|
LAT |
RTMC |
RTC |
note: “~” = the film's name |
documentary |
|
|
|
|
California Typewriter |
yes |
100 |
100 |
smartly recounts contemporary passion for beloved machine |
Dolores |
yes |
100 |
100 |
celebrates a hero; shows what a life of total commitment means |
Strong Island |
yes |
100 |
100 |
An intimate look at race, injustice and murder |
Unrest |
yes |
100 |
100 |
documents crippling autoimmune disease |
Twenty Two |
yes |
100 |
|
giving voice to the surviving “comfort women |
Boston |
yes |
100 |
|
astutely covers the long, storied history of the city's famous marathon |
Two Trains Runnin' |
yes |
100 |
|
captures 1964 collision of blues and civil rights |
Trophy |
yes |
98 |
100 |
*alternately alarming and frustrating |
Ex Libris: The New York Public Library |
yes |
96 |
95 |
*Frederick Wiseman delivers an ode to knowledge |
Spettacolo |
yes |
94 |
100 |
Italian townspeople stage drama from their lives |
School Life |
yes |
93 |
91 |
*goes inside an Irish boarding school for an unusually charming doc |
The Force |
yes |
92 |
100 |
Oakland Police Department doc advocates for the truth |
Machines |
yes |
91 |
71 |
powerful; looks at dehumanizing factory work in India |
Motherland |
yes |
90 |
|
unforgettably immerses audience in Manila maternity ward |
Clive Davis: The Soundtrack of Our Lives |
yes |
88 |
80 |
hits the high notes of unlikely music mogul's success |
Let's Play Two |
yes |
78 |
60 |
Cubbies and Pearl Jam make for a joyful mix |
Take Every Wave: The Life of Laird Hamilton |
yes |
76 |
73 |
we feel privileged to have such an intimate glimpse |
Man in Red Bandana |
yes |
63 |
|
a powerful and inspiring experience |
Beside Bowie: The Mick Ronson Story |
yes |
|
|
argues that British rocker deserves more credit for Ziggy Stardust |
Stopping Traffic: The Movement to End Sex Trafficking |
yes |
|
|
Filmmaker-monk goes after sex trade |
Manolo: The Boy Who Made Shoes For Lizard |
so-so |
65 |
73 |
a bit unfocused; loosely chronological but otherwise haphazard |
Gaga: Five Foot Two |
no |
75 |
67 |
Lady Gaga gets personal, but can't overcome clichés |
Red Trees |
no |
56 |
|
takes an unusually artsy approach to Holocaust story |
Embargo |
no |
|
|
lacks an incisive point of view |
Fallen |
no |
|
|
not even a minimal effort been made to address policing controversies |
Neary’s: The Dream at the End of the Rainbow |
no |
|
|
feels long, like it might have been better suited to a short |
Prosperity |
no |
|
|
Slick eco-doc promotes more than it explores |
animated |
|
|
|
|
Window Horses |
yes |
100 |
100 |
*The young poet finds identity and belonging in a foreign land |
Napping Princess |
yes |
67 |
|
Inventive and imaginative |
Loving Vincent |
so-so |
81 |
83 |
visually distinctive, uneven, but deeply felt homage. |
The Lego Ninjago Movie |
no |
54 |
46 |
a few pieces short of the animated franchise's standard |
regular movies |
|
|
|
|
White Sun |
yes |
100 |
100 |
Cultural and generational divides tear at Nepalese village |
Free in Deed |
yes |
100 |
|
Tortured souls seek human contact in deeply felt spiritual drama |
Happy Hunting |
yes |
100 |
|
has a bloody good time taking aim at societal hypocrisy |
Lucky |
yes |
98 |
97 |
*Harry Dean Stanton gives a beautiful final star turn |
Stronger |
yes |
94 |
95 |
*a memoir [of] a survivor of the Boston Marathon bombing |
Clash |
yes |
93 |
86 |
*Politics, religion and humanity come into conflict |
Super Dark Times |
yes |
92 |
93 |
artfully blends suspense and '90s teen angst |
Heartstone |
