| Film Title | Critics | Readers | We | LAT | Ebert | Roeper | The Gist |
| Walk Hard: The Dewey Cox Story | yes | up | . | ||||
| Romance & Cigarettes | yes | . | |||||
| A Walk to Beautiful | yes | . | |||||
| All in This Tea | yes | . | |||||
| Badland | yes | . | |||||
| Beaufort | yes | . | |||||
| Everything's Cool | yes | . | |||||
| Forever | yes | . | |||||
| Holly | yes | . | |||||
| How to Cook Your Life | yes | . | |||||
| Iska's Journey | yes | . | |||||
| Just Sex and Nothing Else | yes | . | |||||
| Lagerfeld Confidential | yes | . | |||||
| Men in the Nude | yes | . | |||||
| Military Intelligence and You! | yes | . | |||||
| Protagonist | yes | . | |||||
| Roman Polanski: Wanted and Desired | yes | . | |||||
| Smiley Face | yes | . | |||||
| The Band's Visit | yes | . | |||||
| The Diving Bell and the Butterfly | yes | . | |||||
| The Lost | yes | . | |||||
| The Pirates Who Don't Do Anything: A VeggieTales Movie | yes | . | |||||
| The Take | yes | . | |||||
| Ugly Me | yes | . | |||||
| Yiddish Theater: A Love Story | yes | . | |||||
| Young and Restless in China | yes | . | |||||
| Man in the Chair | so-so | . | |||||
| Oswald's Ghost | so-so | . | |||||
| Running with Arnold | so-so | . | |||||
| The Year My Parents Went on Vacation | so-so | . | |||||
| A Four Letter Word | no | . | |||||
| Body | no | . | |||||
| Grizzly Park | no | . | |||||
| Liberty Kid | no | . | |||||
| Noah's Ark | no | . | |||||
| Orthodox Stance | no | . | |||||
| Remember the Daze | no | . | |||||
| Strange Wilderness | no | . | |||||
| Summer Love | no | . | |||||
| Sunflower | no | . | |||||
| Tre, | no | . | |||||
| Young Yakuza | no | . | |||||
| Forgetting Sarah Marshall | up | . | |||||
| Le Scaphandre et le papillon | up | . | |||||
| Half Moon | A | B- | A | yes | touching and wise | ||
| The Orphanage | A | B+ | B- | yes | a fastidiously grim ghost story | ||
| Billy the Kid | A | C+ | N/A | yes | leaves almost every other documentary on the block behind. | ||
| Into the Wild | A | B+ | B | magnificent precision and imaginative grace | |||
| There Will Be Blood | A | B | A | yes | a bold and sprawling epic | ||
| Flight of the Red Balloon | A | D+ | A | eloquent study of loneliness | |||
| Deep Water | A | C+ | A | a whirlpool of gripping adventure, overblown ambitions and sheer human folly | |||
| Charlie Wilson's War | A | B- | C | no | up | dark and funny and mean and sexy | |
| Paranoid Park | A | B+ | A | yes | down | a haunting tone poem laced with violent death. | |
| Persepolis | A | B+ | A | yes | one of the most unique, and moving, animated films ever made. | ||
| Sweeney Todd | A | A- | A | yes | up | Depp is a Sweeney Todd for the ages. | |
| Eleven Men Out | A | C | D | has thoughtful and funny characters | |||
| Juno | A | B+ | A- | yes | up | an ultra-smart-mouthed comedy | |
| Eastern Promises | A | B+ | A | A rhapsodic movie directed with considerable formal intelligence and brooding power | |||
| No Country for Old Men | A | B | A | a viciously effective exercise in suspense | |||
| Jellyfish | A | C- | B+ | a dreamy, arty, alluringly cockeyed tale | |||
| The Duchess of Langeais | A | B- | A | yes | a masterful, multilayered, sometimes enigmatic work of dark irony | ||
| Sputnik Mania | A | C | N/A | important slice of you-are-there documaking. | |||
| Blame It on Fidel | A | C+ | B+ | thoroughly delightful | |||
| The Witnesses | A | B | B+ | so-so | A fast-moving, engrossing multiple-character drama | ||
