| LAT | RTMC | RTC | note: “~” = the film's name | |
| documentary | ||||
| I Don't Belong Anywhere | yes | 100 | 100 | moving portrait of the late filmmaker Chantal Akerman |
| Song of Lahore | yes | 100 | 100 | Pakistani jazz group beats odds |
| O.J.: Made in America | yes | 100 | 100 | *so compelling you want it never to end |
| Be Here Now (The Andy Whitfield Story) | yes | 100 | an extraordinarily moving, deeply personal, filmed diary | |
| Rabin In His Own Words | yes | 100 | a deeply involving look at [Yitzhak Rabin's] entire life | |
| Weiner | yes | 95 | 97 | Politics and cellphones make strange bedfellows |
| Our Last Tango | yes | 94 | 88 | a passionate look at dancers María Nieves and Juan Carlos Copes |
| Presenting Princess Shaw | yes | 94 | 94 | kind of feel-good, audio-visual experiment |
| Measure of a Man | yes | 93 | 92 | boldly tracks tragedy of the working class |
| Vita Activa: The Spirit of Hannah Arendt | yes | 93 | 100 | a thoughtful, nuanced examination of a complex thinker |
| Queen Mimi | yes | 89 | Intimate portrait of ruler of the laundromat | |
| Eva Hesse | yes | 85 | 78 | a vibrant, affecting piece of filmmaking |
| Hockney | yes | 83 | 64 | probes what makes the artist David Hockney tick |
| No Home Movie | yes | 80 | 83 | profoundly moving portrait of the filmmaker's mother Natalia |
| Holy Hell | yes | 69 | 88 | Suspenseful; mesmerizes |
| The Professor: Tai Chi's Journey West | yes | warmly chronicles Tai Chi's trip | ||
| Under the Gun | so-so | 100 | explores America's reticence toward gun control | |
| Almost Holy | so-so | 96 | 89 | captures two sides of ~ crusader |
| Australia's Lost Gold | so-so | 86 | occasionally feels like a bit of a slog | |
| Elstree 1976 | so-so | 81 | 89 | doesn’t round up the usual suspects |
| Love Thy Nature | so-so | 30 | cries out for much greater depth and perspective | |
| Keepers of the Game | so-so | Native girls find themselves through lacrosse | ||
| The First Monday in May | no | 80 | 79 | gets lost in the Met amid several story lines |
| We the People: The Market Basket Effect | no | 75 | too short, too slanted | |
| Marinoni: The Fire in the Frame | no | 67 | 40 | a tribute to bike maker that goes flat |
| Pelé: Birth of a Legend | no | 20 | 11 | fails to capture spark of soccer icon |
| The Syndrome | no | takes a one-sided view of the controversy about shaken baby syndrome | ||
| animated | ||||
| The Angry Birds Movie | yes | 43 | 43 | reveals the story behind the wacky rage |
| Doukyusei (Classmates) | yes | Watercolor-based anime provides romantic escape | ||
| Bling | no | 40 | A film nobody will enjoy; borrows heavily from others | |
| Ratchet & Clank | no | 17 | 24 | a weak space-wars saga |
| regular movies | ||||
| Kill Zone 2 | yes | 100 | 100 | Graceful; showcases martial arts |
| Memoria | yes | 100 | Familiar[, but] still makes its mark | |
| Crush the Skull | yes | 100 | Thrilling; never lets up | |
| Love & Friendship | yes | 99 | 97 | *droll, deviously charming |
| Sing Street | yes | 97 | 94 | *cranks up great pop music and one young man's dreams |
| Jungle Book | yes | 94 | 93 | *a sweet and scary triumph of modern moviemaking |
| Green Room | yes | 91 | 84 | *a stylishly done horror show |
| The Lobster | yes | 90 | 97 | *a rich, surreal take on modern love |
| Dheepan | yes | 90 | 93 | spins a gritty immigrant saga |
| A Monster With a Thousand Heads | yes | 89 | 100 | Healthcare is a 'Monster' we can all relate to and fear |
| A Bigger Splash | yes | 89 | 85 | *has deceptive depth |
| Francofonia | yes | 85 | 70 | an elegant rumination on the Louvre through the lens of war |
| Maggie's Plan | yes | 84 | 87 | *a sericomic take on messing with fate |
| The Meddler | yes | 84 | 82 | *Susan Sarandon gives warmth and comic verve |
| Echo Park | yes | 83 | a romance plays out with an L.A. backdrop | |
| Wedding Doll | yes | 80 | 80 | Love blooms in the quietly assured Israeli film |
| Hostile Border | yes | 80 | an effective crime thriller | |
| Viva | yes | 78 | 76 | a torch song melodrama convincingly set in Havana |
| Men & Chicken | yes | 74 | 67 | a darkly comic look at a family secret |
| Sworn Virgin | yes | 73 | 83 | an absorbing glimpse at Balkan tradition |
| The Ones Below | yes | 72 | 89 | ably echoes early Polanski |
| Those People | yes | 71 | 67 | a touching take on Manhattan's young and rich |
| What We Become | yes | 71 | a savvy study of suburbanites coping with an encroaching apocalypse | |
| Divine Access | yes | 67 | Script grants ~ to wit and deep thoughts | |
| Neighbors 2: Sorority Rising | yes | 62 | 65 | goofily funny and mind-bendingly stupid |
| High-Rise | yes | 62 | 48 | a towering display of destruction |
| The Trust | yes | 57 | 44 | caper picture reminds us why we liked Nicolas Cage |
| Hard Sell | yes | 38 | plays the high school hits but finds its own groove | |
