|
LAT |
RTMC |
RTC |
note: “~” = the film's name |
documentary |
|
|
|
|
Alive and Kicking |
yes |
100 |
100 |
Swing dancing lives in high-flying doc |
Tickling Giants |
yes |
100 |
100 |
Price of laughter in the Mideast made clear |
Harold and Lillian: A Hollywood Love Story |
yes |
100 |
100 |
captivating |
Last Men in Aleppo |
yes |
100 |
100 |
a Syrian civilian rescue squad rescues war victims |
Mission Control: The Unsung Heroes of Apollo |
yes |
100 |
|
spotlights the men on the ground |
Vince Giordano: There’s a Future in the Past |
yes |
100 |
|
should make new fans for Giordano’s living museum |
Fight for Space |
yes |
100 |
|
asks why we haven't been to the moon since 1972 |
If You're Not In the Obit, Eat Breakfast |
yes |
100 |
|
Carl Reiner and his nonagenarian friends enliven inspiring doc |
Hell on Earth: The Fall of Syria and the Rise of ISIS |
yes |
100 |
|
a comprehensive look at the demise of Syria |
Burden |
yes |
97 |
90 |
portrays provocative artist's popular and critical ascendence |
Karl Marx City |
yes |
95 |
88 |
chillingly revisits life in the shadow of East Germany |
Citizen Jane: Battle for the City |
yes |
94 |
94 |
It's bulldozers vs. neighborhoods |
All This Panic |
yes |
93 |
88 |
reveals the pain and wonder of teen girls in New York |
Finding Oscar |
yes |
92 |
88 |
Grim tales of Guatemalan civil war told |
Obit |
yes |
91 |
94 |
fun and informative |
David Lynch: The Art Life |
yes |
89 |
92 |
as elliptical as its subject |
Sacred |
yes |
88 |
|
delves into the darker places of life where faith sheds light |
Disneynature Born in China |
yes |
85 |
85 |
Disneynature doc; the golden monkeys steal the show |
God Knows Where I Am' |
yes |
84 |
80 |
Unconventional approach proves rewarding |
Risk |
yes |
81 |
83 |
an impressive cinematic coup |
All These Sleepless Nights |
yes |
75 |
50 |
Polish millennials on the prowl |
Bang! The Bert Berns Story |
so-so |
100 |
100 |
Music legends hail the mind behind many '60s hits |
Angkor Awakens: A Portrait of Cambodia |
so-so |
100 |
100 |
won’t wow you with artfulness, but ... |
Shot! The Psycho-Spiritual Mantra of Rock |
so-so |
94 |
80 |
too many creative ideas about how to tell Rock’s tale |
Jeremiah Tower: The Last Magnificent |
so-so |
82 |
78 |
fascinates despite some initial bumps in the road. |
The Last Shaman |
so-so |
33 |
|
fascinating, terrifying, surreal, utopian, oversimplified |
Tomorrow |
no |
92 |
83 |
French eco-doc calls for action today |
Casting JonBenet |
no |
82 |
71 |
Trashy doc feeds on viewers' worst impulses |
Julian Schnabel: A Private Portrait |
no |
50 |
50 |
Art doc fawns rather than make the deep dive |
Danger Close |
no |
20 |
|
War documentary lacks urgency of its predecessor |
Blue Gold: Americal Jeans |
no |
|
|
most viewers will leave bored |
Wrestling Jerusalem |
no |
|
|
Performance piece doesn't translate well to screen |
animated |
|
|
|
|
Your Name |
yes |
98 |
95 |
*gorgeous animated Japanese blockbuster |
My Entire High School Sinking Into the Sea |
yes |
85 |
79 |
*Poseidon Adventure' meets 'Breakfast Club |
Smurfs: The Lost Village |
no |
37 |
31 |
boasts girl power, but it's all low energy |
Spark: A Space Tail |
no |
11 |
0 |
no one can hear you scream (or will care) |
regular movies |
|
|
|
|
Truman |
yes |
100 |
100 |
Life, death and a dog's best friend |
The Happiest Day in the Life of Olli Mäki |
yes |
100 |
100 |
a heartwarming boxer's tale with a Scandinavian touch |
