| LAT | RTMC | RTC | note: “~” = the film's name | |
| documentary | ||||
| Olympic Pride, American Prejudice | yes | 100 | 100 | shines vital light on black athletes of the Berlin Games |
| Abortion: Stories Women Tell | yes | 100 | 100 | lets real voices rise above the polarized debate |
| Silicon Cowboys | yes | 100 | 100 | Fast-paced tech doc tracks '80s rise of Compaq Computers |
| Defying the Nazis: The Sharps' War | yes | 100 | Ken Burns crisply portrays an American couple's heroism | |
| Germans and Jews | yes | 100 | looks at the price — paid and unpaid — of a country's reconciliation | |
| Dream Is Destiny | yes | 94 | 100 | appreciates filmmaker Richard Linklater's creative process |
| Lo and Behold: Reveries of the Connected World | yes | 94 | 86 | Werner Herzog terrifies us about the future |
| Starving the Beast | yes | 93 | 100 | takes a hard look at the defunding of public universities |
| Floyd Norman: An Animated Life | yes | 91 | Disney's first black animator looks back | |
| Author: The JT LeRoy Story | yes | 81 | 75 | *lets a hoaxster speak rivetingly in her own words |
| A Family Affair | yes | 75 | intimate, sometimes painful, the truth elusive | |
| Dancer | yes | 71 | gracefully captures turmoil within Sergei Polunin | |
| Ants on a Shrimp | yes | 67 | tastes much better than it sounds | |
| Making a Killing: Guns, Greed and the NRA | yes | there’s value in the way [it] gives the victims of tragedy a voice | ||
| No Asylum: The Untold Chapter of Anne Frank's Story | yes | revealed via her father's letters | ||
| Made in Venice | yes | an affectionate tribute to legendary ’80s street skater Jesse Martinez | ||
| Equal Means Equal | yes | Kamala Lopez makes a forceful argument for women | ||
| Black Women in Medicine | yes | profiles glass-ceiling-busting physicians | ||
| Huntwatch | yes | unflinching documentary re Seal hunting | ||
| The Beatles: Eight Days a Week — The Touring Years | so-so | 94 | 95 | The music buoys ~ |
| Miss Sharon Jones! | so-so | 88 | 92 | lluminating and often powerful, if not always satisfying, |
| When Two Worlds Collide | so-so | 88 | 83 | Corrupt capitalism meets violent protest |
| Citizen Soldier | so-so | 86 | back-and-forth structure [pulls] the viewer out of the intensity. | |
| Kampai! For the Love of Sake | so-so | 40 | dives deep (maybe too deep) into sake | |
| An Art That Nature Makes: The Work of Rosamond Purcell | so-so | a tour through photographer Rosamond Purcell's work | ||
| Hillsong — Let Hope Rise | so-so | preaches to the choir and the curious alike | ||
| The Abolitionists | so-so | lacks the visceral gut-punch needed to fully resonate | ||
| Hieronymus Bosch: Touched by the Devil | no | 50 | 50 | proves a less-than-scintillating portrait. |
| animated | ||||
| Kubo and the Two Strings | yes | 96 | 94 | *spins a wondrous stop-motion yarn |
| Sausage Party | yes | 82 | 86 | *Seth Rogen and friends serve up a filthy, funny ~ |
| The Wild Life | so-so | 13 | 19 | is light on heart |
| The Little Prince | no | 93 | 90 | fails to soar |
| Kingsglaive: Final Fantasy XV | no | 8 | 0 | Wait for the actual videogame |
| Space Dogs: Adventure to the Moon | no | feels earthbound | ||
| regular movies | ||||
| Transpecos | yes | 100 | 100 | A Border Patrol drug bust goes awry |
| Ixcanul | yes | 100 | 100 | Tragedy bubbles to the surface of the vivid Guatemalan drama |
| Hell or High Water | yes | 99 | 97 | *When the banks steal from you, is it OK to rob them? |
| Little Men | yes | 96 | 95 | *zeros in on teen-spirit qualities |
| Heaven Nor Earth | yes | 95 | 88 | one of the more unusual and effective explorations of modern war |
