|
LAT |
RTMC |
RTC |
|
documentary |
|
|
|
|
56 Up |
yes |
100 |
100 |
*"Seven Up" continued 49 years later |
Sound City |
yes |
100 |
100 |
*homage to recording studio equipment |
Girl Rising |
yes |
100 |
|
unforgiving obstacles faced by girls in developing countries |
Beware of Mr. Baker |
yes |
97 |
93 |
*a vivid portrait of a rock icon |
One Life |
yes |
95 |
100 |
*an intimate look at the life cycles of animals around the world |
West of Memphis |
yes |
95 |
89 |
*a 1993 triple murder probe got it wrong |
Gregory Crewdson: Brief Encounters |
yes |
93 |
100 |
*an epic photo installation, "Beneath the Roses." |
Koch |
yes |
89 |
92 |
neither fawning nor eviscerating but always compelling. |
Happy People: A Year in the Taiga |
yes |
88 |
93 |
the people of Bakhta [,Siberia] |
Bestiaire |
yes |
88 |
88 |
an instinctive world and one of human intervention. |
A Place at the Table |
yes |
86 |
88 |
*examines hungry Americans' plight |
Uprising |
yes |
82 |
71 |
the Egyptian revolution of early 2011 |
Genius on Hold |
yes |
80 |
|
*unsung telecommunications inventor Walter Shaw |
Hitler's Children |
yes |
77 |
67 |
how descendants of key Nazis have grappled with their legacy. |
Greedy Lying Bastards |
yes |
75 |
69 |
A timely debate on global warming |
Let Fury Have the Hour |
yes |
42 |
38 |
the smart and inspiring |
Sellebrity |
yes |
|
|
a vivid look at the megabucks industry of celebrity photography |
Mondays at Racine |
yes |
|
|
an intimate and surprisingly uplifting portrait |
Inocente |
yes |
|
|
the power of this 15-year-old teen's art and the power of her story |
King's Point |
yes |
|
|
a Florida paradise … a garden of discontent |
Redemption |
yes |
|
|
those who scratch out a living collecting bottles and cans in NYC |
The Bitter Buddha |
yes |
|
|
Eddie Pepitone, the funniest stand-up comedian you've never heard of |
Stuck |
yes |
|
|
a cogent push for adopting needy children from Third World countries |
Don't Stop Believin': Everyman's Journey |
so-so |
66 |
62 |
a pleasant story of dreams coming true. |
Young Turks |
so-so |
|
|
amateurish aesthetic noodlings |
Open Heart |
so-so |
|
|
Rwanden children dying of rheumatic heart disease |
Only the Young |
no |
80 |
|
never zero[s] in on an involving structure or narrative. |
FrackNation |
no |
60 |
|
a one-sided attack piece |
Mumia: Long Distance Revolutionary |
no |
42 |
43 |
skewed |
animated |
|
|
|
|
Escape From Planet Earth |
yes |
24 |
60 |
*though it's not quite out of this world, it's still feel-good fun. |
The Rabbi's Cat |
so-so |
93 |
86 |
wild and vivid, exceptionally talky |
Walter & Tandoori's Christmas |
so-so |
|
|
Harmless if not particularly noteworthy |
regular movies |
|
|
|
|
Resolution |
yes |
100 |
|
*a strangely tense [,horrifying] and humorous meta-narrative |
Barbara |
yes |
95 |
100 |
a doctor trying to maintain her humanity in East Germany |
War Witch |
yes |
94 |
100 |
a girl in sub-Saharan Africa who is kidnapped by rebels |
Caesar Must Die |
yes |
93 |
92 |
*Shakespeare like you've never seen |
Yossi |
yes |
93 |
90 |
effortlessly affecting, graced with deadpan humor |
Zero Dark Thirty |
yes |
93 |
88 |
*cinematic storytelling at its most effective |
Tchoupitoulas |
yes |
92 |
100 |
*a jewel-bright whoosh of a ride through nighttime New Orleans |
Amour |
yes |
92 |
95 |
*a perfect storm of a motion picture |
Lore |
yes |
90 |
100 |
a distinct coming-of-age tale in Nazi Germany |
No |
yes |
89 |
87 |
*tells a composite story about the vote that toppled Chile's Pinochet |
Django Unchained |
yes |
89 |
79 |
*Tarantino unleashed |
Beyond the Hills |
yes |
88 |
86 |
demanding but always engrossing |
Side Effects |
yes |
86 |
84 |
is so well done that implausibility is irrelevant |
The Silence |
yes |
84 |
80 |
chills us to the core not once but two times over. |
Like Someone in Love |
yes |
82 |
94 |
elegant and mysterious |
In Another Country |
yes |
81 |
100 |
a beguiling set of variations on a theme |
The Impossible |
yes |
80 |
77 |
*the 2004 tsunami |
Bless Me, Ultima |
yes |
77 |
91 |
*A deeply satisfying feat of storytelling |
Les Miserables |
yes |
72 |
63 |
Vive 'Les Miserables' in all its over-the-top glory |
Stoker |
yes |
69 |
63 |
*a darkly wicked, beautifully executed mystery |
The Jeffrey Dahmer Files |
yes |
67 |
75 |
A hybrid of documentary and fiction |
I Am Not a Hipster |
yes |
60 |
|
a film to relish |
The End of Love |
yes |
57 |
44 |
*an exceptionally intimate, human-scaled picture. |
The Last Stand |
yes |
57 |
42 |
a movie content with just being good, old-fashioned fun. |
Kai Po Che |
yes |
57 |
40 |
