|
LAT |
RTMC |
RTC |
note: “~” = the film's name. *RT fresh |
documentary |
|
|
|
|
Mucho Mucho Amor |
yes |
100 |
91 |
*Captures the larger-than-life astrologer |
Dick Johnson Is Dead |
yes |
100 |
78 |
*Confronting death with a sly visual wit |
Slay the Dragon |
yes |
100 |
71 |
*smarts, energy and integrity |
A Kid from Coney Island |
yes |
100 |
69 |
surprising and affecting |
Journeys Through French Cinema |
yes |
100 |
59 |
*is one you won’t want to end |
2040 |
yes |
100 |
47 |
Inspiring and empowering |
Heimat Is a Space in Time |
yes |
100 |
|
at times distractingly opaque, occasionally, [but] singularly wise |
Ursula von Rydingsvard: Into Her Own |
yes |
100 |
|
A fascinating glimpse |
Totally Under Control |
yes |
99 |
83 |
*no shield for chaos |
Disclosure |
yes |
98 |
87 |
*transgender portrayals in Hollywood |
Time |
yes |
98 |
50 |
*haunting, heartrending |
The Painter and the Thief |
yes |
97 |
85 |
sweapingly emotional |
Human Nature |
yes |
97 |
76 |
intriguing, mind-tingling |
Boys State |
yes |
95 |
89 |
*electifying |
John Lewis: Good Trouble |
yes |
94 |
66 |
*affectionate |
Rebuilding Paradise |
yes |
93 |
83 |
*powerful film on the Camp fire's toll |
Yes God, Yes |
yes |
93 |
65 |
*captures the cringe of young desire, shame |
The Booksellers |
yes |
90 |
76 |
*Dealing with more than just the printed word |
Gordon Lightfoot: If You Could Read My Mind |
yes |
89 |
77 |
Heatfelt ode to a Canadian musical icon |
Spaceship Earth |
yes |
88 |
61 |
captivating experiment in isolation |
Social Dilemma |
yes |
85 |
83 |
*A call to digital arms |
All I Can Say |
yes |
84 |
82 |
A kaleidoscope video diary |
The Broken Hearts Gallery |
yes |
79 |
88 |
*Bubbly spirit propels comedy |
Elephant |
yes |
|
|
charming but too light on education |
Parkland Rising |
so-so |
91 |
92 |
Not a particularly introspective film |
Viral: Antisemitism in Four Mutations |
so-so |
87 |
|
too glib at moments, but ... |
The Dog Doc |
so-so |
86 |
|
warm and fuzzy loses focus at times |
And We Go Green |
so-so |
80 |
|
Frequently feels like a branding exercise |
Cream: America's Only Rock 'n' Roll Magazine |
no |
96 |
97 |
A fading memory as opposed to a useful example |
The Rental |
no |
74 |
43 |
*doesn’t quite fulfill its premise on any front |
Dosed |
no |
69 |
96 |
lack of journalistic scrutiny frustrating |
All In: The Fight for Democracy |
yes |
100 |
68 |
*wins this endorsement |
animated |
|
|
|
|
Troll's World Tour |
yes |
71 |
58 |
kids will like the film and adults almost will |
Scoob! |
no |
48 |
53 |
just another super-hero movie |
regular movies |
|
|
|
|
Crip Camp: A Disability Revolution |
yes |
100 |
91 |
*rousing |
A Secret Love |
yes |
100 |
91 |
*A truly great love story one for the ages |
I Will Make You Mine |
yes |
100 |
91 |
laidback, low-fi charm |
Driveways |
yes |
99 |
83 |
*quietly, achingly lovely |
Forty-Year-Old Version |
yes |
99 |
71 |
*finds art in all the right places |
Miss Juneteenth |
yes |
99 |
56 |
*An unexpectedly timely drama |
Never Rarely Sometimes Always |
yes |
99 |
54 |
*searingly confrontational portrait of a teen girl |
Hamilton |
yes |
98 |
89 |
*rousingly filmed |
Blow the Man Down |
yes |
98 |
73 |
*pleasantly spiky slinging of small-town sin |
Vitalina Varela |
yes |
98 |
59 |
*haunting and profoundly haunted |
The Half Of It |
yes |
97 |
81 |
*ntfx savvy student Cyrano |
Palm Springs |
yes |
94 |
88 |
*breezily entertaining romantic comedy |
Baby Teeth |
yes |
94 |
84 |
*A drama of Unruly intelligence |
Bad Education |
yes |
94 |
83 |
*Sly and funny drama gets an A+ |
Possessor |
yes |
94 |
59 |
*Star turn a cut above |
Bacurau |
yes |
93 |
84 |
*Blood gushes, heads roll |
Bloody Nose, Empty Pockets |
yes |
93 |
73 |
*So unpredictable and alive |
Blue Story |
yes |
93 |
68 |
*Startling tale of gang violence in London |
Uncorked |
yes |
92 |
64 |
*nflx like a fine wine |
The Personal History of David Copperfied |
yes |
92 |
54 |
*Giving classic tale a fresh face |
Relic |
yes |
92 |
51 |
*Reaches an unforgettable end |
The Wild Goose Lake |
yes |
91 |
|
*revelers dance and motorcycles roar |
Kajillionaire |
yes |
90 |
47 |
where childhood and adulthood become indistinguishable |
Summerland |
yes |
88 |
80 |
Refreshing take on the classic British formula |
Deerskin |
yes |
88 |
68 |
*dark comedy makes for a hair-raising good time. |
Shirley |
yes |
88 |
54 |
*A cunning psychological brew |
The Trip To Greece |
yes |
88 |
51 |
*a final trip grows pensive |
Misbehaviour |
yes |
86 |
57 |
*maked for a memorable pageant |
Selah and the Spades |
yes |
86 |
48 |
