Film Title |
LAT |
RTMC |
RTC |
The Gist |
Falling |
yes |
N/A |
N/A |
one of the best small pictures of its kind in recent memory. |
Tired of Kissing Frogs |
yes |
N/A |
N/A |
a delightful romantic comedy, traditional in form but contemporary in feeling |
Thoda Pyaar Thoda Magic |
yes |
100 |
N/A |
a pleasant-enough diversion with a notable song score. |
Kenny |
yes |
100 |
N/A |
a low-key study of underdog pride rather than a Larry the Cable Guy bodily function jokefest. |
Take Out |
yes |
100 |
100 |
cinéma-vérité verve |
The Order of Myths |
yes |
100 |
100 |
an invaluable portrait of us-and-them America |
Man on Wire |
yes |
100 |
100 |
has the pace of a thriller and the human interest of a psychological drama. |
Wall-E |
yes |
97 |
97 |
"Wall-E" gains strength from embracing contradictions that would destroy other films |
My Winnipeg |
yes |
96 |
100 |
haunting phantasmagoria of a film -- comic, singular, surreal |
Trouble the Water |
yes |
96 |
100 |
What you do have, if you're fortunate, is a film like "Trouble the Water" to tell your story to the world. |
Chris & Don: A Love Story |
yes |
95 |
100 |
makes movingly clear why their bond endured |
The Pool |
yes |
95 |
100 |
[a] keenly observant narrative feature debut |
Encounters at the End of the World |
yes |
94 |
100 |
The images captured by Herzog and cinematographer Peter Zeitlinger are dazzling all on their own, finding the disorienting psychedelia that is nature at its weirdest. |
Momma's Man |
yes |
94 |
100 |
At once poignant and ruefully amusing |
The Dark Knight |
yes |
94 |
90 |
A chance to disturb us in the ways these kinds of movies rarely do. |
Tell No One |
yes |
92 |
94 |
… a top-notch thriller so twisty you may forget to breathe |
My Father My Lord |
yes |
91 |
88 |
resonates with the graceful simplicity of a religious parable. |
Gunnin' for That #1 Spot |
yes |
89 |
92 |
the playing's the thing and, for most, just beholding these NBA hopefuls' dazzling skills will be more than enough. |
Mongol |
yes |
88 |
92 |
has a feeling for stunning vistas and wide-screen composition that is really something to see. |
Roman Polanski: Wanted and Desired |
yes |
87 |
N/A |
tells it with such intelligence, dispassion and detail that it's like we've never heard it before. |
Baghead |
yes |
87 |
92 |
delightfully unpredictable. |
Hellboy II: The Golden Army |
yes |
87 |
87 |
you've entered another world, filled with nightmarish things both unimaginable and indescribable. |
Love and Honor |
yes |
86 |
N/A |
an impeccably made classic Japanese period picture in which a nobility of spirit is tested amid the most beautiful of settings |
Transsiberian |
yes |
85 |
100 |
Transsiberian transports us into a new and different world and creates a unique cinematic experience |
A Jihad for Love |
yes |
84 |
82 |
a courageous documentary on the plight of gays in the Muslim world |
Live and Become |
yes |
83 |
91 |
a valuable dramatic addition to our understanding of the recent history of an ever-uprooted world populace. |
The Grocer's Son |
yes |
82 |
N/A |
unfolds with subtlety, humor and affection -- and becomes in the process a pure enchantment. |
Kit Kittredge: An American Girl |
yes |
81 |
96 |
the film's humanistic approach preaches tolerance and hope. |
Yella |
yes |
80 |
100 |
one of the many new German films that contrast life today in the former East Germany with the way things are done in the west |
Lou Reed's Berlin |
yes |
80 |
100 |
there's a chilly hauteur at the movie's core |
A Girl Cut in Two |
yes |
79 |
90 |
