|
LAT |
RTMC |
RTC |
note: “~” = the film's name |
documentary |
|
|
|
|
The Ruins of Lifta |
yes |
100 |
100 |
an abandoned Palestinian village, painful marker for Arabs and Jews |
The Uncondemned |
yes |
100 |
100 |
The not-so-hidden atrocities of war get their day in court |
Off the Rails |
yes |
100 |
100 |
a life devoted to, and imprisoned by, a mass-transit obsession |
National Bird |
yes |
100 |
100 |
powerful cinematic journalism |
Peter and the Farm |
yes |
100 |
100 |
The vision is one of pastoral agony |
One More Time With Feeling |
yes |
100 |
100 |
Tragedy hovers over |
Disturbing the Peace |
yes |
100 |
|
a vital, absorbing documentary |
The Anthropologist |
yes |
100 |
|
looks at mothers and daughters, culture and climate change |
Finding Babel |
yes |
100 |
|
search for the legacy of one of the Soviet Union's greatest writers |
Seasons |
yes |
95 |
91 |
a visually dazzling journey into the animal kingdom |
Gimme Danger |
yes |
94 |
96 |
*Director Jim Jarmusch lets Iggy Pop let it rip |
Fire at Sea |
yes |
94 |
93 |
a harrowing look at the horrors of the international refugee crisis |
Best Worst Thing That Ever Could Have Happened |
yes |
93 |
100 |
chronicles the rare Stephen Sondheim flop |
Notes on Blindness |
yes |
93 |
83 |
powerful insight on emotion, spirituality, life and disability |
The Eagle Huntress |
yes |
92 |
88 |
a heartwarming, intimate story of gender rebellion |
Into the Inferno |
yes |
90 |
90 |
Werner Herzog risked his life for the thrilling volcano documentary |
Blood on the Mountain |
yes |
89 |
100 |
a fortuitous exploration of industrial wrath |
The Ivory Game |
yes |
89 |
78 |
sounding the alarm of dire emergency |
All Governments Lie |
yes |
89 |
|
takes mainstream media to task |
Marathon: The Patriots Day Bombing |
yes |
88 |
80 |
expertly reconstructs the terror attacks of April 15, 2013 |
On the Map |
yes |
88 |
80 |
the basketball contest that gave Israel a sense of national pride |
Oasis: Supersonic |
yes |
82 |
92 |
Gallagher brothers rock and brawl |
Magnus |
yes |
81 |
|
The loneliness of the long-distance chess grandmaster |
Mifune: The Last Samurai |
yes |
79 |
88 |
sheds light on the legendary Japanese actor |
By Sidney Lumet |
yes |
73 |
80 |
A late American master speaks anew in |
A Billion Lives |
yes |
40 |
|
Pro-vaping documentary makes a compelling case |
USS Indianapolis: The Legacy |
yes |
|
|
the remarkable story of a naval tragedy and its survivors |
Don’t Look Down |
yes |
|
|
enjoyable, if oddly non-propulsive |
Ivory. A Crime Story |
yes |
|
|
he lawless hunt for elephant ivory |
Iron Moon |
yes |
|
|
illuminated by poetry of Chinese working class |
Ice Guardians |
yes |
|
|
makes the case for hockey’s enforcers |
This Is Life |
yes |
|
|
doctors and staff working hard to do right for their patients |
Solitary |
yes |
|
|
chillingly looks at life at a supermax prison |
An Eye for an Eye |
so-so |
80 |
|
the rehabilitative power of forgiveness |
Apparition Hill |
so-so |
|
|
A varied group searches for spiritual answers |
The Trans List |
so-so |
|
|
ersonal history, struggle and liberation |
Asperger’s Are Us |
so-so |
|
|
puns or off-kilter humor |
Rooted in Peace |
so-so |
|
|
its own roots never go quite as deep as they might |
Rigged 2016 |
no |
|
|
an hour-long campaign ad for Libertarian candidate Gary Johnson |
Beauty Bites Beast |
no |
|
|
