|
LAT |
RTMC |
RTC |
note: “~” = the film's name |
documentary |
|
|
|
|
Tuba to Cuba |
yes |
100 |
81 |
inspiring two-week trip to Cuba |
That Way Madness Lies |
yes |
100 |
|
the price when mental illness hits close to home |
Who Will Write Our History |
yes |
92 |
90 |
the film’s emotional through line is clear and direct |
Fyre: The Greatest Party That Never Happened |
yes |
92 |
86 |
Getting burned by Fyre |
Genesis 2.0 |
yes |
80 |
82 |
fascinating and somewhat frightening |
Communion |
yes |
|
|
immersive, observational takes a bold leap and embeds itself |
Drug$ |
yes |
|
|
A blistering takedown of a venal healthcare system |
Parkland: Inside Building 12 |
yes |
|
|
Level-headed view |
The Heat: A Kitchen (R) evolution |
yes |
|
|
Both awe-inspiring and mouth-watering |
One Million American Dreams |
so-so |
83 |
|
lacks a cohesive structure |
The Invisibles |
so-so |
71 |
80 |
a bit awkward, [but] involving |
Welcome to Marwen |
so-so |
34 |
48 |
muddled, misguided but weirdly compelling |
King of Beasts |
no |
|
83 |
A little trouble tracking this hunt |
Jihadists |
no |
|
|
no off-screen voice saying “Yeah, but …” |
animated |
|
|
|
|
Spider-Man: Into the Spider-Verse |
yes |
97 |
83 |
a web of fun |
Tito and the Birds |
yes |
84 |
74 |
adventurous visual imagination |
Lego Movie 2:The Second Part |
so-so |
84 |
68 |
just-good-enough |
Dragon Ball Super: Broly |
so-so |
82 |
92 |
newcomers may find themselves lost in places |
Tall Tales |
no |
|
|
confusing plot and pedestrian visuals |
regular movies |
|
|
|
|
Egg |
yes |
100 |
39 |
two couples converge on a Brooklyn loft |
Kill the Monsters |
yes |
100 |
|
a bold, snappy, head-spinningly clever tale |
They Shall Not Grow Old |
yes |
99 |
91 |
a gorgeous gift |
Birds of Passage |
yes |
96 |
86 |
Flipping the gangster epic; dazzling |
If Beale Street Could Talk |
yes |
95 |
71 |
Lyrical love confronts ugly reality |
The Wild Pear Tree |
yes |
94 |
83 |
tests your patience in the best way |
Fighting With My Family |
yes |
93 |
86 |
*Rowdy playtime in and out of the ring |
And Breathe Normally |
yes |
93 |
78 |
Immigration and addiction play out |
Stan & Ollie |
yes |
92 |
83 |
Sweet, final shuffle of a beloved duo |
Cold War |
yes |
92 |
81 |
Passion burns fiercely |
Sicilian Ghost Story |
yes |
91 |
67 |
intriguing tale of being hunted, hidden and haunted |
High Flying Bird |
yes |
91 |
50 |
Drives to the net and delivers |
Capernaum |
yes |
90 |
93 |
a poverty saga with a heart-in-your-throat urgency |
Arctic |
yes |
90 |
78 |
a stark yet exhilarating adventure drama |
Bumblebee |
yes |
90 |
74 |
the best "Transformers" movie ever made |
The Kid Who Would Be King |
yes |
90 |
55 |
a winningly eccentric riff on Arthurian legend |
The Image Book |
yes |
90 |
51 |
*laced with Godard’s familiar end-of-civilization motifs |
Braid |
yes |
88 |
60 |
creepy, candy-colored psychological horror |
Daughter of Mine |
yes |
87 |
46 |
captivating family drama |
The Golem |
yes |
86 |
42 |
A wellcrafted and idiosyncratic supernatural thriller |
Rust Creek |
yes |
85 |
61 |
Backwoods noir hits right notes |
West of Sunshine |
yes |
85 |
59 |
A winning tale of a too common loser |
The Vanishing |
yes |
85 |
48 |
they do tell it well. And on such a splendid set |
The Maestro |
yes |
83 |
83 |
sepia-toned mid-1940s Hollywood |
A Twelve Year Night |
yes |
80 |
88 |
isn’t some superficial wallow in the art of cruelty |
Pig |
yes |
79 |
84 |
A delicious roast of selfie culture |
Holiday |
yes |
78 |
51 |
an audacious film that never flinches |
Adult Life Skills |
yes |
75 |
67 |
funny and poignant |
Piercing |
yes |
72 |
41 |
kitschy, harrowing and coolly perverse |
The Mule |
yes |
71 |
66 |
Intense drive to go deep |
Happy Death Day To You |
yes |
71 |
58 |
full of heart and ingenuity |
Aquaman |
yes |
65 |
73 |
makes a splash with underwater spectacle |
Vice |
yes |
65 |
60 |
brainy, audacious, opinionated and fun |
Swing Kids |
yes |
63 |
97 |
engaging, enjoyable |
Alita: Battle Angel |
yes |
61 |
92 |
blends sci-fi fun and innovation with a sweet human touch |
Velvet Buzzsaw |
yes |
61 |
36 |
a wild supernatural thriller — where the killer is art itself |
Escape Room |
yes |
51 |
52 |
Deadly game packs thrills |
The Prodigy |
yes |
43 |
37 |
tense and gripping, persuasively acted |
Under the Eiffel Tower |
yes |
41 |
43 |
light and follows a distinct formula |
Heartlock |
yes |
40 |
65 |
