|
LAT |
RTMC |
RTC |
note: “~” = the film's name |
documentary |
|
|
|
|
Rebels on Pointe |
yes |
100 |
100 |
Les Ballets Trockadero de Monte Carlo |
No Greater Love |
yes |
100 |
100 |
powerfully documents soldiers' sacrifices |
Jim and Andy: The Great Beyond … |
yes |
100 |
100 |
*follows Carrey's deep dive into the mind of Kaufman |
Everybody Knows … Elizabeth Murray |
yes |
100 |
100 |
brings the artist's work boldly to life |
Destination Unknown |
yes |
100 |
100 |
records Holocaust survivors' emotional recall |
Bill Nye: Science Guy |
yes |
100 |
100 |
Smart and swift, informs and inspires |
A River Below |
yes |
100 |
100 |
reveals murkiness of best intentions |
A Gray State |
yes |
100 |
100 |
2015 death of Iraq war veteran and his family |
Soufra |
yes |
100 |
|
An uplifting refugee tale illuminates a bigger picture |
Cuba and the Cameraman |
yes |
100 |
|
Filmmaker forges bond over decades |
Company Town |
yes |
100 |
|
takes aim at factory owners in Arkansas |
Bombshell: The Hedy Lamarr Story |
yes |
97 |
100 |
*uncovers the secret life of a Hollywood glamour queen |
Gilbert |
yes |
94 |
100 |
reveals side of comic Gottfried you've likely never seen |
The Rape of Recy Taylor |
yes |
92 |
90 |
a somber, vital tribute to black women in the Jim Crow era |
Wait for Your Laugh |
yes |
92 |
88 |
*Rose Marie and her 90 years in show biz |
Big Sonia |
yes |
92 |
80 |
Nonagenarian Holocaust survivor delivers powerful life lesson |
Intent to Destroy |
yes |
91 |
83 |
examines Armenian genocide |
The Final Year |
yes |
82 |
|
gains emotional heft in the wake of the 2016 election |
Frank Serpico |
yes |
75 |
86 |
catches up with the truth-seeking New York cop |
No Stone Unturned |
yes |
75 |
29 |
the Irish Troubles in [this] angry true-crime doc |
The Challenge |
yes |
75 |
|
Qatari sheiks pursue passion for falconry |
Along for the Ride |
yes |
70 |
60 |
artfully goes 'Along for the Ride' with Dennis Hopper |
The Dancer |
yes |
|
|
portrays creativity and passion of Loïe Fuller |
I Am Evidence |
yes |
|
|
advocates for sexual assault victims |
Charged: The Eduardo Garcia Story |
yes |
|
|
reveals a survivor's courage |
Bunker77 |
yes |
|
|
captures stranger-than-fiction life of bohemian surfer |
Arthur Miller: Writer |
yes |
|
|
draws a tender portrait of her father |
Apache Warrior |
yes |
|
|
chronicles 2003 air strike in Iraq with intensity |
A German Life |
yes |
|
|
Chilling account of looking the other way |
A Dying King: The Shah of Iran |
yes |
|
|
chronicles monarch's strange demise |
Shadowman |
so-so |
92 |
100 |
fizzy, interview-laden love letter |
Voyeur |
so-so |
78 |
70 |
fascinating and frustrating |
What Happened in Vegas |
so-so |
|
|
blows the whistle on local police |
Uncle Gloria: One Helluva Ride! |
so-so |
|
|
chronicles transgender woman's wild journey |
Extraordinary Ordinary People |
so-so |
|
|
clunky organization give way to something inspiring |
Eric Clapton: Life in 12 Bars |
so-so |
|
|
Clapton exorcising personal demons |
And the Winner Isn't |
so-so |
|
|
diverting, oddly candid, often satirical |
11/8/16 |
no |
75 |
83 |
little more than a depiction of parallel roller coasters |
The New Radical |
no |
58 |
71 |
becomes increasingly sickening as we watch |
Naples '44 |
no |
57 |
|
haphazardly assembled in tone |
From the Ground Up |
no |
|
|
Vegan athlete doc lacks depth and focus |
animated |
|
|
|
|
The Breadwinner |
yes |
93 |
93 |
*a striking and affecting animated film set in modern Kabul |
