LAT	RTMC	RTC
documentary
High Ground	yes	100	100	a Himalayian mountaineering expedition for 11 wounded combat vets
Room 237	yes	98		an examination of the nature of obsession
Brooklyn Castle	yes	97	94	an astonishingly successful public-school chess program
Chasing Ice	yes	96	93	*a powerful look at glaciers, climate
The Revisionaries	yes	91	100	Texas['s] attempts to de-emphasize evolution in textbooks.
The Central Park Five	yes	90	93	*thoughtfully shows how and why the case went horribly off-track.
We Are Legion: The Story of the Hacktivists	yes	90		history of the secret social protesters
Gatekeepers	yes	89	100	a potent profile of Shin Bet leaders
Orchestra of Exiles	yes	88	100	the Holocaust-era formation of the Palestine Symphony Orchestra
Bad 25	yes	88	86	moves in the style of a great pop song
Who Bombed Judi Bari?	yes	86	83	a compelling tribute
The Flat	yes	75	100	Zionist grandparents' friendship with a Nazi
Bel Borba Aqui	yes	58	57	as jaunty and improvisational as its colorful subject
Addicted to Fame	yes	33	43	the making of 2007's "Illegal Aliens," a low-budget, B-movie flop
A Whisper to a Roar	yes			activists who risked everything to bring democracy to their countries
Lunch	yes			all homage and quite agreeable.
Versailles '73: American Runway Revolution	yes			superbly told, enjoyably dishy
Burn	yes			Detroit: an untenable challenge for firefighters in America's arson capital
Switch	yes			does an admirable job of untangling the issues [of energy]
The King	yes			an engaging character study of Darko Kralj
The Optimists	yes			reveals Bulgarians' courage amid cruelty
Saving America's Horses: A Nation Betrayed	yes			the inhumane slaughter of wild and domestic horses
Lost Angels: Skid Row Is My Home	yes			[a] vivid cinematic portrait.
Honor Flight	yes			a moving look at World War II veterans
The Zen of Bennett	so-so	88	83	a strange mixture of grace, joy and melancholy
Six Million and One	so-so	88		unraveling the endless mysteries of the Shoah.
Bones Brigade: An Autobiography	so-so	78	83	feels like an epilogue.
Heleno	so-so	50	60	too concerned with unflattering surface details.
Man at War	so-so			might have benefited from a more in-depth look at the game itself
Sexy Baby	no	57		Too much information
Waiting for Lightning	no	44	22	doesn't offer much insight into Way's thinking.
Buffalo Girls	no	33	0	feels simply like a messed-up vacation video
A Man's Story	no	27		fashion designer Ozwald Boateng
Seeds of Resiliency	no			amounts to a lot of surface-skimming and reliance on platitudes
animated
Wreck-It Ralph	yes	85	81	*subversive sensibility and old-school/new-school feel
Rise of the Guardians	so-so	72	69	If you're not careful, edgy can send things right over the cliff
Delhi Safari	so-so	17	17	means well but lacks zest
Puella Magi Madoka Magica	so-so			at times repetitive, at times intriguing.
The Mystical Laws	no	20	20	“G-Force” meets a Chick tract
Tales of the Night	no	81		Ocelot's storytelling never quite matches his visual abilities.
A Liar's Autobiography: The Untrue Story of Monty Python's Graham Chapman	no	50		Insufferable, incomplete
regular movies
The Sessions	yes	95	93	human nature at its most vulnerable, heartfelt and courageous
Sister	yes	94	100	emotional land mines that detonate with understated power
Holy Motors	yes	92	92	*thrillingly outré
Skyfall	yes	92	91	*James Bond still sharp and fit at 50
Quartet	yes	92		a genteel comedy
Starlet	yes	90	100	*One of the year's most arresting, heartfelt indies
Lincoln	yes	90	95	Monumental
Silver Linings Playbook	yes	89	90	*is irresistibly eccentric
Dragon	yes	88	78	soars as martial arts-detective tale
Life of Pi	yes	86	88	*a masterpiece by Ang Lee
North Sea Texas	yes	79		emergent sexuality, first love, the thrill of desire, navigating hurt feelings
The Loneliest Planet	yes	68	72	this journey of two lovers is well worth taking
Price Check	yes	67	90	a wistful glimpse at life's inevitable priorities.
Dangerous Liaisons	yes	62	75	visually sumptuous and exquisite.
The Comedy	yes	60	50	a fascinating character study of a hipster's journey to maturity.
