| Film Title | Critics | Readers | We | LAT | Ebert | Roeper | The Gist |
| A Walk Into the Sea: Danny Williams and the Warhol Factory | yes | . | |||||
| Beyond the Call | yes | . | |||||
| Blindness | yes | . | |||||
| Blindsight | yes | . | |||||
| Bloodline | yes | . | |||||
| Bomb It | yes | . | |||||
| Bonneville | yes | . | |||||
| Chop Shop | yes | . | |||||
| Constantine's Sword | yes | . | |||||
| Hats Off | yes | . | |||||
| Heavy Metal in Baghdad | yes | . | |||||
| Hollywood Chinese | yes | . | |||||
| I for India | yes | . | |||||
| Indestructible | yes | . | |||||
| Jellyfish | yes | . | |||||
| OSS 117: Cairo, Nest of Spies | yes | . | |||||
| Pathology | yes | . | |||||
| Refusenik | yes | . | |||||
| Shotgun Stories | yes | . | |||||
| Swimming in Auschwitz | yes | . | |||||
| The Cool School | yes | . | |||||
| The Dhamma Brothers | yes | . | |||||
| The Favor | yes | . | |||||
| Times and Winds | yes | . | |||||
| Trying to Get Good: The Jazz Odyssey of Jack Sheldon | yes | . | |||||
| Tuya's Marriage | yes | . | |||||
| Unsettled | yes | . | |||||
| Up the Yangtze | yes | . | |||||
| Wonders Are Many: The Making of 'Doctor Atomic.' | yes | . | |||||
| Dare Not Walk Alone | so-so | . | |||||
| Mr. Lonely | so-so | . | |||||
| The Mother of Tears | so-so | . | |||||
| Vice | so-so | . | |||||
| Meet Bill | no | down | . | ||||
| Before the Rains | no | . | |||||
| Jack and Jill vs. the World | no | . | |||||
| Polar Opposites | no | . | |||||
| Solar Flare | no | . | |||||
| The First Saturday in May | no | . | |||||
| The Memory Thief | no | . | |||||
| The Poet | no | . | |||||
| Turn the River | no | . | |||||
| Water | no | . | |||||
| Recount | up | . | |||||
| Baghead | A | D | N/A | clever insider's riff about life on the lo-fi end of the indie spectrum | |||
| When Did You Last See Your Father? | A | C | C+ | no | intelligent, engaging entertainment | ||
| Redbelt | A | B- | B | yes | up | absorbing and colorful | |
| The Foot Fist Way | A | B- | A- | yes | down | This is irritainment | |
| Stuck | A | B- | B+ | yes | ingeniously nasty and often shockingly funny | ||
| My Winnipeg | A | C- | A | simultaneously heartfelt and mocking ode | |||
| The Go-Getter | A | C | N/A | so-so | an unusually fresh-feeling indie | ||
| Encounters at the End of the World | A | B | N/A | gorgeously shot chronicle | |||
| Mongol | A | B+ | N/A | yes | dazzling cinematography, bloody battles | ||
| Bigger, Stronger, Faster | A | C+ | A- | yes | entertaining and journalistically credible | ||
| The Edge of Heaven | A- | C | N/A | yes | utterly assured, profoundly moving | ||
| Reprise | A- | C | A | yes | up | dazzlingly kinetic | |
| Then She Found Me | A- | A | C- | no | down | a smart, subtle and seriously funny dramedy | |
| Mother of Tears | A- | C- | N/A | Witty to the point of hilarity, blood-soaked | |||
| Sangre de Mi Sangre | A- | C | C+ | up | visceral excitement and heartbreaking | ||
| Iron Man | A- | A- | A- | so-so | up | There's no rust on this baby. | |
| Kung Fu Panda | B+ | B+ | B+ | so-so | up | very good-looking, modestly funny | |
| Blind Mountain | B+ | N/A | B | yes | an intense thriller | ||
| The Tracey Fragments | B+ | A- | B- | down | a paucity of content | ||
| Surfwise | B+ | C+ | B | yes | a mesmerizingly ambivalent documentary | ||
| Roman de Gare | B+ | N/A | B+ | yes | glossy melange of suspense and romance | ||
| Water Lilies | B+ | C+ | B- | yes | nails the aching doubts and offhanded cruelty of 15- and 16-year-old girls. | ||
| Zombie Strippers | B+ | C | N/A | yes | down | consistently hilarious, brutal, and titillating | |
