|
LAT |
RTMC |
RTC |
note: “~” = the film's name |
documentary |
|
|
|
|
Prosecuting Evil: The Extraordinary World of Ben Ferencz |
yes |
100 |
100 |
*It’s time to stop before we kill everybody |
Sharkwater Extinction |
yes |
100 |
94 |
the wholesale exploitation of sharks redux |
Wrestle |
yes |
100 |
94 |
a superb sports doc |
American Relapse |
yes |
100 |
84 |
Harsh realities of addiction, rehab |
Apollo 11 |
yes |
99 |
90 |
re-creates the sense of wonder over moon mission |
Amazing Grace |
yes |
99 |
80 |
How sweet the sound indeed |
Be Natural: The Untold Story of Alice Guy-Blaché |
yes |
96 |
96 |
a necessary tonic |
Hail Satan? |
yes |
96 |
85 |
could be taken for the spawn of Michael Moore |
What is Democracy? |
yes |
96 |
62 |
thought-provoking |
Screwball |
yes |
94 |
93 |
MLB scandal doc covers the bases |
The Last Resort |
yes |
92 |
62 |
a wealth of visual and historical significanc |
The Competition |
yes |
86 |
86 |
shrewd and absorbing |
The Brink |
yes |
85 |
58 |
trailing the nationalist ideologue |
The Boy Band Con: The Lou Pearlman Story |
yes |
80 |
78 |
age-old pursuit of fame and fortune |
The Inventor: Out for Blood in Silicon Valley |
yes |
79 |
75 |
goes for blood on the Theranos debacle |
Joseph Pulitzer: Voice of the People |
yes |
78 |
83 |
a name synonymous with press freedom |
Ferrante Fever |
no |
47 |
|
More enthusiastic than enlightening |
Reinventing Rosalee |
no |
|
100 |
unfortunate it isn’t more deftly constructed |
animated |
|
|
|
|
This Magnificent Cake |
yes |
100 |
90 |
depicts Belgian brutality in the Congo |
Roll Red Roll |
yes |
100 |
75 |
measured and atmospheric |
How to Train Your Dragon: The Hidden World |
so-so |
90 |
86 |
a gem with flaws |
Made In Abyss: Journey’s End |
no |
88 |
100 |
a grim bizarre feature |
Missing Link |
no |
88 |
67 |
misses the mark |
Wonder Park |
no |
34 |
43 |
Grief, trauma weight down ~ |
Chance |
no |
|
|
well-intended, but heavy-handed |
regular movies |
|
|
|
|
Skid Row Marathon |
yes |
100 |
100 |
Inspiring story goes the distance |
Slut in a Good Way |
yes |
100 |
87 |
Sexual high jinks with a message |
The Burial of Kojo |
yes |
100 |
82 |
Dazzling visions of a homeland |
Greta |
yes |
100 |
|
*genre-flipping thriller |
Ash Is Purest White |
yes |
99 |
69 |
exquisite and ferocious |
3 Faces |
yes |
98 |
69 |
Reality and fiction are at odds in Iran |
The Heiresses |
yes |
98 |
68 |
A wealth of self-discovery |
Woman at War |
yes |
97 |
86 |
something wonderful |
An Elephant Sitting Still |
yes |
96 |
75 |
Isolated, yet a shared sense of anguish |
The Mustang |
yes |
95 |
74 |
conveys menace with flashes of tenderness |
Hotel by the River |
yes |
95 |
64 |
Male faults bared in icy splendor |
Little Woods |
yes |
95 |
55 |
a confident eye and economy of storytelling |
Working Woman |
yes |
94 |
94 |
subtle, insightful character-driven drama |
Transit |
yes |
94 |
64 |
*thriller is hauntingly suspended between past and present |
Giant Little Ones |
yes |
93 |
84 |
Depth Behind Teens' turmoil |
The Eyes of Orson Welles |
yes |
93 |
80 |
nimble, eccentric, but mostly insightful |
Diane |
yes |
93 |
68 |
a wise, captivating character study |
Styx |
yes |
93 |
67 |
visceral, an ocean both a confinement and an abyss |
Long Day’s Journey Into Night |
yes |
93 |
65 |
*its play with imagery comes together beautifully |
Us |
yes |
93 |
59 |
an artful, ruthless balance of horror and hilarity |
Maze |
yes |
92 |
49 |
Human dynamic boosts prison break portrayal |
Gloria Bell |
yes |
91 |
46 |
A joyful spin through middle age |
Legend of the Demon Cat |
yes |
91 |
43 |
casts a beguiling spell |
Tigerland |
yes |
91 |
|
Working to save majestic big cats |
Shazam! |
yes |
90 |
82 |
Powers? Bolts, strength and jokes |
Paddleton |
yes |
89 |
87 |
a tender shuffle down a weighty road |
Master Z: Ip Man Legacy |
yes |
89 |
48 |
tip-top, complete tonic experience |
The Boy Who Harnessed the Wind |
yes |
86 |
87 |
fully lived, valiantly fought lives |
Ramen Shop |
yes |
86 |
75 |
A tasty morsal with an unusual recipe |
Lady J. |
yes |
85 |
68 |
Pointed bite amid the decadent fun |
Dogman |
yes |
84 |
78 |
a potent, affecting crime fable |
Her Smell |
yes |
84 |
45 |
reeks of sheer brilliance |
Someone Great |
yes |
83 |
65 |
Netflix a raunchy good time with [a] moving message |
Sorry Angel |
yes |
82 |
65 |
Bittersweet love, in blue, bitingly funny |
High Life |
