heist movie
ever made |
Randy
and the Mob |
C |
B- |
N/A |
|
|
|
feels like it never quite
reaches ramming speed. |
Nina's
Heavenly Delights |
C |
C- |
N/A |
no |
|
|
overly mushy |
Jumper |
C- |
B |
C |
no |
|
down |
disappointingly inert. |
Arranged |
C- |
C |
N/A |
|
|
|
comes off better than it should |
Vantage
Point |
C- |
B |
B- |
|
|
down |
a perfectly serviceable thriller |
Midnight
Eagle |
C- |
B- |
N/A |
no |
|
|
clunky, monotonous |
Funny
Games |
C- |
C |
B- |
|
|
down |
shocking and deliberately
manipulative |
Meat
Loaf: In Search of Paradise |
C- |
B |
B |
|
|
|
At once hagiographic and
revealing |
Hitman |
C- |
B+ |
D |
|
|
up |
fails to deliver the kind of
pounding, visceral action that genre fans expect |
The
Bucket List |
C- |
B |
D |
no |
|
|
a feel-good film about death |
The Air
I Breathe |
D+ |
B+ |
N/A |
no |
|
|
morosely pretentious |
Sleepwalking |
D+ |
C- |
D |
no |
|
up |
makes good on its title in a
not-so-good way. |
National
Treasure: Book of Secrets |
D+ |
B+ |
B |
no |
|
down |
your mouth hangs open in
astonishment at one preposterous event after another. |
Shrooms |
D+ |
C- |
N/A |
|
|
|
a forgettable time-waster. |
Love in
the Time of Cholera |
D |
B- |
D+ |
no |
|
|
turgid and lifeless movie
adaptation. |
College
Road Trip |
D |
B |
B- |
|
|
down |
a collection of family-friendly
platitudes |
Tony
'n' Tina's Wedding |
D |
C+ |
N/A |
|
|
|
. |
Chapter
27 |
D |
B- |
C- |
so-so |
|
up |
misbegotten psychological
portrait |
Flash
Point |
D |
B- |
N/A |
|
|
|
an attitude endorsing the sorts
of tactics that suit a police state. |
How to
Rob a Bank |
D |
B- |
N/A |
|
|
|
objectively awful |
Witless
Protection |
D- |
C |
C |
|
|
|
the slapstick and action set
pieces are lame |
Fool's
Gold |
D- |
B |
C+ |
no |
|
down |
has all the buoyancy and shimmer
of a shipwreck. |
Trailer
Park Boys: The Movie |
D- |
B- |
N/A |
|
|
|
defies explanation. |
The
Perfect Holiday |
D- |
C+ |
F |
|
|
down |
neither perfect nor much of a
holiday |
Meet
Bill |
D- |
B- |
N/A |
|
|
|
full of leaden hijinx |
The
Comebacks |
D- |
C+ |
F |
|
|
|
The hit-to-miss ratio is
deplorably pathetic |
One
Missed Call |
D- |
B- |
D- |
|
|
|
a generic and unscary monster
movie |
Backseat |
D- |
C- |
N/A |
|
|
|
plots a meandering course |
Sex and
Death 101 |
D- |
C- |
C |
no |
|
up |
stultifying, overwritten
cleverness |
Aliens
vs. Predator: Requiem |
D- |
B |
D |
no |
|
|
a big heaping pile of mediocrity |
The Eye |
F |
B |
D |
|
|
|
emblematic of the sorry state of
modern horror |
Shutter |
F |
B |
D |
|
|
|
the epitome of gutless,
derivative hackwork. |
The
Hottie and the Nottie |
F |
D- |
F |
no |
|
down |
Crass, shrill, disingenuous,
tawdry, mean-spirited, vulgar |
Prom
Night |
F |
B- |
D+ |
no |
|
|
poorly written, ill conceived |
Meet
the Spartans |
F |
C |
F |
|
|
|
Lazy, lame and painfully unfunny |
Revolver |
F |
A- |
D |
no |
|
|
pretentious style and fractured
storytelling |
|
|
|
|
|
|
|
|