|
LAT |
RTMC |
RTC |
note: “~” = the film's name |
documentary |
|
|
|
|
Honeyland |
yes |
100 |
86 |
captivating and, finally, devastating |
American Heretics: The Politics of the Gospel |
yes |
100 |
|
equal parts intellect, empathy and faith |
Angels Are Made of Light |
yes |
100 |
|
done with beauty and grace |
Maiden |
yes |
98 |
97 |
mighty tale about the majesty of the human spiri |
One Child Nation |
yes |
98 |
85 |
disturbing, scrupulously non-exploitative |
Love, Antosha |
yes |
97 |
93 |
a heartfelt goodbye |
Mike Wallace Is Here |
yes |
95 |
86 |
crackerjack |
Blue Note Records: Beyond The Notes |
yes |
95 |
|
captivating |
Sea of Shadows |
yes |
94 |
100 |
A save-the-seas crime thriller |
David Crosby: Remember My Name |
yes |
93 |
87 |
elegiac |
Jay Myself |
yes |
89 |
87 |
Intimate portrait of N.Y. character |
This Changes Everything |
yes |
88 |
100 |
earnest and passionate |
Aquarela |
yes |
86 |
32 |
submersed in power and poetry |
The Great Hack |
yes |
85 |
66 |
significant and provocative |
Cassandro the Exotico |
yes |
85 |
56 |
mélange of observation, music-laden montage and dreamlike fantasy |
Cold Case Hammarskjöld |
yes |
83 |
73 |
twisty, thorny, grips, jolts and exasperates |
Armstrong |
yes |
75 |
74 |
gets to the heart of the man |
Bethany Hamilton: Unstoppable |
yes |
74 |
95 |
Pro surfer’s life is an inspiring feat |
The Amazing Johnathan Documentary |
so-so |
80 |
57 |
inherent uncertainty |
Back to the Fatherland |
no |
44 |
|
patchy storytelling and uncertain aims |
Amplify Her |
no |
|
100 |
too much of a grab-bag |
animated |
|
|
|
|
Buñuel in the Labyrinth of the Turtles |
yes |
98 |
75 |
nose-thumber to more engaged, complicated artist |
The Angry Birds Movie 2 |
yes |
73 |
84 |
feathers and singers fly in funny sequel |
The Lion King |
no |
52 |
88 |
less like an adaptation than a feeble betrayal |
Sound! Euphonium the Movie — Our Promise: A Brand New Day |
no |
|
|
lack of development feels frustrating |
regular movies |
|
|
|
|
Teacher |
yes |
100 |
59 |
expertly gets under your skin — and stays there |
Crown and Anchor |
yes |
100 |
|
utterly absorbing |
The Chambermaid |
yes |
99 |
60 |
brims with empathy and life |
The Farewell |
yes |
97 |
87 |
charming |
Firecrackers |
yes |
96 |
60 |
fast and furious feminine filmmaking |
Rojo |
yes |
96 |
40 |
sophisticatedly entertaining |
The Peanut Butter Falcon |
yes |
95 |
96 |
heartfelt; charming |
I Do Not Care If We Go Down in History as Barbarians |
yes |
95 |
58 |
Brilliant, brainy edification |
Kingdom |
yes |
94 |
96 |
A thrilling whirl of manga heroes |
Rosie |
yes |
94 |
79 |
But few [films] can quietly move you as much |
Ray & Liz |
yes |
94 |
|
bleak as it is, it’s remarkably devoid of bitterness |
Spider-man: Far From Home |
yes |
90 |
95 |
a welcome jolt of comic energy, emotional twists, turns |
Tel Aviv on Fire |
yes |
90 |
86 |
droll and delightful |
Socrates |
yes |
90 |
82 |
empathy-inducing; a rawness of spirit |
Luce |
yes |
90 |
77 |
coolly analytical and absorbing |
Blinded by the Light |
yes |
88 |
91 |
enough potential to get picked up at Sundance |
Luz |
yes |
87 |
58 |
Euro-horror will rattle your soul |
The Nightingale |
yes |
86 |
73 |
profound and difficult |
Diamantino |
yes |
86 |
60 |
uneven, unforgettable lunacy |
Dora and the Lost City of Gold |
yes |
85 |
88 |
a winning adaptation |
Once Upon a Time … in Hollywood |
yes |
85 |
70 |
I reacted with distinct pleasure to ~ |
Midsommar |
yes |
83 |
63 |
Luxuriant deep-tissue freakout |
The Art of Self-Defense |
yes |
83 |
63 |
Striking at toxic masculinity |
Light of My Life |
yes |
82 |
73 |
heartrending survivalist saga |
A Faithful Man |
yes |
81 |
56 |
tweaks a classic format with gimmicks and twists |
Good Boys |
yes |
80 |
86 |
raucous teenage comedy |
Endzeit — Ever After |
yes |
80 |
35 |
A fairy tale threatened with zombies |
Marianne & Leonard: Words of Love |
yes |
79 |
85 |
Poets do not make good husbands |
Jirga |
yes |
78 |
77 |
remarkable truthfulness; conscientiously produced |
Scary Stories to Tell in the Dark |
yes |
77 |
72 |
exhilarating ickiness and loud jump scares |
The Other Story |
yes |
71 |
89 |
Filled to the brim with intense emotions |
Gwen |
yes |
71 |
76 |
eerie quiet and grim portent |
Driven |
yes |
71 |
65 |
glib comedy to crime thriller |
At War |
yes |
70 |
92 |
a lot of the grit and outrage |
Fast & Furious Presents: Hobbs & Shaw |
yes |
67 |
88 |
