| LAT | RTMC | RTC | note: “~” = the film's name | |
| documentary | ||||
| Cries From Syria | yes | 100 | 100 | focuses on children in refugee crisis |
| Keep Quiet | yes | 100 | 100 | follows man's journey from open anti-Semite to Orthodox Jew |
| Betting on Zero | yes | 100 | 100 | chronicles a big short on Herbalife |
| The Settlers | yes | 100 | 100 | delves into Israeli politics and religion |
| Kedi | yes | 98 | 90 | *investigates the feline lives of Istanbul |
| Five Came Back | yes | 97 | 93 | shows how World War II changed prominent Hollywood directors |
| I Called Him Morgan | yes | 95 | 100 | The jazz tragedy of Lee Morgan, exquisitely rendered |
| The Freedom to Marry | yes | 91 | 100 | chronicles the long road for gay rights |
| In Search of Israeli Cuisine | yes | 91 | 83 | The subject's very existence is open to debate |
| I Am Jane Doe | yes | 90 | 83 | Child exploitation, free speech and net neutrality tangle |
| Dying Laughing | yes | 87 | 75 | The art, agony and gooseflesh of stand-up comedy |
| Mr. Gaga: A True Story of Love and Dance | yes | 85 | 88 | dazzling choreography and prickly personality shine in |
| Kiki | yes | 82 | 100 | an energetic, affectionate portrait of New York's LGBT ballroom scene |
| American Anarchist | yes | 70 | 67 | The long-lasting effects of revolutionary rhetoric explored |
| Contemporary Color | yes | 68 | 82 | shines a gleeful spotlight on flag-waving, rifle-twirling artists |
| Water & Power: A California Heist | yes | a compelling picture of timeless greed | ||
| Fittest on Earth: A Decade of Fitness | yes | showcases the best and the buffest | ||
| The Last Laugh | so-so | 100 | 100 | At times haphazard but always involving |
| My Scientology Movie | no | 87 | 80 | nothing really new revealed |
| Burlesque: Heart of the Glitter Tribe | no | their stories never fully coalesce | ||
| animated | ||||
| My Life as a Zucchini | yes | 100 | 100 | *a stop-motion delight |
| The Lego Batman Movie | yes | 90 | 88 | *the best Batman movie since 'The Dark Knight' |
| The Boss Baby | no | 52 | 38 | the rancid diaper of animated movies |
| regular movies | ||||
| Love & Taxes | yes | 100 | 100 | preferable to death and taxes |
| Duckweed | yes | 100 | Chinese dramedy winningly goes back to the future | |
| Don't Kill It | yes | 100 | Dolph Lundgren is back having fun in the horror-comedy film | |
| Get Out | yes | 99 | 100 | an overdue Hollywood response to our racial anxiety |
| After the Storm | yes | 96 | 96 | a quietly masterful family drama |
| The Women's Balcony | yes | 95 | 92 | a warm culture-clash comedy that makes sharp points |
| Prevenge | yes | 95 | 91 | British comic Alice Lowe makes a bloody good directing debut |
| Logan | yes | 93 | 90 | *an authentic drama between scenes of brutal violence |
| Donald Cried | yes | 93 | 82 | tense, funny and melancholic |
| The Son of Joseph | yes | 92 | 100 | puts a beguiling French twist on the Nativity |
| The Devil's Candy | yes | 92 | 89 | a creepy riff on metalhead parenting |
| The Levelling | yes | 92 | a modestly scaled, superbly crafted drama | |
| Punching Henry | yes | 91 | 83 | Amusing sequel finds reality in comedy |
| Raw | yes | 90 | 90 | Delectable cannibal thriller fleshes out the mystery of female desire |
| Frantz | yes | 90 | 82 | illuminates the mystery of postwar grief |
| John Wick: Chapter 2 | yes | 89 | 80 | *Keanu Reeves knows gun-fu in the thrillingly disciplined |
| I Don't Feel at Home in This World Anymore | yes | 88 | 92 | Melanie Lynskey raises hell in the bloody dark comedy |
| Bwoy | yes | 86 | effectively conveys depths of loss and loneliness | |
| Chapter & Verse | yes | 85 | 80 | The words of James Baldwin ring out in Harlem drama |
| The Lure | yes | 84 | 83 | retro-disco-horror-musical-mermaid tale |
| A United Kingdom | yes | 83 | 70 | Oyelowo and Pike breathe life into the star-crossed lovers |
| Mean Dreams | yes | 81 | 77 | a beautiful, dangerous picture of rural America |
| Dig Two Graves | yes | 80 | 90 | Creepy thriller evokes the best of Stephen King |
| Personal Shopper | yes | 80 | 85 | spooky, entrancing; Kristen Stewart's finest performance? |
| T2 Trainspotting | yes | 78 | 78 | Logic be damned; casts a profane, exuberant spell |
| Lovesong | yes | 78 | 70 | Female friendship is given quiet depth |
| Stray Bullets | yes | 75 | 80 | Teen auteur Jack Fessenden propels crime drama |
| You’re Killing Me Susana | yes | 75 | 44 | The subversive pleasure of Gael García Bernal's scoundrel |
| The Blackcoat's Daughter | yes | 73 | 86 | offers a different type of horror experience |
| The Sense of an Ending | yes | 73 | 80 | a genteel British puzzle-box of a movie |
| Catfight | yes | 73 | 75 | In the dark satire goes for the jugular |
| The Other Half | yes | 73 | 75 | a granular depiction of trauma, illness and protectiveness |
| Junction 48 | yes | 71 | Music carries dreams amid Palestinian-Israeli conflict | |
| They Call Me Jeeg | yes | 67 | Italian mob goon turns superhero in comics-inspired film | |