tries to bolster its case with silly comic-strip animation, et al |
Behind Bayonets and Barbed Wire |
no |
|
|
attempts to re-create the horrors of the Bataan Death March |
Trezoros: The Lost Jews of Kastoria |
no |
|
|
[needs] a more focused approach to its central story |
Behind 'The Cove' |
no |
|
|
falls short of the mark |
animated |
|
|
|
|
Moana |
yes |
95 |
98 |
*sweet relief to audiences looking for an escape from everyday reality |
The Red Turtle |
yes |
90 |
100 |
*a wonderful, wordless animated marvel |
Trolls |
so-so |
76 |
64 |
Delirious animated musical, both craven and charismatic |
regular movies |
|
|
|
|
Things to Come |
yes |
100 |
100 |
quietly wonderful |
Esteros |
yes |
100 |
|
Young men revisit friendship, sexuality |
Manchester by the Sea |
yes |
97 |
100 |
Powerful, emotional filmmaking that leaves a scar |
Little Sister |
yes |
95 |
100 |
Nun-in-training returns home |
The Love Witch |
yes |
95 |
86 |
recalls '70s sexploitation |
The Edge of Seventeen |
yes |
94 |
95 |
winning coming-of-age dramedy |
Arrival |
yes |
94 |
90 |
*deeply human, expertly realized science fiction |
Baden Baden |
yes |
94 |
|
delightfully off-center |
Hunter Gatherer |
yes |
92 |
100 |
a warmly eccentric little indie |
Always Shine |
yes |
91 |
82 |
sharp vacation thriller |
Doctor Strange |
yes |
90 |
85 |
*trippy, transporting |
Loving |
yes |
89 |
93 |
a husband and wife who made history because their love was a crime |
Elle |
yes |
89 |
87 |
masterful rape-revenge thriller |
Lion |
yes |
86 |
82 |
over-dramatization impossible to mess it up |
The Founder |
yes |
79 |
67 |
reveals the face of American greed |
Evolution |
yes |
78 |
92 |
*The opposite of nurture on display in creepy French horror fantasy |
The Monster |
yes |
78 |
82 |
nifty little freakout of a third feature |
A Street Cat Named Bob |
yes |
76 |
88 |
a rewardingly unassuming, tough and tender portrait |
The Eyes of My Mother |
yes |
76 |
76 |
*a lyrical, grisly horror film that upends expectations |
Nocturnal Animals |
yes |
71 |
58 |
skillful meta-thriller revisits a broken marriage |
No Pay, Nudity |
yes |
71 |
|
melancholic comedy |
Miss Sloane |
yes |
68 |
68 |
timely political melodrama |
Come and Find Me |
yes |
67 |
40 |
is worth tracking down |
Dreamland |
yes |
63 |
100 |
Musician finds benefactor |
Allied |
yes |
61 |
55 |
old-fashioned glamour spy thriller |
Lazy Eye |
yes |
50 |
67 |
gay ex lovers unite again |
Almost Christmas |
yes |
49 |
43 |
encompasses every holiday high, low and in-between |
The Windmill |
yes |
44 |
|
classes up the horror genre |
I Was a Teenage Wereskunk |
yes |
|
|
gleefully reanimates the monster and teen flicks of the past |
Fell, Jumped or Pushed |
yes |
|
|
captures delirium of indie filmmaking |
Keep in Touch |
yes |
|
|
explores the far-reaching tentacles of grief |
Anne Frank: Then and Now |
yes |
|
|
brings the story to Palestinian teens |
Nobody Walks in L.A |
yes |
|
|
a glossy, intoxicating advertisement for the City of Angels |
Goldbricks in Bloom |
yes |
|
|
Takes on the complicated relationship between art and commerce |
Evan's Crime |
yes |
|
|
an effectively scrappy and involving us-against-them drama |
Fools |
yes |
|
|
weaves a romantic fantasy world for two troubled strangers |
77 Minutes |
yes |
|
|
a gritty immersion into grim criminal territory |
Earthquake |
yes |
|
|
1988 Armenian tragedy plays out |
