| Film Title | LAT | RTMC | RTC | The Gist |
| Falling | yes | N/A | N/A | one of the best small pictures of its kind in recent memory. |
| Tired of Kissing Frogs | yes | N/A | N/A | a delightful romantic comedy, traditional in form but contemporary in feeling |
| Thoda Pyaar Thoda Magic | yes | 100 | N/A | a pleasant-enough diversion with a notable song score. |
| Kenny | yes | 100 | N/A | a low-key study of underdog pride rather than a Larry the Cable Guy bodily function jokefest. |
| Take Out | yes | 100 | 100 | cinéma-vérité verve |
| The Order of Myths | yes | 100 | 100 | an invaluable portrait of us-and-them America |
| Man on Wire | yes | 100 | 100 | has the pace of a thriller and the human interest of a psychological drama. |
| Wall-E | yes | 97 | 97 | "Wall-E" gains strength from embracing contradictions that would destroy other films |
| My Winnipeg | yes | 96 | 100 | haunting phantasmagoria of a film -- comic, singular, surreal |
| Trouble the Water | yes | 96 | 100 | What you do have, if you're fortunate, is a film like "Trouble the Water" to tell your story to the world. |
| Chris & Don: A Love Story | yes | 95 | 100 | makes movingly clear why their bond endured |
| The Pool | yes | 95 | 100 | [a] keenly observant narrative feature debut |
| Encounters at the End of the World | yes | 94 | 100 | The images captured by Herzog and cinematographer Peter Zeitlinger are dazzling all on their own, finding the disorienting psychedelia that is nature at its weirdest. |
| Momma's Man | yes | 94 | 100 | At once poignant and ruefully amusing |
| The Dark Knight | yes | 94 | 90 | A chance to disturb us in the ways these kinds of movies rarely do. |
| Tell No One | yes | 92 | 94 | … a top-notch thriller so twisty you may forget to breathe |
| My Father My Lord | yes | 91 | 88 | resonates with the graceful simplicity of a religious parable. |
| Gunnin' for That #1 Spot | yes | 89 | 92 | the playing's the thing and, for most, just beholding these NBA hopefuls' dazzling skills will be more than enough. |
| Mongol | yes | 88 | 92 | has a feeling for stunning vistas and wide-screen composition that is really something to see. |
| Roman Polanski: Wanted and Desired | yes | 87 | N/A | tells it with such intelligence, dispassion and detail that it's like we've never heard it before. |
| Baghead | yes | 87 | 92 | delightfully unpredictable. |
| Hellboy II: The Golden Army | yes | 87 | 87 | you've entered another world, filled with nightmarish things both unimaginable and indescribable. |
| Love and Honor | yes | 86 | N/A | an impeccably made classic Japanese period picture in which a nobility of spirit is tested amid the most beautiful of settings |
| Transsiberian | yes | 85 | 100 | Transsiberian transports us into a new and different world and creates a unique cinematic experience |
| A Jihad for Love | yes | 84 | 82 | a courageous documentary on the plight of gays in the Muslim world |
| Live and Become | yes | 83 | 91 | a valuable dramatic addition to our understanding of the recent history of an ever-uprooted world populace. |
| The Grocer's Son | yes | 82 | N/A | unfolds with subtlety, humor and affection -- and becomes in the process a pure enchantment. |
| Kit Kittredge: An American Girl | yes | 81 | 96 | the film's humanistic approach preaches tolerance and hope. |
| Yella | yes | 80 | 100 | one of the many new German films that contrast life today in the former East Germany with the way things are done in the west |
| Lou Reed's Berlin | yes | 80 | 100 | there's a chilly hauteur at the movie's core |
| A Girl Cut in Two | yes | 79 | 90 | Impeccably made and uncompromisingly adult, ... unquestionably the work of a master. |
| The Last Mistress | yes | 77 | 90 | … an extreme cinematic pleasure, a well-told yarn of merciless desire. |
| Mister Foe | yes | 76 | 78 | a thrillingly dramatized obsession and a strangely affecting love story |
| Alice Neel | yes | 75 | 50 | as nuanced and complex as its subject, as compelling as her piercingly intense canvases |
| Frozen River | yes | 74 | 90 | Spare and unsentimental as well as intensely dramatic, character-based but grounded in reality and filled with involving incidents |
| Beauty in Trouble | yes | 74 | 67 | deeply affecting and darkly amusing |
| Flow | yes | 73 | 83 | a smartly done, involving look at a number of interrelated water issues. |
| A Very British Gangster | yes | 70 | 86 | a gutsy, startlingly personal look at not only one of Britain's most notorious gangsters |
| Trumbo | yes | 69 | 83 | "Trumbo" is an unconventional film about an unconventional man. Part documentary, part expertly staged readings… |
| Bustin' Down the Door | yes | 67 | N/A | entertainingly captures surfing's last great hoorah of no-holds-barred radicalism. |