yes |
82 |
42 |
brutal, beautiful and entirely astonishing |
Knife+Heart |
yes |
80 |
72 |
a bloody, fantastic slasher flick |
Fast Color |
yes |
80 |
59 |
Unusually uplifting sci-fi story |
Captain Marvel |
yes |
79 |
45 |
one look and you're hooked |
Hotel Mumbai |
yes |
76 |
86 |
Walled in, terror on all sides |
Family |
yes |
76 |
77 |
charming, shaggy story |
The Changeover |
yes |
70 |
67 |
YA fantasy-thriller to life |
Stockholm |
yes |
70 |
55 |
energetic, darkly amusing |
Storm Boy |
yes |
68 |
72 |
An Aussie hero to orphan pelicans |
Peterloo |
yes |
67 |
42 |
Historical and contempory, epic and intimate |
Sunset |
yes |
60 |
51 |
Wandering into the fog of war |
Touch Me Not |
yes |
59 |
32 |
fairly mesmerizing as a mindful curio |
The Highwaymen |
yes |
58 |
73 |
a grim and desperate worldview |
The Hummingbird Project |
yes |
58 |
47 |
Tech-heist thriller pulls fun fast one |
The Beach Bum |
yes |
57 |
30 |
has an infectiously shambling, looseygoosey vibe |
Five Feet Apart |
yes |
53 |
79 |
A sick-teen genre flick that gets it right |
The Chaperone |
yes |
47 |
72 |
A quiet, refined creation |
The Kid |
yes |
43 |
48 |
absorbing, well-structured and supubly acted |
Wiliam |
yes |
42 |
45 |
a poignant nature-versus-nurture yarn |
Babylon |
yes |
|
|
Like a speaker blast from a not-exactly-distant past |
Dragged Across Concrete |
yes |
|
|
elevated-B-movie heistgone wrong thriller |
Lost & Found |
yes |
|
|
Time well spent |
Blowin' Up |
so-so |
94 |
|
could use a stronger narrative hand |
Penguins |
so-so |
92 |
80 |
funny, kid friendly fable |
Mia and the White Lion |
so-so |
88 |
52 |
undermined by a choppy, contrived, implausible script |
Iceman |
so-so |
83 |
66 |
a recognizable, Neolithic B western |
The Hole in the Ground |
so-so |
83 |
48 |
expoits the common terrors of parenthood |
Breakthrough |
so-so |
63 |
79 |
fairly formulaic |
My Stretch of Texas Ground |
so-so |
63 |
|
amateurish, weak acting, flat lighting and poor sound, but ... |
Mary Magdalene |
so-so |
44 |
48 |
imperfect but affecting vision |
The Wedding Guest |
so-so |
44 |
34 |
[defies] all expectations, to verying results |
Mapplethorpe |
so-so |
31 |
50 |
snapshot of creative expression |
Back Fork |
so-so |
|
67 |
lacks viscera and grit |
Berserk |
so-so |
|
57 |
franic comedy has its moments |
Wild Nights with Emily |
no |
89 |
55 |
arch, stilted tone, stiff line readings |
The Gospel of Eureka |
no |
83 |
58 |
leaves us wanting |
The Wind |
no |
81 |
49 |
ambitious but unwieldy |
Sobibor |
no |
75 |
50 |
means well but falls short |
Saint Judy |
no |
73 |
85 |
Bland story is no match for reality |
Teen Spirit |
no |
71 |
57 |
Shallow glitz mars a pop fairy tale |
Climax |
no |
69 |
65 |
ultimately disappointing |
The Public |
no |
66 |
79 |
Messy dramatics hurt a serious tale |
The Man Who Killed Don Quixote |
no |
66 |
60 |
alas |
Under the Silver Lake |
no |
59 |
56 |
Noir in a rough and retro L.A. |
Pet Cemetary |
no |
57 |
33 |
Has the thrills, but not the depth of the book |
Yardie |
no |
54 |
52 |
Crime saga hurt by flawed script |
The Best of Enemies |
no |
53 |
76 |
narrative has a serious perspective problem |
Girls of the Sun |
no |
51 |
82 |
War story needs a stronger mission |
Who Killed Cock Robin |
no |
50 |
70 |
Arty and stylish but scant energy |
We Are Boats |
no |
50 |
55 |
Muddled fantasy less than inspiring |
Little |
no |
46 |
59 |
alternately clumsy and inspired |
Dumbo |
no |
46 |
48 |
bumpy flight |
I’m Not Here |
no |
38 |
72 |
A contrived script foils married team |
Out of Blue |
no |
37 |
31 |
isn’t out of ideas — just out of gas |
Red Joan |
no |
30 |
55 |
a kind of hollowness at its center |
The Curse of La Llorona |
no |
28 |
35 |
turns horror into schlock |
The Aftermath |
no |
27 |
50 |
A romantic drama stuck in the cold |
After |
no |
18 |
67 |
can't overcome its half baked origins |
Hellboy |
no |
18 |
48 |
loses its poetry along with bucketfulls of viscera |
A Madea Family Funeral |
no |
11 |
30 |
Perry has said he's tired of playing Madea |
Trading Paint |
no |
0 |
31 |
Travolta auto race drama is a drag |
And Then There Was Eve |
no |
|
95 |
Romantic drama with nagging flaw |
Dirt |
no |
|
83 |
Vapid and sexist |
For Love or Money |
no |
|
69 |
unclear who the audience for this movie is |
Cliffs of Freedom |
no |
|
66 |
a bit rocky |
1st Summoning |
no |
|
17 |
A ‘Blair Witch’ with fewer trees |