| LAT | RTMC | RTC | note: “~” = the film's name. *RTMC fresh !RTC fresh | |||
| documentary | ||||||
| Power | yes | 100 | 91 | lands plenty of hard truths | ||
| Catching Fire: The Story if Anita Pallenberg | yes | 100 | unflinching portrait; an iconic presence | |||
| Confessions of a Good Samaritan | yes | 100 | it does look incredibly rewarding | |||
| Made in England: The Films of Powell and Pressberger | yes | 99 | 94 | *film duo's timeless subversive magic | ||
| Daughters | yes | 95 | 96 | *an achingly beautiful case for second chances | ||
| Reagan | yes | 91 | !A childish, worshipful portrait | |||
| Look Into My Eyes | yes | 89 | *compassionate take on a band of psychics | |||
| Separated | yes | 88 | Trump's shocking immigration solution | |||
| Union | yes | Essential documentary traces ~ efforts. | ||||
| Mahoney | yes | A rich and absorbing exploration | ||||
| The World According to Allee Willis | so-so | 96 | zesty, illuminating | |||
| Porcelain War | no | 18 | 98 | *sublime and stirring | ||
| animated | ||||||
| Wallace & Grommet: Vengeance Most Fowl | yes | 100 | *A superb return | |||
| Flow | yes | 97 | 98 | *!gorgeous, hypnotic | ||
| Sonic the Hedgehog 3 | yes | 85 | 95 | *!shows there's still more mileage left | ||
| Piece by Piece | yes | 83 | 89 | *!a gimmick that works | ||
| Moana 2 | yes | 61 | 86 | Dazzling adventure | ||
| The Garfield Movie | so-so | 37 | 79 | isn't a cat-astrophe | ||
| Inside Out 2 | no | 91 | 95 | *!fails to impart anything insightful to an adult audience | ||
| Mufasa | no | 57 | 89 | Is Lion King losing its roar? | ||
| Despicable Me 4 | no | 56 | 87 | swirls with overplotted mania | ||
| regular movies | ||||||
| All We Imagine as Light | yes | 100 | 69 | *miraculously subtle piece of work | ||
| Thelma | yes | 98 | 83 | *heralds an unlikely action hero | ||
| Good One | yes | 98 | 72 | revealing and exquisitely composed | ||
| Coup | yes | 97 | 98 | *a tasty morsel of social commentary | ||
| Sing Sing | yes | 97 | 97 | *The quiet power of the arts behind bats. | ||
| The Seed of the Sacred Fig | yes | 97 | 94 | *A metaphor for Iran's societal schism | ||
| Do Not Expect Too Much From The End of the World | yes | 97 | 70 | *A darkly funny satire of life’s indignities. | ||
| Kneecap | yes | 96 | 95 | *A fist-pumping good time | ||
| The Count of Monte Cristo | yes | 96 | 94 | *back in epic, gripping form | ||
| Dìdi | yes | 96 | 91 | *Friends come and go, but family remains | ||
| A Real Pain | yes | 96 | 82 | *beautifully observed dramady | ||
| Rebel Ridge | yes | 96 | 73 | *has all the right moves | ||
| Exhibiting Forgiveness | yes | 95 | 92 | *A refreshingly bone-deep view | ||
| Hit Man | yes | 95 | 91 | *a breezy comedy-romance crime story | ||
| The Fire Inside | yes | 93 | 94 | *!fleet, full-of-feeling | ||
| Touch | yes | 93 | 92 | *A gentle caress of love haunted memory | ||
| Juror #2 | yes | 93 | 91 | *gently probing/Civic duty leads to morale quagmire | ||
| Conclave | yes | 93 | 86 | *handsomely rendered and meticulously acted | ||
| Anora | yes | 93 | 84 | *!Happily ever after? Hardly | ||
| The Brutalist | yes | 93 | 80 | *whopper of a film | ||
| Green Border | yes | 93 | 79 | *A grim drama about Europe's refugee crisis | ||
| Close Your Eyes | yes | 93 | *shines with elegant lyricism | |||
| The Best Christmas Pageant Ever | yes | 92 | 97 | !Heart-warming holiday high jinks | ||
| The Order | yes | 92 | 89 | *!revelatory and timely | ||
| The Girl With the Needle | yes | 92 | 85 | *grimly transporting experience. | ||
| The Black Sea | yes | 92 | loose lively and big-hearted tale | |||
| Evil Does Not Exist | yes | 91 | 83 | *A woodsy Eden confronts malice of a modern stripe | ||
| Nickel Boys | yes | 91 | 75 | *Stunning ode to young lives | ||
| Young Woman and the Sea | yes | 88 | 96 | *A true story of perseverance on an epic scale | ||
| Better Man | yes | 88 | 90 | *pop star's ego goes ape in biopic | ||
| Babes | yes | 88 | 78 | *delivers truth of motherhood | ||
| Wicked: Part I | yes | 87 | 95 | *!defies gravity and soars | ||
| Smile 2 | yes | 86 | 81 | *bigger, gorier, more fun than the original | ||
| Bird | yes | 86 | 79 | *a raw fable with a hopeful streak | ||
| Great Absence | yes | 86 | A haunting puzzle | |||
| Between the Temples | yes | 85 | 52 | *A joyful hymn of praise | ||
| Janet Planet | yes | 85 | 48 | *A quietly luminous film debut | ||
| Piece by Piece | yes | 83 | 89 | *a gimmick that works | ||
| I Used To Be Funny | yes | 83 | 69 | *a full and fulfilling narrative arc | ||
| Complete Unknown | yes | 82 | 95 | *gives off sparks | ||
| The Fall Guy | yes | 82 | 85 | *A stuntman in love should never let go | ||