*An intriguing tale of teen angst and control |
Cuties |
yes |
86 |
15 |
*smart and empathetic |
She Dies Tomorrow |
yes |
84 |
23 |
**more than a bad feeling; it's like a virus |
Bill & Ted Face the Music |
yes |
83 |
65 |
*It's the dudes who remain excellent |
The Painted Bird |
yes |
82 |
68 |
*Pristinely photographed compendium |
Sometimes Always Never |
yes |
82 |
67 |
*witty, idiosyncratic British film |
Tigertail |
yes |
82 |
66 |
*catches viewers by the heartstrings |
True History of the Kelly Gang |
yes |
80 |
41 |
*Brutal and spellbinding |
The Platform |
yes |
79 |
72 |
*ingenius and brutal allegory |
How to Build a Girl |
yes |
79 |
54 |
*sincerely felt and utterly effervescent |
Tommaso |
yes |
79 |
37 |
*Quiet grace amid chaos |
Military Wives |
yes |
77 |
52 |
*de-pendable-to-a-fault British film |
The King of Staten Island |
yes |
75 |
83 |
*King of humor, heartache |
7500 |
yes |
72 |
52 |
Tense thrilly sticks landing |
An American Pickle |
yes |
72 |
44 |
An agreeable low key time Travel comedy |
Vivarium |
yes |
72 |
39 |
His film chills the mind more than the spine |
Amulet |
yes |
72 |
35 |
a zigzagging booby trap of a thriller |
The One And Only Ivan |
yes |
71 |
65 |
Offers big ideas for small fry |
Cut Throut City |
yes |
69 |
40 |
A crime drama that's not just action |
Stargirl |
yes |
68 |
69 |
Letting freak flag fly, Disney+ style |
The Glorias |
yes |
68 |
60 |
Steinem gets her due |
Tesla |
yes |
58 |
43 |
quietly entrancing |
Resistance |
yes |
56 |
59 |
a tense and gripping thriller |
Waiting For the Barbarians |
yes |
54 |
62 |
Dramatically stolid sunblasted epic |
All Day and a Night |
yes |
53 |
58 |
Bleak meditation on black male identity |
Arkansas |
yes |
51 |
51 |
worth a visit |
Blackbird |
yes |
22 |
43 |
tender and intelligent |
Balloon |
yes |
|
|
comes together similar to great escape films |
Yourself and Yours |
yes |
|
|
beguiles with its playful ponderings |
The Audition |
yes |
|
|
Tidy but artful portrait |
Save Yourselves! |
so-so |
89 |
60 |
*just falls flat |
On the Rocks |
so-so |
87 |
50 |
*sweet, undernourished, but well liquored |
Big Time Adolescence |
so-so |
85 |
82 |
*missing a narrative beat or two, plus a proper ending |
To the Stars |
so-so |
82 |
71 |
Poignant take on the past |
The Other Lamb |
so-so |
75 |
37 |
*visually immaculate if dramatically muddled chiller |
Mulan |
so-so |
73 |
47 |
*heavy on swords, lacking in magic |
The High Note |
so-so |
71 |
72 |
falls a tad flat |
Extraction |
so-so |
67 |
70 |
nflx puts action above all else |
On a Magical Night |
so-so |
66 |
27 |
the film grows tedious at times, but ... |
The Devil All Time |
so-so |
64 |
79 |
weaves many tangled webs |
I Still Believe |
so-so |
49 |
98 |
stumbles in its storytelling, but ... |
The Wrong Missy |
so-so |
32 |
49 |
Lighthearted and willfully insubstantial |
The Outpost |
no |
92 |
82 |
*A viseral depiction of combat but little else |
Words On Bathroom Walls |
no |
89 |
94 |
*Serious drama or off kilter rom-com |
Phoenix, Oregon |
no |
82 |
67 |
decidedly less than the sum of its proven parts |
Judy & Punch |
no |
77 |
59 |
*Prove woefully mismatch duo |
Lost Girls |
no |
74 |
51 |
*True-crime tale loses depth |
Human Capital |
no |
68 |
73 |
fizzling narrative |
The Lovebirds |
no |
66 |
51 |
lands somewhere between “Game Night” and “Date Night” |
Radioactive |
no |
63 |
42 |
never entirely discovers the scientist’s spark |
Valley Girl |
no |
59 |
82 |
it's the 80's cover-band version |
Fatima |
no |
57 |
96 |
Fatima is unlikely to be canonized |
The Hunt |
no |
57 |
66 |
Controversial ‘Hunt’ loses its way |
Lost Transmissions |
no |
54 |
40 |
Static drowns out romance’s music |
Unhinged |
no |
48 |
77 |
crudely sadistic schlock-o-rama |
The Roads Not Taken |
no |
44 |
24 |
Baffling trip into ‘parallel worlds’ |
Irresistible |
no |
40 |
62 |
rings so false it’s easy to resist |
Wasp Network |
no |
40 |
37 |
A tale of two Cubas just skims the surface |
The New Mutants |
no |
35 |
56 |
Lingering loose end X-men movie |
Bloodshot |
no |
31 |
78 |
supremely silly Diesel vehicle, |
Antebellum |
no |
30 |
50 |
High concept lands with a thud |
The War With Grandpa |
no |
29 |
85 |
what’s it good for? |
The Secret: Dare to Dream |
no |
28 |
72 |
contrived romantic drama |
Hooking Up |
no |
24 |
54 |
sub-par script |
The Postcard Killings |
no |
24 |
36 |
Art and trash trip over each other |
The Tax Collector |
no |
18 |
72 |
a disservice to the Latino community |
Artemis Fowl |
no |
8 |
19 |
scrubbed, sanitized and neutered |
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