|
LAT |
RTMC |
RTC |
note: “~” = the film's name |
documentary |
|
|
|
|
The Russian Five |
yes |
100 |
98 |
moving in ways you won’t see coming |
5B |
yes |
100 |
97 |
superbly told |
At the Heart of Gold: Inside the USA Gymnastics Scandal |
yes |
100 |
90 |
a compellingly woven true-crime primer |
The River and the Wall |
yes |
100 |
89 |
compelling, gorgeously shot, super-timely |
The Cold Blue |
yes |
100 |
83 |
rediscovered wartime footage that William Wyler shot. |
General Magic |
yes |
100 |
82 |
involving |
The Silence of Others |
yes |
100 |
82 |
brutal regime affectingly illustrated |
The Black Godfather |
yes |
100 |
|
affectionate, illuminating |
Barbara Rubin & the Exploding NY Underground |
yes |
100 |
|
a visually and artistically compelling portrait |
Knock Down the House |
yes |
99 |
11 |
A woman with a dream |
Toni Morrison: The Pieces I Am |
yes |
97 |
96 |
Heartfelt portrait |
Carmine Street Guitars |
yes |
97 |
71 |
Composed evident affection for the subjects |
The Edge of Democracy |
yes |
97 |
68 |
brilliant, compelling |
For the Birds |
yes |
93 |
88 |
A deeper look at animal hoarding |
The Fealing of Being Watched |
yes |
93 |
|
place[s] its events in a larger context |
The Serengeti Rules |
yes |
92 |
95 |
the transformative power of curiosity and knowledge |
Ask Dr. Ruth |
yes |
92 |
94 |
Just as charming as its subject |
The Most Dangerous Year |
yes |
91 |
100 |
humble yet deeply moving |
The Biggest Little Farm |
yes |
91 |
95 |
It's farm-fabulous, babe |
Echo in the Canyon |
yes |
90 |
92 |
a peace-love-understanding high |
The Raft |
yes |
90 |
85 |
a mind-blowing nonfiction adventure |
Leaving Home, Coming Home: A Portrait of Robert Frank |
yes |
90 |
|
A long-awaited look at a master |
Walking on Water |
yes |
88 |
89 |
Christo and Jeanne- Claude’s kinetic art |
16 Shots |
yes |
88 |
|
One teen’s killing, and a city’s rage |
Pavarotti |
yes |
87 |
97 |
warm, emotional and completely involving |
Woodstock: Three Days That Defined a Generation |
yes |
86 |
84 |
Showing the love amid the mud |
Meeting Gorbachev |
yes |
86 |
69 |
surprisingly warm, eccentric |
Mosul |
yes |
83 |
99 |
thought-provokingly portrayed |
Hesburgh |
yes |
82 |
100 |
thoroughly engaging |
Pasolini |
yes |
78 |
32 |
one troublemaker looking after another’s legacy |
Halston |
yes |
77 |
88 |
gorgeous; extensive historical footage |
The Spy Behind Home Plate |
yes |
77 |
85 |
*authoritative and engrossing |
This One’s for the Ladies |
yes |
72 |
60 |
male strippers and the women who love their work |
The Quiet One |
yes |
65 |
92 |
The unassuming Stone |
Foster |
yes |
|
83 |
A vital documentary |
That Pärt Feeling: The Universe of Arvo Pärt |
yes |
|
|
lovely, slender documentary |
Rolling Thunder |
yes |
|
|
Remarkable but takes liberty with the truth |
True Justice: Bryan Stevenson’s Fight for Equality |
yes |
|
|
coolly passionate |
The Proposal |
so-so |
97 |
50 |
sly, evocative reconstituting of Barragán |
Framing John DeLorean |
so-so |
90 |
64 |
Dramatic reenactments; otherwise involving |
XY Chelsea |
so-so |
65 |
|
portrait not as satisfying as it could be |
Running With Beto |
no |
91 |
|
doesn’t provide much history or personal dimension |
Chasing Portraits |
no |
88 |
|
required a more visually adept depiction |
Instant Dreams |
no |
72 |
88 |
It can’t shake its flashy ostentation |
animated |
|
|
|
|
Okko's Inn |
yes |
100 |
84 |
Welcoming spirit in Japanes ghost story |
Toy Story 4 |
yes |
97 |
94 |
grows up, but it keeps the joy and emotional investment intact |
Funan |
yes |
93 |
76 |
a stunning piece of animation |
The Secret Life of Pets 2 |
yes |
60 |
90 |
Just as appealing as puppy dog eyes |
Ugly Dolls |
no |
28 |
54 |
more a toy pitch than a film |
regular movies |
|
|
|
|
The Wandering Soap Opera |
yes |
100 |
67 |
a view of turbulent reality |
Our Evil |
yes |
100 |
58 |
assured, unconventional genre picture |
Kanarie |
yes |
100 |
|
rich, poignant and finely observed musical drama |
Too Late to Die Young |
yes |
98 |
52 |
mysterious and absorbing |
The Reports on Sarah and Saleem |
yes |
94 |
86 |
snaps, crackles and pops |
Shadow |
yes |
94 |
80 |
stunning but often impenetrable |
Sauvage/Wild’ |
yes |
93 |
72 |
a sensitive look at the life of a sex worker |
Rafiki |
yes |
93 |
70 |
A vibrant, visual romance |
Wild Rose |
yes |
92 |
87 |
Ballad of a Glasgow belter |
The Last Black Man in San Francisco |
yes |
92 |
84 |
A moving ode to a city in flux |
Joy |
yes |
92 |
79 |
the Africa-to-Europe sex slave trade |
Grass |
yes |
92 |
65 |
short, sharp, teases with ambiguity |
