LAT RTMC RTC note: “~” = the film's name
documentary



The Ruins of Lifta yes 100 100 an abandoned Palestinian village, painful marker for Arabs and Jews
The Uncondemned yes 100 100 The not-so-hidden atrocities of war get their day in court
Off the Rails yes 100 100 a life devoted to, and imprisoned by, a mass-transit obsession
National Bird yes 100 100 powerful cinematic journalism
Peter and the Farm yes 100 100 The vision is one of pastoral agony
One More Time With Feeling yes 100 100 Tragedy hovers over
Disturbing the Peace yes 100
a vital, absorbing documentary
The Anthropologist yes 100
looks at mothers and daughters, culture and climate change
Finding Babel yes 100
search for the legacy of one of the Soviet Union's greatest writers
Seasons yes 95 91 a visually dazzling journey into the animal kingdom
Gimme Danger yes 94 96 *Director Jim Jarmusch lets Iggy Pop let it rip
Fire at Sea yes 94 93 a harrowing look at the horrors of the international refugee crisis
Best Worst Thing That Ever Could Have Happened yes 93 100 chronicles the rare Stephen Sondheim flop
Notes on Blindness yes 93 83 powerful insight on emotion, spirituality, life and disability
The Eagle Huntress yes 92 88 a heartwarming, intimate story of gender rebellion
Into the Inferno yes 90 90 Werner Herzog risked his life for the thrilling volcano documentary
Blood on the Mountain yes 89 100 a fortuitous exploration of industrial wrath
The Ivory Game yes 89 78 sounding the alarm of dire emergency
All Governments Lie yes 89
takes mainstream media to task
Marathon: The Patriots Day Bombing yes 88 80 expertly reconstructs the terror attacks of April 15, 2013
On the Map yes 88 80 the basketball contest that gave Israel a sense of national pride
Oasis: Supersonic yes 82 92 Gallagher brothers rock and brawl
Magnus yes 81
The loneliness of the long-distance chess grandmaster
Mifune: The Last Samurai yes 79 88 sheds light on the legendary Japanese actor
By Sidney Lumet yes 73 80 A late American master speaks anew in
A Billion Lives yes 40
Pro-vaping documentary makes a compelling case
USS Indianapolis: The Legacy yes

the remarkable story of a naval tragedy and its survivors
Don’t Look Down yes

enjoyable, if oddly non-propulsive
Ivory. A Crime Story yes

he lawless hunt for elephant ivory
Iron Moon yes

illuminated by poetry of Chinese working class
Ice Guardians yes

makes the case for hockey’s enforcers
This Is Life yes

doctors and staff working hard to do right for their patients
Solitary yes

chillingly looks at life at a supermax prison
An Eye for an Eye so-so 80
the rehabilitative power of forgiveness
Apparition Hill so-so

A varied group searches for spiritual answers
The Trans List so-so

ersonal history, struggle and liberation
Asperger’s Are Us so-so

puns or off-kilter humor
Rooted in Peace so-so

its own roots never go quite as deep as they might
Rigged 2016 no

an hour-long campaign ad for Libertarian candidate Gary Johnson
Beauty Bites Beast no

tries to bolster its case with silly comic-strip animation, et al
Behind Bayonets and Barbed Wire no

attempts to re-create the horrors of the Bataan Death March
Trezoros: The Lost Jews of Kastoria no

[needs] a more focused approach to its central story
Behind 'The Cove' no

falls short of the mark
animated



Moana yes 95 98 *sweet relief to audiences looking for an escape from everyday reality
The Red Turtle yes 90 100 *a wonderful, wordless animated marvel
Trolls so-so 76 64 Delirious animated musical, both craven and charismatic
regular movies



Things to Come yes 100 100 quietly wonderful
Esteros yes 100
Young men revisit friendship, sexuality
Manchester by the Sea yes 97 100 Powerful, emotional filmmaking that leaves a scar
Little Sister yes 95 100 Nun-in-training returns home
The Love Witch yes 95 86 recalls '70s sexploitation
The Edge of Seventeen yes 94 95 winning coming-of-age dramedy
Arrival yes 94 90 *deeply human, expertly realized science fiction
Baden Baden yes 94
delightfully off-center
Hunter Gatherer yes 92 100 a warmly eccentric little indie
Always Shine yes 91 82 sharp vacation thriller
Doctor Strange yes 90 85 *trippy, transporting
Loving yes 89 93 a husband and wife who made history because their love was a crime
Elle yes 89 87 masterful rape-revenge thriller
Lion yes 86 82 over-dramatization impossible to mess it up
The Founder yes 79 67 reveals the face of American greed
Evolution yes 78 92 *The opposite of nurture on display in creepy French horror fantasy
The Monster yes 78 82 nifty little freakout of a third feature
A Street Cat Named Bob yes 76 88 a rewardingly unassuming, tough and tender portrait
The Eyes of My Mother yes 76 76 *a lyrical, grisly horror film that upends expectations
Nocturnal Animals yes 71 58 skillful meta-thriller revisits a broken marriage
No Pay, Nudity yes 71
melancholic comedy
Miss Sloane yes 68 68 timely political melodrama
Come and Find Me yes 67 40 is worth tracking down
Dreamland yes 63 100 Musician finds benefactor
Allied yes 61 55 old-fashioned glamour spy thriller
Lazy Eye yes 50 67 gay ex lovers unite again
Almost Christmas yes 49 43 encompasses every holiday high, low and in-between
The Windmill yes 44
classes up the horror genre
I Was a Teenage Wereskunk yes