The Survivalist |
yes |
97 |
100 |
Primal needs rule in dystopian thriller |
Graduation |
yes |
95 |
100 |
A father doesn't always know best |
A Quiet Passion |
yes |
92 |
90 |
plays out in sunny gardens and lamp-lighted drawing rooms |
A Woman, A Part |
yes |
90 |
100 |
an astute character study that is analytical but never unemotional |
Norman: The Moderate Rise and Tragic Fall of a New York Fixer |
yes |
89 |
93 |
Subtle, unsettling, slyly amusing |
Heal the Living |
yes |
89 |
88 |
a heartfelt, surprising story that resonates with life |
Hounds of Love |
yes |
89 |
77 |
the dread ratchets to an unrelenting pitch |
Their Finest |
yes |
88 |
96 |
The charm — and bite, a seamless blend of comedy and drama |
One Week and a Day |
yes |
88 |
82 |
a balance between absurdity and sadness, comedy and heartbreak |
The Lost City of Z |
yes |
87 |
88 |
attacks the era’s colonialist attitudes with a bracingly modern spirit. |
The Transfiguration |
yes |
86 |
100 |
leaves a fresh mark for vampire fans old and new |
The Wedding Plan |
yes |
86 |
95 |
idiosyncratic, spiritual, not your typical romantic comedy |
The Lovers |
yes |
84 |
90 |
an achingly poignant portrait of a modern marriage |
Like Crazy |
yes |
82 |
63 |
a vibrant and compelling look at friendship, et al |
Colossal |
yes |
80 |
79 |
*goofy monster-movie riff |
Chuck |
yes |
80 |
76 |
Boxing drama delivers |
Folk Hero & Funny Guy |
yes |
79 |
71 |
The effortlessly engaging |
A Woman's Life |
yes |
76 |
80 |
spins a wise, wrenching tragedy |
Buster's Mal Heart |
yes |
74 |
93 |
Offbeat indie showcases Rami Malek's gifts |
The Void |
yes |
73 |
64 |
lively, layered throwback to splatter auteurs |
Sleight |
yes |
72 |
75 |
fuses superhero story with a tough coming-of-age tale |
Tracktown |
yes |
71 |
86 |
feels utterly authentic and earnest |
Alien: Covenant |
yes |
70 |
75 |
*a sleek, suspenseful return to form |
Free Fire |
yes |
66 |
53 |
With relentless action, takes comic aim at the foibles of men |
Slack Bay |
yes |
62 |
80 |
Bruno Dumont goes unexpectedly light with wacko French comedy |
Urban Hymn |
yes |
58 |
25 |
British tearjerker hits all the high notes |
The Dinner |
yes |
51 |
54 |
elegant and acerbic |
Everything, Everything |
yes |
44 |
55 |
before this airy love story floats away entirely, it redeems itself |
Paris Can Wait |
yes |
44 |
39 |
wise and winsome |
How to Be a Latin Lover |
yes |
38 |
75 |
delivers broad laughs in two languages |
Unforgettable |
yes |
26 |
38 |
outlandishly entertaining erotic thriller |
Rupture |
yes |
21 |
0 |
Steven Shainberg directs the delightfully bonkers sci-fi/horror flick |
Mine |
yes |
16 |
38 |
a marvel of visual and narrative resourcefulness |
Paint It Black |
so-so |
90 |
80 |
strangely watchable film. |
Tomorrow Ever After |
so-so |
86 |
|
A quirky time traveler offers message of hope from the future |
Guardians of the Galaxy Vol. 2 |
so-so |
82 |
71 |
has that familiar feeling, maybe too much of it |
The Commune |
so-so |
71 |
75 |
not as tonally engrossing as Vinterberg’s other two films |
Little Boxes |
so-so |
67 |
75 |
offers tame social commentary in a pleasant package. |
Tommy's Honour |
so-so |
65 |
59 |
Father-and-son golf greats rise above class |
Cezanne and I (Cézanne et Moi) |
so-so |
61 |
71 |
charmingly pretty if standard art house fare |
Speech & Debate |
so-so |
55 |
20 |
a smart and entertaining, if slight, comedy |
The Outcasts |
so-so |
50 |
|
