LAT	RTMC	RTC	note: “~” = the film's name
documentary
Don't Think I've Forgotten: Cambodia's Lost Rock and Roll	yes	100	100	a deft look back at Cambodia's pop scene
Monkey Kingdom	yes	93	95	*swings with the best of them
Sunshine Superman	yes	88	82	profiles early BASE jumper Carl Boenish
I Am Big Bird: The Caroll Spinney Story	yes	86	89	a gentle peek at the guy behind the yellow feathers
Dior and I	yes	80	74	demonstrates, the "high" in haute couture
The Seven Five	yes	75	89	a slick documentary on corrupt New York cop
Soul Boys of the Western World	yes	72	50	*recalls Spandau Ballet heyday
Antarctic Edge: 70 Degrees South	yes	57		plays like an Imax film minus the giant screen
Song From the Forest	yes			stirringly bridges seemingly incongruent worlds
Gardeners of Eden	yes			shines light on elephant poaching
Winning: The Racing Life of Paul Newman	yes			as persuasively chronicled
(Dis)Honesty: The Truth About Lies	yes			tells it like it is. Really
Shake the Dust	so-so			on break-dancing's inspiring effect on world's poor kids
Groundswell Rising	so-so			needs to dig deeper
The Hand That Feeds	no	91	80	wastes chance to discuss worker hardship
The Human Experiment	no	56		misses a few crucial steps
Dark Star: H. R. Giger's World	no	42	29	lacks the artist's process
Misery Loves Comedy	no	29	30	sadly limits its view
Wa-shoku: Beyond Sushi	no			an overstuffed platter from an all-you-can-eat buffet
Revolution	no			gets somewhat lost at sea
Quiet Riot: Well Now You're Here, There's No Way Back	no			a video tour book for fans, no more, no less.
animated
When Marnie Was There	yes	84	82	deftly creates a magical friendship
Maya the Bee Movie	no	50		Little buzz for kids or grown-ups
regular movies
Black Souls	yes	97	100	a top-notch Italian gangster film
Mad Max: Fury Road	yes	97	98	*kicks a post-apocalyptic extravaganza into overdrive
Iris	yes	96	95	graced with an unforced but unmistakable charm
I'll See You in My Dreams	yes	93	93	lulls young and old through life with grace and truth
Slow West	yes	92	88	a surprisingly sly western
Eastern Boys	yes	91	89	an unruly yet pointed hustle
Ex Machina	yes	90	86	*Unnerving consideration of artificial intelligence
Noble	yes	86	75	Uneven perhaps but still a and gratifying effort
Animals	yes	83	73	shows harrowing lives of drug-addicted pair
Tangerines	yes	81	80	a somber parable about war and humanity
24 Days	yes	79	71	a gripping, anguished account of a kidnapping
Alex of Venice	yes	77	75	a mash note to L.A. neighborhood
Felix and Meira	yes	76	79	finds small freedom in a repressive landscape
Good Kill	yes	76	77	the human costs of drone warfare
Hyena	yes	76	75	an old-school gangster tale
Welcome to New York	yes	74	79	proves an intriguing and strangely immersive experience
Welcome to Me	yes	70	71	Kristen Wiig is fearless in reality TV-jabbing ~
The Harvest	yes	69		reaps creepy chills in a domestic setting
The 100-Year-Old Man Who Climbed Out the Window and Disappeared	yes	67	56	*a hoot and a half
Pitch Perfect 2	yes	65	63	brings more lowbrow fun
Unfriended	yes	62	59	It's srsly fun, imo
The Age of Adaline	yes	54	39	a stylish affair of the heart and chance
5 Flights Up	yes	51	69	*Diane Keaton, Morgan Freeman take in adult dramedy
Spike Island	yes	48		coming-of-age film of teens trying to go to a Stone Roses concert
Adult Beginners	yes	44	42	comically eases into family life's darker side
Preggoland	yes	41	43	delivers biting satire on modern pregnancy
Know How	yes	40		a powerful take on real-life teens in foster care
Laugh Killer Laugh	yes	33		pulls off an offbeat crime caper
Broken Horses	yes	23	30	saddles up a classic western about vigilantism
Skin Trade	yes	20		international human-trafficking, a series of fistfights among cops
Just Before I Go	yes	13	20	finds the journey home can be funny, useful
El Niño	yes			twists and turns that manage to surprise
Chic!	yes			takes on Paris' fashion world with heart, humor and style
Clouds of Sils Maria	so-so	90	88	richly imperfect
Manos Sucias	so-so	88		The blighted world of Afro-Colombian villagers
Far from the Madding Crowd	so-so	85	80	a bare-bones stab at love, desire
Sisterhood of Night	so-so	79	86	clichés, decidedly strong girl-power message
Time Lapse	so-so	71		shoddy premise as the plot progresses assuredly and persuasively.