three male friends bonding through cricket |
This Is 40 |
yes |
50 |
53 |
midlife crisis, laughs by Judd Apatow |
The Sweeney |
yes |
49 |
40 |
a briskly involving British crime entertainment of the old school. |
On the Road |
yes |
46 |
42 |
poetic adaptation of Jack Kerouac's novel |
Beautiful Creatures |
yes |
45 |
46 |
*an intriguing, intelligent enigma |
Matru Ki Bijlee Ka Mandola |
yes |
33 |
|
energetic, whimsical |
The Last Exorcism Part II |
yes |
13 |
22 |
*an effectively unnerving, slow-burn supernatural horror tale |
War of the Worlds: The True Story |
yes |
|
|
*hugely inventive and ambitious concoction |
Electrick Children |
so-so |
85 |
100 |
unevenly told and at times too fanciful for its own good |
Warm Bodies |
so-so |
76 |
63 |
romantic schmaltz and horror cheese |
The Monk |
so-so |
64 |
44 |
rich in atmospherics but threatens to tip into parody |
Oz the Great and Powerful |
so-so |
61 |
32 |
a rough slog on the yellow brick road |
John Dies at the End |
so-so |
58 |
53 |
an enjoyable but uneven genre experiment. |
Would You Rather |
so-so |
53 |
29 |
hardly a most dangerous game night at the movies. |
Clandestine Childhood |
so-so |
50 |
43 |
a sincere effort but also rather sincerely a meager one too. |
The Playroom |
so-so |
44 |
63 |
often feels posed and inert [,but] strikes more than a few chords |
Shanghai Calling |
so-so |
42 |
50 |
fish-out-of-water jokes, meet-cutes, silly coincidences, happy endings. |
Parker |
so-so |
38 |
39 |
The violent film isn't without its 'huh?' moments |
Phantom |
so-so |
26 |
17 |
a modest thriller … a strong cast and straightforward storytelling. |
A Glimpse Inside the Mind of Charles Swan III |
so-so |
12 |
21 |
a noodling indulgence[,] alternately freewheeling and dead in the water |
Whatcha Wearin' |
so-so |
|
|
a few hours of featherweight fun |
Tabu |
no |
85 |
78 |
undercut by its own ambition |
Jack Reacher |
no |
61 |
37 |
too much of a stretch for Tom Cruise |
Cirque du Soleil: Worlds Away |
no |
56 |
47 |
mostly a pretense to show performances from seven Cirque shows. |
Snitch |
no |
54 |
54 |
Too much talk and not enough action |
Jack the Giant Slayer |
no |
53 |
50 |
Nothing magic about 'Jack the Giant Slayer' |
Promised Land |
no |
48 |
45 |
a fight over fracking turns too gimmicky to finish satisfyingly. |
Bullet to the Head |
no |
47 |
46 |
blunt, gleefully dumb |
Dead Man Down |
no |
38 |
22 |
twists itself into knots |
The Guilt Trip |
no |
37 |
45 |
Better they'd stayed home |
Dark Skies |
no |
36 |
25 |
The plotting and focus are pretty spotty |
LUV |
no |
35 |
47 |
trite machinations |
Emperor |
no |
35 |
23 |
misplaced priorities |
Let My People Go! |
no |
33 |
13 |
falls short of the intended hilarity |
21 and Over |
no |
30 |
32 |
celebrates selfishness, stupidity |
Saving Lincoln |
no |
29 |
0 |
comes off as amateurish. |
Identity Thief |
no |
24 |
26 |
The script for this revenge/road trip farce is a mess |
Broken City |
no |
24 |
23 |
broken |
Knife Fight |
no |
24 |
22 |
just plain dull |
Struck by Lightning |
no |
24 |
15 |
a flat coming-of-age tale |
The Berlin File |
no |
22 |
20 |
spy mission comes up short |
Inescapable |
no |
21 |
13 |
full of flaws |
Texas Chainsaw 3D |
no |
20 |
11 |
has little to offer beyond gore |
Hansel & Gretel: Witch Hunters |
no |
17 |
7 |
isn't nearly as clever as the original tale |
Parental Guidance |
no |
16 |
33 |
crass antics and far too little warmth. |
A Good Day to Die Hard |
no |
16 |
10 |
an uninspired effort |
Safe Haven |
no |
13 |
10 |
can't find refuge from a cheesy story |
A Haunted House |
no |
9 |
11 |
a troubled parody of found-footage horror movies |
Girls Against Boys |
no |
8 |
8 |
both sides lose |
A Dark Truth |
no |
8 |
0 |
[an] unconvincing potboiler |
Movie 43 |
no |
3 |
8 |
comedy shorts … short on comedy |
Brief Reunion |
no |
0 |
0 |
unwinds as a boilerplate genre item. |
The Condemned |
no |
0 |
|
A good idea for a ghost story is dead on arrival |
Guns, Girls and Gambling |
no |
|
|
doesn't add up to fun |
Hidden Moon |
no |
|
|
Hokey romanticism and uninspired performances |
The Tower |
no |
|
|
heavy on effects but thin on story |
Officer Down |
no |
|
|
an unfocused jumble. |
The Haunting in Connecticut 2: Ghosts of Georgia |
no |
|
|
at times nearly incoherent |
Lost in Thailand |
no |
|
|
Jokes fly, but don't travel well |
Power of Few |
no |
|
|
The story goes nowhere fast in this flat crime drama. |
Camp |
no |
|
|
a bland, by-the-numbers approach to [its] vital subject |
Almost in Love |
no |
|
|
fades in and out |
I, Me Aur Main |
no |
|
|
Cookie-cutter moralizing |