| Beautiful Losers | yes | 67 | 83 | an absorbing look at how a circle of dispossessed young artists from the 1990s eventually found its way to mainstream success. |
| A Man Named Pearl | yes | 67 | 80 | it's hard not to be stirred by this hopeful portrait. |
| CSNY/Déjà Vu | yes | 66 | 80 | [an] unflinching, well-constructed picture |
| Save Me | yes | 65 | 60 | a modest, thoughtful, independent production of exceptional insight and quietly devastating power. |
| The Unknown Woman | yes | 62 | 75 | transcends the lurid and the coincidental with range, depth and insight |
| Ping Pong Playa | yes | 62 | 63 | manages to sustain a goofy-sweet comic energy and offers sly observations about assimilation, sibling rivalry and the art of competitive maternal bragging. |
| Expired | yes | 60 | 57 | this modest, intimate film holds attention beyond initial expectations. |
| Love Comes Lately | yes | 59 | 60 | the movie comes closest to capturing Singer's mastery |
| Traitor | yes | 54 | 54 | this is a good, twisty, absorbing work. |
| The Family That Preys | yes | 53 | 70 | an earful of praise for your writing and directing. |
| No Regret | yes | 50 | N/A | an exposé of class differences and sexual hypocrisy it could hardly be more scathing |
| Kicking It | yes | 50 | 33 | Rarely has the healing power of sports been as genuinely depicted |
| Stealing America: Vote by Vote | yes | 46 | 17 | this persuasive refresher course on our increasingly sketchy electoral process will prove essential viewing for any constitutionally minded American. |
| What We Do Is Secret | yes | 45 | 57 | a visceral, energized biopic that captures the vibrant idiocy of punked-out youth and a tortured soul |
| The House Bunny | yes | 41 | 29 | among the sunnier, funnier films of the year |
| Diminished Capacity | yes | 28 | 22 | … a knack for spinning fanciful strands of straw into gold, time and again. |
| Holding Trevor | yes | 14 | N/A | … suspenseful and involving -- and tinged with humor as well as pathos. |
| Boy A | yes | an absorbing, finely nuanced morality tale | ||
| The Garden | yes | the fascinating complexities of a classic Los Angeles conflict and an excellent documentary that does them full justice. | ||
| A Secret | yes | subtle telling of how a French Jewish teenager ... learns how his parents ... survived the occupation | ||
| Ten Nights of Dreams | yes | in the grand, exquisite tradition of the Japanese cinema of the supernatural | ||
| Red | yes | Small-town rifts are convincingly exposed as hatred is unleashed. | ||
| Tinker Bell | so-so | N/A | N/A | Memo to: Tyler Perry |
| Ghost Town | so-so | 87 | 90 | too many encounters are allowed to sputter out lackadaisically |
| Tropic Thunder | so-so | 84 | 84 | Simultaneously smart and dumb, mixing clever satire with way over-the-top raunch and unrelenting profanity |
| Vicky Cristina Barcelona | so-so | 79 | 83 | tries to balance comedy and drama. Again, the result is off-kilter. |
| Burn After Reading | so-so | 77 | 54 | A bleakly funny spoof on spy films as well as a melancholy riff on despairing lives |
| Wanted | so-so | 73 | 76 | "WANTED" straddles the line between the delightfully absurd and the merely ridiculous |
| Brideshead Revisited | so-so | 72 | 69 | the film is neither a true triumph nor a total disaster |
| Pineapple Express | so-so | 69 | 69 | facetiously violent, rambunctiously amusing |
| American Teen | so-so | 68 | 63 | ordinariness is both strength and weakness here. |
| The Incredible Hulk | so-so | 67 | 58 | The result is solid and efficient, if unadventurous, illustrating both the lure and the limitations of comic book extravaganzas. |
| Appaloosa | so-so | 64 | 64 | has its virtues undercut by the way that critical female role has been handled. |
| Brick Lane | so-so | 63 | 50 | The storytelling is awfully compressed in this adaptation |
| Hamlet 2 | so-so | 62 | 55 | an uneven film in which the hits are so dead-on that the misses don't seem to matter. |
| Jack Brooks: Monster Slayer | so-so | 61 | N/A | As a horror-comedy, it boldly declines to scare or amuse |
| Hamlet 2 | so-so | 61 | 57 | an uneven film in which the hits are so dead-on that the misses don't seem to matter. |
| Journey to the Center of the Earth | so-so | 60 | 79 | minor-league visual pleasures will be most enjoyed by those with the smallest number of celluloid reference points |
| Mamma Mia! | so-so | 53 | 41 | |
| Mamma Mia | so-so | 53 | 40 | More like: Oh, no! The stage-to-screen adaptation is loaded with excess. But, hey, Meryl Streep comes off well. |
| Towelhead | so-so | 52 | 53 | Although Alan Ball never finds the right tone in 'Towelhead,' star Summer Bishil entrances as Jasira. |
| Step Brothers | so-so | 52 | 47 | the movie doesn't seem to have anything on its mind |
| Cthulhu | so-so | 50 | N/A | "Cthulhu" isn't awful, but it isn't particularly compelling either |
