| LAT | RTMC | RTC | note: “~” = the film's name. *RT fresh | |
| documentary | ||||
| Filmmakers for the Prosecution | yes | 100 | 100 | engrossing |
| In The Company Of Rose | yes | 100 | compact and captivating look | |
| It Ain’t Over | yes | 98 | 96 | offers a winning coda [for] Yogi Berra |
| Every Body | yes | 97 | 96 | compelling personal stories |
| Turn Every Page: The Adventures of Robert Caro and Robert Gottlieb | yes | 96 | 100 | *spirited, revealing |
| Little Richard: I Am Everything | yes | 95 | 98 | *A rock legend gets his due |
| Judy Blume Forever | yes | 95 | 79 | *Celebrates the GOAT of YA authors |
| All the Beauty and the Bloodshed | yes | 95 | 62 | *enthralling |
| De Humani Corporis Fabrica | yes | 95 | a stunning tour through the human body | |
| Wildcat | yes | 92 | 88 | *It’s a jungle out (and in) there. |
| Second Chance | yes | all too pertinent cautionary tale | ||
| Loudmouth | so-so | 67 | 100 | Al Sharpton profile has one voice — his |
| To The End | so-so | hamstrung by how diffuse the approach is | ||
| animated | ||||
| Spider-Man: Into the Spider-Verse | yes | 97 | 94 | *Spectacular swing through ‘Spider-Verse’ |
| Puss In Boots: The Last Wish | yes | 95 | 94 | *one gorgeous and dynamic fractured fairy tale |
| Avatar: The Way of Water | yes | 76 | 92 | *Deep, Blue Must-See |
| Elemental | yes | 74 | 93 | *Eye popping display of love |
| New Gods: Yang Jian | yes | 63 | 84 | dazzling |
| That Time I Got Reincarnated as a Slime the Movie: Scarlet Bond | so-so | 53 | 93 | Need help making sense out of ‘Slime’? |
| The Super Mario Bros. Movie | no | 53 | 95 | isn't a game changer |
| regular movies | ||||
| Remember This | yes | 100 | 100 | tour-de-force solo performance |
| Those Who Remained | yes | 100 | 64 | A deeply felt duet of healing |
| Are You There God? It's Me, Margaret | yes | 99 | 94 | a transcendent film full of great questions |
| No Bears | yes | 99 | 80 | *brilliant, furious and disparing |
| Joyland | yes | 98 | 71 | *lays bare the complexity of desire |
| R.M.N | yes | 97 | 97 | *A nativistic take on the Nativity story |
| The Quiet Girl | yes | 97 | 93 | *hushed, delicately rendered family drama |
| Return to Seoul | yes | 97 | 92 | *A staggering masterwork |
| Mars One | yes | 97 | 67 | painterly warmth |
| Huesera: The Bone Woman | yes | 97 | 66 | *effectively blood-curdling as it is intellectually incisive |
| Walk Up | yes | 97 | 33 | witty, ingenious and deeply moving tour de force |
| Blue Jean | yes | 96 | 92 | *Living a double life in 80s U.K. |
| Living | yes | 96 | 91 | *faithful reimagining of “Ikiru” |
| The Blue Caftan | yes | 96 | 87 | *the myriad small gestures |
| EO | yes | 96 | 66 | *Soulful witness to life’s perils. |
| Past Lives | yes | 95 | 93 | *an exquisite debut film |
| Saint Omer | yes | 95 | 55 | *Spellbinding French courtroom drama |
| The Eternal Daughter | yes | 95 | 47 | *enigmatic haunted house movie. |
| White Building | yes | 95 | sad, beautiful | |
| Revoir Paris | yes | 94 | 97 | Beauty after an unimaginable tragedy |
| Night of the 12th | yes | 94 | 94 | *spins a gripping tale of murder and misogyny |
| Plan 75 | yes | 94 | 82 | *alternately warm and chilling |
| Full River Red | yes | 94 | 69 | The knives are out and then some; murkily entertaining |
| You Hurt My Feelings | yes | 94 | 64 | *Middle-age ennui, with socks |
| Air | yes | 93 | 98 | *hugely enjoyable and fitfully ruminative. |
| M3GAN | yes | 93 | 78 | *revels in BONKER5 fun |
| Roald Dahl’s Matilda the Musical | yes | 93 | 72 | *(many Dahl moments) charming adaptation |
| Alcarràs | yes | 93 | 72 | *A rare gem set in farm fields |
| One Fine Morning | yes | 93 | 61 | *radiantly intelligent |
| Godland | yes | 92 | 75 | *bleak and beautiful |
| Raising Other People's Children | yes | 91 | 99 | *Joys and pains of raising a kid |
| Everything Went Fine | yes | 91 | 71 | *Dad's not into log goodbyes |
| Four Quartets | yes | 91 | mesmerizing language, masterly invocation | |
| The Eight Mountains | yes | 90 | 97 | *Friendship at a peak |
| Women Talking | yes | 90 | 80 | suspenseful and galvanizing |
| Creed III | yes | 89 | 95 | *~ puts up a fight |
| Showing Up | yes | 89 | 49 | A beautifully sculpted work |
| Missing | yes | 88 | 90 | *thrilling follow-up to ’Searching’ |
| Chess Story | yes | 88 | 79 | a masterfully calibrated wartime mind game |
