|
LAT |
RTMC |
RTC |
note: “~” = the film's name. *RT fresh |
documentary |
|
|
|
|
Midnight Traveler |
yes |
100 |
79 |
*unexpectedly intimate and involving |
Vision Portraits |
yes |
100 |
|
a touching ode to the inner life of all artists |
Desolation Center |
yes |
100 |
|
DIY desert roots of mega festivals |
A German Youth |
yes |
100 |
|
Fiendishly researched and smartly constructed |
On the President’s Orders |
yes |
100 |
|
hateful rhetoric turned policy in the Philippines |
Celebration |
yes |
100 |
|
feels like an unearthed gem released from a vault |
Fiddler: A Miracle of Miracles |
yes |
98 |
98 |
*tugs at the heart |
The Cave |
yes |
97 |
80 |
an underground Syrian hospital under siege |
Jawline |
yes |
97 |
48 |
celebrity and loneliness in the digital age. |
Aga |
yes |
96 |
65 |
Poetic and striking |
Raise Hell: The Life and Times of Molly Ivins |
yes |
95 |
100 |
*revels in late pundit Molly Ivins’ eviscerating humor |
American Factory |
yes |
95 |
80 |
*thorough, compelling |
Miles Davis: Birth of the Cool |
yes |
92 |
81 |
*captures all the beauty and ugliness |
The Elephant Queen |
yes |
91 |
89 |
Incredible images are abundant |
Don’t Be Nice |
yes |
91 |
86 |
Pushing poets to find their voices |
Diego Maradona |
yes |
90 |
|
*from cheers to the jeers |
Linda Rondstadt: The Sound of My Voice |
yes |
89 |
99 |
*potent, mind-expanding |
Anthropocene: The Human Epoch |
yes |
89 |
62 |
We humans have messed the house |
Where’s My Roy Cohn? |
yes |
87 |
78 |
The life of a monster manipulator |
What You Gonna Do When the World’s on Fire? |
yes |
87 |
60 |
*indictment of systematic racism |
Always in Season |
yes |
85 |
100 |
rightfully disturbing |
Serendipity |
yes |
83 |
|
Facing cancer, artist turns to art |
Memory: The Origins of "Alien" |
yes |
81 |
92 |
*The insights just burst right out |
Blink of an Eye |
yes |
67 |
88 |
solidly assembled portrait |
Heading Home: The Tale of Team Israel |
yes |
67 |
|
makes for buoyant viewing |
Becoming Nobody |
yes |
62 |
71 |
enjoyable, though hardly a definitive look |
Cracked Up |
yes |
|
75 |
devastating yet life-affirming |
Liberty: Mother of Exiles |
yes |
|
|
HBO exalts the beacon’s abiding glow |
Tell Me Who I Am |
so-so |
97 |
88 |
Absorbing if incomplete |
Friedkin Uncut |
so-so |
86 |
|
a reverential look |
Super Size Me 2: Holy Chicken |
so-so |
74 |
77 |
largely entertaining, with Spurlock’s smug shtick |
Emanuel |
no |
100 |
98 |
lacks in context |
Gift |
no |
100 |
89 |
A pretty if trivial doc on creativity |
Jim Allison: Breakthrough |
no |
92 |
100 |
glossy dramatic re-creations |
Moonlight Sonata: Deafness in Three Movements |
no |
86 |
88 |
doesn’t strike the right chords |
Buzz |
no |
|
|
A writer’s desires unfold carelessly |
Scared of Revolution |
no |
|
|
doesn’t provide much context |
Rezo |
no |
|
|
Gabriadze’s art is woefully slighted |
animated |
|
|
|
|
Promare |
yes |
97 |
93 |
Day-Glo fantasia of bright action |
Another Day of Life |
yes |
89 |
91 |
vividly realized |
Abominable |
yes |
82 |
95 |
*surprises and delights |
The Addams Family |
yes |
45 |
69 |
a faithful and satisfying version |
Ne Zha |
so-so |
88 |
98 |
CG excess and bodily functions, |
Dilili in Paris |
no |
67 |
|
Poor execution upends girl’s tale |
regular movies |
|
|
|
|
One Cut of the Dead |
yes |
100 |
87 |
*layered and brilliant horror-comedy |
Fagara |
yes |
100 |
80 |
Food and family a satisfying combo |
The Load |
yes |
100 |
75 |
The heavy weight of war in Balkans |
Parasite |
yes |
99 |
90 |
*a thriller of extraordinary cunning and emotional force |
First Love |
yes |
98 |
88 |
*Madcap, jovial thriller-romance |
Dolemite Is My Name |
yes |
97 |
91 |
*Eddie Murphy’s back. @#$% yeah |
Tigers Are Not Afraid |
yes |
97 |
82 |
*unfolds in a world of hellish incongruities |
Pain and Glory |
yes |
96 |
91 |
*A surprise in all ways except its surpassing quality |
The Blonde One |
yes |
93 |
|
tender, hypnotic drama |
Monos |
yes |
92 |
85 |
*When Earth, heaven and war collide |
The Harvesters |
yes |
92 |
|
a profound story of brotherhood |
End of the Century |
yes |
91 |
71 |
*intriguingly told story |
The Lighthouse |
yes |
90 |
72 |
*bleak and blisteringly funny squall of a film |
Send Me to the Clouds |
yes |
90 |
|
A soulful journey of self-discovery |
Give Me Liberty |
yes |
89 |
72 |
wonderful rough-hewn realism |
Brittany Runs a Marathon |
yes |
88 |
87 |
*A rewarding race to the finish line |
Freaks |
yes |
88 |
86 |
*eerie, B-movie thrills |
Hustlers |
yes |
87 |
65 |