Kung Fu Killer	so-so	69	67	is standard issue but kicks it up with cameos
The Dead Lands	so-so	67	60	values entertainment over archaeology.
1915	so-so	60		plays out like a pensive, high-minded version of 'Birdman'
D Train	so-so	43	50	stunted adolescence/bromance comedy
Lost River	so-so	31	40	indeed a mess, but it's the best mess possible
Child 44	so-so	23	18	a passable thriller set in 1953 USSR
The Forger	so-so	6	0	Travolta makes impression in [this] passable crime drama
Below Dreams	so-so			uneven but never clichéd
Hope	so-so			Faith-based, slightly unfocused offers some life lessons
The Connection	no	74	83	empty breathlessness with familiar tropes about obsessive lawmen
Avengers: Age of Ultron	no	74	72	full of thrills but quickly forgettable
The Riot Club	no	68	42	fails to earn its riotous stripes
Dial a Prayer	no	67		seems to have a lot to say but does so unclearly
Reality	no	65	57	is a real groaner
Days of Grace	no	63		set against World Cup, lost in its own chaos
Maggie	no	54	46	has the zombie look but a deadly slow pace
Saint Laurent	no	52	59	stylish biopic can't tie threads together
In the Name of My Daughter	no	52	57	a frustrating, would-be thriller
Tomorrowland	no	50	48	reaches too far, in too many directions
True Story	no	49	36	has too-obvious showdown of two minds
The Film Critic	no	48	57	takes its time getting to its rom-com heart
Ride	no	48	36	Not always a smooth ~
The Living	no	43		proves DOA
Desert Dancer	no	35	46	lands flat footed
The Road Within	no	33	29	suffers from midfilm wandering and a hasty ending
Beyond the Reach	no	33	13	plot stretches beyond the pale
Poltergeist	no	31	50	remake haunted by its original version
Cas & Dylan	no	31	40	is terminal despite great practitioners of acting
The Longest Ride	no	29	33	looks pretty, but looks aren't everything
Every Secret Thing	no	26	25	Amy Berg's fiction feature debut, is listless
Bravetown	no	20	17	Muddled, abounds in the maudlin
Monsters: Dark Continent	no	19	17	more 'American Sniper' than 'Godzilla,' with aliens tossed in
The Human Centipede III	no	19	0	continues down depraved, rancid path
Playing It Cool	no	17	17	leaves you cold despite star-packed cast
Little Boy	no	17	10	a shiny, sentimental lesson in faith, tolerance
The Squeeze	no	17		golf-and-gambling caper tees off into a sand trap
Helicopter Mom	no	17		just barges into the room
Aloft	no	15	20	can't land a solid story, with crucial pieces missing
Last Knights	no	14	17	a pale 'Game of Thrones' wannabe
Kill Me Three Times	no	8	0	a case of style over substance
Hot Pursuit	no	7	3	so bad even a wild bunch of die-hard misogynists would be offended
Paul Blart: Mall Cop 2	no	6	0	might work if it was actually funny
See You in Valhalla	no	0		Skip this cliched family reunion
Any Day	no	0		hits viewers over the head with its cliches
Candlestick	no			[The] blatant Hitchcock tone underwhelms
Reconstruction of William Zero	no			has its own identity problem
Bass Clef Bliss	no			doesn't focus enough on inspiring subject
Road to Juarez	no			gets lost on its journey
Lou!	no			a flimsy, tedious film version of French comic book, TV show
Private Number	no			Collection of scenes in ~ don't add up
The Ocean of Helena Lee	no			is narratively thin and strained
Miles Away	no			hits all the wrong notes
Miles to Go	no			an aimless ride
Absolution	no			Steven Seagal's ~ unforgivably bad
Chocolate City	no			aims for a 'Magic Mike' touch, turns soapy
Intrepido: A Lonely Hero	no			takes muddled approach to day laborer's strife