gleefully reanimates the monster and teen flicks of the past
Fell, Jumped or Pushed yes

captures delirium of indie filmmaking
Keep in Touch yes

explores the far-reaching tentacles of grief
Anne Frank: Then and Now yes

brings the story to Palestinian teens
Nobody Walks in L.A yes

a glossy, intoxicating advertisement for the City of Angels
Goldbricks in Bloom yes

Takes on the complicated relationship between art and commerce
Evan's Crime yes

an effectively scrappy and involving us-against-them drama
Fools yes

weaves a romantic fantasy world for two troubled strangers
77 Minutes yes

a gritty immersion into grim criminal territory
Earthquake yes

1988 Armenian tragedy plays out
Am Not Madame Bovary so-so 88 89 compelling enough to overcome the stylistic overkill
Hacksaw Ridge so-so 87 93 [a] mightily impressive, morally incoherent spectacle
Fantastic Beasts and Where to Find Them so-so 74 71 casts a faltering spell
Bleed for This so-so 71 81 is all over the place
Rainbow Time so-so 62 50 pushes the "comedy of awkwardness” to uncomfortable new levels
The Duelist so-so 46 40 may miss the mark, but it's dazzling to watch
Pet so-so 45 60 tweaks captive-captor conventions
Billy Lynn's Long Halftime Walk so-so 45 43 moving, muddled Iraq War soldier's story
Dog Eat Dog so-so 43 31 wacky, never boring
Army of One so-so 27
noisy, busy and not that funny, but ...
Mr. Donkey so-so

broad yet insightful
Shangri-La Suite so-so

emulates ’70s indie cinema with style and affection — to a fault
The Shelter so-so

has grand ambitions for a B-movie
CRD so-so

Indian film ~ both baffling and enchanting
Don’t Call Me Son so-so

a manifesto for identity liberation or a soap opera
Po so-so

could have used a subtler, less didactic approach
SiREN no 75 60 a bachelor party goes oh, so wrong
Trash Fire no 67 43 Irredeemable characters plague horror-comedy ~
Rules Don't Apply no 56 63 never takes off
Sky on Fire no 50
Hong Kong action auteur Ringo Lam returns
The Take no 46 22 routine action-thriller
King Cobra no 43 33 doesn’t add up to either pulpy trash or exposé
New Life no 40
rarely explores the depths of love and adversity
Ali and Nino no 40
simplistic, airless World War I romance
The Pickle Recipe no 33 33 whips up sour humor
Bad Santa 2 no 24 15 relies entirely too much on the naughty parts
Inferno no 20 19 Tom Hanks seems lost inside the scenic treasure-hunt thriller
Tank 432 no 20
Horror and war without much payoff
The Comedian no 17 0 Robert De Niro amuses, but the movie doesn't kill
Incarnate no 16 17 takes a little too long to get to its chills
USS Indianapolis: Men of Courage no 9 14 Stilted, unfocused
Shut In no 3 0 boasts Naomi Watts, comfy sweaters and little else
The Unspoken no 0 0 it sure is loud (and not very scary)
Life on the Line no 0 0 salutes the folks who risk injury every day to keep our power flowing
My Dead Boyfriend no 0
No life or laughs to the dated comedy ~
Run the Tide no 0
this dreary film is no place for likable Taylor Lautner
Chief Zabu no

falls flat, even with a politically ambitious N.Y. developer
Jack’s Apocalypse no

unable to convey any realistic stakes or authenticity in its story line
The Charnel House no

fails to muster much horror
The David Dance no

can't escape its outdated stage roots
Hara Kiri no

Dull nihilists drag down experimental drama
The Drama Club no

a crassly unpleasant ensemble piece
Love Is All You Need? no

overreaches in attempt to inverse hate
Adrift no

comes across as fragmented and overwrought
Pocket Listing no

can't make the sale with its strange design and poor taste
Anonymous no

Beneath the shiny facade, nothing but emptiness