Impeccably made and uncompromisingly adult, ... unquestionably the work of a master. |
The Last Mistress |
yes |
77 |
90 |
… an extreme cinematic pleasure, a well-told yarn of merciless desire. |
Mister Foe |
yes |
76 |
78 |
a thrillingly dramatized obsession and a strangely affecting love story |
Alice Neel |
yes |
75 |
50 |
as nuanced and complex as its subject, as compelling as her piercingly intense canvases |
Frozen River |
yes |
74 |
90 |
Spare and unsentimental as well as intensely dramatic, character-based but grounded in reality and filled with involving incidents |
Beauty in Trouble |
yes |
74 |
67 |
deeply affecting and darkly amusing |
Flow |
yes |
73 |
83 |
a smartly done, involving look at a number of interrelated water issues. |
A Very British Gangster |
yes |
70 |
86 |
a gutsy, startlingly personal look at not only one of Britain's most notorious gangsters |
Trumbo |
yes |
69 |
83 |
"Trumbo" is an unconventional film about an unconventional man. Part documentary, part expertly staged readings… |
Bustin' Down the Door |
yes |
67 |
N/A |
entertainingly captures surfing's last great hoorah of no-holds-barred radicalism. |
Beautiful Losers |
yes |
67 |
83 |
an absorbing look at how a circle of dispossessed young artists from the 1990s eventually found its way to mainstream success. |
A Man Named Pearl |
yes |
67 |
80 |
it's hard not to be stirred by this hopeful portrait. |
CSNY/Déjà Vu |
yes |
66 |
80 |
[an] unflinching, well-constructed picture |
Save Me |
yes |
65 |
60 |
a modest, thoughtful, independent production of exceptional insight and quietly devastating power. |
The Unknown Woman |
yes |
62 |
75 |
transcends the lurid and the coincidental with range, depth and insight |
Ping Pong Playa |
yes |
62 |
63 |
manages to sustain a goofy-sweet comic energy and offers sly observations about assimilation, sibling rivalry and the art of competitive maternal bragging. |
Expired |
yes |
60 |
57 |
this modest, intimate film holds attention beyond initial expectations. |
Love Comes Lately |
yes |
59 |
60 |
the movie comes closest to capturing Singer's mastery |
Traitor |
yes |
54 |
54 |
this is a good, twisty, absorbing work. |
The Family That Preys |
yes |
53 |
70 |
an earful of praise for your writing and directing. |
No Regret |
yes |
50 |
N/A |
an exposé of class differences and sexual hypocrisy it could hardly be more scathing |
Kicking It |
yes |
50 |
33 |
Rarely has the healing power of sports been as genuinely depicted |
Stealing America: Vote by Vote |
yes |
46 |
17 |
this persuasive refresher course on our increasingly sketchy electoral process will prove essential viewing for any constitutionally minded American. |
What We Do Is Secret |
yes |
45 |
57 |
a visceral, energized biopic that captures the vibrant idiocy of punked-out youth and a tortured soul |
The House Bunny |
yes |
41 |
29 |
among the sunnier, funnier films of the year |
Diminished Capacity |
yes |
28 |
22 |
… a knack for spinning fanciful strands of straw into gold, time and again. |
Holding Trevor |
yes |
14 |
N/A |
… suspenseful and involving -- and tinged with humor as well as pathos. |
Boy A |
yes |
|
|
an absorbing, finely nuanced morality tale |
The Garden |
yes |
|
|
the fascinating complexities of a classic Los Angeles conflict and an excellent documentary that does them full justice. |
A Secret |
yes |
|
|
subtle telling of how a French Jewish teenager ... learns how his parents ... survived the occupation |
Ten Nights of Dreams |
yes |
|
|
in the grand, exquisite tradition of the Japanese cinema of the supernatural |
Red |
yes |
|
|