| Taxi to the Dark Side | A | N/A | N/A | yes | up | will earn a lasting place in social and cinematic history | |
| U2 3D | A | B+ | N/A | so-so | up | even better than the real thing. | |
| 4 Months, 3 Weeks and 2 Days | A | B- | A | yes | Pitch perfect and brilliantly acted | ||
| Tyler Perry's Meet the Browns | A | B | B | so-so | cheerfully dim-witted | ||
| Looking for Cheyenne | A | F | N/A | yes | An utterly refreshing look at work, love and politics | ||
| Shelter | A | B- | B- | a pleasant romantic drama | |||
| My Name Is Albert Ayler | A | B- | A | a short but dense portrait | |||
| Margot at the Wedding | A- | B- | B+ | yes | Nicole Kidman is so unlikable as to be spectacular. | ||
| My Brother Is an Only Child | A- | C | B+ | yes | offers a warm humor | ||
| Heartbeat Detector | A- | C- | N/A | rewardingly chilly | |||
| The Water Horse: Legend of the Deep | A- | B | B+ | yes | Nifty special effects | ||
| Enchanted | A- | B+ | B+ | yes | more than lives up to its title. | ||
| Praying With Lior | A- | C- | N/A | a hardcore tearjerker. | |||
| Planet B-Boy | A- | B- | C+ | Often exhilarating | |||
| Definitely, Maybe | A- | B+ | C- | no | up | a surprisingly rewarding romantic comedy. | |
| Atonement | A- | A | B | yes | up | sweeps you up on waves of humor, heartbreak and ravishing romance. | |
| I'm Not There | A- | B | A | so-so | up | a curiosity that could delight or turn off loyal Dylan fans | |
| The Violin | A- | A | A | yes | a solemn, suspenseful, extremely well-shot political drama. | ||
| How She Move | A- | C+ | B | moody, intelligent take on conventional material. | |||
| The Visitor | A- | C | D+ | yes | up | could be this year's humanistic indie hit. | |
| Starting Out in the Evening | A- | B- | N/A | yes | up | compelling story, great acting, intelligent writing and sensitive direction. | |
| Shine a Light | A- | B+ | C+ | yes | up | an invigorating musical trip down memory lane | |
| Priceless | A- | C- | N/A | yes | an enjoyable riff on genuine romance | ||
| Caramel | A- | C+ | N/A | yes | The set-up is hardly new | ||
| The Unforeseen | A- | C+ | A | yes | a political film of sorts with no overt politics | ||
| Alexandra | A- | B- | A | yes | presents war for what it is | ||
| The Great Debaters | B+ | A- | B | yes | up | Good story, well told. | |
| What Would Jesus Buy? | B+ | C+ | N/A | yes | slick, well-paced, and tremendously entertaining. | ||
| The Counterfeiters | B+ | B+ | B+ | plays like a sepia-toned realist drama | |||
| Water Lilies | B+ | F | N/A | nails the aching doubts and offhanded cruelty of 15- and 16-year-old girls. | |||
| City of Men | B+ | B+ | C+ | so-so | as heavy with message as any Hollywood delinquent drama of the late '50s. | ||
| Summer Palace | B+ | C- | A | yes | an intimate epic | ||
| Snow Angels | B+ | B | C+ | so-so | up | Emotionally harrowing and gentle by turns | |
| Nanking | B+ | B- | N/A | honors the highest calling of documentary filmmaking. | |||
| The Bank Job | B+ | B+ | B+ | yes | up | full of surprises | |
| Diary of the Dead | B+ | B | B | no | down | an ingenious, energetic, angry and extremely plugged-in piece | |
| Honeydripper | B+ | B- | C+ | yes | benign and cheerful tall tale | ||
| Wetlands Preserved: The Story of an Activist Rock Club | B+ | D- | N/A | an appropriately mellow chronicle | |||
| This Christmas | B+ | B+ | B- | up | a holiday staple to be watched time and again. | ||