Mary and the Witch's Flower |
yes |
92 |
|
opens a world of visual enchantment |
Coco |
so-so |
96 |
93 |
sings a high-spirited but sometimes faltering tune |
The Star |
no |
44 |
33 |
[The] Nativity tale in unremarkable storytelling |
Cinderella the Cat |
no |
|
|
Violent sci-fi strays far from source |
regular movies |
|
|
|
|
Foxtrot |
yes |
100 |
100 |
Israel's hottest export of the year and lives up to the hype |
Mr. Roosevelt |
yes |
100 |
100 |
Noël Wells proves you can go home again |
Holy Air |
yes |
100 |
|
provides [a] clever, melancholic take on religion and commerce |
BPM (Beats Per Minute) |
yes |
99 |
100 |
*salutes early '90s AIDS activism |
Lady Bird |
yes |
99 |
100 |
*a coming-of-age movie so real you won't believe it's fiction |
Félicité |
yes |
97 |
100 |
a gorgeous blur of chatter, movement and song |
Most Beautiful Island |
yes |
97 |
100 |
Ana Asensio is a triple threat in the haunting thriller |
Aquarius |
yes |
97 |
94 |
*tale of social and political decay is richly told |
Call Me by Your Name |
yes |
96 |
98 |
*a new coming-of-age classic |
Mudbound |
yes |
96 |
94 |
*Two Southern families bound by war and prejudice |
The Light of the Moon |
yes |
95 |
100 |
Fearless drama captures aftermath of sexual assault |
1945 |
yes |
94 |
100 |
unadorned parable the nature and consequences of evil |
On the Beach at Night Alone |
yes |
94 |
91 |
prickly, fascinating |
Three Billboards Outside Ebbing, Missouri |
yes |
93 |
94 |
the nature of grief, revenge, violence and despair |
Loveless |
yes |
92 |
92 |
corrosive and hypnotic |
The Shape of Water |
yes |
92 |
91 |
*a wonder to behold; magical, thrilling and romantic to the core |
The Disaster Artist |
yes |
92 |
88 |
*a hilarious, heartening celebration of failure |
A Fantastic Woman |
yes |
90 |
100 |
*captivating transgender drama |
The Other Side of Hope |
yes |
90 |
90 |
*don't ask, just go with the flow |
Princess Cyd |
yes |
90 |
82 |
love and friendship in a Chicago summer |
Song of Granite |
yes |
87 |
83 |
Irish language and songs burn bright in moody ~ |
Blade of the Immortal |
yes |
85 |
88 |
*Takashi Miike goes big with bloody action |
The Divine Order |
yes |
84 |
85 |
Swiss women get the vote (in 1971!) |
Detroit |
yes |
84 |
84 |
*searing, vital |
My Friend Dahmer |
yes |
82 |
83 |
*observes the damaged teenage pathology of a killer before he strikes |
The Man Who Invented Christmas |
yes |
80 |
72 |
*amusing patchwork of truths, half-truths and pure fiction |
Hollow in the Land |
yes |
75 |
80 |
has a winning similarity to 'Winter's Bone' |
Last Flag Flying |
yes |
74 |
73 |
*warm, ribald and elegiac |
Angelica |
yes |
70 |
|
*an alternately handsome and harrowing ghost stor |
Bitch |
yes |
67 |
43 |
riotous, unsettling, pitch-dark comedy-drama |
Bullet Head |
yes |
54 |
38 |
Adrien Brody and company power well-crafted |
Justice League |
yes |
40 |
24 |
*a seriously satisfying superhero movie |
Badsville |
yes |
|
|
Escape is the challenge in gritty crime drama |
Heart Blackened |
yes |
|
|
effectively pairs glitz and crime |
Revolt |
yes |
|
|
*delivers a swift, satisfying alien invasion |
A Bad Idea Gone Wrong |
so-so |
100 |
|
has funny moments amid many loose ends |
Bad Match |
so-so |
100 |
|
unleashes a fatal attraction for the Tinder set |
I Remember You |
so-so |
100 |
|
distinctive, if too reserved |
Thelma |
so-so |
92 |
96 |
takes an unsettling look at religion and sexuality |
Thor: Ragnarok |
so-so |