Am Not Madame Bovary |
so-so |
88 |
89 |
compelling enough to overcome the stylistic overkill |
Hacksaw Ridge |
so-so |
87 |
93 |
[a] mightily impressive, morally incoherent spectacle |
Fantastic Beasts and Where to Find Them |
so-so |
74 |
71 |
casts a faltering spell |
Bleed for This |
so-so |
71 |
81 |
is all over the place |
Rainbow Time |
so-so |
62 |
50 |
pushes the "comedy of awkwardness” to uncomfortable new levels |
The Duelist |
so-so |
46 |
40 |
may miss the mark, but it's dazzling to watch |
Pet |
so-so |
45 |
60 |
tweaks captive-captor conventions |
Billy Lynn's Long Halftime Walk |
so-so |
45 |
43 |
moving, muddled Iraq War soldier's story |
Dog Eat Dog |
so-so |
43 |
31 |
wacky, never boring |
Army of One |
so-so |
27 |
|
noisy, busy and not that funny, but ... |
Mr. Donkey |
so-so |
|
|
broad yet insightful |
Shangri-La Suite |
so-so |
|
|
emulates ’70s indie cinema with style and affection — to a fault |
The Shelter |
so-so |
|
|
has grand ambitions for a B-movie |
CRD |
so-so |
|
|
Indian film ~ both baffling and enchanting |
Don’t Call Me Son |
so-so |
|
|
a manifesto for identity liberation or a soap opera |
Po |
so-so |
|
|
could have used a subtler, less didactic approach |
SiREN |
no |
75 |
60 |
a bachelor party goes oh, so wrong |
Trash Fire |
no |
67 |
43 |
Irredeemable characters plague horror-comedy ~ |
Rules Don't Apply |
no |
56 |
63 |
never takes off |
Sky on Fire |
no |
50 |
|
Hong Kong action auteur Ringo Lam returns |
The Take |
no |
46 |
22 |
routine action-thriller |
King Cobra |
no |
43 |
33 |
doesn’t add up to either pulpy trash or exposé |
New Life |
no |
40 |
|
rarely explores the depths of love and adversity |
Ali and Nino |
no |
40 |
|
simplistic, airless World War I romance |
The Pickle Recipe |
no |
33 |
33 |
whips up sour humor |
Bad Santa 2 |
no |
24 |
15 |
relies entirely too much on the naughty parts |
Inferno |
no |
20 |
19 |
Tom Hanks seems lost inside the scenic treasure-hunt thriller |
Tank 432 |
no |
20 |
|
Horror and war without much payoff |
The Comedian |
no |
17 |
0 |
Robert De Niro amuses, but the movie doesn't kill |
Incarnate |
no |
16 |
17 |
takes a little too long to get to its chills |
USS Indianapolis: Men of Courage |
no |
9 |
14 |
Stilted, unfocused |
Shut In |
no |
3 |
0 |
boasts Naomi Watts, comfy sweaters and little else |
The Unspoken |
no |
0 |
0 |
it sure is loud (and not very scary) |
Life on the Line |
no |
0 |
0 |
salutes the folks who risk injury every day to keep our power flowing |
My Dead Boyfriend |
no |
0 |
|
No life or laughs to the dated comedy ~ |
Run the Tide |
no |
0 |
|
this dreary film is no place for likable Taylor Lautner |
Chief Zabu |
no |
|
|
falls flat, even with a politically ambitious N.Y. developer |
Jack’s Apocalypse |
no |
|
|
unable to convey any realistic stakes or authenticity in its story line |
The Charnel House |
no |
|
|
fails to muster much horror |
The David Dance |
no |
|
|
can't escape its outdated stage roots |
Hara Kiri |
no |
|
|
Dull nihilists drag down experimental drama |
The Drama Club |
no |
|
|
a crassly unpleasant ensemble piece |
Love Is All You Need? |
no |
|
|
overreaches in attempt to inverse hate |
Adrift |
no |
|
|
comes across as fragmented and overwrought |
Pocket Listing |
no |
|
|
can't make the sale with its strange design and poor taste |
Anonymous |
no |
|
|
Beneath the shiny facade, nothing but emptiness |