| Cloverfield | B+ | B- | A | so-so | up | stylistically clever little gem of an entertainment | |
| Shotgun Stories | B+ | B | N/A | a precisely modulated yet cumulatively forceful story | |||
| Rambo | B | A- | D | This isn't one of those happy war films where they just shoot people. | |||
| Body of War | B | C- | N/A | pointedly critical commentary | |||
| The Spiderwick Chronicles | B | B | B | so-so | down | An enjoyable adventure fantasy | |
| Smart People | B | B | C+ | yes | up | competent but just mildly diverting | |
| The Savages | B | A | B+ | yes | down | has enough empathy and wit to realize that even the sad parts are, somehow, funny. | |
| CJ7 | B | B+ | B | no | a hyperactive, wishful-thinking special effects fantasy | ||
| Be Kind Rewind | B | B+ | B | up | an exuberant, fanciful fable | ||
| Love Songs | B | C+ | N/A | yes | leaves you with a funny taste in your mouth. | ||
| Spiral | B | C- | N/A | so-so | works up an unsettling mood | ||
| Still Life | B | N/A | N/A | has almost zero plot but molto mood. | |||
| Beowulf | B | B | A- | no | a vibrant, nerve-tingling piece of pop culture | ||
| Chicago 10 | B | C+ | B+ | yes | The authentic newsreels and brightly hued animation are a schizoid mix. | ||
| Redacted | B | D- | B | no | down | Powerful, polarizing, and disturbing | |
| I Am Legend | B | A- | B+ | so-so | up | Remarkably eerie | |
| The Killing of John Lennon | B | C | C+ | no | a harrowing, impressionistic, widescreen tour-de-force | ||
| Nim's Island | B | B+ | B | so-so | up | sloppy storytelling plagues the entire picture | |
| The Kite Runner | B | B+ | C+ | no | up | poignant, intimate epic | |
| Miss Pettigrew Lives for a Day | B | B | B- | yes | up | a pert little period costume drama | |
| Tuya's Marriage | B | F | N/A | lacking in dramatic heft | |||
| Stop-Loss | B | B- | B+ | yes | up | a wildly uneven drama, by turns sincere and synthetic | |
| Vince Vaughn's Wild West Comedy Show | B | D+ | C+ | yes | up | overlong, intermittently funny | |
| Married Life | B | C+ | B- | no | up | Slow, deliberate | |
| The Amateurs | B | C | N/A | no | down | does more than strain credulity, it administers multiple fractures. | |
| The Grand | B | B+ | C- | down | it's funny sometimes very funny. | ||
| Dr. Seuss' Horton Hears a Who! | B | B+ | B- | so-so | up | true to the Seuss vision | |
| Teeth | B- | C | N/A | yes | bites off more than it can chew. | ||
| Grace Is Gone | B- | A | D+ | yes | up | No politics, no pleading. No artifice. | |
| Towards Darkness | B- | B+ | N/A | may be too clever for its own good. | |||
| Leatherheads | B- | B | C+ | yes | up | one playful, self-deprecating wink too many | |
| In Bruges | B- | B | A- | yes | up | an audacious combination of Old World grace and modern ultraviolence. | |
| The Dhamma Brothers | B- | N/A | B- | flabby, rambling narrative structure | |||
| Untraceable | B- | B- | F | sufficiently compelling. | |||
| Girls Rock! | B- | C- | B+ | so-so | this dreary doc does little more than underline the talking points. | ||
| Young @ Heart | B- | A | A | yes | up | irresistibly joyous | |
| Superhero Movie | B- | D- | D+ | no | up | ||
| The Golden Compass | B- | B- | A | yes | up | Big, noisy, and fantastic yet curiously sodden | |
| Mad Money | B- | A | F | no | up | breezy and zippy and girl-power peppy | |
| Cassandra's Dream | B- | N/A | D+ | up | sends out more mixed signals than an inebriated telegraphist. | ||