Small-town rifts are convincingly exposed as hatred is unleashed. |
Tinker Bell |
so-so |
N/A |
N/A |
Memo to: Tyler Perry |
Ghost Town |
so-so |
87 |
90 |
too many encounters are allowed to sputter out lackadaisically |
Tropic Thunder |
so-so |
84 |
84 |
Simultaneously smart and dumb, mixing clever satire with way over-the-top raunch and unrelenting profanity |
Vicky Cristina Barcelona |
so-so |
79 |
83 |
tries to balance comedy and drama. Again, the result is off-kilter. |
Burn After Reading |
so-so |
77 |
54 |
A bleakly funny spoof on spy films as well as a melancholy riff on despairing lives |
Wanted |
so-so |
73 |
76 |
"WANTED" straddles the line between the delightfully absurd and the merely ridiculous |
Brideshead Revisited |
so-so |
72 |
69 |
the film is neither a true triumph nor a total disaster |
Pineapple Express |
so-so |
69 |
69 |
facetiously violent, rambunctiously amusing |
American Teen |
so-so |
68 |
63 |
ordinariness is both strength and weakness here. |
The Incredible Hulk |
so-so |
67 |
58 |
The result is solid and efficient, if unadventurous, illustrating both the lure and the limitations of comic book extravaganzas. |
Appaloosa |
so-so |
64 |
64 |
has its virtues undercut by the way that critical female role has been handled. |
Brick Lane |
so-so |
63 |
50 |
The storytelling is awfully compressed in this adaptation |
Hamlet 2 |
so-so |
62 |
55 |
an uneven film in which the hits are so dead-on that the misses don't seem to matter. |
Jack Brooks: Monster Slayer |
so-so |
61 |
N/A |
As a horror-comedy, it boldly declines to scare or amuse |
Hamlet 2 |
so-so |
61 |
57 |
an uneven film in which the hits are so dead-on that the misses don't seem to matter. |
Journey to the Center of the Earth |
so-so |
60 |
79 |
minor-league visual pleasures will be most enjoyed by those with the smallest number of celluloid reference points |
Mamma Mia! |
so-so |
53 |
41 |
|
Mamma Mia |
so-so |
53 |
40 |
More like: Oh, no! The stage-to-screen adaptation is loaded with excess. But, hey, Meryl Streep comes off well. |
Towelhead |
so-so |
52 |
53 |
Although Alan Ball never finds the right tone in 'Towelhead,' star Summer Bishil entrances as Jasira. |
Step Brothers |
so-so |
52 |
47 |
the movie doesn't seem to have anything on its mind |
Cthulhu |
so-so |
50 |
N/A |
"Cthulhu" isn't awful, but it isn't particularly compelling either |
Lakeview Terrace |
so-so |
41 |
52 |
a serviceable enough popcorn exercise in a few floundering Angelenos who can't just get along. |
The Longshots |
so-so |
38 |
38 |
a gentle, audience-friendly drama that's sometimes too safe for its own good. |
Space Chimps |
so-so |
37 |
47 |
there's probably not enough fuel beyond cute chimps in Candyland to achieve orbit for the kids. |
The Rocker |
so-so |
36 |
39 |
the movie is sweet but slow and a little out of date |
Henry Poole Is Here |
so-so |
33 |
23 |
the dearth of honest characterization in Albert Torres' script lends the whole exercise a shallow impatience |
Igor |
so-so |
29 |
21 |
treats every scene as if he's in a speed race for cutting and camera movement. |
Fly Me to the Moon |
so-so |
18 |
23 |
Until a climactic fight scene, the film's as mild as baby shampoo. |
Babylon A.D. |
so-so |
7 |
0 |
Unfortunately, the film quickly degenerates into chases and gunfights and not much else. |
Largo |
so-so |
|
|
The lighting is low, its attention is 100% on the performers and it doesn't make things easy for its customers. |
Proud American |
no |
N/A |
N/A |
too often carries the preachy, stilted aura of something you'd see in civics class or at a trade show |