| Before I Fall | yes | 65 | 80 | a warm, empathetic mash-up of 'Groundhog Day' and 'Mean Girls' |
| As You Are | yes | 65 | 75 | Adolescence is no nirvana in '90s-set indie drama |
| Dark Night | yes | 65 | 50 | offers a hypnotic prelude to a tragedy |
| Zookeeper's Wife | yes | 60 | 58 | Niki Caro and Jessica Chastain create an emotionally satisfying film |
| Wilson | yes | 46 | 47 | Daniel Clowes' cranky comedy |
| Ghost in the Shell | yes | 45 | 30 | The ravishing sci-fi noir is fascinating, and not without its glitches |
| Song to Song | yes | 43 | 52 | finds beauty, frustration and hope in the Austin music scene |
| VooDoo | yes | 33 | Something new in found-footage horror flick | |
| Don't Hang Up | yes | 25 | Tables are turned on pranksters in taut horror film | |
| Bornless Ones | yes | Supernatural thriller wields surprising depth | ||
| The Great & the Small | yes | delivers emotional depth | ||
| From Nowhere | yes | Three teens in U.S. illegally tell their stories | ||
| Metamorphoses | yes | A contemporary transformation of Ovid's epic poem that is daring | ||
| Actor Martinez | so-so | 81 | 75 | Docufiction questions cinematic truth |
| Beauty and the Beast | so-so | 71 | 69 | a gilded monument to the more-is-more principle |
| American Fable | so-so | 69 | 57 | unsettling, if uneven |
| Life | so-so | 67 | 46 | twists and scary moments, but ... |
| Bokeh | so-so | 47 | 71 | less than fully satisfying, but plenty to admire along the way |
| Drifter | so-so | 44 | Horror-thriller is a semi-successful exercise in genre homage | |
| A Cure for Wellness | so-so | 42 | 29 | The mad puzzle of Gore Verbinski |
| Fare | so-so | keeps getting sidetracked by long, therapy-speak-laden conversations | ||
| Burning Sands | no | 85 | 71 | Black fraternity drama rehashes abusive hazing rituals |
| The Girl With All the Gifts | no | 84 | 75 | unlikely to leave you hungry for more |
| Kong: Skull Island | no | 76 | 73 | he ends up at times as an afterthought in his own film |
| Suntan | no | 76 | 50 | Schlubby Greek drama fails to satisfy |
| Headshot | no | 74 | 83 | Indonesian fight drama can't sustain its gratuitous violence |
| Growing Up Smith | no | 70 | Immigrant comedy set in the '70s falls short | |
| This Beautiful Fantastic | no | 67 | 50 | A thin story undermines the whimsical drama |
| Carrie Pilby | no | 65 | 50 | swings wildly from melancholy to wacky |
| For Here or to Go? | no | 64 | 50 | suffers from having too much on its plate |
| Fabricated City | no | 60 | it's not clear where the game ends and the movie begins | |
| Here Alone | no | 55 | swaps adventure for less satisfying touchy-feelies | |
| The Belko Experiment | no | 53 | 43 | descends into a meaningless orgy of murder |
| Saban’s Power Rangers | no | 44 | 38 | a witless and cobbled-together pile of junk |
| The Discovery | no | 43 | 33 | Proof of an afterlife is no stairway to heaven |
| Brimstone | no | 37 | 17 | depiction of hell on Earth is a trial in itself |
| Wolves | no | 36 | 22 | Coming-of-age sports tropes and gritty domestic drama don't quite mesh |
| The Great Wall | no | 35 | 24 | crumbles in epic fashion |
| The Last Word | no | 35 | 13 | predictable |
| Lavender | no | 33 | 43 | Thriller looks and sounds (and probably smells) great, but story falls flat |
| In Dubious Battle | no | 32 | 22 | laborious drama |
| Havenhurst | no | 30 | Bloody; unlikely to win over any converts | |
| Fist Fight | no | 27 | 29 | overzealous comedy |
| Table 19 | no | 23 | 14 | choking on fumes |
| Atomica | no | 22 | Sci-fi thriller runs low on energy | |
| The Shack | no | 21 | 0 | eccentric, kitschy |
| Collide | no | 20 | 17 | Long-delayed action film is one dopey ride |
| The Ottoman Lieutenant | no | 20 | 0 | lacks depth and heat |
| 1 Night | no | 20 | Potential goes unfulfilled in romantic drama | |
| CHIPS | no | 16 | 15 | dunderheaded new buddy-cop movie |
| Fifty Shades Darker | no | 10 | 10 | Fifty shades dimmer |
| Despite the Falling Snow | no | 10 | 0 | Cold war drama boasts Russians, spies and a snooze aler |
| Bitter Harvest | no | 9 | 0 | Tragic story of the Holodomor is reduced to cliché |
| Sex Doll | no | 0 | European drama is a meandering take on a high-end call girl | |
| The Institute | no | 0 | James Franco's gothic thriller is more silly than chilly | |
| All Nighter | no | 0 | It’s all feather-light, low-stakes stuff | |
| Rings | no | a horror franchise is reborn. It should have stayed dead | ||
| The Adventure Club | no | Anachronistic kids' caper takes bland to the next level | ||
| Ghost of New Orleans | no | laughable | ||
| Erasing Eden | no | so much focus on the darkness, it’s hard to embrace the eventual light | ||
| Diamond Cartel | no | Kazakh crime thriller is a best-forgotten mess | ||
| Walk of Fame | no | Unfunny comedy takes aim at everyone | ||
| Pitching Tents | no | Retro comedy flounders with '80s raunch | ||
| The Prison | no | all punch, no plot |