| Alice's House | B- | C+ | B | yes | utterly average foreign art-house film | ||
| Step Up 2 the Streets | B- | A- | B+ | down | foot-stomping fun. | ||
| The Signal | B- | B- | B+ | has the crazy all right, bless its cold and sick little heart. | |||
| Charlie Bartlett | B- | B | B- | down | sweetly subversive | ||
| Vivere | B- | C- | N/A | no | piles heavy emotional baggage on a slender story frame. | ||
| Bra Boys | B- | B | N/A | yes | strangely compelling | ||
| The Hammer | B- | B | C+ | up | inordinately likable and consistently funny | ||
| Bella | B- | A- | N/A | So slight that a gentle breeze might tip it over | |||
| Dark Matter | B- | D | D+ | no | there's not a single credible performance here | ||
| The Other Boleyn Girl | B- | B | C+ | no | a classy romantic cocktail | ||
| Semi-Pro | B- | B | D | no | comedy comfort food | ||
| Look | C+ | C+ | N/A | no | blends sharp satire with Orwellian chills to intriguing effect. | ||
| The Mist | C+ | B | A | up | nifty, unusually spry, and almost shockingly pessimistic | ||
| Street Kings | C+ | B+ | C+ | down | covers familiar territory | ||
| Over Her Dead Body | C+ | B | C | a romantic comedy dangerously low on carbonation. | |||
| 10,000 BC | C+ | B- | D | yes | down | lovely-to-look-at but ultimately forgettable | |
| Welcome Home Roscoe Jenkins | C+ | B+ | C- | no | down | overlong but exuberantly performed | |
| Never Back Down | C+ | B+ | C | up | edited for maximum whaaaammmmm! and crrrrraackkkk! | ||
| Mr. Magorium's Wonder Emporium | C+ | B- | B+ | no | the whimsy feels forced. | ||
| Alvin and the Chipmunks | C+ | A- | B- | so-so | down | intermittently cute | |
| Doomsday | C+ | B | A | hysterically unoriginal | |||
| Run Fatboy Run | C | B | D+ | up | few surprises but is crowd-pleasing | ||
| Chaos Theory | C | C | C | so-so | down | a would-be satire | |
| Youth Without Youth | C | B | C+ | so-so | up | full of arcane references | |
| P.S. I Love You | C | B | C- | no | up | will have the sentimentally challenged weeping | |
| The Walker | C | A- | C- | no | a serious movie and, gliding around the center of power, a stylish one. | ||
| Goodbye Bafana | C | B- | N/A | a kindly paint-by-numbers affair | |||
| Hannah Montana & Miley Cyrus: Best of Both Worlds Concert | C | B- | N/A | engineered as part of the Miley Cyrus mythmaking effort | |||
| Penelope | C | B+ | B- | never works up much comic steam. | |||
| Romulus, My Father | C | B | N/A | yes | Warmly felt but haltingly told | ||
| Day Zero | C | N/A | N/A | Sabotaged by trite political dissertation and the presumption of novelty | |||
| Irina Palm | C | C | C | yes | staggeringly inane | ||
| Southland Tales | C | B | D+ | no | rich, strange, and very funny | ||
| 27 Dresses | C | A- | D- | no | down | pleasantly predictable | |
| The Ruins | C | B- | B+ | no | finds a constant stream of calamities to inflict upon the characters. | ||
| Awake | C | B | D- | only slightly more effective than E.R. | |||
| Hats Off | C | B+ | N/A | visually indifferent documentary | |||
| 21 | C | B+ | C- | so-so | up | a clever and novel card-sharp thriller. | |
| Under the Same Moon | C | A- | B- | so-so | up | The issue of illegal immigration gets a falsely sentimental take | |
| Lost in Beijing | C | C+ | N/A | no | the plot doesn't really hold up. | ||
| Dirty Laundry | C | A | N/A | no | plays like a theater piece | ||
| Steep | C | B- | C+ | less a documentary than a sales pitch | |||