Frequently fun; doesn’t bring anything new to the teen comedy |
Whisky Galore! |
so-so |
40 |
20 |
likable, but doesn't compare to 1949 version |
3 Generations |
so-so |
31 |
31 |
Transgender teen story eventually finds its poignancy |
A Dark Song |
no |
90 |
|
Irish horror tale wallows in its bleakness |
Two Women |
no |
88 |
|
a stuffy Turgenev adaptation |
Violet |
no |
79 |
75 |
Beautiful, but painfully slow |
The Case for Christ |
no |
73 |
|
a fairly rote Christian redemption narrative |
Gifted |
no |
71 |
57 |
clever but overly calculating |
Another Evil |
no |
71 |
33 |
Horror-comedy never finds its genre |
The Wall |
no |
69 |
64 |
interesting men-at-war story, but not interesting enough |
Take Me |
no |
68 |
50 |
flails between farce and thriller |
This Is Not What I Expected |
no |
67 |
|
Chinese rom-com missing key ingredient |
The Fate of the Furious |
no |
66 |
60 |
mostly spinning its wheels |
Lowriders |
no |
55 |
64 |
cliché-riddled drama |
The Promise |
no |
50 |
41 |
falls frustratingly flat |
The Ticket |
no |
48 |
40 |
Cautionary fable ultimately loses its focus |
Going in Style |
no |
46 |
48 |
Arkin, Caine and Freeman can't overcome the implausible |
Enter the Warriors Gate |
no |
43 |
|
Shiny parts can't elevate latest Luc Besson pastiche |
Lady Bloodfight |
no |
40 |
|
Skip the plot, cut to the action |
Aftermath |
no |
39 |
0 |
can't quite sustain its controlled tone |
Voice From the Stone |
no |
38 |
38 |
A ghost story without a pulse or a perceptible purpose |
Live Cargo |
no |
36 |
38 |
arty close-ups, stunning backdrops, emotions missing |
Snatched |
no |
36 |
26 |
Amy Schumer and Goldie Hawn get lost in the jungle |
Bethany |
no |
33 |
|
Cheap thrills muddle the plot |
The Assignment |
no |
31 |
31 |
Payback tale is a silly piece of work |
Salt and Fire |
no |
29 |
14 |
both awful and a tad fascinating |
King Arthur: Legend of the Sword |
no |
27 |
18 |
hectic and lumbering, diverting and dispiriting all at once |
Below Her Mouth |
no |
22 |
11 |
Steamy drama doesn't even buy you dinner first |
Diary of a Wimpy Kid: The Long Haul |
no |
20 |
25 |
shares the horrors of family vacations minus the fun |
The Circle |
no |
17 |
16 |
Big Brother turns into a bit of a bore and there's not an app for that |
N.O.L.A. Circus |
no |
17 |
|
Outrageous comedy offends without laughs |
Dead Awake |
no |
17 |
|
Earnestly acted but uninspiringly directed |
Queen of the Desert |
no |
15 |
6 |
a lurching narrative coupled with dialogue awkwardness |
Black Rose |
no |
13 |
|
Action-crime flick recycles Arnold and '80s cliches |
Altitude |
no |
|
|
Budget is not the only thing that's low in action flick |
The Mason Brothers |
no |
|
|
more gabfest than crime thriller |
1 Mile to You |
no |
|
|
cluttered by rivalries and friendships |
The Eyes |
no |
|
|
overwritten, overacted, visually inert |
A Night Without Armor |
no |
|
|
Romantic drama oozes earnestness |
Somewhere Beautiful |
no |
|
|
Indie drama relies on looks and attitude for vapid results |
The Black Room |
no |
|
|
Lust and gore abound in trashy horror film |
Displacement |
no |
|
|
You may need AP physics to keep up with mind-bending sci-fi thriller |
Grey Lady |
no |
|
|
Mystery-thriller bogs down in murky waters |
The King's Case Note |
no |
|
|
Despite chemistry of stars, Korean comedy is easily dismissed |
Black Site Delta |
no |
|
|
Low-budget action flick is DOA |
Devil's Domain |
no |
|
|
The details are messy in nonsensical revenge thriller |