|
LAT |
RTMC |
RTC |
note: “~” = the film's name |
documentary |
|
|
|
|
Olympic Pride, American Prejudice |
yes |
100 |
100 |
shines vital light on black athletes of the Berlin Games |
Abortion: Stories Women Tell |
yes |
100 |
100 |
lets real voices rise above the polarized debate |
Silicon Cowboys |
yes |
100 |
100 |
Fast-paced tech doc tracks '80s rise of Compaq Computers |
Defying the Nazis: The Sharps' War |
yes |
100 |
|
Ken Burns crisply portrays an American couple's heroism |
Germans and Jews |
yes |
100 |
|
looks at the price — paid and unpaid — of a country's reconciliation |
Dream Is Destiny |
yes |
94 |
100 |
appreciates filmmaker Richard Linklater's creative process |
Lo and Behold: Reveries of the Connected World |
yes |
94 |
86 |
Werner Herzog terrifies us about the future |
Starving the Beast |
yes |
93 |
100 |
takes a hard look at the defunding of public universities |
Floyd Norman: An Animated Life |
yes |
91 |
|
Disney's first black animator looks back |
Author: The JT LeRoy Story |
yes |
81 |
75 |
*lets a hoaxster speak rivetingly in her own words |
A Family Affair |
yes |
75 |
|
intimate, sometimes painful, the truth elusive |
Dancer |
yes |
71 |
|
gracefully captures turmoil within Sergei Polunin |
Ants on a Shrimp |
yes |
67 |
|
tastes much better than it sounds |
Making a Killing: Guns, Greed and the NRA |
yes |
|
|
there’s value in the way [it] gives the victims of tragedy a voice |
No Asylum: The Untold Chapter of Anne Frank's Story |
yes |
|
|
revealed via her father's letters |
Made in Venice |
yes |
|
|
an affectionate tribute to legendary ’80s street skater Jesse Martinez |
Equal Means Equal |
yes |
|
|
Kamala Lopez makes a forceful argument for women |
Black Women in Medicine |
yes |
|
|
profiles glass-ceiling-busting physicians |
Huntwatch |
yes |
|
|
unflinching documentary re Seal hunting |
The Beatles: Eight Days a Week — The Touring Years |
so-so |
94 |
95 |
The music buoys ~ |
Miss Sharon Jones! |
so-so |
88 |
92 |
lluminating and often powerful, if not always satisfying, |
When Two Worlds Collide |
so-so |
88 |
83 |
Corrupt capitalism meets violent protest |
Citizen Soldier |
so-so |
86 |
|
back-and-forth structure [pulls] the viewer out of the intensity. |
Kampai! For the Love of Sake |
so-so |
40 |
|
dives deep (maybe too deep) into sake |
An Art That Nature Makes: The Work of Rosamond Purcell |
so-so |
|
|
a tour through photographer Rosamond Purcell's work |
Hillsong — Let Hope Rise |
so-so |
|
|
preaches to the choir and the curious alike |
The Abolitionists |
so-so |
|
|
lacks the visceral gut-punch needed to fully resonate |
Hieronymus Bosch: Touched by the Devil |
no |
50 |
50 |
proves a less-than-scintillating portrait. |
animated |
|
|
|
|
Kubo and the Two Strings |
yes |
96 |
94 |
*spins a wondrous stop-motion yarn |
Sausage Party |
yes |
82 |
86 |
*Seth Rogen and friends serve up a filthy, funny ~ |
The Wild Life |
so-so |
13 |
19 |
is light on heart |
The Little Prince |
no |
93 |
90 |
fails to soar |
Kingsglaive: Final Fantasy XV |
no |
8 |
0 |
Wait for the actual videogame |
Space Dogs: Adventure to the Moon |
no |
|
|
feels earthbound |
regular movies |
|
|
|
|
Transpecos |
yes |
100 |
100 |
A Border Patrol drug bust goes awry |
Ixcanul |
yes |
100 |
100 |
Tragedy bubbles to the surface of the vivid Guatemalan drama |
Hell or High Water |
yes |
99 |
97 |
*When the banks steal from you, is it OK to rob them? |
Little Men |
yes |
96 |
95 |
*zeros in on teen-spirit qualities |
Heaven Nor Earth |
yes |
95 |
88 |
one of the more unusual and effective explorations of modern war |
Spa Night |
yes |