| Pacification | yes | 88 | 62 | *Disquieting, stunning trip to Tahiti. |
| Emily | yes | 87 | 83 | *passionate and imaginative |
| Tori and Lokita | yes | 87 | 62 | *Encountering a series of shut doors |
| Infinity Pool | yes | 87 | 52 | *identity crisis-as-body horror film |
| A Radiant Girl | yes | 86 | 62 | A coming of age story in war time Europe |
| Guy Ritchie's The Covenant | yes | 83 | 98 | Intense bond shines through* |
| Guardians of the Galaxy Vol. 3 | yes | 82 | 94 | *One final, fun, weird ride |
| Linoleum | yes | 81 | 86 | *delayed launch is worth the wait |
| Framing Agnes | yes | 81 | *fascinating, multidimensional, mosaic-like glimpse | |
| Scarlet | yes | 79 | 98 | sweet magical realist film |
| Plane | yes | 79 | 94 | *Action thriller is ~ fun |
| The Lost King | yes | 77 | 92 | *unique and lively mystery |
| Scream VI | yes | 77 | 91 | a tasty slice |
| A Man Called Otto | yes | 70 | 97 | *they should be making them like this all the time |
| What’s Love Got to Do With It? | yes | 70 | 84 | sweet, sensitive rom-com |
| Cocaine Bear | yes | 66 | 71 | A sharp, grisly comedy-horror |
| White Noise | yes | 64 | 33 | jittery and inventive |
| Pale Blue Eye | yes | 63 | 69 | A young Poe helps in the detecting. |
| 80 For Brady | yes | 58 | 89 | funnier and more charming than expected |
| Book Club: The Next Chapter | yes | 46 | 84 | fluffy fantasy sequel with heart |
| My Happy Ending | yes | 38 | 42 | Working together as a powerful team |
| Full Time | so-so | 98 | 93 | *macro detail keeps us from simply enjoying ~ |
| BlackBerry | so-so | 97 | 94 | *immersive, restless; roaming, zooming in, focusing |
| Chang Can Dunk | so-so | 96 | 73 | likable yet generic |
| John Wick: Chapter 4 | so-so | 94 | 93 | *self-admiring grandiosity |
| Broker | so-so | 94 | 73 | *morally ambiguous but affecting |
| Dungeons & Dragons: Honor Among Thieves | so-so | 91 | 92 | *Rolling the dice, hoping for magic |
| Close | so-so | 91 | 88 | *artful, if a little too calculated |
| Leonor Will Never Die | so-so | 91 | 83 | *heartfelt one moment, drolly silly the next |
| Spoiler Alert | so-so | 86 | 97 | *heartening holiday weepie |
| Corsage | so-so | 86 | 59 | *A refined Princess Diana of her day |
| Beautiful Beings | so-so | 82 | 75 | raw emotion makes up for a lack of overarching vision |
| Indiana Jones and the Dial of Destiny | so-so | 70 | 87 | messy but poignant |
| No Hard Feelings | so-so | 70 | 86 | but plenty of raunch |
| When You Finish Saving the World | so-so | 62 | 73 | feels unfinished but has its moments |
| Magic Mike’s Last Dance | so-so | 48 | 74 | ambitious; muddled |
| The Angry Black Girl and Her Monster | no | 84 | 86 | *Grotesque use of racial trauma |
| Alice Darling | no | 84 | 42 | *slow developing drama |
| Violent Night | no | 73 | 88 | substantive as a sugar cookie |
| Skinamarink | no | 73 | 44 | Just feels terribly wrong |
| Master Gardener | no | 71 | 53 | If it wilts under scrutiny, it has only itself to blame |
| Beau Is Afraid | no | 68 | 71 | Afraid not, ‘Beau’ |
| The Little Mermaid | no | 67 | 94 | *This Little Mermaid feels watered down |
| Knock At the Cabin | no | 67 | 63 | slackens into charade |
| The Whale | no | 64 | 91 | There’s more to love — or not |
| The Flash | no | 63 | 82 | stuck in the past |
| Renfield | no | 58 | 79 | So much blood for such a little bite |
| Fast X | no | 56 | 84 | In ~ franchise is low on gas |
| Jesus Revolution | no | 55 | 99 | *a dry scattered slog |
| In From the Side | no | 54 | 89 | Sexy rugby love story keeps all players at arm’s length |
| Joyride | no | 51 | 66 | on a ~ to nowhere |
| 88 | no | 50 | 81 | cluttered and diffused |
| Shazam! Fury of the Gods | no | 49 | 85 | stale approach; stratosphere of cringe |
| Empire of Light | no | 46 | 74 | fumbles the story |
| Emancipation | no | 45 | 59 | swampy, sloggy action-movie treatment |
| Whitney Houston: I Wanna Dance With Somebody | no | 43 | 92 | *badly off-key |
| Ant Man and the Wasp: Quantumania | no | 42 | 82 | descends into a less charming realm |
| Prisoner’s Daughter | no | 42 | 78 | Stars shore up a generic melodrama |
| Hypnotic | no | 32 | 62 | too absurd to draw you in |
| House Party | no | 28 | 60 | invites boredom |
| God Is A Bullet | no | 24 | 56 | an exploitation slog |
| Babylon | no | Dream Factory or nightmare? |