|
LAT |
RTMC |
RTC |
note: “~” = the film's name |
documentary |
|
|
|
|
Earth: One Amazing Day |
yes |
100 |
100 |
packs drama and comedy into one spin of an axis |
Sled Dogs |
yes |
100 |
100 |
exposes harsh realities of Iditarod |
I Am Another You |
yes |
100 |
100 |
sensitively documents a young person who chooses a transient life |
Wasted! The Story of Food Waste |
yes |
100 |
|
looks at culinary sustainability |
Faces Places |
yes |
100 |
100 |
*Agnès Varda and JR embark on a lovely, restorative road trip |
The Departure |
yes |
100 |
100 |
looks at selflessness and suffering from a Zen monk's view |
The Work |
yes |
100 |
100 |
goes inside prison group therapy |
AlphaGo |
yes |
100 |
|
*Ancient Chinese board game treated with NFL-like drama and intrigue |
Aida's Secrets |
yes |
100 |
100 |
Trauma of war and decades of separation play out |
Jane |
yes |
99 |
95 |
*Re Jane Goodall: an incredible love story in new |
Dina |
yes |
98 |
100 |
*warmly, involvingly captured, beguiling |
The Death and Life of Marsha P. Johnson |
yes |
96 |
100 |
a poignant portrait of a transgender activist |
For Ahkeem |
yes |
95 |
91 |
delivers a bracing story of grit in a world of social injustice |
Human Flow |
yes |
95 |
91 |
Ai Weiwei captures the plight of refugees on an epic scale |
One of Us |
yes |
95 |
100 |
examines the tough choices facing those who break away from Hasidic life |
Dealt |
yes |
95 |
100 |
Blind magician triumphs with the hand he's been 'Dealt' |
Rat Film |
yes |
94 |
100 |
an electrifying cinematic essay |
Joan Didion: The Center Will Not Hold |
yes |
94 |
93 |
Familiarity breeds respect |
78/52 |
yes |
89 |
93 |
*brilliantly, obsessively breaks down shower scene in 'Psycho' |
Mansfield 66/67 |
yes |
88 |
|
chronicles short, controversial life of taboo-breaking blond |
Take My Nose ... Please! |
yes |
83 |
|
Women of comedy take on Hollywood-inflicted self-image issues |
Deliver Us |
yes |
83 |
|
observes a present-day Sicilian exorcist |
The Paris Opera |
yes |
63 |
71 |
offers aficionados a behind-the-scenes peek |
Liberation Day |
yes |
63 |
|
Slovenian art rock meets North Korean authoritarianism |
Rocky Ros Muc |
yes |
|
|
tracks boxer's colorful life from Ireland to Boston |
Architects of Denial |
yes |
|
|
a powerful look at the Armenian genocide |
Chavela |
yes |
|
|
Mexican singer defied the rules of the gender game and more |
Cadillac Tramps: Life on the Edge |
yes |
|
|
O.C. punk band lives on |
32 Pills: My Sister's Suicide' |
yes |
|
|
in deeply felt; searches for answers |
Mully |
yes |
|
|
difficult to watch; ultimately heartwarming |
Al Di Qua |
yes |
|
|
Italian doc turns camera on forgotten souls |
Atomic Homefront |
yes |
|
|
Moms and other activists tackle radioactive waste |
Brimstone & Glory |
so-so |
86 |
80 |
thrills and terror of Mexican fireworks festival |
Thy Father's Chair |
so-so |
78 |
|
Weirdly poignant |
The Pathological Optimist |
so-so |
|
|
profiles a notorious anti-vaccination doctor |
Angels Within |
so-so |
|
|
depicts Pakistani American doctors in underserved areas |
Bending the Arc |
so-so |
|
|
a glorified infomercial for a worthy cause? |
Bugs |
no |
100 |
100 |
“Babette’s Feast” it ain’t |
Bobbi Jene |
no |
53 |
20 |
remains on the surface of story of dancer taking own creative path |