94 |
100 |
impressive Koreatown drama |
Demon |
yes |
94 |
89 |
*Evil spirits crash the wedding; funny-spooky |
Morris From America |
yes |
93 |
100 |
delivers refreshing take on teen angst |
Southside With You |
yes |
92 |
98 |
drops in on the cute beginning of a beautiful Obama partnership |
Fatima |
yes |
89 |
86 |
An immigrant family struggles to communicate |
Mia Madre |
yes |
88 |
82 |
A filmmaker juggles life and work |
Downriver |
yes |
88 |
|
avoids simple links between sexuality and sin |
Other People |
yes |
87 |
94 |
Tears and wry laughs fuel Chris Kelly's insightful ~ |
In Order of Disappearance |
yes |
87 |
75 |
bleakly funny Norwegian crime thriller |
Don't Breathe |
yes |
86 |
94 |
Home-invasion thriller flexes its genre muscles |
Pete's Dragon |
yes |
86 |
84 |
*old-school Disney in the best way possible |
Blood Father |
yes |
83 |
100 |
Mel Gibson is back with a vengeance |
Imperium |
yes |
83 |
87 |
Daniel Radcliffe goes undercover with white supremacists in crime thriller |
Sully |
yes |
82 |
78 |
a crisp and electric retelling of the story of the landing |
Embers |
yes |
79 |
69 |
keeps hope burning in a world suffering from memory loss |
The Vessel |
yes |
77 |
83 |
a worthy vehicle |
Bridget Jones's Baby |
yes |
77 |
73 |
proves to be v.v. satisfying |
The People vs. Fritz Bauer |
yes |
76 |
67 |
brings a largely unknown Nazi hunter to light |
Lace Crater |
yes |
75 |
57 |
scary, funny and sensual |
Disorder |
yes |
74 |
77 |
Matthias Schoenaerts brings ferocious order to ~ |
My King |
yes |
74 |
75 |
wrestles passionately with complicated issues of attraction and love |
London Road |
yes |
74 |
60 |
an arresting true-crime musical |
Operation Avalanche |
yes |
70 |
59 |
a peppy mockumentary guide to faking an Apollo moon landing |
The Tenth Man |
yes |
69 |
86 |
low-key, charming |
White Girl |
yes |
68 |
70 |
Morgan Saylor chases the thrill of the moment; electrifying |
A Tale of Love and Darkness |
yes |
63 |
64 |
Natalie Portman makes her directorial debut with the touching Israeli memoir |
Zoom |
yes |
61 |
57 |
Live-action/animated hybrid is a playful narrative turducken |
Greater |
yes |
58 |
|
an appealing underdog saga |
Complete Unknown |
yes |
45 |
45 |
A chameleonic Rachel Weisz invigorates the twisty ~ |
The Hollars |
yes |
45 |
43 |
warm, funny and truthful |
Sea of Trees |
yes |
8 |
7 |
a deeply reflective experience |
Blood in the Water |
yes |
|
|
Crime looks gorgeous in the Hollywood Hills-set thriller |
Kate Plays Christine |
so-so |
93 |
92 |
Blurring the line between fact and fiction |
Front Cover |
so-so |
88 |
100 |
a handsome, if wobbly, gay rom-com |
Kicks |
so-so |
82 |
67 |
its strengths and weaknesses make for intriguing bedfellows |
I Am Not a Serial Killer |
so-so |
80 |
60 |
has an unexpectedly warm and fuzzy side |
Finding Altamira |
so-so |
67 |
50 |
a well mounted if largely prosaic period drama |
The Model |
so-so |
67 |
|
digs into the sexual-political economy of Paris fashion |
The Light Between Oceans |
so-so |
61 |
64 |
Grace shines past the emotional manipulations |
Edge of Winter |
so-so |
40 |
40 |
a serviceably chilling, if conventional, allure |
Let's Be Evil |
so-so |
|
|
Admirably imaginative but frustratingly clunky |
Sole Proprietor |
so-so |
|
|
has a distinctive vision |
Einstein's God Model |
so-so |
|
|
remains an engaging mind-bender |
Billionaire Ransom |
so-so |
|
|
Rich kids fight back in shaky thriller |
Moments of Clarity |
so-so |
|
|
seems reverse engineered for shock value to feed its theme |
Tunnel |
no |
100 |
|
not enough story to warrant more than two-hour running time |
