| LAT | RTMC | RTC | note: “~” = the film's name. *RT fresh | |
| documentary | ||||
| Our Body | yes | 100 | 43 | captures joys and difficulties of women’s healthcare |
| Lakota Nation vs. United States | yes | 100 | 76 | lyrical, edifying and blistering |
| Menu-Plaisirs — Les Troigros | yes | 100 | 88 | *foodie masterpiece |
| 20 Days in Mariupol | yes | 100 | 97 | *agonizing, essential |
| Taylor Swift:The Eras Tour | yes | 99 | 98 | *exhilarating, exhausting fun |
| Anselm | yes | 98 | 76 | *fluid and magical |
| Renaissance: A Film By Beyoncé | yes | 98 | 99 | A celebration of talent, tenacity |
| Orlando, My Political Biography | yes | 94 | 71 | *imaginative, vibrant essay |
| American Fiction | yes | 93 | 95 | *A welcome critique of cultural hypocrisy |
| Remembering Gene Wilder | yes | 88 | 98 | *a beloved star and persona |
| Fioretta | so-so | 100 | 100 | a well-meaning but slapdash travelogue |
| animated | ||||
| Ruby Gillman, Teenage Kraken | yes | 66 | 81 | its charms make it a fun, satisfying watch |
| The Boy and the Heron | yes | 96 | 88 | *beautifully elegiac |
| Teenage Mutant Ninja Turtles: Mutant Mayhem | yes | 95 | 90 | *These ‘Turtles’ are in top form |
| Chicken for Linda | yes | 94 | 100 | a hand drawn musical gem |
| Migration | yes | 73 | 88 | has its ducks in a row |
| Kung Fu Panda 4 | no | 71 | 84 | Po is back but the excellence isn’t |
| regular movies | ||||
| Godzilla Minus One | yes | 99 | 98 | *this iconic kaiju still has plenty of fuel in the reactor. |
| Shayda | yes | 97 | 59 | An Iranian wife fights to live free |
| Fallen Leaves | yes | 97 | 60 | *many muted wonders |
| A Taste of Things | yes | 97 | 76 | *a passionate foodie romance |
| Tótem | yes | 97 | 77 | *It’ll change her, and maybe you |
| Hundreds Of Beavers | yes | 97 | 81 | *mania from heaven |
| Earth Mama | yes | 97 | 94 | *a stunning, tender portrait of Black motherhood |
| The Promised Land | yes | 97 | 96 | *Shining light on a dark frontier |
| The Teacher's Lounge | yes | 96 | 70 | *Gripping study of character |
| Io Capitano | yes | 96 | 87 | *stirring, ultimately if afirming. |
| Anatomy of a Fall | yes | 96 | 90 | *enthralling new thriller |
| Perfect Days | yes | 96 | 90 | *The most exquisite 'Days' |
| All of Us Strangers | yes | 96 | 91 | *emotionally powerful |
| La Chimera | yes | 95 | 73 | digs into value of history |
| The Wonderful Story of Henry Sugar | yes | 95 | 81 | Wes Anderson sweetens the pot |
| Inside the Yellow Cocoon Shell | yes | 94 | 65 | *Sublime journey into the self |
| Love Lies Bleeding | yes | 94 | 82 | The torment is delicious |
| Talk to Me | yes | 94 | 83 | *devilishly fun |
| The Monk and the Gun | yes | 94 | 100 | a gently funny look at Bhutan after the king abdicates |
| Housekeeping For Beginners | yes | 93 | 54 | keenly observed queer drama |
| The Zone of Interest | yes | 93 | 78 | *will get under your skin |
| Poor Things | yes | 93 | 80 | *Wild, gloriously bonkers odyssey to land of ahhhs |
| Killers of the Flower Moon | yes | 93 | 84 | *Powerful epic from a master |
| Oppenheimer | yes | 93 | 91 | *Intellectually thrilling and moral despairing |
| The Eternal Memory | yes | 92 | 93 | *A slow dance of abiding love |
| Dune: Part Two | yes | 92 | 95 | *for right now - and tomorrow |
| Shang-Chi and the Legend of the Ten Rings | yes | 92 | 98 | *Origin story rises above the usual |
| The Passengers of the Night | yes | 91 | 61 | A muted charmer in a decidedly French key. |
| May December | yes | 91 | 65 | *A slippery, superbly acted tour de force |
| Limbo | yes | 91 | 70 | an Antonioni-esque existential once-over |
| Afire | yes | 91 | 72 | *~ burns fiercely |
| Bottoms | yes | 91 | 89 | *sets female rage loose in high school |
| The Breaking Ice | yes | 91 | 92 | Pas de trois on ~ |
| All Dirt Roads Taste of Salt | yes | 90 | 62 | *a major work of art |
| Joy Ride | yes | 90 | 81 | *Funny ~ through China |
| Society of the Snow | yes | 90 | 88 | *survival of the spirit in tragedy |
| One Life | yes | 90 | 98 | A moving portrait of a Holocaust hero. |
| Monkey Man | yes | 89 | 82 | a satisfyingly bone-crunching intensity |
| Barbie | yes | 88 | 83 | *smart, funny, conceptually playful, sartorial dazzling |
| Love Life | yes | 87 | 92 | mixes the mundane with the inexplicable |
| Fair Play | yes | 86 | 54 | *a smart crackling thriller |
| Problemista | yes | 86 | 85 | *deliriously wierd yet relatable |
| Memory | yes | 85 | 72 | *Damaged souls connect |