| Lakeview Terrace | so-so | 41 | 52 | a serviceable enough popcorn exercise in a few floundering Angelenos who can't just get along. |
| The Longshots | so-so | 38 | 38 | a gentle, audience-friendly drama that's sometimes too safe for its own good. |
| Space Chimps | so-so | 37 | 47 | there's probably not enough fuel beyond cute chimps in Candyland to achieve orbit for the kids. |
| The Rocker | so-so | 36 | 39 | the movie is sweet but slow and a little out of date |
| Henry Poole Is Here | so-so | 33 | 23 | the dearth of honest characterization in Albert Torres' script lends the whole exercise a shallow impatience |
| Igor | so-so | 29 | 21 | treats every scene as if he's in a speed race for cutting and camera movement. |
| Fly Me to the Moon | so-so | 18 | 23 | Until a climactic fight scene, the film's as mild as baby shampoo. |
| Babylon A.D. | so-so | 7 | 0 | Unfortunately, the film quickly degenerates into chases and gunfights and not much else. |
| Largo | so-so | The lighting is low, its attention is 100% on the performers and it doesn't make things easy for its customers. | ||
| Proud American | no | N/A | N/A | too often carries the preachy, stilted aura of something you'd see in civics class or at a trade show |
| Asian Stories (Book 3) | no | N/A | N/A | draggy, overly talky and rarely amusing. |
| Re-Cycle | no | N/A | N/A | The Pang brothers do have a certain visual panache but as storytellers they are strictly for the trash dump. |
| I Served the King of England | no | 94 | 91 | pales in comparison to Volker Schlöndorff's film of Günter Grass' "The Tin Drum" -- but it does look gorgeous. |
| Gonzo: The Life and Work of Dr. Hunter S. Thompson | no | 84 | 89 | 'Gonzo' is stuffed with Hunter S. Thompson minutae but shies from the tough questions. |
| In Search of a Midnight Kiss | no | 84 | 80 | not the epitome of independent cinema. |
| XXY | no | 73 | 82 | sabotaged by plot contrivance. |
| America the Beautiful | no | 70 | 50 | Well meaning but as hopelessly smeary as a makeup job applied during a bumper-car ride |
| Elegy | no | 69 | 54 | out of touch, balefully slow and, for a film at least partly about the zesty enterprise of sex, awfully lifeless. |
| The Wackness | no | 66 | 76 | It snows us with more visual flash than it knows what to do with |
| Sukiyaki Western Django | no | 65 | 44 | self-destructs like a wildfire as it attempts to spoof spaghetti westerns |
| Get Smart | no | 53 | 58 | Action is emphasized over laughs and the job gets bungled. |
| Sixty Six | no | 53 | 43 | stiffly drawn and often just plain unlikable. |
| Bottle Shock | no | 49 | 52 | stiffly drawn and often just plain unlikable. |
| Eight Miles High | no | 42 | N/A | failing to fulfill the fun trash quotient while also never getting at what makes Obermaier tick. |
| Finding Amanda | no | 38 | 27 | Matthew Broderick's self-loather tries to help a hooker. Should we laugh or cry? |
| Hancock | no | 37 | 38 | The Will Smith vehicle is as self-destructive as its superhero. |
| The X-Files: I Want to Believe | no | 34 | 24 | so down to earth, it's almost mundane. |
| The Doorman | no | 29 | 50 | keeps the humor believably shallow |
| Righteous Kill | no | 24 | 15 | isn't up to its stars' potential. |
| Another Gay Sequel: Gays Gone Wild! | no | 21 | 0 | Stephens' stabs at contrasting pathos come off as merely maudlin. |
| Meet Dave | no | 20 | 29 | pays lip service to the joys of exploring new worlds, but it never steps off the tour bus. |
| Star Wars: The Clone Wars | no | 19 | 5 | Despite excellent animation, 'Star Wars: The Clone Wars' fails with bad dialogue and plot machinations |
| Hounddog | no | 18 | 25 | isn't so much controversial as it is howlingly bad. |
| The Love Guru | no | 15 | 6 | Mike Myers' sophomoric shtick wears out its welcome fast. |
| Mirrors | no | 15 | 0 | a ridiculous studio remake of a Korean horror film |
| The Women | no | 10 | 14 | gets bogged down, despite the A-list cast. |
| Bangkok Dangerous | no | 10 | 8 | pretty much all the things that made the original so original are filtered out of this un-original |
| The Mummy: Tomb of the Dragon Emperor | no | 9 | 11 | has some good things, it does not have enough of them to make the third time the charm. |
| College | no | 8 | 13 | heavy on raunch and light on actual comedy or originality. |
| Surfer, Dude | no | 0 | N/A | This Matthew McConaughey vehicle amounts to beach blanket boredom. |
| Disaster Movie | no | 0 | 0 | Even running out of suitable titles can't stop this juggernaut of mediocrity |
| Red Roses and Petrol | no | 0 | 0 | a dysfunctional clan movie |
| Take | no | too enamored of its time-shifting gimmick and cheap suspense to ultimately have much impact. | ||
| Young People . . . | no | The cast tries but rarely achieves an authenticity of emotional intimacy | ||
| Death Race | 39 | 43 |