| Forgetting Sarah Marshall | B+ | B+ | B+ | so-so | up | laugh-filled and utterly delightful | |
| How the Garcia Girls Spent Their Summer | B+ | B- | B- | yes | up | slowly ingratiates with its warmth and humor. | |
| Quid Pro Quo | B | C+ | C+ | yes | strikingly original and provocative | ||
| The Incredible Hulk | B | B+ | B- | so-so | up | a neat thrill ride with an intelligent script ` | |
| The Chronicles of Narnia: Prince Caspian | B | B+ | B+ | yes | down | this is a movie that showcases battle. Lots and lots of battle. | |
| Four Minutes | B | C | N/A | no | built from cliché. | ||
| Standard Operating Procedure | B | N/A | B | yes | up | misses the bigger picture. | |
| Fugitive Pieces | B | C | B+ | yes | generally dull and unmemorable | ||
| Harold & Kumar Escape From Guantanamo Bay | B | A | A- | down | an over-the-top and beyond-PC comedy | ||
| Poultrygeist: Night of the Chicken Dead | B | C- | N/A | yes | Every variation on disgusting you can think of | ||
| Noise | B- | C+ | N/A | yes | down | a disappointing misfire. | |
| The Forbidden Kingdom | B- | B+ | C+ | so-so | up | handsome albeit unexceptional | |
| Mister Lonely | B- | D+ | A | one whacked-out piece of cinema. | |||
| Baby Mama | B- | C | B | yes | up | never fully delivers. | |
| Without the King | B- | N/A | B | runs out of steam halfway through | |||
| The Strangers | B- | B | C+ | down | careens off the rails halfway through | ||
| Son of Rambow | B- | C | B | so-so | down | modestly eccentric entertainment | |
| Sex and the City | B- | B- | B | yes | down | a big sweet tasty layer cake | |
| The Fall | B- | C | B- | no | down | an excuse to string together luscious images. | |
| Indiana Jones and the Kingdom of the Crystal Skull | B- | B+ | B+ | yes | up | delivers the goods | |
| The Unknown Woman | B- | B | N/A | full of holes and improbabilities. | |||
| Savage Grace | B- | B | B | yes | down | a twisted mesmerizer of a movie | |
| You Don't Mess with the Zohan | C | B+ | B- | no | down | at least a few comedic targets are hit | |
| Rogue | C | B | N/A | a competent horror yarn | |||
| Speed Racer | C | B | A | no | up | causes the sensation of being trapped inside a 3-D video game. | |
| Made of Honor | C | B- | D- | no | down | a nice cookie-cutter comedy | |
| The Children of Huang Shi | C | C+ | C+ | so-so | down | cloddish if gorgeous-looking | |
| Anamorph | C | B- | C+ | no | the ultimate in subtext with no text | ||
| Kiss the Bride | C | A | C+ | no | Formulaic gay comedy | ||
| The Promotion | C- | B- | B- | up | low-key, witty, observant farce | ||
| Deception | C- | B | C+ | no | down | a preposterously plotted neo-noir | |
| Where in the World Is Osama Bin Laden? | C- | C+ | C- | so-so | down | glib and shallow and facile | |
| The Happening | C- | B | C- | no | up | a patchy, uninspired eco-thriller | |
| What Happens in Vegas | C- | B- | C+ | no | down | The insults fly with whip-crack timing | |
| Frontier(s) | C- | C+ | N/A | a 100-minute hemorrhage | |||
| Deal | D+ | B | F | no | down | usual sports-movie and coming-of-age clichés | |
| The Life Before Her Eyes | D+ | C+ | C | so-so | up | overstated and overwrought. | |
| A Previous Engagement | D+ | F | B- | no | slow going | ||
| War, Inc. | D+ | C+ | D- | so-so | down | a nearly complete misfire. | |
| The Babysitters | D | D+ | N/A | so-so | overbroad satire and almost total lack of conviction. | ||
| Expelled: No Intelligence Allowed | D | B- | N/A | Bizarre and hysterical. | |||
| Postal | D- | D+ | C | no | tone-deaf, and nonsensical | ||
| 88 Minutes | F | B- | F | down | Al Pacino's career worst. | ||
| Miss Conception | F | C- | D- | no | Miscast and miscalculated |