Q Ball |
yes |
91 |
91 |
the redemptive power of team camaraderie |
In the Aisles |
yes |
90 |
65 |
a German supermarket romance |
The Souvenir |
yes |
90 |
36 |
an exquisite drama |
Rocketman |
yes |
89 |
88 |
bright, kaleidoscopic visuals |
John Wick: Chapter 3 — Parabellum |
yes |
89 |
86 |
wicked grace |
The Third Wife |
yes |
88 |
68 |
a truly gorgeous, detailed picture book of intimacy |
Non-Fiction |
yes |
87 |
49 |
an enticing blend of the comic and the serious |
Avengement |
yes |
84 |
71 |
A genuinely engaging story veers from pubs to prisons |
Marilyn |
yes |
83 |
|
a gripping, coming-of-age drama set in Argentina |
Long Shot |
yes |
81 |
74 |
charm, chemistry and timely satire |
Late Night |
yes |
80 |
77 |
This comedy never forgets to be funny |
Photograph |
yes |
79 |
64 |
A winsome snapshot of love |
Yomeddine |
yes |
77 |
90 |
A moving tale about acceptance |
Nightmare Cinema |
yes |
76 |
43 |
Gory tales scare up a good time |
All Creatures Here Below |
yes |
71 |
63 |
unbelievably tragic twists and turns |
The Perfection |
yes |
71 |
57 |
A darkly devine turn |
The Command |
yes |
69 |
56 |
Doomed Russian sub thriller rivets |
White Crow |
yes |
67 |
80 |
an involving biographical drama |
My Son |
yes |
63 |
17 |
engrossing, propulsive |
Charlie Says |
yes |
59 |
70 |
a feminist exploration of Manson’s girls |
Brightburn |
yes |
57 |
67 |
gore-splattered film mixes genres to fun, frightening effect |
American Woman |
yes |
57 |
25 |
the tone wobbles a bit, but ... |
The Sun Is Also a Star |
yes |
52 |
61 |
deep-dish romantic fantasy with a bit of grit thrown in |
A Dog’s Journey |
yes |
51 |
91 |
Emotional bite enhances ‘Dog’s’ soft bark |
Hampstead |
yes |
43 |
40 |
charming, often witty |
The Intruder |
yes |
33 |
68 |
will make you jump and laugh |
Shéhérazade |
yes |
|
88 |
melodramatic and dreamlike, desperate souls |
Leto |
yes |
|
|
vibrant portrait of Leningrad’s early 1980s rock scene |
Booksmart |
so-so |
96 |
77 |
keeps rattling off surprise after surprise |
Mouthpiece |
so-so |
91 |
63 |
a cinematic storytelling experiment |
Funny Story |
so-so |
83 |
71 |
a moderately funny comedy |
Bolden |
so-so |
70 |
40 |
vivid and inventive, overly violent musical-drama |
Pokémon Detective Pikachu |
so-so |
68 |
75 |
action sequences are inane, chaotic and incomprehensible |
Annabelle Comes Home |
so-so |
64 |
70 |
Strung too tightly; needs more jump scares |
The Extraordinary Journey of the Fakir |
so-so |
60 |
83 |
A meandering but entertaining trip |
Aladdin |
so-so |
57 |
94 |
despite a few bumps, is mostly worth it |
Ma |
so-so |
56 |
64 |
Octavia Spencer rises above a schlocky tale |
The Dead Don’t Die |
so-so |
54 |
38 |
too arch and remote to fully enjoy |
Tell It to the Bees |
so-so |
53 |
61 |
unassumingly square and overly familiar |
Godzilla: King of the Monsters |
so-so |
42 |
83 |
for the last half-hour anyway |
The Last |
so-so |
|
|
cross-generational drama is provocative, but ... |
Find Me |
no |
100 |
57 |
come[s] together in ways that feel forced |
We Have Always Lived in the Castle |
no |
87 |
75 |
Family mystery is strangely clueless |
All Is True |
no |
72 |
66 |
well-intentioned but disappointing |
Burn Your Maps |
no |
67 |
77 |
In Mongolia but going nowhere |
Child’s Play |
no |
64 |
57 |
lacks devilish soul of original |
Trial by Fire |
no |
61 |
72 |
too heavy-handed |
The Fall of the American Empire |
no |
60 |
78 |
Heist satire more talk than action |
J.T. LeRoy |
no |
55 |
39 |
Literary hoax tale lacks verve |
Extremely Wicked, Shockingly Evil and Vile |
no |
54 |
57 |
exasperatingly oblique |
The Dead Don’t Die |
no |
54 |
38 |
‘Dead’ on arrival |
Tolkien |
no |
51 |
71 |
fails to draw us into an inventive mind |
Murder Mystery |
no |
45 |
43 |
The clues don’t point to laughs |
The Tomorrow Man |
no |
42 |
44 |
the script keaves them abandoned |
El Chicano |
no |
40 |
55 |
a marked separation between Mexican Americans and Mexican nationals |
Poms |
no |
36 |
73 |
Rah, rah, rah, sis boom bomb |
Shaft |
no |
34 |
94 |
seems stuck in past |
Anna |
no |
33 |
81 |
A well-made movie that feels like a dodge |
Domino |
no |
33 |
17 |
The pieces don’t quite fall in line |
Men in Black: International |
no |
23 |
66 |
weightless, unmemorable |
Dark Phoenix |
no |
22 |
64 |
rises, then dives |
The Hustle |
no |
13 |
43 |
one walks away feeling a little, well, hustled |
The Professor |
no |
10 |
77 |
Tough course for a miscast Depp |
Mektoub, My Love: Intermezzo |
no |
10 |
77 |
hits cinema's bottom |
Rattlesnakes |
no |
|
78 |
Twist after twist but no revelations |