kicks the insult comedy into gleeful overdrive |
Brian Banks |
yes |
63 |
97 |
more tense and involving than might be anticipated |
Them That Follow |
yes |
59 |
43 |
Holy serpents, so many secrets |
Where’d You Go, Bernadette |
yes |
50 |
74 |
As eccentric as its heroine |
Is That You? |
yes |
|
|
quietly creepy Cuban horror film |
One Bedroom |
yes |
|
|
Engaging case of he-said, she-said |
Sword of Trust |
so-so |
94 |
63 |
has a point but also stumbles a bit |
The Ground Beneath My Feet |
so-so |
90 |
71 |
flawed gem |
Exit |
so-so |
83 |
94 |
simplistically digestible and ultimately predictable |
Cities of Last Things |
so-so |
81 |
69 |
mostly a captivating, brooding churner about fate |
Darlin' |
so-so |
68 |
47 |
Savage or savior, all the same |
Piranhas |
so-so |
58 |
61 |
drags in moments, but ... |
Ask for Jane |
so-so |
50 |
88 |
is moving, despite its flaws |
15 Minutes of War |
so-so |
43 |
83 |
mildly disappointing thriller, but ... |
A Score to Settle |
so-so |
15 |
17 |
occasionally riveting |
Cold Blood |
so-so |
0 |
16 |
well made but hard to warm to |
The Son |
so-so |
|
56 |
moderately distinctive psychological thriller |
Cocaine Condor |
so-so |
|
|
production at the level of a YouTube video, but ... |
Euphoria |
no |
88 |
85 |
draggy pace and flat, blunt dialogue |
Low Low |
no |
86 |
|
covers a bit too much ground |
Crawl |
no |
84 |
75 |
Awash in daddy issues |
Coyote Lake |
no |
83 |
73 |
Strong premise drained |
Skin |
no |
76 |
83 |
never goes deeper |
Above the Shadows |
no |
70 |
66 |
Like its heroine, story fades away |
Bottom of the 9th |
no |
69 |
66 |
Too far down to make a comeback |
Three Peaks |
no |
69 |
|
ends up letting you down |
Skin in the Game |
no |
67 |
69 |
buried under a thick layer of grime from its script |
Astronaut |
no |
65 |
63 |
Space tale stuck on launching pad |
Yesterday |
no |
64 |
89 |
thinly imagined comic fantasy |
The Mountain |
no |
64 |
32 |
Painting the ’50s with a gloomy brush |
Our Time |
no |
63 |
70 |
reveals more beauty than insights |
Ophelia |
no |
62 |
60 |
gets a do-over |
Lying and Stealing |
no |
62 |
19 |
too short on depth and logic |
One Last Night |
no |
60 |
71 |
Mismatched pair upend rom-com |
Trespassers |
no |
60 |
26 |
Your usual home invasion, mostly |
Chain of Death |
no |
60 |
|
incompetently made; nonsensical script |
Summer Night |
no |
55 |
24 |
Bland scenarios in low-stakes tale |
Miss Arizona |
no |
50 |
54 |
Empowerment not fit for a queen |
Silent Panic |
no |
47 |
|
Dudes’ ‘Panic’ turns mopey |
After the Wedding |
no |
45 |
76 |
wellappointed, morality-minded adult soap |
47 Meters Down: Uncaged |
no |
45 |
68 |
Soggy sequel |
The Art of Racing in the Rain |
no |
44 |
96 |
a little light on doggy insight |
Supervized |
no |
44 |
26 |
It sounds more fun than it is |
Stuber |
no |
42 |
79 |
This comedy rates one star |
Girls with Balls |
no |
42 |
24 |
A silly gorefest — and it’s in French |
The Operative |
no |
41 |
|
espionage drama well acted but largely inert |
See You Soon |
no |
33 |
62 |
No roses for this ‘Bachelor’ clone |
Into the Ashes |
no |
30 |
28 |
Familiarity drags ‘Ashes’ down |
Red Sea Diving Resort |
no |
29 |
78 |
fumbles the true story about rescuing refugees |
Iron Sky: The Coming Race |
no |
29 |
30 |
Goofy sequel can’t be saved |
Phil |
no |
27 |
39 |
Kinnear’s debut thinks it’s comedy |
Otherhood |
no |
26 |
54 |
Moms’ road trip goes off the rails |
The Kitchen |
no |
23 |
69 |
More sizzle than steak |
Sextuplets |
no |
20 |
37 |
Many roles but not many laughs |
She’s Just a Shadow |
no |
17 |
40 |
Faux edgy thriller offends and bores |
Awake |
no |
14 |
|
missing a certain spark |
Saving Zoë |
no |
0 |
48 |
The mystery plot isn’t surprising enough |
Killers Anonymous |
no |
0 |
16 |
a pileup of premises [makes] the movie unwieldy |
The Second Sun |
no |
0 |
|
Hard to get past the coincidences |
Better Than Love |
no |
|
100 |
Worthy pill too hard to swallow |
Ring Ring |
no |
|
72 |
odd ‘Ring’ to this horror caper |
Boi |
no |
|
33 |
Too slick, stylish for its own good |
The 16th Episode |
no |
|
14 |
Parody, thriller hits a few bumps |
The Refuge |
no |
|
14 |
bone dry L.A. noir |
Escape Plan: The Extractors |
no |
|
10 |
Not much to get out of this action |
Desolate |
no |
|
|
never really develops an involving enough plot |
South Central Love |
no |
|
|
largely trite and artificial |
The Price for Silence |
no |
|
|
Scattered script undercuts drama |