Surviving Peace |
no |
|
|
a self-serving dialogue on the century-old Israeli-Palestinian conflict |
Heal |
no |
|
|
Playing more like an infomercial than a documentary |
animated |
|
|
|
|
A Silent Voice |
yes |
91 |
|
shines a potent light on bullying |
My Little Pony: The Movie |
so-so |
48 |
55 |
a pastel treat for those who like that sort of thing |
regular movies |
|
|
|
|
Wexford Plaza |
yes |
100 |
|
Shifting perspective, clever writing and direction |
God's Own Country |
yes |
99 |
94 |
*finds rapturous romance in the wilds of England |
The Florida Project |
yes |
95 |
100 |
*a magnificent portrait of a joyous, troubled childhood |
Barracuda |
yes |
92 |
100 |
tests the bonds of family amid an Austin landscape |
Brawl in Cell Block 99 |
yes |
92 |
100 |
*a grimly mesmerizing pulp powerhouse |
Walking Out |
yes |
92 |
92 |
a brutal, hauntingly beautiful survival drama |
The Meyerowitz Stories (New and Selected) |
yes |
92 |
97 |
*finely observed |
Better Watch Out |
yes |
88 |
80 |
*delivers nasty holiday fun |
Blade Runner 2049 |
yes |
87 |
91 |
*a visually dazzling follow-up 35 years after the original |
Novitiate |
yes |
87 |
91 |
*a sensitive and revealing portrayal of young women's faith |
Haze |
yes |
86 |
|
Fresh (so fresh, it’s raw) take on fraternity life |
Blood Stripe |
yes |
86 |
100 |
deals honestly, authentically with a female combat veteran's return home |
Professor Marston and the Wonder Women |
yes |
86 |
83 |
*a disarming exploration of a superhero's kinky roots |
The King's Choice |
yes |
84 |
75 |
Norway's little known conflict during WWII |
Marshall |
yes |
83 |
88 |
*delivers the heroic bio-pic treatment Thurgood Marshall deserves |
Never Here |
yes |
83 |
80 |
Exceptional, sexy, shadowy thriller |
The Bachelors |
yes |
82 |
|
a grieving father; big-hearted |
The Square |
yes |
81 |
73 |
*a virtuoso satire of the modern art world |
Tom of Finland |
yes |
80 |
45 |
Entertaining portrait of iconic gay artist |
Thank You for Your Service |
yes |
77 |
76 |
*doesn't sugarcoat what soldiers face on the homefront |
Happy Death Day |
yes |
71 |
67 |
'Groundhog Day' with murder and a flawed victim |
Wonderstruck |
yes |
69 |
72 |
a visually captivating and fully engrossing tale of wonder |
Suck It Up |
yes |
67 |
|
Young women face grief through humor and revelry |
M.F.A. |
yes |
58 |
|
insightful rape-revenge slasher flick |
Blood Money |
yes |
57 |
40 |
efficient white-water thriller |
Killing Gunther |
yes |
53 |
67 |
an amusing sendup of action flicks — and Arnold is a hoot |
Same Kind of Different as Me |
yes |
38 |
17 |
Hounsou, Zellweger and Kinnear elevate drama ~ |
Leatherface |
yes |
33 |
40 |
Well-made pulp delves into the 'Chain Saw' back story |
All I See Is You |
yes |
28 |
32 |
a sensual and visual experience |
Somebody's Mother |
yes |
|
|
tackles a terrible loss and its aftermath with knowing empathy |
Legend of 420 |
so-so |
100 |
|
like a conversation with a stoner: excited if a bit unfocused |
Flesh and Blood |
so-so |
86 |
|
the whole is less than the sum of its parts |
Alex & Eve |
so-so |
82 |
|
Greek Orthodox boy meets Muslim girl |
Tragedy Girls |
so-so |
81 |
75 |
mean girls turn deadly mean, but still look good on Instagram |
The Osiris Child: Science Fiction Volume One |
so-so |
65 |
60 |