| Dumb Money | yes | 84 | 85 | *enjoyable finance comedy |
| The First Omen | yes | 83 | 69 | plays to the faithful and gets the job done |
| Eileen | yes | 82 | 53 | *[an] unusually cruel liberation story |
| Sometimes I Think About Dying | yes | 82 | 69 | a sweetness to its soft center |
| Wonka | yes | 82 | 90 | *filled with music and guileless fun |
| Silver Dollar Road | yes | 82 | 93 | *intimacy joy heartbreak and grit |
| The Color Purple | yes | 81 | 95 | *musicality and artistry |
| Origin | yes | 81 | 97 | *makes for deeply felt drama |
| Maestro | yes | 78 | 59 | *magnificent |
| Monster | yes | 78 | 85 | *A 'Rashomon'-like narrative of grace |
| Blue Beetle | yes | 78 | 91 | *A good old-fashioned origin story |
| A Haunting in Venice | yes | 75 | 76 | *Trick or treat, Poirot |
| Sasquatch Sunset | yes | 72 | 31 | leave a giant footprint on the soul |
| The Adults | yes | 72 | 47 | a warm, wry dramedy |
| Occupied City | yes | 72 | 69 | Shadows of World War II in Amsterdam |
| Ferrari | yes | 72 | 73 | *A somber epic of one man's driving ambition |
| The Ministry of Ungentlemanly Warfare | yes | 69 | 92 | It’s Bond with a lot more verve |
| The Marvels | yes | 62 | 80 | quite entertaining [for the most part] |
| I.S.S. | yes | 61 | 43 | quiet but gripping thriller Latimes reviews |
| Lisa Frankenstein | yes | 52 | 81 | Digging up boyfriend material |
| Night Swim | yes | 20 | 42 | familiar yet oddly satisfying |
| Madame Web | yes | 11 | 54 | wonderfully stupid |
| Mission Impossible - Dead Reckoning Part 1 | so-so | 96 | 95 | *feels genuinely overstuffed for a first parter |
| Passages | so-so | 95 | 70 | *Love in all its messy glory |
| About Dry Grasses | so-so | 92 | 81 | *a dour and enveloping affair |
| Out of Darkness | so-so | 85 | 55 | *feels more like evolved [not elevated] horror |
| Shortcomings | so-so | 85 | 85 | *Displaying it's ~ |
| Rustin | so-so | 83 | 82 | *exposition, lengthy monologues |
| Civil War | so-so | 81 | 69 | terrifying yet necessary |
| Saltburn | so-so | 71 | 79 | cold blooded heart-clincher about inequality |
| Drive-Away Dolls | so-so | 63 | 36 | Lesbian road trip comedy |
| The Beekeeper | so-so | 57 | 92 | *ridiculous but fun |
| Candy Cane Lane | so-so | 46 | 45 | A clockwork 'Candy Cane' |
| Aquaman and the Lost Kingdom | so-so | 33 | 79 | seems destined to sink without a ripple |
| Meg 2: The Trench | so-so | 27 | 73 | self-serious sequel |
| The Holdovers | no | 97 | 92 | *Strong whiff of false cheer |
| Dream Scenario | no | 91 | 68 | *ultimately reduces its scope to its detriment |
| Strays | no | 91 | 78 | amuses, but gets old fast |
| Thanksgiving | no | 84 | 79 | *Eli Roth’s feast of gore turns stale |
| El Conde | no | 83 | 61 | *Augusto Pinochet as a weary vampire |
| Coup de Chance | no | 83 | 78 | Woody Allen’s anemic ‘Coup’ |
| Biosphere | no | 80 | 62 | *can’t fully germinate its interesting premise |
| Good Grief | no | 76 | 70 | *a tart snack; if it only felt like a full meal |
| Mean Girls | no | 69 | 62 | new but not improved |
| The Creator | no | 68 | 76 | not especially creative |
| Knox Goes Away | no | 66 | 84 | Moody hit man saga lacks energy |
| The Hunger Games: The Ballad of Songbirds & Snakes | no | 64 | 89 | sequel movie that’s been hastily tacked on |
| Dogman | no | 59 | 84 | fatally uneven revenge thriller |
| Napoleon | no | 58 | 58 | hails the conquering zero |
| Gran Turismo | no | 55 | 98 | a fun ride if you don’t look under the hood |
| Godzilla x Kong: The New Empire | no | 54 | 90 | *gleeful experimentation and over-the-top style |
| Golda | no | 54 | 91 | not rise above being an actor’s showcase |
| The Nun II | no | 51 | 72 | Repetitive ~ proves an easy habit to break |
| Next Goal Wins | no | 46 | 84 | stale, choppy, yuk-challenged |
| Freud's Last Session | no | 44 | 69 | A flawed philosophical 'gotcha' |
| Bob Marley: One Love | no | 43 | 91 | *ultimately trite |
| Ghostbusters: ‘Frozen Empire | no | 42 | 82 | dull and overstuffed |
| Haunted Manshion | no | 38 | 84 | stumbles along |
| Argylle | no | 33 | 70 | has spies but scant intelligence |
| Miller’s Girl | no | 30 | 46 | High school story gets a B (for Bonkers) |
| The American Society of Magical Negroes | no | 25 | 62 | to timid to land any satirical blows |
| Imaginary | no | 24 | 53 | Dull and almost unbearable. |
| The Exorcist: Believer | no | 22 | 58 | Doesn’t inspire belief |
| Expend4bles | no | 14 | 70 | Sequel is so expendable |