| August Rush | C | A- | C+ | no | down | teeters perilously on the brink of preciousness | |
| American Zombie | C | D+ | N/A | the satire is highly uneven | |||
| Drillbit Taylor | C | B | C- | no | down | a relatively lame exercise that never achieves comic traction. | |
| Flakes | C | C | N/A | wants so badly to be hip. | |||
| Boarding Gate | C | A | B | yes | self-consciously hypermodern, meta-sleazy | ||
| My Blueberry Nights | C | D+ | D+ | no | down | As much a trifle as its title suggests | |
| Flawless | C | B- | D+ | up | Not the freshest heist movie ever made | ||
| Randy and the Mob | C | B- | N/A | feels like it never quite reaches ramming speed. | |||
| Nina's Heavenly Delights | C | C- | N/A | no | overly mushy | ||
| Jumper | C- | B | C | no | down | disappointingly inert. | |
| Arranged | C- | C | N/A | comes off better than it should | |||
| Vantage Point | C- | B | B- | down | a perfectly serviceable thriller | ||
| Midnight Eagle | C- | B- | N/A | no | clunky, monotonous | ||
| Funny Games | C- | C | B- | down | shocking and deliberately manipulative | ||
| Meat Loaf: In Search of Paradise | C- | B | B | At once hagiographic and revealing | |||
| Hitman | C- | B+ | D | up | fails to deliver the kind of pounding, visceral action that genre fans expect | ||
| The Bucket List | C- | B | D | no | a feel-good film about death | ||
| The Air I Breathe | D+ | B+ | N/A | no | morosely pretentious | ||
| Sleepwalking | D+ | C- | D | no | up | makes good on its title in a not-so-good way. | |
| National Treasure: Book of Secrets | D+ | B+ | B | no | down | your mouth hangs open in astonishment at one preposterous event after another. | |
| Shrooms | D+ | C- | N/A | a forgettable time-waster. | |||
| Love in the Time of Cholera | D | B- | D+ | no | turgid and lifeless movie adaptation. | ||
| College Road Trip | D | B | B- | down | a collection of family-friendly platitudes | ||
| Tony 'n' Tina's Wedding | D | C+ | N/A | . | |||
| Chapter 27 | D | B- | C- | so-so | up | misbegotten psychological portrait | |
| Flash Point | D | B- | N/A | an attitude endorsing the sorts of tactics that suit a police state. | |||
| How to Rob a Bank | D | B- | N/A | objectively awful | |||
| Witless Protection | D- | C | C | the slapstick and action set pieces are lame | |||
| Fool's Gold | D- | B | C+ | no | down | has all the buoyancy and shimmer of a shipwreck. | |
| Trailer Park Boys: The Movie | D- | B- | N/A | defies explanation. | |||
| The Perfect Holiday | D- | C+ | F | down | neither perfect nor much of a holiday | ||
| Meet Bill | D- | B- | N/A | full of leaden hijinx | |||
| The Comebacks | D- | C+ | F | The hit-to-miss ratio is deplorably pathetic | |||
| One Missed Call | D- | B- | D- | a generic and unscary monster movie | |||
| Backseat | D- | C- | N/A | plots a meandering course | |||
| Sex and Death 101 | D- | C- | C | no | up | stultifying, overwritten cleverness | |
| Aliens vs. Predator: Requiem | D- | B | D | no | a big heaping pile of mediocrity | ||
| The Eye | F | B | D | emblematic of the sorry state of modern horror | |||
| Shutter | F | B | D | the epitome of gutless, derivative hackwork. | |||
| The Hottie and the Nottie | F | D- | F | no | down | Crass, shrill, disingenuous, tawdry, mean-spirited, vulgar | |
| Prom Night | F | B- | D+ | no | poorly written, ill conceived | ||
| Meet the Spartans | F | C | F | Lazy, lame and painfully unfunny | |||
| Revolver | F | A- | D | no | pretentious style and fractured storytelling |