yes |
92 |
|
an affecting coming-of-age story of two boys in Iceland |
Sieranevada |
yes |
91 |
100 |
*a richly engrossing, philosophical family drama |
After Love |
yes |
91 |
92 |
*Divorce, French-style, in the gripping domestic drama |
Our Souls at Night |
yes |
91 |
85 |
Jane Fonda and Robert Redford in a winning late life love story |
The Teacher |
yes |
89 |
100 |
has a lesson for audiences about corruption in a Communist society |
Lipstick Under My Burkha |
yes |
89 |
|
*Women assert themselves with verve in Indian drama |
The Wound |
yes |
88 |
89 |
Questions of self and manhood run deep in South African drama |
American Made |
yes |
87 |
75 |
*Tom Cruise dominates the screen in the larger than life |
Battle of the Sexes |
yes |
86 |
91 |
*enjoyable and entertaining |
Brad's Status |
yes |
82 |
90 |
*terrific midlife-crisis comedy |
The Nile Hilton Incident |
yes |
81 |
63 |
Crime and corruption on the eve of revolution |
The Tiger Hunter |
yes |
76 |
86 |
Charming comedy sets immigrant dream in 1979 Chicago |
The Limehouse Golem |
yes |
76 |
60 |
*makes for a perfectly watchable if overtly theatrical whodunit |
Thirst Street |
yes |
75 |
67 |
has its share of disreputably perverse pleasures |
Viceroy's House |
yes |
71 |
57 |
opens the door to a key era in India's past |
Kill Me Please |
yes |
69 |
86 |
Teen girls tempt fate in the sexy Brazilian thriller |
Dayveon |
yes |
69 |
60 |
Bees, gangs et al challenge teen in the intriguing coming-of-age drama |
mother! |
yes |
68 |
69 |
darkly exhilarating |
Last Rampage |
yes |
56 |
|
a solid, dramatized account of the flight of [a] convicted murderer |
Shot |
yes |
42 |
50 |
absorbing and authentic |
Home Again |
yes |
31 |
21 |
an exceedingly pleasant place to escape to for a couple hours |
Rebel in the Rye |
yes |
29 |
19 |
J.D. Salinger biopic effectively evokes author's struggles |
The Vault |
yes |
29 |
|
Horror/heist mash-up effective on multiple levels |
The Sound |
yes |
25 |
|
Rose McGowan shines in the atmospheric horror film |
Friend Request |
yes |
15 |
17 |
so gloriously dumb that it is surprisingly a whole lot of fun |
Get Big |
yes |
|
|
Laughs abound in indie comedy |
Slipaway |
yes |
|
|
the touching story of an unlikely friendship |
The Houses October Built 2 |
yes |
|
|
revisits effective mix of found-footage horror and haunted houses |
Before the Sun Explodes |
yes |
|
|
well-acted, intimate drama |
Indivisible |
yes |
|
|
Conjoined twins with a chance to live separately lend spellbinding power |
First They Killed My Father |
so-so |
88 |
77 |
always impressive but not emotionally compelling |
Anti Matter |
so-so |
88 |
|
more interesting than entertaining |
Polina |
so-so |
84 |
83 |
Dance drama transcends its flat story through the magic of movement |
Jesús |
so-so |
82 |
80 |
spiritual emptiness is certainly the prevailing mood |
The Unknown Girl |
so-so |
71 |
81 |
mostly compelling moral mystery; imperfect but absorbing |
Victoria & Abdul |
so-so |
64 |
54 |
lopsided crowdpleaser |
American Assassin |
so-so |
34 |
38 |
a serviceable, workman-like thriller |
Tulip Fever |
so-so |
10 |
13 |
neither the disaster nor the masterpiece the studio would have hoped |
Jackals |
so-so |
|
|
may be derivative, but it still provides frights |
The View From Here |
so-so |
|
|
an affecting drama despite a half-baked restaurant subplot |
Scareycrows |
so-so |
|
|
British horror-comedy provides harmless giggles |
Tam Cam: The Untold Story |
so-so |
|
|
Rousing, if familiar, adventure in Vietnamese folk tale |