| Bite | yes | 36 | satisfies despite an opening that's hard to swallow | |
| How to Plan An Orgy In A Small Town | yes | 30 | has surprising heart | |
| I Am Wrath | yes | 13 | Travolta, Meloni satisfy | |
| Princess | yes | Dreamy; reveals young girl's nightmare | ||
| Neon Bull | so-so | 92 | 88 | languid pace and barnyard earthiness |
| Margarita With a Straw | so-so | 92 | Strong performances stir ‘Margarita’ romance | |
| The Nice Guys | so-so | 91 | 84 | an unwieldy pop pastiche that has some fun with its tacky ’70s duds |
| Barbershop: The Next Cut | so-so | 90 | 93 | *Humor and serious issues cut close to the funnybone |
| Captain America: Civil War | so-so | 90 | 88 | turns out to be a longer slog than you may anticipate |
| The Idol | so-so | 81 | 88 | uneven but charmingly earnest |
| Sunset Song | so-so | 79 | 74 | its emotional power [is] undercut by its studied, episodic unfolding |
| 11 Minutes | so-so | 71 | has a Big Brother vibe as intersecting lives are caught on camera | |
| L'Attesa (The Wait) | so-so | 64 | 83 | a moody and lyrical contemplation of grief |
| Holidays | so-so | 55 | holiday horror anthology | |
| Manhattan Night | so-so | 36 | 40 | a classy, if confusing, neo-noir |
| Criminal | so-so | 32 | 32 | Frankenstein-ishm half science-fiction tale, half espionage thriller |
| The Adderall Diaries | so-so | 19 | 27 | complex, absorbing, at times profound |
| Starcrossed | so-so | lovers untangle fate and deceit | ||
| Serial Killer 1 | so-so | could well appeal to fans of “Law & Order” | ||
| Dark Horse | no | 97 | 95 | cute but underwhelming |
| Bill | no | 94 | tries for Monty Python humor, but Shakespeare comedy falls short | |
| Tale of Tales | no | 83 | 89 | inspired by fairly tales, never quite stirs to life |
| Elvis & Nixon | no | 77 | 77 | hits the wrong tonal notes in revisiting historical encounter |
| Keanu | no | 77 | 75 | will be catnip for 'Key & Peele' fans, but for the rest of the world... meh |
| 13 Cameras | no | 77 | should spy on a more interesting couple | |
| Last Days in the Desert | no | 72 | 50 | never quite hits its stride as a biblical variation |
| A Hologram for the King | no | 69 | 68 | Not even Tom Hanks can save baffling, uninteresting ~ |
| The Man Who Knew Infinity | no | 63 | 70 | limited by formulaic treatment that adds up to a less-than-great film |
| Dough | no | 63 | 62 | a bland mix of ingredients |
| To Life | no | 57 | 40 | Post-Holocaust drama lacks emotional connection |
| Pali Road | no | 55 | 57 | captures Hawaii's beauty but not much else |
| Money Monster | no | 55 | 52 | George Clooney and Julia Roberts get mauled by ~ |
| Phantom of the Theatre | no | 50 | collapses under its own weight | |
| X-Men: Apocalypse | no | 48 | 34 | not the well-oiled machine the Disney Marvel movies have become |
| The Congressman | no | 40 | Earnest and well-meaning; devolves into predictable schmaltz | |
| Sacrifice | no | 36 | of your time | |
| Alice Through the Looking Glass | no | 30 | 14 | more blunder than wonder |
| Being Charlie | no | 26 | 27 | Hard to embrace despite sobering look at addiction |
| Ma ma | no | 25 | 15 | Even Penélope Cruz can't light up uninspiring ~ |
| Welcome to Happiness | no | 25 | fails to amuse amid all its sadness | |
| Colonia | no | 22 | 29 | the 973 Chilean military coup ismore dramatic than its fiction |
| An Eye for Beauty | no | 21 | 13 | a shallow affair |
| Mothers and Daughters | no | 20 | 0 | need to lighten up |
| The Curse of Sleeping Beauty | no | 18 | a drab makeover | |
| The Huntsman: Winter's War | no | 16 | 9 | a fairy tale in search of a tale to tell |
| Special Correspondents | no | 13 | 22 | isn't much of a story |
| Rio, I Love You | no | 9 | 0 | should be avoided |
| Papa: Hemingway in Cuba | no | 8 | 6 | manages to turn a colorful, true tale into a boring biopic |
| Mother's Day | no | 7 | 7 | a monotonous and predictable group therapy session |
| The Darkness | no | 5 | my old friend, the same old horror once again | |
| Nina | no | 3 | 0 | a bizarrely staged re-creation of Nina Simone's life |
| Term Life | no | 0 | doesn't pay off | |
| The Offering | no | 0 | Just say no to ~ | |
| Search Party | no | 0 | should have been abandoned | |
| Sundown | no | 0 | strictly offensive | |
| The Dead Room | no | proves a tedious supernatural thriller until the end | ||
| Paradox | no | takes time travel to a bad place | ||
| Beautiful Something | no | lost in time, leaves you looking for more | ||
| Code of Honor | no | Steven Seagal takes a bite out of crime (and then some) | ||
| Asian Connection | no | Undercooked, lacks spice | ||
| A Bit of Bad Luck | no | a satirical misfire | ||
| Most Likely to Die | no | Audiences are ~ from apathy | ||
| Back in the Day | no | a punch-drunk retread of much better boxing dramas | ||
| Stressed to Kill | no | Plodding, off the mark |