| Spa Night | yes | 94 | 100 | impressive Koreatown drama |
| Demon | yes | 94 | 89 | *Evil spirits crash the wedding; funny-spooky |
| Morris From America | yes | 93 | 100 | delivers refreshing take on teen angst |
| Southside With You | yes | 92 | 98 | drops in on the cute beginning of a beautiful Obama partnership |
| Fatima | yes | 89 | 86 | An immigrant family struggles to communicate |
| Mia Madre | yes | 88 | 82 | A filmmaker juggles life and work |
| Downriver | yes | 88 | avoids simple links between sexuality and sin | |
| Other People | yes | 87 | 94 | Tears and wry laughs fuel Chris Kelly's insightful ~ |
| In Order of Disappearance | yes | 87 | 75 | bleakly funny Norwegian crime thriller |
| Don't Breathe | yes | 86 | 94 | Home-invasion thriller flexes its genre muscles |
| Pete's Dragon | yes | 86 | 84 | *old-school Disney in the best way possible |
| Blood Father | yes | 83 | 100 | Mel Gibson is back with a vengeance |
| Imperium | yes | 83 | 87 | Daniel Radcliffe goes undercover with white supremacists in crime thriller |
| Sully | yes | 82 | 78 | a crisp and electric retelling of the story of the landing |
| Embers | yes | 79 | 69 | keeps hope burning in a world suffering from memory loss |
| The Vessel | yes | 77 | 83 | a worthy vehicle |
| Bridget Jones's Baby | yes | 77 | 73 | proves to be v.v. satisfying |
| The People vs. Fritz Bauer | yes | 76 | 67 | brings a largely unknown Nazi hunter to light |
| Lace Crater | yes | 75 | 57 | scary, funny and sensual |
| Disorder | yes | 74 | 77 | Matthias Schoenaerts brings ferocious order to ~ |
| My King | yes | 74 | 75 | wrestles passionately with complicated issues of attraction and love |
| London Road | yes | 74 | 60 | an arresting true-crime musical |
| Operation Avalanche | yes | 70 | 59 | a peppy mockumentary guide to faking an Apollo moon landing |
| The Tenth Man | yes | 69 | 86 | low-key, charming |
| White Girl | yes | 68 | 70 | Morgan Saylor chases the thrill of the moment; electrifying |
| A Tale of Love and Darkness | yes | 63 | 64 | Natalie Portman makes her directorial debut with the touching Israeli memoir |
| Zoom | yes | 61 | 57 | Live-action/animated hybrid is a playful narrative turducken |
| Greater | yes | 58 | an appealing underdog saga | |
| Complete Unknown | yes | 45 | 45 | A chameleonic Rachel Weisz invigorates the twisty ~ |
| The Hollars | yes | 45 | 43 | warm, funny and truthful |
| Sea of Trees | yes | 8 | 7 | a deeply reflective experience |
| Blood in the Water | yes | Crime looks gorgeous in the Hollywood Hills-set thriller | ||
| Kate Plays Christine | so-so | 93 | 92 | Blurring the line between fact and fiction |
| Front Cover | so-so | 88 | 100 | a handsome, if wobbly, gay rom-com |
| Kicks | so-so | 82 | 67 | its strengths and weaknesses make for intriguing bedfellows |
| I Am Not a Serial Killer | so-so | 80 | 60 | has an unexpectedly warm and fuzzy side |
| Finding Altamira | so-so | 67 | 50 | a well mounted if largely prosaic period drama |
| The Model | so-so | 67 | digs into the sexual-political economy of Paris fashion | |
| The Light Between Oceans | so-so | 61 | 64 | Grace shines past the emotional manipulations |
| Edge of Winter | so-so | 40 | 40 | a serviceably chilling, if conventional, allure |
| Let's Be Evil | so-so | Admirably imaginative but frustratingly clunky | ||
| Sole Proprietor | so-so | has a distinctive vision | ||
| Einstein's God Model | so-so | remains an engaging mind-bender | ||
| Billionaire Ransom | so-so | Rich kids fight back in shaky thriller | ||
| Moments of Clarity | so-so | seems reverse engineered for shock value to feed its theme | ||
| Tunnel | no | 100 | not enough story to warrant more than two-hour running time | |