Solid B-movie sci-fi on a budget |
The Strange Ones |
so-so |
62 |
|
is an odyssey and a mystery |
The Fortress |
so-so |
50 |
|
Korean historical war drama portrays and requires fortitude |
So B. It |
so-so |
40 |
|
Performances help heartwarming drama overcome contrivances |
Jigsaw |
so-so |
34 |
27 |
A not-awful return to the torture chambers of 'Saw' |
Red Oleanders Raktokarobi |
so-so |
|
|
ably blends politics and Bollywood pop |
Dog Park |
so-so |
|
|
Romdram has its heart in the right place |
Demons |
so-so |
|
|
Miles Doleac serves up self-serious horror |
Dementia 13 |
so-so |
|
|
A stylish horror remake of early Coppola/Corman |
Bad Blood: The Movie |
so-so |
|
|
Killer werefrog, clever design enliven retro monster flick |
Only the Brave |
no |
88 |
88 |
Fires rage, but cliches pour cold water on the real-life drama |
The Killing of a Sacred Deer |
no |
79 |
71 |
craft in service of secondhand shocks and ideas |
Una |
no |
74 |
60 |
a slog despite strong performances |
Cold Moon |
no |
71 |
|
Horror audiences likely to give ~ the cold shoulder |
Paradise |
no |
68 |
57 |
a predictable waltz of suffering and monstrosity |
Breathe |
no |
66 |
42 |
tamped down by clichéd execution |
Goodbye Christopher Robin |
no |
64 |
52 |
You won’t necessarily fwow up, though ... |
Te Ata |
no |
63 |
43 |
Heartfelt drama lacks verve of its celebrated Native American subject |
The Foreigner |
no |
62 |
57 |
Jackie Chan gets his 'Taken' moment — and yet ... |
Let There Be Light |
no |
60 |
|
Hannity and Sorbo join forces in the Christian reckoning drama |
Acts of Vengeance |
no |
57 |
|
dumb-as-a-stick action flick |
Jungle |
no |
54 |
67 |
problematic survival story |
Crash Pad |
no |
54 |
|
It's a rough landing for Domhnall Gleeson |
The Mountain Between Us |
no |
41 |
46 |
crashes as a survival story |
Generational Sins |
no |
33 |
|
Faith-based drama takes a slow, uneven road |
The Stray |
no |
33 |
|
In the uninspired family drama fiction is blander than truth |
Suburbicon |
no |
28 |
15 |
a dreadful movie for dreadful times |
6 Below: Miracle on the Mountain |
no |
24 |
|
Survival tale never manages to heat up |
Overdrive |
no |
17 |
|
a blanched 'Fast and Furious' for dummies |
Trafficked |
no |
17 |
|
A global scourge gets the schlock-buffet treatment |
Geostorm |
no |
13 |
0 |
proves less thrilling than the Weather Channel |
The Snowman |
no |
7 |
0 |
dreadfully incoherent thriller |
Tyler Perry's Boo 2! A Madea Halloween |
no |
6 |
0 |
All trick, no treat; a shoddy, low-laugh outing |
The Crucifixion |
no |
0 |
|
Demonic possession drama lacks life |
2307: Winter's Dream |
no |
|
|
Sci-fi humanoid thriller plays like a parody |
Carving a Life |
no |
|
|
Indie drama about addiction, means well but is ineptly made |
The Man From Earth: Holocene |
no |
|
|
Sci-fi sequel fails to live up to original |
Swing Away |
no |
|
|
golf comedy can't keep the ball on the fairway |
Nightworld |
no |
|
|
Atmospheric thriller delivers too little, too late |
Where's the Money |
no |
|
|
Throwback comedy comes up short |
The Truth About Lies |
no |
|
|
Terrible people say and do terrible things in unfunny comedy |
Halloween Pussy Trap Kill! Kill! |
no |
|
|
Bad movie night candidate comes with a warning |
Inheritance |
no |
|
|
long on family dysfunction, short on substance |