| LAT | RTMC | RTC | note: “~” = the film's name. *RT fresh | |
| documentary | ||||
| Gabby Giffords Won’t Back Down | yes | 100 | 96 | *enduring spirit |
| Torn | yes | 100 | 88 | heart felt and clever |
| We Feed People | yes | 100 | 83 | Jose Andres engaging and inspiring |
| Descendant | yes | 100 | 63 | *powerfully roiling |
| All That Breathes | yes | 99 | 83 | *extraordinary |
| Fire of Love | yes | 98 | 84 | *really kicks ash |
| Sr. | yes | 97 | 90 | *Touching tribute to a cult filmmaker |
| Hold Your Fire | yes | 95 | 58 | *70s hostage |
| Jazz Fest: A New Orleans Story | yes | 93 | 97 | *Lively second line through ~ |
| Only in Theaters | yes | 87 | 96 | *The cinematic story of Laemmle |
| Is That Black Enough For You?!? | so-so | 100 | 62 | *can’t hold up to the weight and breadth of its material |
| The Return of Tanya Tucker: Featuring Brandi Carlile | so-so | 92 | 94 | *Portrait of an American idol |
| My Old School | so-so | 92 | 74 | *perhaps too insenstively lighthearted |
| Eternal Spring | so-so | 79 | 91 | distinctively incisive on an emotional level |
| Salvatore: Shoemaker of Dreams | so-so | 75 | 71 | short on formal innovation |
| Robert Irwin: A Desert of Pure Feeling | no | Useful but unsatisfying | ||
| animated | ||||
| Marcel the Shell With Shoes On | yes | 98 | 90 | *winsome of family friendly whimsy |
| Beavis and Butt-Head Do the Universe | yes | 97 | 84 | *This sequel scores, heh heh |
| Dragon Ball Super: Super Hero | yes | 93 | 95 | a must see for fans |
| Bob's Burgers Movie | yes | 88 | 89 | *The comedy of ~ is manifold |
| Strange World | yes | 72 | 66 | *Vibrant visions of a singular land, family |
| Lightyear | no | 74 | 84 | *does not live up to the buzz |
| Minions: The Rise of Gru | no | 70 | 89 | the new ‘Minions’ is nonsense |
| DC League of Super-Pets | yes | 72 | 88 | fun for all ages |
| regular movies | ||||
| The Novelist's Film | yes | 100 | 67 | another exquisite tale of cinema |
| Girl Picture | yes | 99 | 76 | *swirling, swooning flight of tea age passion |
| Guillermo del Toro's Pinocchio | yes | 97 | 90 | *Spin on classic a real joy |
| Top Gun: Maverick | yes | 96 | 99 | *ridiculously fun, much anticipated |
| Till | yes | 96 | 97 | *restraint and respect; thoughtful, somber |
| Aftersun | yes | 96 | 81 | *beautifully sculpted and quietly shattering |
| Banshees | yes | 96 | 75 | a skillful buddy breakup story |
| The Innocents | yes | 96 | 73 | Child’s play with terrifying twist |
| Clara Sola | yes | 95 | 83 | *devine energy, artistry and mystery |
| Emily the Criminal | yes | 95 | 79 | *engrossing thriller |
| A Love Song | yes | 95 | 71 | *sweet and wistful tale |
| The Woman King | yes | 94 | 99 | *rousing new action-drama |
| Mrs. Harris Goes to Paris | yes | 94 | 93 | *a frothy escape from usual summer fashions |
| Decision to Leave | yes | 94 | 86 | Luxuriant tension |
| Ali & Ava | yes | 94 | 66 | *Music and joy animate a love story for the ages |
| Good Luck to You, Leo Grande | yes | 93 | 85 | *thoroughly charming British comedy |
| Apples | yes | 93 | 76 | *unassumingly superb |
| Vortex | yes | 93 | 74 | *unflinchingly intimate portrait |
| Barbarian | yes | 93 | 71 | *One of the year’s best horror films |
| Glass Onion: A Knives Out Mystery | yes | 92 | 92 | *Knives out again for another whodunit |
| The Fabelmans | yes | 92 | 83 | *piercing, rollicking and altogether marvelous |
| Moonage Daydream | yes | 92 | 75 | *intoxicating imagery and timeless music |
| Piggy | yes | 92 | 59 | *dark comedy, social commentary, raw suspense |
| Rise | yes | 91 | 85 | proves a slam dunk |
| Murina | yes | 91 | 68 | *impressively tense, psychologically astute drama |
| Something in the Dirt | yes | 91 | 45 | *spooky and funny |
| Nanny | yes | 90 | 91 | *Nightmarish tale of an immigrant |
| All Quiet on the Western Front | yes | 90 | 90 | *solid, stirring new adaptation |
| Tár | yes | 90 | 74 | *A magnificent cinematic symphony |
| My Donkey, My Lover & I | yes | 89 | 81 | A charming walk on the wild side |
| The Inspection | yes | 88 | 91 | *looks at the effects of ‘don’t ask, don’t tell’ |
| She Said | yes | 88 | 91 | *simultaneously thrilling and grindingly methodical |
| The Menu | yes | 88 | 76 | *Biting satire is on ~ |
| Catherine Called Birdy | yes | 88 | 64 | *a witty, instant teen classic |
| Pleasure | yes | 88 | 60 | intelligent, daring |
| A Couple | yes | 88 | powerful drama | |
| Thirteen Lives | yes | 86 | 94 | *Deep on logistics, not emotion |