*smart about its crimes, criminals and consequences |
Adam |
yes |
87 |
43 |
superbly acted |
Downton Abby |
yes |
84 |
94 |
*charms returning guests and new arrivals |
Before You Know It |
yes |
83 |
56 |
*the messy business of parenting; fresh sense of charm |
Official Secrets |
yes |
82 |
89 |
*crackling |
Judy |
yes |
82 |
85 |
A Joy |
This Is Not Berlin |
yes |
82 |
65 |
*exuberant Mexican drama |
Cyrano, My Love |
yes |
81 |
100 |
delightful, buoyantly performed period comedy |
Greener Grass |
yes |
81 |
|
*Crazy comedy feels like a cult film in the making |
Little Monsters |
yes |
79 |
100 |
*Zombie-fighting teacher a delight |
Asako I & II |
yes |
78 |
74 |
*A rewarding race to the finish line |
The Plagiarists |
yes |
77 |
|
Jagged and acrid, slippery and provocative |
Death of Dick Long |
yes |
74 |
86 |
*oddly amusing |
The Sky Is Pink |
yes |
73 |
91 |
Bollywood drama touches the heart |
The King |
yes |
70 |
83 |
Shrewd remake of a royal legend |
Haunt |
yes |
69 |
100 |
A smart look at what scares them |
The Day Shall Come |
yes |
64 |
51 |
Bitter hilarity in a security threat |
The Sound of Silence |
yes |
64 |
|
Aural film strikes the right chord |
Itsy Bitsy |
yes |
60 |
42 |
Creature feature is creepy fun |
Tone-Deaf |
yes |
44 |
32 |
Nothing about ~ is routine |
Vita & Virginia |
yes |
41 |
58 |
film’s visual language is rich and revealing |
Maleficent: Mistress of Evil |
yes |
39 |
95 |
an enjoyably deranged sequel |
The Goldfinch |
yes |
25 |
72 |
The pleasures are quiet but real, befitting its Dickens-like source |
Running With the Devil |
yes |
24 |
36 |
It doesn't matter that it doesn't make a lick of sense |
Trauma Is a Time Machine |
yes |
|
|
A tone poem on a woman’s assault |
Genèse |
yes |
|
|
three teens caught up in romantic drama |
Ready Or Not |
so-so |
88 |
78 |
*heavy layers of irony |
Ad Astra |
so-so |
83 |
40 |
*Space odyssey stumbles, soars |
Auggie |
so-so |
82 |
69 |
exhaust most of its ideas early, but ... |
Jojo Rabbit |
so-so |
80 |
94 |
*turns the weapon of humor on Hitler |
Between Two Ferns |
so-so |
75 |
43 |
*semi-amusing |
Angel of Mine |
so-so |
73 |
86 |
clichéd thriller premise; effective tension. |
Low Tide |
so-so |
73 |
64 |
packs a genuine depth |
Joker |
so-so |
68 |
88 |
*Awfully overdetermined |
Spider in the Web |
so-so |
67 |
41 |
well-made albeit overly reserved |
Strange But True |
so-so |
55 |
83 |
twisty; schlocky charms; tragic secrets |
The Golden Glove |
so-so |
54 |
80 |
Depraved drama about a real killer |
American Dreamer |
so-so |
53 |
76 |
overwrought, but ... |
Angel Has Fallen |
so-so |
39 |
93 |
strangely dull at times, but... |
Lucy in the Sky |
so-so |
21 |
31 |
fascinatingly messy |
Ms. Purple |
no |
87 |
70 |
Moody silence isn’t nuance |
Collisions |
no |
83 |
100 |
compassionate but ultimately underwhelming |
Neither Wolf Nor Dog |
no |
82 |
94 |
Native American drama is too slow |
Loro |
no |
79 |
58 |
*sometimes beguiling, but strangely engineered |
Sink or Swim |
no |
76 |
80 |
Somewhere between a splash and a belly-flop |
Britt-Marie Was Here |
no |
71 |
|
Her ordinary life fails to captivate |
Zombieland: Double Tap |
no |
69 |
88 |
the same old schtick |
Edie |
no |
67 |
74 |
A senior’s quest is stuck in the muck |
It Chapter Two |
no |
62 |
78 |
not-so-scary sequel |
Overcomer |
no |
56 |
98 |
keeps veering off course |
Burn |
no |
54 |
47 |
Rather too eager to be in this mess |
Bennett’s War |
no |
50 |
82 |
Comeback try is an endurance test |
Bloodline |
no |
50 |
55 |
Shocking, but not distinctive |
Don't Let Go |
no |
43 |
79 |
too convoluted |
Laundromat |
no |
40 |
40 |
playful yet uneven survey of financial chicanery |
In the Tall Grass |
no |
36 |
32 |
Creeping terror tires itself out |
Killerman |
no |
30 |
63 |
A lethally dumb, would-be thriller |
Gemini Man |
no |
27 |
83 |
Two suffering Smiths is too much |
Rambo: Last Blood |
no |
27 |
81 |
a truly grisly Grand Guignol horror conclusion |
Corporate Animals |
no |
25 |
16 |
whiffs |
Jexi |
no |
19 |
71 |
a dumb, lazy film |
Hot Air |
no |
17 |
62 |
Humanizing but without humor |
The Fanatic |
no |
16 |
29 |
misbegottenl; terrible; dumb |
Lucky Day |
no |
9 |
39 |
has a pulp affliction |
Jacob’s Ladder |
no |
4 |
36 |
mindlessly action-packed |
Last Ferry |
no |
|
|
Jumbled stumble into the gay scene |
Next Level |
no |
|
|
Dance musical has two left feet |
Game Day |
no |
|
|
Clichés overrun workplace drama |
Pretenders |
no |
|
|
Impressive cast can’t save this one |
Albanian Gangster |
no |
|
|
Gritty but clichéd |