Soy Nero |
so-so |
|
|
Determined to earn citizenship, a 'Dreamer' heads to war |
In Search of Fellini |
no |
100 |
|
Fantastical drama values character quirks over story |
It |
no |
85 |
80 |
delivers nightmarish visuals but misses the true horror of the novel |
A Very Sordid Wedding |
no |
83 |
|
The uninitiated may get lost; overlong picture; excess of back stories |
Realive |
no |
77 |
71 |
Narration and dense script overwhelm futuristic drama |
Elizabeth Blue |
no |
55 |
|
has an unfortunate tendency to overexplain itself |
Kingsman: The Golden Circle |
no |
51 |
28 |
Spy-caper sequel offers more and more of the same |
Year by the Sea |
no |
50 |
44 |
Karen Allen is a wonder, but she deserves better |
England Is Mine |
no |
50 |
22 |
unsatisfyingly stops just short of the Smiths |
The Good Catholic |
no |
45 |
|
Sitcom-like barbs prevent ~ from finding depth or complexity |
Goon: Last of the Enforcers |
no |
43 |
50 |
Hockey comedy; zipless |
A Question of Faith |
no |
40 |
|
tests its characters' beliefs and the audience's patience |
Wetlands |
no |
36 |
17 |
a detective thriller so amateur it's criminal |
Mark Felt: The Man Who Brought Down the White House |
no |
33 |
27 |
Deep Throat drama stays mostly on the surface |
I Do ... Until I Don't |
no |
30 |
29 |
Lake Bell hits sophomore slump |
Literally, Right Before Aaron |
no |
26 |
13 |
takes the flawed romantic hero trope to its extreme |
Unlocked |
no |
25 |
31 |
fails to provide much tension |
The Wilde Wedding |
no |
23 |
20 |
Glenn Close, why put up with this? |
Rememory |
no |
22 |
43 |
GOT's Peter Dinklage and sci-fi mystery undone by faulty script |
Woodshock |
no |
18 |
17 |
Cannabis-infused drama mired in moody death spiral |
Temple |
no |
13 |
20 |
Run-of-the-mill horror film delivers the same old evil spirits |
9/11 |
no |
11 |
20 |
is (thankfully) only 90 minutes long; tone-deaf |
Fallen |
no |
7 |
|
a budget “Twilight” |
Flatliners |
no |
5 |
0 |
remake is exactly as witless as you'd expect |
The Layover |
no |
0 |
0 |
sets a low bar for bad-behavior comedy |
Gun Shy |
no |
0 |
0 |
Antonio Banderas rocks the wig in silly, sloppy action-comedy |
Against the Night |
no |
0 |
|
Horror film sports a cool location, but little else |
Don't Sleep |
no |
0 |
|
Routine thriller relies on supernatural boilerplate |
Mike Boy |
no |
|
|
unspeakably bad, but you must see it to believe it |
Valley of Bones |
no |
|
|
Crime thriller wastes compelling premise |
September Morning |
no |
|
|
it’s just not enough to make a significant comment about [9/11] |
True to the Game |
no |
|
|
lacks the game to back it up |
Infinity Chamber |
no |
|
|
Sci-fi ~ goes on ... and on ... for a little too long |
Ryde |
no |
|
|
Horror film is one brutal but meaningless 'Ryde' through L.A. |
Justice |
no |
|
|
Post-civil war era western piles on the clichés |
The Show |
no |
|
|
A film about on-air suicides is predictable and tone-deaf |
Vengeance: A Love Story |
no |
|
|
A remote Nicolas Cage doesn’t help the melodramatic ~ |
1 Buck |
no |
|
|
Swampy crime drama sinks fast |
Big Bear |
no |
|
|
Boys-behaving-badly comedy never figures out what it wants to be |
30-Love |
no |
|
|
Grief and tennis dramedy is all over the court |
Welcome to Willits |
no |
|
|
a weird and woozy slasher and aliens flick |
Different Flowers |
no |
|
|
Not much happens in runaway bride dramedy |
'Til Death Do Us Part |
no |
|
|
domestic abuse theme comes off as seriously soapy |
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