lean, stylish and confidently crafted |
Donnybrook |
yes |
39 |
33 |
frustratingly opaque intense, viseral tone poem |
Lionheart |
so-so |
100 |
66 |
a sleepy charmer |
Don’t Come Back From The Moon |
so-so |
88 |
70 |
atmospheric, uneven |
The Unicorn |
so-so |
85 |
71 |
isn’t mining any new ground, but … |
The Standoff at Sparrow Creek |
so-so |
78 |
67 |
an efficient, mechanical fivefinger exercise |
Isn't It Romantic |
so-so |
70 |
47 |
walks the line between subversive and sendup |
Bird Box |
so-so |
64 |
57 |
Netflix There isn’t much to see here |
Yucatán |
so-so |
55 |
56 |
like most vacations — delightful and exhausting |
Ashes in the Snow |
so-so |
53 |
83 |
[no] fresh angle on genocide and widespread cruelty |
The Last Laugh |
so-so |
53 |
35 |
senior buddy flick could use a little pep |
Second Act |
so-so |
44 |
43 |
J.Lo: harmlessly charming |
State Like Sleep |
so-so |
37 |
16 |
dense thriller |
Serenity |
so-so |
21 |
30 |
off-kilter, colorful, cartoonish |
The Aspern Papers |
so-so |
19 |
38 |
A tricky path to navigate |
The Brawler |
so-so |
|
61 |
~ isn’t terrible, but … |
Alone in the Dead of Night |
so-so |
|
60 |
meager plot; not bad improv |
Beyond the Night |
no |
88 |
71 |
Suspense falls flat in a dreary setting |
To Dust |
no |
87 |
72 |
comedy routine wrapped in a philosophical inquiry |
Girl |
no |
84 |
72 |
Trans teen tale missteps |
All These Small Moments |
no |
83 |
69 |
quiet interludes, great turmoil; stultifying |
Extreme Job |
no |
82 |
82 |
A good setup with slapstick overload |
Mary Poppins Returns |
no |
80 |
65 |
flubs her return, but not for lack of trying |
Buffalo Boys |
no |
79 |
39 |
Western takes a sloppy turn |
Pledge |
no |
77 |
65 |
No mercy or plot in frat house horror |
The Man Who Killed Hitler and Then the Bigfoot |
no |
75 |
51 |
A mouthful but lacking in the end |
Destroyer |
no |
74 |
50 |
bleakness, savage amorality |
On the Basis of Sex |
no |
72 |
76 |
polished but intellectually slight |
All Is True |
no |
72 |
66 |
Perchance to dream — but not of this |
Lords of Chaos |
no |
72 |
62 |
a loose, thin and bloody romp |
Cold Pursuit |
no |
68 |
49 |
Vengeance tale loses its way |
The Final Wish |
no |
67 |
24 |
like a decent anthology TV series episode |
Dead Ant |
no |
64 |
43 |
no picnic |
The House That Jack Built |
no |
61 |
64 |
The real killer is frustration |
Tyrel |
no |
60 |
32 |
a clinical dead-end |
A Dog’s Way Home |
no |
59 |
70 |
hijacked by silly, overly broad narration |
Ánimas |
no |
57 |
47 |
turns out to be a bit sparse |
Maine |
no |
55 |
35 |
A curious ramble with no clear end |
The Upside |
no |
43 |
82 |
interracial buddy pic is flat, clichéd |
Untogether |
no |
42 |
25 |
Real-life sister act in muddled drama |
What Men Want |
no |
41 |
33 |
Henson’s efforts fall short |
Close |
no |
37 |
34 |
jittery action picture |
Glass |
no |
36 |
67 |
treads familiar cinematic ground, alas |
King of Thieves |
no |
33 |
27 |
leaves something to be desired |
Between Worlds |
no |
32 |
82 |
It’s Nicolas Cage at his weirdest |
Mortal Engines |
no |
26 |
48 |
Stunning visuals but little else |
Sgt. Will Gardner |
no |
22 |
88 |
Message weighs down PTSD tale |
I Hate Kids |
no |
22 |
79 |
silly, slapdash, overly broad comedy |
Miss Bala |
no |
21 |
54 |
Beauty pageant goes bad |
Polar |
no |
19 |
69 |
Toxic brew sparks few thrills |
An Acceptable Loss |
no |
12 |
71 |
Spy thriller a net 'Loss' |
Replicas |
no |
11 |
32 |
completely ludicrous sci-fi cloning flick |
Berlin, I Love You |
no |
11 |
26 |
Stars don’t align for uneven drama |
Holmes & Watson |
no |
10 |
25 |
loony sleuths misfire |
Being Rose |
no |
|
43 |
awkwardly constructed, herky-jerky |
Mojin: The Worm Valley |
no |
|
40 |
Fun treasure hunt lacks literary zing |
El Potro: Unstoppable |
no |
|
36 |
an eminently missable, cliché-ridden affair |
Against the Clock |
no |
|
|
Your mission will be to figure it out |
American Renegades |
no |
|
|
This search for gold is dull as dirt |
Delaware Shore |
no |
|
|
There's a new worst movie-ever in town |
Goodnight, Charlene |
no |
|
|
The film doesn’t just look cheap... |
In Like Flynn |
no |
|
|
Not much like the film star after all |
Solo |
no |
|
|
a semi-involving, redemptive survival drama |
Split Lip |
no |
|
|
ultimately too slight and derivative |
The Bellwether |
no |
|
|
suffers from intense self-importance |
The Bounty Killer |
no |
|
|
not the best of the West |