| The Wonder | yes | 86 | 72 | *engrossing |
| Anything’s Possible | yes | 86 | 58 | *emotional truths swirl, elide and reveal themselves |
| Hold Me Tight | yes | 86 | 47 | *a jagged little heartbreaker |
| Cha Cha Real Smooth | yes | 85 | 61 | *It's delightful, it's delicious, it's de-lovely |
| Flux Gourmet | yes | 85 | 54 | *A wickedly funny feast for the senses |
| Both Sides of the Blade | yes | 84 | 42 | *slow-roiling, superbly acted melodrama |
| Mr. Malcolm’s List | yes | 82 | 82 | *clever, entertaining and delectably pretty |
| Bones and All | yes | 82 | 62 | *unexpected depth and layers |
| Vengeance | yes | 81 | 86 | *satire has has the dirt on the media |
| Resurrection | yes | 81 | 46 | *A run-in with a traumatic past |
| Elvis | yes | 77 | 94 | *Sexy, dangerous and spectacular |
| Armageddon Time | yes | 75 | 48 | *quietly anguished |
| My Name Is Sara | yes | 71 | 88 | absorbing, affecting, well-performed |
| Toscana | yes | 71 | 40 | culture clash romance |
| Honk for Jesus. Save Your Soul | yes | 71 | 26 | Praise ‘Jesus,’ this is heavenly satire |
| Beast | yes | 68 | 77 | satisfyingly grisly |
| Old Man | yes | 63 | 51 | flavorful dialog, talented actors and excellent staging |
| Burial | yes | 61 | 47 | gods, monsters and men at war |
| Day-Shift | yes | 57 | 77 | Bloody fun vampire fest |
| Ticket to Paradise | yes | 56 | 87 | mostly absent of surprises and character details, but ... |
| My Policeman | yes | 45 | 96 | a touching tale of a love triangle revisited |
| The Greatest Beer Run Ever | yes | 43 | 91 | turns into a transformative experience |
| Machination | yes | admirably unflinching | ||
| Crimes of the Future | ye | 80 | 50 | *horror-comedy; wildly deranged; beautifully controlled |
| Bros | so-so | 89 | 90 | *comedy’s law must be obeyed |
| Downton Abby: A New Era | so-so | 86 | 97 | *mistitled |
| Lady Chatterley’s Lover | so-so | 85 | 75 | *less-than-heated yet intelligent |
| Black Panther: Wakanda Forever | so-so | 83 | 94 | *Messy but valiant effort to forge ahead |
| Nope | so-so | 83 | 69 | *tripped up by its own high mindedness |
| Accident Man: Hit Man's Holiday | so-so | 80 | 80 | live-action cartoon |
| Spirited | so-so | 71 | 81 | amusing, buoyant; comedy-fantasy missteps |
| Men | so-so | 69 | 40 | *still something to see |
| Stars at Noon | so-so | 62 | 14 | An Intriguing mix of talent and tedium. |
| Dark Glasses | so-so | 52 | 42 | isn't a delirious masterpiece |
| Blonde | so-so | 42 | 34 | dazzling, depressing and fatally incurious |
| Project Wolf Hunting | no | 88 | 67 | doesn’t make a heck of a lot of sense |
| Athena | no | 86 | 71 | *~ is mostly blowing smoke |
| Bodies Bodies Bodies | no | 86 | 69 | *could do with a few corpse corrections |
| The Black Phone | no | 83 | 88 | *wobbles between the bleak and the buffoonish |
| Holy Spider | no | 83 | 74 | *gets stuck in its own web |
| Funny Pages | no | 83 | 51 | feels like an exercise in misplaced artistry |
| Call Jane | no | 82 | 87 | *could use more humanity |
| Memories of My Father | no | 82 | 85 | lacks momentum |
| Breaking | no | 81 | 84 | *glosses over key details |
| The Good Nurse | no | 75 | 76 | *~ is bad |
| Rosaline | no | 74 | 77 | *frustratingly stale |
| Triangle of Sadness | no | 72 | 67 | This farce wears out its welcome |
| The Forgiven | no | 68 | 57 | fails to land |
| A Jazzman’s Blues | no | 65 | 86 | produces only slight variations on a theme |
| Thor: Love and Thunder | no | 63 | 77 | This 'Thor' sequel is not so mighty |
| Bullet Train | no | 54 | 76 | sleek and shiny on the outside, empty on the inside |
| Don’t Make Me Go | no | 53 | 70 | a middle of the road trip |
| Sharp Stick | no | 49 | 40 | misses finer points |
| Spin Me Round | no | 47 | 35 | a genre pastiche with little payoff |
| The Gray Man | no | 46 | 90 | This spy thriller is full of filler |
| Black Adam | no | 38 | 88 | as stiff as a rock |
| Don’t Worry Darling | no | 38 | 74 | It’s not worth worrying about |
| Where the Crawdads Sing | no | 34 | 96 | Where the crawdads just ho-hum along |
| Amsterdam | no | 32 | 62 | keeps losing its way |
| The Immaculate Room | no | 29 | 67 | Isolation drama is one big snooze |
| The Son | no | 29 | 59 | Sadly, ~, does not take after ‘The Father’ |
| Pinocchio | no | 29 | 27 | It’s not the least bit real |
| Mack & Rita | no | 23 | 48 | It's 'Creaky Friday' for Keaton, alas |
| Firestarter | no | 10 | 47 | Psychic blaze fizzles out |
| Peter Go Kant | no | claustrophobic; ill conceived |