Asian Stories (Book 3) |
no |
N/A |
N/A |
draggy, overly talky and rarely amusing. |
Re-Cycle |
no |
N/A |
N/A |
The Pang brothers do have a certain visual panache but as storytellers they are strictly for the trash dump. |
I Served the King of England |
no |
94 |
91 |
pales in comparison to Volker Schlöndorff's film of Günter Grass' "The Tin Drum" -- but it does look gorgeous. |
Gonzo: The Life and Work of Dr. Hunter S. Thompson |
no |
84 |
89 |
'Gonzo' is stuffed with Hunter S. Thompson minutae but shies from the tough questions. |
In Search of a Midnight Kiss |
no |
84 |
80 |
not the epitome of independent cinema. |
XXY |
no |
73 |
82 |
sabotaged by plot contrivance. |
America the Beautiful |
no |
70 |
50 |
Well meaning but as hopelessly smeary as a makeup job applied during a bumper-car ride |
Elegy |
no |
69 |
54 |
out of touch, balefully slow and, for a film at least partly about the zesty enterprise of sex, awfully lifeless. |
The Wackness |
no |
66 |
76 |
It snows us with more visual flash than it knows what to do with |
Sukiyaki Western Django |
no |
65 |
44 |
self-destructs like a wildfire as it attempts to spoof spaghetti westerns |
Get Smart |
no |
53 |
58 |
Action is emphasized over laughs and the job gets bungled. |
Sixty Six |
no |
53 |
43 |
stiffly drawn and often just plain unlikable. |
Bottle Shock |
no |
49 |
52 |
stiffly drawn and often just plain unlikable. |
Eight Miles High |
no |
42 |
N/A |
failing to fulfill the fun trash quotient while also never getting at what makes Obermaier tick. |
Finding Amanda |
no |
38 |
27 |
Matthew Broderick's self-loather tries to help a hooker. Should we laugh or cry? |
Hancock |
no |
37 |
38 |
The Will Smith vehicle is as self-destructive as its superhero. |
The X-Files: I Want to Believe |
no |
34 |
24 |
so down to earth, it's almost mundane. |
The Doorman |
no |
29 |
50 |
keeps the humor believably shallow |
Righteous Kill |
no |
24 |
15 |
isn't up to its stars' potential. |
Another Gay Sequel: Gays Gone Wild! |
no |
21 |
0 |
Stephens' stabs at contrasting pathos come off as merely maudlin. |
Meet Dave |
no |
20 |
29 |
pays lip service to the joys of exploring new worlds, but it never steps off the tour bus. |
Star Wars: The Clone Wars |
no |
19 |
5 |
Despite excellent animation, 'Star Wars: The Clone Wars' fails with bad dialogue and plot machinations |
Hounddog |
no |
18 |
25 |
isn't so much controversial as it is howlingly bad. |
The Love Guru |
no |
15 |
6 |
Mike Myers' sophomoric shtick wears out its welcome fast. |
Mirrors |
no |
15 |
0 |
a ridiculous studio remake of a Korean horror film |
The Women |
no |
10 |
14 |
gets bogged down, despite the A-list cast. |
Bangkok Dangerous |
no |
10 |
8 |
pretty much all the things that made the original so original are filtered out of this un-original |
The Mummy: Tomb of the Dragon Emperor |
no |
9 |
11 |
has some good things, it does not have enough of them to make the third time the charm. |
College |
no |
8 |
13 |
heavy on raunch and light on actual comedy or originality. |
Surfer, Dude |
no |
0 |
N/A |
This Matthew McConaughey vehicle amounts to beach blanket boredom. |
Disaster Movie |
no |
0 |
0 |
Even running out of suitable titles can't stop this juggernaut of mediocrity |
Red Roses and Petrol |
no |
0 |
0 |
a dysfunctional clan movie |
Take |
no |
|
|
too enamored of its time-shifting gimmick and cheap suspense to ultimately have much impact. |
Young People . . . |
no |
|
|
The cast tries but rarely achieves an authenticity of emotional intimacy |
Death Race |
|
39 |
43 |
|