Sun Choke |
no |
89 |
|
never gets to the root of a young woman's troubled mind |
Florence Foster Jenkins |
no |
87 |
92 |
screams out for a participation award |
Joshy |
no |
78 |
78 |
you wish that the emotional catharsis would appear sooner |
Brother Nature |
no |
67 |
|
run-of-the-mill |
Klown Forever |
no |
67 |
|
Danish shock comedy sequel falls flat |
Snowden |
no |
63 |
55 |
Failures of intelligence bring down Oliver Stone's ~ |
Antibirth |
no |
59 |
56 |
explores the horror beneath American drug culture |
War Dogs |
no |
59 |
45 |
misses its target |
The Mind's Eye |
no |
58 |
38 |
Retro horror flick is no ‘Stranger Things’ |
Anthropoid |
no |
56 |
54 |
too much of his film, though, feels more preserved than alive |
For the Plasma |
no |
56 |
44 |
Kooky ~ loses direction and meaning |
Morgan |
no |
44 |
48 |
plays like a poor woman's 'Ex Machina' |
Hands of Stone |
no |
44 |
43 |
Lightweight boxing biopic hits the wall |
Kickboxer: Vengeance |
no |
44 |
33 |
With Van Damme reduced to supporting role, lacks star power |
The Fight Within |
no |
40 |
|
Christian MMA drama ~ hits the mat with a thud |
The 9th Life of Louis Drax |
no |
38 |
27 |
doesn't survive the free-fall of obviousness |
Blair Witch |
no |
36 |
20 |
Slicker, jumpier; casts a mostly derivative spell |
Skiptrace |
no |
35 |
50 |
lacks ‘Rush Hour,’ ‘'Shanghai Noon' spark |
Max Rose |
no |
33 |
19 |
Nothing will make the Jerry Lewis career-highlight reel |
Cardboard Boxer |
no |
29 |
|
Gritty authenticity goes up against cloying pathos |
Five Nights in Maine |
no |
28 |
27 |
Fine actors not enough to sustain grief drama |
Ben-Hur |
no |
28 |
24 |
has little to offer besides chariot thrills |
Suicide Squad |
no |
27 |
19 |
a team, and a movie, in search of a mission |
Mechanic: Resurrection |
no |
22 |
22 |
action scenes click, but fast-forward the rest (when it hits video) |
Yoga Hosers |
no |
21 |
8 |
It's all in the family for Kevin Smith's sloppy horror-comedy |
Mr. Church |
no |
15 |
11 |
predictable |
The People Garden |
no |
14 |
|
falls in the forest and doesn't make a sound (or much of anything else) |
Ithaca |
no |
13 |
25 |
Stalwart cast labors earnestly in Meg Ryan-directed drama |
The Good Neighbor |
no |
11 |
|
Go see "Don't Breath" again instead |
Nine Lives |
no |
9 |
8 |
may drive you to drink |
When the Bough Breaks |
no |
6 |
0 |
the cradle will … eh, it doesn't really matter in this retread thriller |
The Disappointments Room |
no |
0 |
0 |
plays on female hysteria cliches |
Amateur Night |
no |
0 |
|
a droopy comedy about an out-of-work expectant father |
Spaceman |
no |
0 |
|
fails to capture the essence of baseball's Bill Lee |
The Green Fairy |
no |
|
|
a groan-inducing fantasy nonfiction ode to absinthe |
Happy Birthday |
no |
|
|
talks its sadistic head off |
El Ganzo |
no |
|
|
a will-they-or-won’t-they confusion |
This Last Lonely Place |
no |
|
|
L.A. mystery ~ undone by melodrama |
Emily & Tim |
no |
|
|
romantic drama ~ remains forgettable |
Never |
no |
|
|
Male-female friendship is muddied |
In Search of the American Dream |
no |
|
|
both sincere and a clunker of an immigration drama |
Natural Selection |
no |
|
|
Christian drama is no subtle offering |
Game of Aces |
no |
|
|
WWI flier drama looks good, lacks romance |
Tell Me How I Die |
no |
|
|
it will likely be from boredom |
Summer of 8 |
no |
|
|
Beach drama swims in shallow waters |
Mrs. Stevens |
no |
|
|
A flat round trip drama flunks out |
A Beautiful Now |
no |
|
|
suffers from a lack of cohesion and loses control |
The Devil's Dolls |
no |
|
|
not bad enough to be fun |