92 |
89 |
About halfway through, Thor gets a haircut |
Wonder |
so-so |
85 |
84 |
earnest message about kindness; After School Special flaws |
Sweet Virginia |
so-so |
77 |
82 |
dimly lighted and hushed to a fault |
The Pirates of Somalia |
so-so |
63 |
|
glib, overdone |
Another WolfCop |
so-so |
60 |
|
More genial Canadian vulgarity on tap in horror-comedy ~ |
A Bride for Rip Van Winkle |
so-so |
57 |
|
overlong yet alluring |
The Swindlers |
so-so |
40 |
|
Who do you trust in slick Korean thriller ~ |
24 Hours to Live |
so-so |
38 |
60 |
DOA meets John Wick; crisply photographed B-movie junk |
Battlecreek |
so-so |
|
|
Mixed performances set tone in Southern melodrama |
I, Tonya |
no |
89 |
89 |
her story is upstaged by the secondhand goombah shenanigans |
Darkest Hour |
no |
85 |
89 |
Gary Oldman's performance lifts Joe Wright's overwrought directing |
Mayhem |
no |
82 |
70 |
Bloody horror-comedy not to all tastes |
The Price |
no |
71 |
71 |
Wall Street striver drama tripped up by clichés |
It Happened in L.A. |
no |
67 |
57 |
Indie satire goes heavy on the misery |
The Tribes of Palos Verdes |
no |
65 |
43 |
Coastal fog smothers domestic drama |
Kaleidoscope |
no |
63 |
50 |
a bit too taken with its own muddling of facts and form |
Maya Dardel |
no |
62 |
43 |
succumbs to the pretentiousness it aims to subvert |
Daisy Winters |
no |
60 |
|
Would-be tearjerker tries too hard |
Murder on the Orient Express |
no |
57 |
50 |
Kenneth Branagh gives good Poirot, clumsy direction |
LBJ |
no |
54 |
48 |
lacks a distinctive voice |
Love Beats Rhymes |
no |
50 |
33 |
spins out clichés |
Porto |
no |
50 |
33 |
more heavy-handed than insightful |
Kepler's Dream |
no |
50 |
|
Family drama is strangely earthbound |
Roman J. Israel, Esq. |
no |
49 |
59 |
Denzel Washington's remarkable performance isn't helped by plot |
Amanda & Jack Go Glamping |
no |
40 |
|
rom com provides neither love nor laughs |
Wonder Wheel |
no |
30 |
29 |
a turn for the worse for Woody Allen |
A Bad Moms Christmas |
no |
29 |
15 |
Unwrapped, is an offense to women |
Almost Friends |
no |
29 |
|
Ill-timed, tone-deaf; gets romance all wrong |
Cook Off! |
no |
20 |
|
Stale mockumentary misses its mark |
Destined |
no |
20 |
|
Uninspired parallel lives drama falls on clichés |
Daddy's Home 2 |
no |
19 |
15 |
hits and misses while dashing through the gags |
Psychopaths |
no |
15 |
|
Genre auteur Mickey Keating slips with ponderous ~ |
Just Getting Started |
no |
5 |
11 |
will have viewers audibly sighing, rather than laughing |
Gangster Land |
no |
0 |
|
goes soft on crime (and authenticity) |
Alien Invasion: S.U.M.1 |
no |
|
|
Visuals and ambition can't elevate ~ |
Art Show Bingo |
no |
|
|
leaves a lot of empty squares |
Attack of the Killer Donuts |
no |
|
|
Horror-comedy lacks imagination |
Bad Grandmas |
no |
|
|
an excruciatingly flat, forced Southern-fried farce |
Brotherhood of Blades II |
no |
|
|
wuxia action dulled by story |
Dark Meridian |
no |
|
|
New Orleans crime thriller too twisty for its own good |
Drawing Home |
no |
|
|
Dutifully dull romance trods beautiful but bumpy road |
Oasis |
no |
|
|
serves as little more than a Panamanian travelogue |
Remember Me |
no |
|
|
Rita Moreno is memorable. Otherwise ... |
Repatriation |
no |
|
|
Returning vet drama plods into dizzying banality |
Slumber |
no |
|
|
Routine thriller boasts Maggie Q, but little else |
The Doll |
no |
|
|
Human Barbie can't save from its own incompetent horror |