| Blitz | yes | 81 | 81 | *The finer points of England’s finest hour | ||
| Room Next Door | yes | 81 | 76 | *tough favor for an old friend | ||
| Alien: Romulus | yes | 80 | 85 | *is a very enjoyable [pizza] | ||
| Widow Clicquot | yes | 80 | 82 | *worthy, if abbreviated | ||
| Kingdom of the Planet of the Apes | yes | 80 | 77 | *Out of this monkey business, a hero is born | ||
| The Bikeriders | yes | 80 | 74 | *evokes a nostalgic cool with a slick style | ||
| Twisters | yes | 75 | 90 | *!bigger and better than the original | ||
| La Cocina | yes | 75 | 85 | *A blast of furious energy | ||
| Sebastian | yes | 75 | 61 | soulful and observant | ||
| Crossing | yes | 72 | 50 | *compassionate, cautiously hopeful | ||
| Emilia Pérez | yes | 72 | 16 | *Danger and passion heat up ~ | ||
| Immaculate | yes | 71 | 58 | cheeky, freaky, lushly designed horror movie | ||
| Ezra | yes | 70 | 92 | A heartfelt road movie driven by autism | ||
| Gladiator II | yes | 70 | 82 | *More sandals and swords, but still satisfying | ||
| The Universal Theory | yes | 70 | lush air of enchantment and doom | |||
| Lee | yes | 67 | 94 | !a penetrating biopic | ||
| Rumors | yes | deliciously absurd and Buñuelian | ||||
| Y2K | yes | fascinating test case | ||||
| My Old Ass | so-so | 90 | 89 | *fairly traditional coming of age story | ||
| Furiosa : A Mad Max Saga | so-so | 90 | 88 | *forgets what makes ‘Mad Max’ films great | ||
| Challengers | so-so | 88 | 75 | *a trim naughty ferociously acted trifle | ||
| The Killer | so-so | 85 | 61 | *a modestly rousing encore | ||
| The Apprentice | so-so | 83 | 84 | *How ~ became the master | ||
| Saturday Night | so-so | 78 | 83 | *affectionate yet hollow homage | ||
| Queer | so-so | 77 | 65 | *doesn't totally cohere | ||
| Beetlejuice Beetlejuice | so-so | 75 | 79 | *Despite its charm, shouldn’t have been summoned | ||
| Skincare | so-so | 69 | 60 | skims the surface | ||
| Bonhoeffer: Pastor. Spy. Assassin | so-so | 67 | 92 | !displaced history | ||
| Dance First | so-so | 43 | isn't quite Beckettian, but ... | |||
| The Front Room | so-so | 41 | 42 | over-the-top, totally bizarre | ||
| Venom: The Last Dance | so-so | 40 | 80 | A final twirl | ||
| Kraven the Hunter | so-so | 15 | 73 | More dumb and campy fun from Marvel | ||
| All Shall Be Well | no | 96 | this ache of a movie | |||
| September 5 | no | 93 | 90 | *retro-grainy; dim-bluish lighting | ||
| Heretic | no | 91 | 76 | *the plot [doesn't] quite hold up under scrutiny | ||
| Day of the Fight | no | 85 | 93 | *lumbering though always well intentioned | ||
| Nosferatu | no | 84 | 73 | *too much deference to the original | ||
| I Saw the TV Glow | no | 84 | 71 | *claustrophobic mood piece | ||
| Speak No Evil | no | 83 | 83 | remake turns down volume on malevolence | ||
| The Outrun | no | 82 | 82 | *Slipshod filmmaking | ||
| We Live in Time | no | 79 | 83 | *twisty weepie | ||
| Tuesday | no | 76 | 51 | *If this is death then no thanks | ||
| Babygirl | no | 76 | 48 | *Yaaas queen" to "How hyporitical | ||
| Blink Twice | no | 75 | 71 | *is a dark fantasy that gets lost in its execution | ||
| MaXXXine | no | 72 | 75 | *a flimsy thriller | ||
| Kinds of Kindness | no | 71 | 49 | dirty limericks delivered at an excruciating pace | ||
| Bad Boys: Ride or Die | no | 65 | 96 | !it feels flimsy and disposable | ||
| Fly Me to the Moon | no | 65 | 89 | !Throwback rom-com gets lost | ||
| 1992 | no | 65 | 88 | so-so heist caper | ||
| Oh, Canada | no | 64 | 91 | Shaky salute to guilt and suffering | ||
| Unsung Hero | no | 61 | 99 | !murky confusing territory | ||
| Maria | no | 59 | 95 | !a chilly Callas isn't enough | ||
| Boy Kills World | no | 58 | 73 | plenty of gore and even more to bore | ||
| It Ends With Us | no | 55 | 89 | !a stark reality unfortunately gets muddled here | ||
| Horizon: An American Saga | no | 51 | 70 | Costner swings big, and misses | ||
| Megalopolis | no | 45 | 35 | wildly ambitious, overstuffed | ||
| Slingshot | no | 38 | 67 | They’re hitting snooze, and so are we | ||
| Here | no | 37 | 58 | it does not work at all | ||
| Joker: Folie a Deux | no | 31 | 31 | Who are the deux in this folie? | ||
| Red One | no | 30 | 90 | !Santa Claus isn't all that's missing in ~ | ||
| Harold and the Purple Crayon | no | 27 | 89 | !should go back to the drawing board | ||
| The Fabulous Four | no | 25 | 71 | constantly swerves away from anything real | ||
| The Crow | no | 21 | 62 | Desolate 'Crow' can't rise above the muck | ||
| The Strangers - Chapter 1 | no | 21 | 43 | feels overfamiliar | ||
| Borderlands | no | 10 | 49 | game to screen misfire | ||
| The Investigators | no | Perhaps the ride is too smooth |