| Sun Choke | no | 89 | never gets to the root of a young woman's troubled mind | |
| Florence Foster Jenkins | no | 87 | 92 | screams out for a participation award |
| Joshy | no | 78 | 78 | you wish that the emotional catharsis would appear sooner |
| Brother Nature | no | 67 | run-of-the-mill | |
| Klown Forever | no | 67 | Danish shock comedy sequel falls flat | |
| Snowden | no | 63 | 55 | Failures of intelligence bring down Oliver Stone's ~ |
| Antibirth | no | 59 | 56 | explores the horror beneath American drug culture |
| War Dogs | no | 59 | 45 | misses its target |
| The Mind's Eye | no | 58 | 38 | Retro horror flick is no ‘Stranger Things’ |
| Anthropoid | no | 56 | 54 | too much of his film, though, feels more preserved than alive |
| For the Plasma | no | 56 | 44 | Kooky ~ loses direction and meaning |
| Morgan | no | 44 | 48 | plays like a poor woman's 'Ex Machina' |
| Hands of Stone | no | 44 | 43 | Lightweight boxing biopic hits the wall |
| Kickboxer: Vengeance | no | 44 | 33 | With Van Damme reduced to supporting role, lacks star power |
| The Fight Within | no | 40 | Christian MMA drama ~ hits the mat with a thud | |
| The 9th Life of Louis Drax | no | 38 | 27 | doesn't survive the free-fall of obviousness |
| Blair Witch | no | 36 | 20 | Slicker, jumpier; casts a mostly derivative spell |
| Skiptrace | no | 35 | 50 | lacks ‘Rush Hour,’ ‘'Shanghai Noon' spark |
| Max Rose | no | 33 | 19 | Nothing will make the Jerry Lewis career-highlight reel |
| Cardboard Boxer | no | 29 | Gritty authenticity goes up against cloying pathos | |
| Five Nights in Maine | no | 28 | 27 | Fine actors not enough to sustain grief drama |
| Ben-Hur | no | 28 | 24 | has little to offer besides chariot thrills |
| Suicide Squad | no | 27 | 19 | a team, and a movie, in search of a mission |
| Mechanic: Resurrection | no | 22 | 22 | action scenes click, but fast-forward the rest (when it hits video) |
| Yoga Hosers | no | 21 | 8 | It's all in the family for Kevin Smith's sloppy horror-comedy |
| Mr. Church | no | 15 | 11 | predictable |
| The People Garden | no | 14 | falls in the forest and doesn't make a sound (or much of anything else) | |
| Ithaca | no | 13 | 25 | Stalwart cast labors earnestly in Meg Ryan-directed drama |
| The Good Neighbor | no | 11 | Go see "Don't Breath" again instead | |
| Nine Lives | no | 9 | 8 | may drive you to drink |
| When the Bough Breaks | no | 6 | 0 | the cradle will … eh, it doesn't really matter in this retread thriller |
| The Disappointments Room | no | 0 | 0 | plays on female hysteria cliches |
| Amateur Night | no | 0 | a droopy comedy about an out-of-work expectant father | |
| Spaceman | no | 0 | fails to capture the essence of baseball's Bill Lee | |
| The Green Fairy | no | a groan-inducing fantasy nonfiction ode to absinthe | ||
| Happy Birthday | no | talks its sadistic head off | ||
| El Ganzo | no | a will-they-or-won’t-they confusion | ||
| This Last Lonely Place | no | L.A. mystery ~ undone by melodrama | ||
| Emily & Tim | no | romantic drama ~ remains forgettable | ||
| Never | no | Male-female friendship is muddied | ||
| In Search of the American Dream | no | both sincere and a clunker of an immigration drama | ||
| Natural Selection | no | Christian drama is no subtle offering | ||
| Game of Aces | no | WWI flier drama looks good, lacks romance | ||
| Tell Me How I Die | no | it will likely be from boredom | ||
| Summer of 8 | no | Beach drama swims in shallow waters | ||
| Mrs. Stevens | no | A flat round trip drama flunks out | ||
| A Beautiful Now | no | suffers from a lack of cohesion and loses control | ||
| The Devil's Dolls | no | not bad enough to be fun |