28 Hotel Rooms	yes	57		deeper, warmer and far less tawdry than it might sound
Simon and the Oaks	yes	50	50	involving drama from Sweden, the Holocaust, authentic, distinct
For Ellen	yes	48	58	*beautifully observed and impeccably executed
The Details	yes	48	55	*offbeat, original, pitch dark comedy for adults
Hyde Park on Hudson	yes	38	39	Bill Murray shines as FDR
Democracy at Work	yes			takes pleasure in skewering the campaign process.
Jab Tak Hai Jaan	yes			a fitting tribute to its late director, Yash Chopra.
A Werewolf Boy	yes			At once earnest, silly, sprightly and dark
Funeral Kings	so-so	100		leaves many stories unresolved
A Royal Affair	so-so	87	83	unapologetically earnest and a bit on the bloodless side
Generation P	so-so	86		an amusing cyberpunk extravaganza
This Must Be the Place	so-so	73	55	moments of strange, aching beauty.
The Hobbit: An Unexpected Journey	so-so	69	47	*lacks a certain ring
Barrymore	so-so	67	75	An exceptional performance piece. It just isn't much of a movie.
Café de Flore	so-so	63	55	terribly long and repetitive for so delicately dreamy a diptych
Tai Chi Zero	so-so	60	67	It's stylistic overkill, but it has winning moments.
Silent Night	so-so	57		Talk about a bad Santa
The Man With the Iron Fists	so-so	55	55	enjoyably bad
Vamps	so-so	40		groan-inducing, half-baked
Nobody Walks	so-so	36	47	provocative, if flawed
Paranormal Activity 4	so-so	26	12	eerie setup for another sequel
The Black Tulip	so-so	25	38	vivid and uneven portrayal of modern life in Afghanistan.
Fun Size	so-so	23	41	Transiently entertaining, with intermittent sparks
The Last Fall	so-so			involving, sympathetic
Amber Alert	so-so			light (read: nonexistent) on character dimension and, frankly, logic.
Crossroad	so-so			[a] pensive tale of life, death and destiny.
Madrid, 1987	no	83	80	the action doesn't quite transcend the stagy setup.
A Late Quartet	no	80	87	set to Opus 131 but doesn't match it
Talaash	no	80		[this] Bollywood-meets-noir needs work
The Other Son	no	78	76	Good intentions hinder the drama
Killing Them Softly	no	78	68	Brad Pitt is smooth, but 'Killing Them Softly' isn't
Flight	no	77	92	weakened by movie trope repetition
The Bay	no	77	65	plagued by a poor plot and off-the-mark casting
California Solo	no	71	70	runs thin on charm
Anna Karenina	no	63	53	Joe Wright's artifice overshadows actors
Cloud Atlas	no	63	41	tumbles to Earth
Hitchcock	no	62	48	just not interesting
The Twilight Saga: Breaking Dawn Part 2	no	61	59	dialogue: spotty and sappy; the action: completely over the top
All Together	no	60	63	opts for cute over cutting edge.
Bigfoot: The Lost Coast Tapes	no	60		an irritating tease
Pusher	no	54	43	a middling drug-scene drama
Universal Soldier: Day of Reckoning	no	53	67	either the fourth or sixth entry in the lumbering action franchise
Citadel	no	48	38	dissipates like a slow leak.
The Collection	no	44	23	slasher flick/rescue mission mash-up [works] for only about half the film
The First Time	no	40	29	A delicate love never quite blooms
Back to 1942	no	40	17	emotional connection proves … elusive.
Sassy Pants	no	40		has some design flaws
Chasing Mavericks	no	34	26	surf's up, film's flat
Deadfall	no	31	33	some good performances but the script falls short.
Lay the Favorite	no	20	23	a bad bet
Atletu (The Athlete)	no	17		stumbles in storytelling
Jack & Diane	no	13	22	lesbian werewolf love story
Alex Cross	no	12	0	armed with silly lines
Red Dawn	no	11	3	remake won't win hearts and minds
Festival of Lights	no	9	0	well-intended but choppy and unconvincing
Nature Calls	no	6	14	only so fitfully funny.
Silent Hill: Revelation 3D	no	5	0	visual flair without the fun
Playing for Keeps	no	3	0	wastes the talents of actresses like Uma Thurman
That's What She Said	no	0	0	another annoying, raunchy female comedy.
Four Assassins	no			shoots itself in the foot
Perfect Number	no			moody Korean thriller
Shady Lady	no			an amateurish reconstruction of a World War II bombing mission
Ingenious	no			the film's structure is uneven.
Scrooge and Marley	no			a gay take on christmas
The Man Who Shook the Hand of Vicente Fernandez	no			isn't as good as its star [,Ernest Borgnine]